Here are 79 books that Murder on Astor Place fans have personally recommended if you like
Murder on Astor Place.
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I’ve lived a long, richly varied, well-traveled, international life, and I can truly say my education has been worldly. Despite advancements in science and technology, two millennia of patriarchal religious brainwashing have prevented humanity from achieving gender balance in power and peace on earth. Today, more than ever, women who confront societal norms are essential to humanity’s progression and the preservation of our planet. People often open up to me about their most daring and dangerous experiences because they know I won’t judge. Their most intimate and romantic revelations have particularly inspired me, and I have namelessly infused many of them into my books, alongside my own. Empowerment begins with education.
I am in awe of Diana Gabaldon’s achievements as I relate to her writing while raising three children.
At first daunted by the 850-page length, once I started reading, I became enthralled with the fantasy of Claire’s time-traveling into the past and meeting the love of her life. I fell in love with the beautiful boy-man, Jamie. He reminded me of the love of my life. Gabaldon’s handling of the attraction between Claire and the Scottish highlander is beguiling, especially in the sexual scenes.
Weaving their love story into real history, her descriptions, plots, and prose are exquisitely compelling. I am committed to reading the entire series. In a word, Outlander is un-put-downable!
#1 NEW YORK TIMES BESTSELLER • The first book in Diana Gabaldon’s acclaimed Outlander saga, the basis for the Starz original series.
One of the top ten best-loved novels in America, as seen on PBS’s The Great American Read!
Unrivaled storytelling. Unforgettable characters. Rich historical detail. These are the hallmarks of Diana Gabaldon’s work. Her New York Times bestselling Outlander novels have earned the praise of critics and captured the hearts of millions of fans. Here is the story that started it all, introducing two remarkable characters, Claire Beauchamp Randall and Jamie Fraser, in a spellbinding novel of passion and…
I’ve been reading historical fiction since childhood—it’s my preferred method for learning history. I want to know who people were in an everyday way, not as broad-brush reporting. My tastes are not limited to particular eras although I do my best to skip as much battle detail as I can. I like historical fiction that has character as its throughline. Who are these people? What do/did they want? How did they get it? I think my theatre background and training are what make me ask questions like these. What did they have for dinner? What did they talk about? Their excesses, their eccentricities, their excellences.
Mademoiselle Geraldine’s Finishing Academy for Young Ladies of Quality. A finishing school? Um, ye-ees. For spies. Spies? Uh-huh. On a dirigible. A—what? In a culture where vampires and werewolves are part of society. Wrapped in a huge steampunk bow. Etiquette and espionage. Curtsies and conspiracies. Waistcoats and weaponry. Manners and mutiny. What could possibly go wrong? (What can’t?) Gail Carriger’s Parasolverse is their entirely diabolically magical setting. Her writing is laugh-out-loud clever, witty as Noel Coward, deeply principled, and there are tons more. I started with the Alexia Tarabotti seven and read every single one. I’d do it again, too. Her heroines make my heart go pitter-pat. With glee.
It's one thing to learn to curtsy properly. It's quite another to learn to curtsy and throw a knife at the same time. Welcome to finishing school.
Sophronia is a great trial to her poor mother. Sophronia is more interested in dismantling clocks and climbing trees than proper manners-and the family can only hope that company never sees her atrocious curtsy. Mrs. Temminnick is desperate for her daughter to become a proper lady. So she enrolls Sophronia in Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality.
But Sophronia soon realizes the school is not quite what her mother might…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
Frances lives in the Victorian Era in London, but in her hometown of New York, it’s the Gilded Age. This is her background in all its glittering and horrifying glory.
Crime novels fit quite naturally in this era. I love a loathsome villain and Rosemary Simpson serves up some of the worst in her Gilded Age series. She uses actual events, like the great blizzard of 1888, as catalysts for some heinous crimes. If you needed to dispose of a body, what better place than a snowdrift?
Prudence MacKenzie, the dead man’s fiancé and our sleuth, doesn’t seem to realize the danger she’s in. I spent the entire read on the edge of my seat wondering if she’d make it to the end of the book alive. This is historical noir in elegant Gilded Age style.
Set amidst the opulent mansions and cobblestone streets of Old New York, this enthralling historical mystery by Rosemary Simpson brings the Gilded Age to life—in a tantalizing tale of old money, new love, and grave suspicion . . .
As the Great Blizzard of 1888 cripples New York City, heiress Prudence MacKenzie sits anxiously within her palatial Fifth Avenue home waiting for her fiancé’s safe return. But the fearsome storm rages through the night. With daylight, more than two hundred people are found to have perished in the icy winds and treacherous snowdrifts. Among them is Prudence’s fiancé—his body frozen,…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
I think Jane Prescot is the perfect sleuth for this story of old money versus new money in 1910 New York City. She is a ladies’ maid to the new money Benchley daughters and she’s determined to keep them out of trouble. Her task becomes more difficult when Charlotte Benchley’s brand new fiancée is murdered.
Jane is uniquely positioned to move through the city streets as well as into the homes of the upper crust. She’s smart, resourceful, and tenacious, but it’s her loyalty to her not-so-nice employers that had me rooting for her to uncover the killer. It definitely gave me Upstairs, Downstairs as well as Downton Abby vibes.
“A taut, suspenseful, and complex murder mystery with gorgeous period detail.”―Susan Elia MacNeal
Through her exquisite prose, sharp observation and deft plotting, Mariah Fredericks invites us into the heart of a changing New York in her remarkable debut adult novel, A Death of No Importance.
New York City, 1910. Invisible until she’s needed, Jane Prescott has perfected the art of serving as a ladies’ maid to the city’s upper echelons. When she takes up a position with the Benchley family, dismissed by the city’s elite as “new money”, Jane realizes that while she may not have financial privilege, she has…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
This series is actually set in Newport, Rhode Island but New York’s elite had to have somewhere to go when the summer heat settled on the city. Reporting on all the Newport society news is Emma Cross, second cousin to Cornelius Vanderbilt. I have to admit that I’m fascinated by the lives of these uber-wealthy characters. Their homes, wardrobes, and entertainments are almost shocking in their opulence. I love that many of the characters are real people. In this book, Alva Vanderbilt loses any hope of winning the Mother-of-the-Year award as she browbeats her daughter Consuelo into marrying heir to the Duke of Marlborough. If money can’t buy happiness, maybe a title will.
At the dawn of the twentieth century, the fortunes of the Vanderbilts still shine brightly in glittering Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance . . .
Responding to a frantic call on her newfangled telephone from her cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress—Consuelo’s mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
This novel embraces all the darkest elements of the Gilded Age—the occult, greed, cruelty, and the notorious asylum for the insane on Blackwell’s Island and I’m here for all of it! The sleuth is Amelia Matthews, a psychic who suffered a head injury that both expanded her psychic ability and landed her in Blackwell Asylum. She is not insane, but neither are many of the other women locked up with her—at least not when they first arrived. It’s chilling to know that this really happened to women who were betrayed by their nearest and dearest. Stacie Murphy made me feel like her characters were real, and I wanted justice for them!
A historical mystery in the vein of The Alienist, in which a young woman in Gilded Age New York must use a special talent to unravel a deadly conspiracy.
Amelia Matthew has done the all-but-impossible, especially for an orphan in Gilded Age New York City. Along with her foster brother Jonas, she has parleyed her modest psychic talent into a safe and comfortable life. But safety and comfort vanish when a head injury leaves Amelia with a dramatically-expanded gift. After she publicly channels an angry spirit, she finds herself imprisoned in the notorious insane asylum on Blackwell's Island. As Jonas…
I’ve been reading historical fiction since childhood—it’s my preferred method for learning history. I want to know who people were in an everyday way, not as broad-brush reporting. My tastes are not limited to particular eras although I do my best to skip as much battle detail as I can. I like historical fiction that has character as its throughline. Who are these people? What do/did they want? How did they get it? I think my theatre background and training are what make me ask questions like these. What did they have for dinner? What did they talk about? Their excesses, their eccentricities, their excellences.
Skye O’Malley is one of the first heroines I encountered who lived by her own code, a startling development in a romance. In addition, Bertrice Small was the first to bridge romance and steamy; our Skye is definitely that. She’s delightful, delicious, de-lovely, and I really admire her outré behavior with England’s capricious Elizabeth Regina. She ends up the head of a clan of brothers and a worldwide sea-faring enterprise as well as a lover, a mother, and a remarkable human being. In addition, there are six more about her next generation, Skye’s Legacy. Small’s research into the Far East is exemplary given a time long, long before Google.
From the incomparable New York Times bestselling author Bertrice Small comes a heroine as breathtaking as she is legendary.
Indomitable and bold in an era of royalty and rogues, Skye O’Malley is a woman who embraces her unbridled sensuality as valiantly as she fights for her children, her lovers, her empire. A woman of justice and honor, she will match wits with and challenge the most dangerous and powerful woman of her time: Queen Elizabeth I.
Though Skye is the object of every man’s fantasy, only a handful have had the thrill of tasting her enticing passions–men whose own daring…
Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.
In prose that is engrossing and rich in color, culture, and voice, Dunant’s historical fiction novel incorporates stories of two of the women that I included in my own book.
The courtesan Fiammetta, loosely based on the life of Veronica Franco, and her healer La Draga, inspired by Elena Crusichi, pulled me into eighteenth-century Venice and its opportunities and dangers for enterprising women. Paired with reading Franco’s actual poems and letters, edited and translated by Ann Rosalind Jones and Margaret F. Rosenthal, I developed a deep admiration and compassion for Franco and Crusichi during Venice’s heyday.
Dunant has again written a page turner that I read more than once.
My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment.
Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice, the shimmering city born out of water to…
After living in Europe for nearly 10 years, I’ve spent more time in planes, trains, and cars than I could ever count. I was able to travel more in that time than I ever dreamed possible, making trips ranging from Gibraltar to Romania to the Isle of Skye. Most of my time was spent all around Ireland where I took tour groups around to help them get beyond Blarney and experience the real Ireland.
Travel back in time to 18th century France, then Louisiana in this sweeping historical romance Christy Award-winning novel. This epic story will not only fill your travel void, but also touch your heart with its uplifting story of faith, survival, and redemption. This is a multi-re-read for me because of Green’s masterful writing, making me feel as though I was right there with the characters.
Sweeping Historical Fiction Set at the Edge of the Continent
After being imprisoned and branded for the death of her client, twenty-five-year-old midwife Julianne Chevalier trades her life sentence for exile to the fledgling 1720s French colony of Louisiana, where she hopes to be reunited with her brother, serving there as a soldier. To make the journey, though, women must be married, and Julianne is forced to wed a fellow convict.
When they arrive in New Orleans, there is no news of Benjamin, Julianne's brother, and searching for answers proves dangerous. What is behind the mystery, and does military officer…
My interest in the American Revolution began with a college course on the French Revolution. I was enthralled by the drama of it all. Being the impressionable late adolescent that I was, I naturally explained to my professor, a famous French historian of the French Revolution, that I wanted to dedicate my life to the study of this fascinating historical period. My professor urged me to reconsider. He suggested I look at a less well-known Revolution, the one British colonists undertook a decade earlier. I started reading books about the American Revolution. Now, forty years on, I’m still enthralled by the astonishing creative energy of this period in American history.
Paine, Copley, and Priestley were all beneficiaries of formal institutional associations, mostly through the voluntary scientific and art associations, the American Philosophical Society in America and the Royal Society and Royal Academy in Britain. Martha Ballard, a midwife living during the early years of the American Republic in Maine (at the time a province of Massachusetts), had no formal associations but she did have deep and abiding affiliations. If not with elite academies, sanctioned by kings, and populated by periwigged gentlemen, then with family and community.
Laurel Thatcher Ulrich’sA Midwife’s Taleremains the finest study ever written about the generative power of family and community in the early history of the American republic. Ballard’s meticulous diary, nearly 10,000 entries, afforded Ulrich access to the full, grueling realities of this remarkable woman’s life—through her own family’s trials, which included the births of her nine children, and the more than eight…
PULITZER PRIZE WINNER • Drawing on the diaries of one woman in eighteenth-century Maine, "A truly talented historian unravels the fascinating life of a community that is so foreign, and yet so similar to our own" (The New York Times Book Review).
Between 1785 and 1812 a midwife and healer named Martha Ballard kept a diary that recorded her arduous work (in 27 years she attended 816 births) as well as her domestic life in Hallowell, Maine. On the basis of that diary, Laurel Thatcher Ulrich gives us an intimate and densely imagined portrait, not only of the industrious and…
