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The Rich and Other Atrocities.
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I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
How did we get from the Four Hundred to the Kardashians? Amory, a Boston Brahmin and America’s foremost 20th Century social historian, unlocked the secrets of American “Society” from the inside and from the Mayflower to the moment Celebrity conquered all. Amory knew where the bodies were buried and how to pry secrets out of living somebodies. Trenchant and often hysterical, I’ve turned to this book so often for inspiration and information that my copy is totally tattered.
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
After the WASPs of The Social Register, the next great wave of American wealth was generated by the German-Jewish upper class that rose at the end of the 19th Century. Weaving together the stories of the Loeb, Lehman, Lewisohn, Schiff, Seligman, Goldman, Straus, Warburg, and Guggenheim families, Birmingham created a classic of the kind of group biography I aspire to write.
They immigrated to America from Germany in the nineteenth century with names like Loeb, Sachs, Seligman, Lehman, Guggenheim, and Goldman. From tenements on the Lower East Side to Park Avenue mansions, this handful of Jewish families turned small businesses into imposing enterprises and amassed spectacular fortunes. But despite possessing breathtaking wealth that rivaled the Astors and Rockefellers, they were barred by the gentile establishment from the lofty realm of "the 400," a register of New York's most elite, because of their religion and humble backgrounds. In response, they created their own elite "100," a privileged society as opulent and exclusive…
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
When I was a boy, I dreamed of writing pop fiction. As a young writer in the 1980s, I was riveted by the novels of Dominick Dunne, a former film and TV producer who’d started covering Society as a journalist for Vanity Fair, but also wrote novels where he told the sort of stories that couldn’t get past fact-checkers and libel lawyers. This one is the most trenchant and revealing book ever written about the “Nouvelle Society” of the Reagan years. It’s as delicious as dinner used to be at Le Cirque.
Before they had Too Much Money, the inhabitants of Dominick Dunne’s glitzy, gossipy New York Times bestselling novels were People Like Us.
The way journalist Gus Bailey tells it, old money is always preferred, but occasionally new money sneaks in–even where it is most unwelcome. After moving from Cincinnati, Elias and Ruby Renthal strike it even richer in New York, turning their millions into billions. It would be impolite for high society to refuse them now. Not to mention disadvantageous. As long as the market is strong, there’s absolutely nothing to worry about–except for those nasty secrets from the past.…
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
This one is a bit of an obscurity. Another roman a clef from the 1980s, it’s a murder mystery set in Manhattan Society, only this time, it’s about the ways the high and mighty get down and dirty—and at the time, it was said to be based on several very real Upper East Side New York gentleman whose behavior was anything but gentle. At the time, many knew but no one talked about the sleaze and moral corruption that lurked in the dark corners of the world of wealth. I heard enough and saw enough to think that Stewart knew a lot.
New York, its wealth, decadence and crime levels are the subject of this novel which tells the intertwining tales of a rich society queen's sudden recovery from coma and the discovery of a mutiliated corpse. When Lieutenant Vince Cordoza begins to investigate, he gradually finds links between the two seemingly unconnected events. What he finds is dirty, explosive and gruesome and involves not only the society queen's family, but the whole fabric of New York, rich and poor alike.
I’ve been “big-five-published” in contemporary fiction, Indie-published in speculative thrillers and I – only last year – rejected several publishers in favour of self-publishing books Jane Austen herself might have loved. A Jane Austen fanatic from an early age, I know most of the novels by heart, and appear to have succeeded (to some extent) in understanding her style. My Susan – a unique imagining of Austen’s Lady Susan as a young girl – is both award-winning and bestselling and my Harriet– an imaginative “take” on Austen’s Emma,has just been selected as "Editor's Pick - outstanding" on Publishers Weekly.
I could have picked most of the Jeeves novels - though the Mulliner stories are almost as funny - of the immortal P.G. Wodehouse, but this one is especially full of panache. Bertie Wooster is forced to pretend to be Gussie Fink-Nottle in Deverill Hall - a stately pile infested with any number of critical aunts - and the machinations Jeeves is involved in while sorting out the love lives of the rest - not Bertie, on this occasion - are brilliantly done. A great introduction to Wodehouse, for the uninitiated - for the aficionados, a treat.
Follow the adventures of Bertie Wooster and his gentleman's gentleman, Jeeves, in this stunning new edition of one of the greatest comic novels in the English language. Steeple Bumphleigh is a very picturesque place. But for Bertie Wooster, it is a place to be avoided, containing not only the appalling Aunt Agatha but also her husband, the terrifying Lord Worplesdon. So when a certain amount of familial arm-twisting is applied, Bertie heads for the sticks in fear and trepidation despite the support of the irreplaceable Jeeves.
I love a romance where the hero has his viewpoint changed by the woman he falls in love with. He might become a better family man, or transform his politics, or change his priorities, but it all cases loving her alters him. Additionally, I love a heroine who is exceptional in a distinct way but overlooked or dismissed by others. They can be bluestockings or spinsters, reformers or quiet and shy, but they’re all steadfast and they all derive strength from the hero’s support. In short, the love they find together makes them better people.
This is a great book because love makes Mulligan reevaluate what matters most.
Mulligan isn’t a villain exactly, but he does less than admirable things. He believes money is the way to accrue power, and he tries to fix Justine’s problems with bribery. She can’t accept his methods as a way to solve problems, and he is faced with the choice to either rule the criminal world or love the girl.
Obviously, he picks the girl. His story arc is so satisfying because he will do anything for her!
"Nothing makes me happier than a new book from Joanna Shupe!"-Sarah MacLean
The final novel in Joanna Shupe's critically acclaimed Uptown Girl series about a beauitful do-gooder who must decide if she can team up with one of New York's brashest criminals without losing something irreplaceable: her heart.
Manhattan kingpin.
Brilliant mastermind.
Gentleman gangster.
He's built a wall around his heart...
Orphaned and abandoned on the Bowery's mean streets, Jack Mulligan survived on strength, cunning, and ambition. Now he rules his territory better than any politician or copper ever could. He didn't get here by being soft. But in uptown…
As a former journalist, I was trained to look at all sides of a story. When I read, I am drawn to books that have multiple characters with their own narratives. Sometimes the stories intersect with an “aha!” moment, and sometimes they’re told side-by-side inside each character’s head. Either way, it’s intriguing to have different perspectives—especially in a mystery or thriller. That’s why I use the points of view of three wives in An Inconvenient Wife to give my readers insight into each of these fascinating women.
I have always been drawn to stories that are ripped from the headlines but are still so entirely their own.
When I first got the book, I was a little daunted by the length but as I read, I discovered I couldn’t put it down and was so sorry when it was over. A missing girl, a desperate mother—all set against the backdrop of an island that’s the playground of the ultra-wealthy. What’s not to love?
'Gripping, stomach-churning . . . Marwood is in a class of her own' LISA JEWELL
'Heart stopping' SUNDAY TIMES, CRIME BOOK OF THE MONTH
'A ripped-from-the-headlines thriller . . . I couldn't put it down' MARK EDWARDS ________________
Sun-drenched glamour and obscene wealth hide the darkest of secrets and lost girls in this ripped-from-the-headlines thriller.
1985 For twelve-year-old Mercedes, La Kastellana is the place she calls home. It is an island untouched by the modern world, with deep-rooted traditions - though that is all about to change with the arrival of multimillionaire Matthew Meade and his spoiled young daughter, Tatiana.…
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
Terrible things happen to the women in this book, but they all, every single one of them, rock the boat to try and make their own lives. In this retelling of The Great Gatsby that centers the POVs of three women critical to the story (Jordan Baker, Daisy Buchanan, and Myrtle Wilson’s suffragist sister), we get the story that was always hiding between the lines.
I found myself proud of and mourning the lives of each of these women. I felt furious on their behalf and hopeful that the generations that came after them would reap the benefits of their mistakes and their work.
Perhaps most surprising to me, I found myself wanting to know these women more than I ever, ever wanted to get to know Gatsby’s world.
“Jillian Cantor beautifully re-crafts an American classic in Beautiful Little Fools, placing the women of The Great Gatsby center stage: more than merely beautiful, not so little as the men in their lives assume, and certainly far from foolish. Both fresh and familiar, this page-turner is one to savor!” —Kate Quinn, New York Times bestselling author of The Rose Code
“Jillian Cantor’s shifting kaleidoscope of female perspectives makes F. Scott Fitzgerald’s classic tale of Jazz Age longing and lust feel utterly modern. A breathtaking accomplishment.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
It is a learned but lucid work that shows us why we don't know the names of many of the emperors' wives and female kin. Boatwright looks at a range of activities of the imperial women across Roman institutions (the imperial gov't and its laws, the military machine, and the family and the court). Important now to understand how power takes hold in conservative, entrenched societies, and how leading women are exploited in these regimes.
The Imperial Women of Rome explores the constraints and activities of the women who were part of Rome's imperial families from 35 BCE to 235 CE, the Roman principate. Boatwright uses coins, inscriptions, papyri, material culture, and archaeology, as well as the more familiar but biased ancient authors, to depict change and continuity in imperial women's pursuits and representations over time. Focused vignettes open each thematic chapter, emphasizing imperial women as individuals and their central yet marginalized position in the principate. Evaluating historical contingency and personal agency, the book assesses its subjects in relation to distinct Roman structures rather than…
My love for strange women began with a love of the tomboy, growing up in the ‘80s and 90’s with characters like Pippi Longstocking and George from The Famous Five. They’re young women who broke the rules of decorum or gender presentation—and they just always seemed to be having a lot more fun. Or at least more interesting experiences. This love of rebels and unruly women has stuck with me, and I think our depiction of women like this has become deeper and more varied. I just love a character who’s a bit of an odd duck, is irrepressible or voracious, or just plain messy. Nice is boring—give me the chaos.
I love an audacious woman, even if she is a hot mess. This book follows Alex, a young woman who’s been staying at the Hamptons with an older man. She’s a calculated person, good at capitalizing on the good natures and human weaknesses of others, but a small misstep brings her free ride with the older man to an end. Instead of leaving, she decides to linger on Long Island.
Each night, she finds a new person to graft, a new scheme to help her stay. Spending time with Alex was stressful and made me want to shake her for her short-sightedness and self-sabotaging. But at the same time, I couldn’t help but admire her grit and wonder what on earth she was going to do next.
* A TIMES 'Book of 2023' * 'Addictive' STYLIST Books to Look Out For 2023 * 'Destined to be the status read of 2023' HARPER'S BAZAAR BEST NEW FICTION * 'The perfect summer read' CULTURE WHISPER * An EVENING STANDARD 'Best New Books for Spring' * A Financial Times Best Summer Read 2023 *
Summer is coming to a close on Long Island, and Alex is no longer welcome...
One misstep at a dinner party and the older man she's been staying with dismisses her with a ride to the train station and a ticket back to the city. With…
