Fans pick 74 books like People Like Us

I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.  

I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.  

I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.  

I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.  

I love a romance where the hero has his viewpoint changed by the woman he falls in love with. He might become a better family man, or transform his politics, or change his priorities, but it all cases loving her alters him. Additionally, I love a heroine who is exceptional in a distinct way but overlooked or dismissed by others. They can be bluestockings or spinsters, reformers or quiet and shy, but they’re all steadfast and they all derive strength from the hero’s support. In short, the love they find together makes them better people. 

For as long as I can remember, I have always been fascinated by the history of the insane asylum. Aside from the sometimes barbaric treatment of patients in the asylums, I’ve discovered that there was a genuine longing to help these people. The asylum has always had such a dark image associated with it and while that may be true, I’ve always been keen on learning more about why things were done the way they were. I decided that one of the best ways for me to learn was to write about it myself and it taught me so much about the human condition, both good and bad.

I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.

I’d thought I was writing a novel about someone putting a life back together after everything fell apart but, when I’d finished, readers told me I’d written a book about vivid, authentic friendships. It was a welcome surprise. From Charles Dickens to Sylvia Plath, nuanced characters have always interested me and so, when writing, I set myself the task of believable dialogue and interactions which readers can relate to like it’s their own friends sitting around a table; laughing, crying, or bickering. When a life falls apart it’s often friendships that are tested to breaking but then become stronger as a result.

According to Entertainment Weekly, I’m a “bestselling author who has made a name for [myself] with uncannily insightful takes on the dark side of family institutions.” But really, I’m just a novelist who has always been fascinated by the myriad ways we play out our unresolved issues from childhood, again and again, over the course of our lives. Although my books are very different from each other, they all focus on the interrelationships among family members (traditional families, work families, etc.). In my most recent novel, When We Were Bright and Beautiful, I look at how wealth, privilege, and power can corrupt even the most loving relationships.

I’ve been “big-five-published” in contemporary fiction, Indie-published in speculative thrillers and I – only last year – rejected several publishers in favour of self-publishing books Jane Austen herself might have loved. A Jane Austen fanatic from an early age, I know most of the novels by heart, and appear to have succeeded (to some extent) in understanding her style. My Susan – a unique imagining of Austen’s Lady Susan as a young girl – is both award-winning and bestselling and my Harriet – an imaginative “take” on Austen’s Emma, has just been selected as "Editor's Pick - outstanding" on Publishers Weekly.