Here are 56 books that What the Dead Leave Behind fans have personally recommended if you like
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I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
I think Jane Prescot is the perfect sleuth for this story of old money versus new money in 1910 New York City. She is a ladies’ maid to the new money Benchley daughters and she’s determined to keep them out of trouble. Her task becomes more difficult when Charlotte Benchley’s brand new fiancée is murdered.
Jane is uniquely positioned to move through the city streets as well as into the homes of the upper crust. She’s smart, resourceful, and tenacious, but it’s her loyalty to her not-so-nice employers that had me rooting for her to uncover the killer. It definitely gave me Upstairs, Downstairs as well as Downton Abby vibes.
“A taut, suspenseful, and complex murder mystery with gorgeous period detail.”―Susan Elia MacNeal
Through her exquisite prose, sharp observation and deft plotting, Mariah Fredericks invites us into the heart of a changing New York in her remarkable debut adult novel, A Death of No Importance.
New York City, 1910. Invisible until she’s needed, Jane Prescott has perfected the art of serving as a ladies’ maid to the city’s upper echelons. When she takes up a position with the Benchley family, dismissed by the city’s elite as “new money”, Jane realizes that while she may not have financial privilege, she has…
I’ve been reading historical fiction since childhood—it’s my preferred method for learning history. I want to know who people were in an everyday way, not as broad-brush reporting. My tastes are not limited to particular eras although I do my best to skip as much battle detail as I can. I like historical fiction that has character as its throughline. Who are these people? What do/did they want? How did they get it? I think my theatre background and training are what make me ask questions like these. What did they have for dinner? What did they talk about? Their excesses, their eccentricities, their excellences.
Sarah Brandt is, in a squirmy twist for her upper-crust Knickerbocker New York City parents, a turn-of-the-century midwife, widowed and curious about everything. Women of her ilk don’t work. She meets Metropolitan Police Force detective Frank Malone and is his answer to prayer as well as his personal torment. The two meet each other uncannily all over town in this series from the Battery to the Bowery to the Bronx and back again; she, ever helpful, he, ever cynical, until their lives collide in a magically different, far more intimate way. The situations are always intriguing and built around impeccable Gilded Age research.
The first novel in the national bestselling Gaslight Mystery series introduces Sarah Brandt, a midwife in the turn-of-the-century tenements of Manhattan who refuses to turn a blind eye to the injustices of the crime-ridden city...
After a routine delivery, Sarah visits her patient in a rooming house-and discovers that another boarder, a young girl, has been killed. At the request of Sergeant Frank Malloy, she searches the girl's room. She discovers that the victim is from one of the most prominent families in New York-and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
This series is actually set in Newport, Rhode Island but New York’s elite had to have somewhere to go when the summer heat settled on the city. Reporting on all the Newport society news is Emma Cross, second cousin to Cornelius Vanderbilt. I have to admit that I’m fascinated by the lives of these uber-wealthy characters. Their homes, wardrobes, and entertainments are almost shocking in their opulence. I love that many of the characters are real people. In this book, Alva Vanderbilt loses any hope of winning the Mother-of-the-Year award as she browbeats her daughter Consuelo into marrying heir to the Duke of Marlborough. If money can’t buy happiness, maybe a title will.
At the dawn of the twentieth century, the fortunes of the Vanderbilts still shine brightly in glittering Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance . . .
Responding to a frantic call on her newfangled telephone from her cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress—Consuelo’s mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
This novel embraces all the darkest elements of the Gilded Age—the occult, greed, cruelty, and the notorious asylum for the insane on Blackwell’s Island and I’m here for all of it! The sleuth is Amelia Matthews, a psychic who suffered a head injury that both expanded her psychic ability and landed her in Blackwell Asylum. She is not insane, but neither are many of the other women locked up with her—at least not when they first arrived. It’s chilling to know that this really happened to women who were betrayed by their nearest and dearest. Stacie Murphy made me feel like her characters were real, and I wanted justice for them!
A historical mystery in the vein of The Alienist, in which a young woman in Gilded Age New York must use a special talent to unravel a deadly conspiracy.
Amelia Matthew has done the all-but-impossible, especially for an orphan in Gilded Age New York City. Along with her foster brother Jonas, she has parleyed her modest psychic talent into a safe and comfortable life. But safety and comfort vanish when a head injury leaves Amelia with a dramatically-expanded gift. After she publicly channels an angry spirit, she finds herself imprisoned in the notorious insane asylum on Blackwell's Island. As Jonas…
I am a musician and writer who has always loved mysteries. Main character-sleuths who are likable and sometimes get in over their heads are my favorites, both as a reader and a writer, especially if they contribute something positive to their world in addition to solving the crime. If their careers or hobbies – anything from the arts to small customer-service businesses – offer joy to themselves and to others, so much the better. Since I grew up in the New York area, I like books that are set there, but am open to a good story set anywhere in the world.
I loved Ella Shane who rose from Lower East Side poverty to success.
She directs and performs in her own opera company – most unusual for a woman in 1899, even in New York. Never forgetting where she came from, she is grateful for all she’s achieved. In this first of a three-part series, Ella turns sleuth after one of her young singers dies mysteriously onstage.
When the singer’s cousin (a Duke, no less) arrives to investigate, the promise of romance is definitely in the air. The contrast between late 1890s protocols versus the changing attitudes of the coming new century is fascinating. The main characters are beautifully and compassionately drawn, and the story has an action-packed finale.
On the cusp of the twentieth century, Manhattan is a lively metropolis buzzing with talent. But after a young soprano meets an untimely end on stage, can one go-getting leading lady hit the right notes in a case of murder?
New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming “trouser roles”—male characters played by women—and captivating audiences far and wide with her travelling theatre company. But Ella’s flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo…
I grew up in New York City, the only child of a busy editor/publisher and a classical musician. We lived in a two-hundred-year-old brownstone that was full of history and books. Often, my fictional and real worlds overlapped. I explored the dark spaces in our old house and imagined the ghosts that might still dwell there. I sat in eight-foot-high windows in the summer and near fireplaces with Victorian marble mantels in winter and read Nancy Drew, Alice in Wonderland, Tolkien, Poe, Shakespeare, and more. Those stories dropped like seeds into my psyche and eventually bloomed into the thrillers and mysteries I write today.
The first locked room mystery I ever read was Agatha Christy’s, And Then There Were None. I fell in love with the trope. I’m a complete patsy for any story that holds a group of unsuspecting characters captive and starts killing them off individually.
Shari Lapena uses a ski resort and a snowstorm to do just that. This book is a fabulously creepy and claustrophobic read for a winter night.
AS FEATURED ON BBC RADIO 2: 'Properly gripping' Romesh Ranganathan
THE SUNDAY TIMES BESTSELLER from the number one bestselling author of THE COUPLE NEXT DOOR.
'Crafted like a vintage Christie and just as tense, this will be a smash hit.' Heat 'Tense. Unpredictable. Unputdownable. Shari Lapena's novels are domestic noir at its finest.' Simon Kernick
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We can't choose the strangers we meet.
As the guests arrive at beautiful, remote Mitchell's Inn, they're all looking forward to a relaxing weekend deep in the forest, miles from anywhere. They watch their fellow guests with interest, from a polite distance.
I come by my love of legal thrillers honestly – when I’m not writing them, I’m living them as a full-time practicing lawyer. The cases in my real-life legal practice are far less exciting than those experienced by the lawyers in my books (or the books I’ve recommended here), but the throughline that connects them is that in reality and in fiction, the stakes are very high, the people involved have a motivation for what they’ve done, and the outcome is always in doubt until that last page.
I first met Alafair Burke after my first book was accepted for publication (at a book reading she was giving) and she was extremely generous with her time and advice about being a crime-fiction writer. I’ve read most of her books, but this is my favorite, combining first-rate knowledge of the legal system with long-hidden family secrets and resentments.
Bestselling author of The Ex and The Wife *The Girl She Was, available to pre-order now* 'Highly addictive' KARIN SLAUGHTER 'A major talent' HARLAN COBEN
Keep your enemies close and your sister closer...
For a while, it seemed like both Taylor sisters had found happiness. Chloe landed a coveted publishing job in New York City. Nicky got married to a promising young attorney named Adam McIntosh and became a mother to a baby boy named Ethan.
But now, fourteen years later, it is Chloe who is married to Adam. When he is murdered at the couple's beach house, she has…
Since I began reading, two things have fascinated me the most, that is, history and mystery. My voracious appetite for mystery began with Nancy Drew and Hardy Boys. History has always been my best subject in school. To me, history isn’t about people, achievements, and dates. It’s about lives lived through the tragedies and triumphs that we all face and can relate to. It is the origin of stories. History doesn’t have to be boring. It can be the greatest and most intriguing story that you have ever read. Mystery is history’s great friend—to convert a huge range of readers into history lovers.
Jane Austen meets Agatha Christie in Julie Klassen’s Shadows of Swanford Abbey. Rebecca is bidden by her recluse brother to get his manuscript published by an author residing at the abbey. A mysterious death occurs for which Rebecca is a suspect. Even worse, the man she used to care for is the presiding magistrate. Klassen is always faithful in detailing Regency elements in every single area of her work from the clothing, jury procedures, customs, architecture, etc. The mystery was seamlessly woven into the history.
Agatha Christie meets Jane Austen in this atmospheric Regency tale brimming with mystery, intrigue, and romance.
When Miss Rebecca Lane returns to her home village after a few years away, her brother begs for a favor: go to nearby Swanford Abbey and deliver his manuscript to an author staying there who could help him get published. Feeling responsible for her brother's desperate state, she reluctantly agrees.
The medieval monastery turned grand hotel is rumored to be haunted. Once there, Rebecca begins noticing strange things, including a figure in a hooded black gown gliding silently through the abbey's cloisters. For all…
I’m a bit of an anomaly in the author world because I didn’t find my passion for reading until I was a newly married adult. My husband, who is the coolest geek ever, introduced me to the DragonLance Chronicles, opening my eyes to the wonder that is the fantasy genre and turning me into an insatiable reader. It’s taken more than ten years to craft my own urban fantasy world, outline my first 6-book series in the world, and write the first book, but none of that would have been possible without the urban fantasy trailblazers listed above. I hope you enjoy these books as much as I have!
Ilona Andrews is a husband-and-wife team that writes realistic, diverse characters and edgy, complex storylines. From the unique, somewhat sci-fi Innkeeper Chronicles to the gritty post-shift world of the Kate Daniels series and the powerful families of the Hidden Legacy series, the Andrews team excels at next level world building, flawed, relatable characters, and I love every one of their books, but Blood Heir is my favorite because it has a strong grown-up street kid with a found family vibes and is a tension-filled slow burn romance, with a strong, intelligent, compassionate, witty female protagonist.
From award-winning author, Ilona Andrews, an all-new novel set in the New York Times #1 bestselling Kate Daniels World and featuring Julie Lennart-Olsen, Kate and Curran's ward.
Atlanta was always a dangerous city. Now, as waves of magic and technology compete for supremacy, it’s a place caught in a slow apocalypse, where monsters spawn among the crumbling skyscrapers and supernatural factions struggle for power and survival.
Eight years ago, Julie Lennart left Atlanta to find out who she was. Now she’s back with a new face, a new magic, and a new name—Aurelia Ryder—drawn by the urgent need to protect…
History has always interested me, in part because it helps explain how we got where we are. I have a bachelor of music in music history, which is where I first became aware of how small things—the invention of the quill pen—can ripple into huge consequences. Tack onto that an inclination toward political science and law, plus a family full of bench scientists, and it’s easy to see how stories set in the past that focus on whodunit, how, and why fascinate me. Both reading and writing against that tapestry educates me, entertains me, and gives me a glimpse of our capacity to transcend all difficulties for the sake of truth and justice.
Early on, what the then-publisher sought, and what the characters preferred apparently diverged, because a few of the titles have an “alternate universe” relationship with the main mystery world.
That didn’t bother me one bit, when the characters and the historical aspects of Napoleonic Britain are so well drawn. Grant is particularly adept at exploring the odd corners of this time period—the diplomatic convolutions, New World repercussions, and sociological upheaval in Britain itself following Waterloo.
As the series progresses, the main protagonists build a community of sleuths, and the relationships complexify right along with the politics. Absolutely wonderful!
Including novellas (two of them prequels), this series is closing in on 30 titles.
Europe's elite have gathered at the glittering Congress of Vienna--princes, ambassadors, the Russian tsar--all negotiating the fate of the continent by day and pursuing pleasure by night. Until Princess Tatiana, the most beautiful and talked about woman in Vienna, is found murdered during an ill-timed rendezvous with three of her most powerful conquests. . .
Suzanne Rannoch has tried to ignore rumors that her new husband, Malcolm, has also been tempted by Tatiana. As a protégé of France's Prince Talleyrand and attaché for Britain's Lord Castlereagh, Malcolm sets out to investigate…
