I’ve been “big-five-published” in contemporary fiction, Indie-published in speculative thrillers and I – only last year – rejected several publishers in favour of self-publishing books Jane Austen herself might have loved. A Jane Austen fanatic from an early age, I know most of the novels by heart, and appear to have succeeded (to some extent) in understanding her style. My Susan – a unique imagining of Austen’s Lady Susan as a young girl – is both award-winning and bestselling and my Harriet– an imaginative “take” on Austen’s Emma,has just been selected as "Editor's Pick - outstanding" on Publishers Weekly.
A highly original new “take” on Jane Austen’s Emma, by prizewinning novelist Alice McVeigh. In Harriet, McVeigh imagines a different Harriet Smith: a Harriet clever enough to pretend to be stupid, a Harriet capable of deceiving Miss Emma Woodhouse – a Harriet with a secret. She shares the story with the mysterious Jane Fairfax.
“A dynamic take on a revered classic. This is still Austen’s Emma—but the story that unfolds through the recollections of these two “side” characters feels remarkably fresh… With or without an understanding of Emma, Harriet contains a fully formed narrative that should satisfy even the choosiest Austen fans… Readers will rarely find the words ‘page-turner’ and 'Jane Austen' in the same sentence, but McVeigh’s impeccably written Harrietcertainly fits the bill.” - IndieReader
I recommend Austen’s Emmabecause of the sensational complexity of the plot, the little clues scattered throughout the novel, the brilliance of the characterization (Mrs. Elton, Miss Bates). It isn’t strictly a romance, but there is great feeling in it – and unrivalled skill. It’s probably the most approachable “masterpiece” ever written!
'Her masterpiece, mixing the sparkle of her early books with a deep sensibility' Robert McCrum, Observer
Although described by Jane Austen as a character 'whom no one but myself will much like', the irrepressible Emma Woodhouse is one of her most beloved heroines. Clever, rich and beautiful, she sees no need for marriage, but loves interfering in the romantic lives of others, until her matchmaking plans unravel, with consequences that she never expected. Jane Austen's novel of youthful exuberance and gradual self-knowledge is a brilliant, sparkling comic masterpiece.
The delight of this book is in the characters of the two sisters, and the character development/coming-of-age arc of the hero.
We have two sisters in a little village (living in the Small House at Allington). They are very different, but both delightful - one sought by a cousin she can't care for, the other jilted by a casual gallant.
As I've written elsewhere, the plot is Austenesque and the writing not far inferior - the dialogue instantly transports one to the period, to the village, and every character is cleverly drawn. It was first published in serial form, so there are no boring bits. There's a satirical portrait of high society, too, and the men are much better-developed than is generally the case in the period. There's a HEA, but not necessarily the one expected!! Highly recommended!
'She had resolved to trust in everything, and, having so trusted, she would not provide for herself any possibility of retreat.'
Lively and attractive, Lily Dale lives with her mother and sister at the Small House at Allington. She falls passionately in love with the urbane Adolphus Crosbie, and is devastated when he abandons her for the aristocratic Lady Alexandrina de Courcy. But Lily has another suitor, Johnny Eames, who has been devoted to her since boyhood. Perhaps she can find renewed happiness in Johnny's courtship?
The Small House at Allington was among the most successful of Trollope's Barsetshire novels,…
I recommend Mapp and Lucia, first, because E.F. Benson is a hugely underrated humourist, and secondly, because there is a fundamental connection between his Lucia books and Austen’s. The societies are not dissimilar… the styles are both effortless. I recommend any lover of Austen to check out the Lucia books!
"Mapp and Lucia" is the centrepiece of E.F. Benson's series of Lucia novels - bringing together for the first time the eponymous middle-aged doyennes of polite 1930s society Miss Elizabeth Mapp and Emmeline Luca (Lucas to her friends). Lucia, recently widowed, is the newcomer to the village of Tilling and eager to wrest the reins of social supremacy from the incumbant Miss Mapp and install herself as its benevolent dictator. In their polite acts of sabotage and ruthless jockeying for the position of cultural arbiter Mapp and Lucia tear up the conventions of drawing-room bridge evenings as their deadly weapons.…
I could have picked most of the Jeeves novels - though the Mulliner stories are almost as funny - of the immortal P.G. Wodehouse, but this one is especially full of panache. Bertie Wooster is forced to pretend to be Gussie Fink-Nottle in Deverill Hall - a stately pile infested with any number of critical aunts - and the machinations Jeeves is involved in while sorting out the love lives of the rest - not Bertie, on this occasion - are brilliantly done. A great introduction to Wodehouse, for the uninitiated - for the aficionados, a treat.
Follow the adventures of Bertie Wooster and his gentleman's gentleman, Jeeves, in this stunning new edition of one of the greatest comic novels in the English language. Steeple Bumphleigh is a very picturesque place. But for Bertie Wooster, it is a place to be avoided, containing not only the appalling Aunt Agatha but also her husband, the terrifying Lord Worplesdon. So when a certain amount of familial arm-twisting is applied, Bertie heads for the sticks in fear and trepidation despite the support of the irreplaceable Jeeves.
Hornblower is a fantastic character, and the entire series is worth a read, but C.S. Forester got more accomplished throughout the series. Meticulously researched - and recently wildly popular, thanks to a TV series - the books are still much deeper, more resonant, and better!! Hornblower is in constant turmoil, too sensitive for his own good or for the crises every Admiral probably had to face, he is also so self-conscious that even in love - and he is very passionate - he can't quite let go. Combine that with a number of vivid females and still more interesting fellow officers - all with their own crosses to bear - and the Napoleonic war on the seas and... could not have been written better.
When Miranda’s fiancé, Russ, is being vetted for his dream job in the U.S. attorney’s office, the couple joke that Miranda’s parents’ history as antiwar activists in the Sixties might jeopardize Russ’s security clearance. In fact, the real threat emerges when Russ’s future employer discovers that Miranda was arrested for felony kidnapping seven years earlier—an arrest she’d never bothered to tell Russ about.
Miranda tries to explain that she was only helping her best friend, in the midst of a nasty custody battle, take her daughter to visit her parents in Israel. As Miranda struggles to prove that she’s not a criminal, she stumbles into other secrets that will challenge what she thought she knew about her own family, her friend, Russ—and herself.
When Miranda’s fiancé, Russ, is being vetted for his dream job in the U.S. attorney’s office, the couple joke that Miranda’s parents’ history as antiwar activists in the Sixties might jeopardize Russ’s security clearance. In fact, the real threat emerges when Russ’s future employer discovers that Miranda was arrested for felony kidnapping seven years earlier—an arrest she’d never bothered to tell Russ about.
Miranda tries to explain that she was only helping her best friend, in the midst of a nasty custody battle, take her daughter to visit her parents in Israel. As Miranda struggles to prove that she’s not…
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