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I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
Frances lives in the Victorian Era in London, but in her hometown of New York, it’s the Gilded Age. This is her background in all its glittering and horrifying glory.
Crime novels fit quite naturally in this era. I love a loathsome villain and Rosemary Simpson serves up some of the worst in her Gilded Age series. She uses actual events, like the great blizzard of 1888, as catalysts for some heinous crimes. If you needed to dispose of a body, what better place than a snowdrift?
Prudence MacKenzie, the dead man’s fiancé and our sleuth, doesn’t seem to realize the danger she’s in. I spent the entire read on the edge of my seat wondering if she’d make it to the end of the book alive. This is historical noir in elegant Gilded Age style.
Set amidst the opulent mansions and cobblestone streets of Old New York, this enthralling historical mystery by Rosemary Simpson brings the Gilded Age to life—in a tantalizing tale of old money, new love, and grave suspicion . . .
As the Great Blizzard of 1888 cripples New York City, heiress Prudence MacKenzie sits anxiously within her palatial Fifth Avenue home waiting for her fiancé’s safe return. But the fearsome storm rages through the night. With daylight, more than two hundred people are found to have perished in the icy winds and treacherous snowdrifts. Among them is Prudence’s fiancé—his body frozen,…
I’ve been reading historical fiction since childhood—it’s my preferred method for learning history. I want to know who people were in an everyday way, not as broad-brush reporting. My tastes are not limited to particular eras although I do my best to skip as much battle detail as I can. I like historical fiction that has character as its throughline. Who are these people? What do/did they want? How did they get it? I think my theatre background and training are what make me ask questions like these. What did they have for dinner? What did they talk about? Their excesses, their eccentricities, their excellences.
Sarah Brandt is, in a squirmy twist for her upper-crust Knickerbocker New York City parents, a turn-of-the-century midwife, widowed and curious about everything. Women of her ilk don’t work. She meets Metropolitan Police Force detective Frank Malone and is his answer to prayer as well as his personal torment. The two meet each other uncannily all over town in this series from the Battery to the Bowery to the Bronx and back again; she, ever helpful, he, ever cynical, until their lives collide in a magically different, far more intimate way. The situations are always intriguing and built around impeccable Gilded Age research.
The first novel in the national bestselling Gaslight Mystery series introduces Sarah Brandt, a midwife in the turn-of-the-century tenements of Manhattan who refuses to turn a blind eye to the injustices of the crime-ridden city...
After a routine delivery, Sarah visits her patient in a rooming house-and discovers that another boarder, a young girl, has been killed. At the request of Sergeant Frank Malloy, she searches the girl's room. She discovers that the victim is from one of the most prominent families in New York-and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
This series is actually set in Newport, Rhode Island but New York’s elite had to have somewhere to go when the summer heat settled on the city. Reporting on all the Newport society news is Emma Cross, second cousin to Cornelius Vanderbilt. I have to admit that I’m fascinated by the lives of these uber-wealthy characters. Their homes, wardrobes, and entertainments are almost shocking in their opulence. I love that many of the characters are real people. In this book, Alva Vanderbilt loses any hope of winning the Mother-of-the-Year award as she browbeats her daughter Consuelo into marrying heir to the Duke of Marlborough. If money can’t buy happiness, maybe a title will.
At the dawn of the twentieth century, the fortunes of the Vanderbilts still shine brightly in glittering Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance . . .
Responding to a frantic call on her newfangled telephone from her cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress—Consuelo’s mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
This novel embraces all the darkest elements of the Gilded Age—the occult, greed, cruelty, and the notorious asylum for the insane on Blackwell’s Island and I’m here for all of it! The sleuth is Amelia Matthews, a psychic who suffered a head injury that both expanded her psychic ability and landed her in Blackwell Asylum. She is not insane, but neither are many of the other women locked up with her—at least not when they first arrived. It’s chilling to know that this really happened to women who were betrayed by their nearest and dearest. Stacie Murphy made me feel like her characters were real, and I wanted justice for them!
A historical mystery in the vein of The Alienist, in which a young woman in Gilded Age New York must use a special talent to unravel a deadly conspiracy.
Amelia Matthew has done the all-but-impossible, especially for an orphan in Gilded Age New York City. Along with her foster brother Jonas, she has parleyed her modest psychic talent into a safe and comfortable life. But safety and comfort vanish when a head injury leaves Amelia with a dramatically-expanded gift. After she publicly channels an angry spirit, she finds herself imprisoned in the notorious insane asylum on Blackwell's Island. As Jonas…
Christmas, it’s often said, is a time for family, so I asked my son to answer this one for me: "He’s an all-right dad, but sometimes he’s really annoying. His most annoying habit is foraging for things in hedges. His books are actually quite good. He’s good about driving me to places. The dog loveshim.He really likes Christmas. His best Christmas habit is that he loves Christmas trees, but he never wants to put them up as early as everyone else, then he always makes us keep them up till Twelfth Night."
Can I make this list and notinclude a golden-age detective story set in a country house at Christmas? This one has all the ingredients required for an afternoon by the fire, looking out at the wintry weather—a locked room, an appealing detective, and a cast of people compelled, rather unwisely, to spend Christmas in each other’s company."If you ask me, there very likely wouldn’t have been a murder at all if it hadn’t been for him getting ideas about peace and goodwill, and assembling all these highly uncongenial people under the same roof at the same time.”
A holiday party takes on a sinister aspect when the colorful assortment of guests discovers there is a killer in their midst. The owner of the substantial estate, that old Scrooge Nathaniel Herriard, is found stabbed in the back. While the delicate matter of inheritance could be the key to this crime, the real conundrum is how any of the suspects could have entered a locked room to commit the foul deed.
For Inspector Hemingway of Scotland Yard, the investigation is complicated by the fact that every guest is hiding something—throwing all of their testimony…
I’m an Australian crime writer and I love reading crime with a real sense of place and/or time. Growing up in Australia, most of the time I read international authors, so finding fabulous books by local authors was a thrill every time, and that excitement has never left me. This list crosses the genre from cosy to hard-boiled crime, which hopefully means something for everyone. If nothing here grabs you, there’s a lot more fantastic Australian crime fiction to discover (did you know Australian author Charlotte Jay won the first ever Edgar Award in 1954?) and I can passion-talk about it anytime!
I like the historical setting of Gentil’s books (mainly 1930s Australia, although her characters venture overseas in a couple of the books) and the original newspaper clippings that introduce the chapters, which give you a glimpse of current affairs that form the backdrop to the story. Personally, I also enjoy the fact that her protagonist is an artist, albeit one with a wealthy family behind him. There’s danger, disapproving family, Blackshirts, unrequited love, and above all, staunch friendships; Rowland and his mates are people you wish you could hang out with. Give the Devil His Due is the seventh book in the Rowland Sinclair series.
When Rowland Sinclair is invited to take his yellow Mercedes onto the Marouba Speedway, popularly known as the Killer Track, he agrees without caution or reserve.
But then people start to die...
The body of a journalist covering the race is found in a House of Horrors, an English blueblood with Blackshirt affiliations is killed on the race track... and it seems that someone has Rowland in their sights...
With danger presenting at every turn, and the brakes long since disengaged, Rowland Sinclair hurtles towards disaster with an artist, a poet and brazen sculptress along for the ride.
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
I love a well-written underdog, and Ashley Gardner delivers in this book. Captain Gabriel Lacey acts as the bridge between the highest echelons of society and the poor at the bottom, humanizing every one of them while solving twisty crimes.
I adored the unexpected friendship between the retired military man and Grenville, a fashion-conscious man of high society. This long-running series remains one of my absolute favorites because of the mix of upstairs/downstairs intrigues and excellent character development.
London, 1816 Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars, burned out, fighting melancholia, his career ended. His interest is piqued when he learns of a missing girl, possibly kidnapped by a prominent member of Parliament. Lacey's search for the young woman leads to murder, corruption, and dealings with a leader of the underworld. At the same time, he struggles with his transition from a soldier's life to the civilian world, redefining his role with his former commanding officer, and making new friends--from the top of society to the street girls of Covent Garden.
I love a story filled with interesting characters and a plot that reels me in. I know how challenging it is to construct a plotline and create breadcrumbs (not too many, so the solution isn’t obvious)–all driven by intriguing characters. I am also a sucker for the “good guys” winning but with no guarantees. The characters must have depth, and I want to learn something new about a situation I am unfamiliar with or how a great story is told.
What a surprise find! I was introduced to Fractured by the ABC/Hulu series Will Trent—credit to my wife. After watching the premiere episode together, she informed me it was based on a Karin Slaughter novel. While the characters' histories were the same in both media, they were quite different in print, physically, and culturally. They’re equally intriguing but different.
Nevertheless, the main character is totally fascinating because of his background—raised in a children’s home, abused by foster parents, dyslexic, but incredibly observant—which makes him a great detective for the Georgia Bureau of Investigation.As the author, Slaughter must have done copious research for the background information and details. Her great writing made it all believable. I was—and am—hooked.
'I'd follow her anywhere' GILLIAN FLYNN 'One of the boldest thriller writers working today' TESS GERRITSEN 'Her characters, plot, and pacing are unrivalled' MICHAEL CONNELLY ___________________________
The second gripping Will Trent novel from the No. 1 bestselling author.
When Atlanta housewife Abigail Campano comes home one afternoon, she walks into a nightmare. A broken window, a bloody footprint on the stairs and her teenage daughter lying dead on the landing, a man standing over her with a knife.
The struggle which follows changes Abigail's life forever.
Now, in the relentless heat of a Georgia summer, Special Agent Will Trent must…
I love to take destination thrillers with me on vacation. It’s like a double whammy of travel. I also love to write destination thrillers and have written quite a few, including my first book, set in a charming lakefront community on Lake Erie, Ohio. My other destination thrillers include Beneath the Surface, set on a luxurious super yacht on a trip to Catalina Island from Newport Beach, California, and my latest, Under the Palms, set at a fabulous Laguna Beach luxury resort. I love to write about grown-ups behaving badly. Dropping the characters into a beautiful resort or vacation setting increases the suspense.
I just love an uber-private, members-only resort setting, and this book delivers.
The club caters to celebs and the wealthy elite who want to be in the presence of famous people. Ned, the creator of The Home, has outdone himself this time and created an island destination to die for.
But when he goes missing, chaos envelops the island and its guests. It kept me on the edge of my seat.
*** A Reese Witherspoon Book Club Pick and an instant New York Times bestseller ***
'One of the most riveting books I've read in a long time' - Louise Candlish, author of Our House
'Smart, topical and immensely entertaining' - T.M. Logan, author of The Holiday
'Marple meets Succession' - Sunday Times Style
'Glitzy and twisty and tons of fun' - Observer
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There's no place like Home . . .
The Home Group is a collection of ultra-exclusive private members' clubs and a global phenomenon, and the opening of its most ambitious project yet - Island Home, a forgotten…
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
Terrible things happen to the women in this book, but they all, every single one of them, rock the boat to try and make their own lives. In this retelling of The Great Gatsby that centers the POVs of three women critical to the story (Jordan Baker, Daisy Buchanan, and Myrtle Wilson’s suffragist sister), we get the story that was always hiding between the lines.
I found myself proud of and mourning the lives of each of these women. I felt furious on their behalf and hopeful that the generations that came after them would reap the benefits of their mistakes and their work.
Perhaps most surprising to me, I found myself wanting to know these women more than I ever, ever wanted to get to know Gatsby’s world.
“Jillian Cantor beautifully re-crafts an American classic in Beautiful Little Fools, placing the women of The Great Gatsby center stage: more than merely beautiful, not so little as the men in their lives assume, and certainly far from foolish. Both fresh and familiar, this page-turner is one to savor!” —Kate Quinn, New York Times bestselling author of The Rose Code
“Jillian Cantor’s shifting kaleidoscope of female perspectives makes F. Scott Fitzgerald’s classic tale of Jazz Age longing and lust feel utterly modern. A breathtaking accomplishment.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue
