History has always interested me, in part because it helps explain how we got where we are. I have a bachelor of music in music history, which is where I first became aware of how small things—the invention of the quill pen—can ripple into huge consequences. Tack onto that an inclination toward political science and law, plus a family full of bench scientists, and it’s easy to see how stories set in the past that focus on whodunit, how, and why fascinate me. Both reading and writing against that tapestry educates me, entertains me, and gives me a glimpse of our capacity to transcend all difficulties for the sake of truth and justice.
Harris plots with an exquisite sense of pacing, never letting up on either dramatic or character arcs.
She also always provides a satisfying resolution, while leaving enough series-level issues for further development. Big, juicy books with conflict on many levels. I particularly admire how season by season and year by year, her plotting material marches with what were current affairs in Regency England, and celebrity gossip of the day. Utterly delightful!
This series is up to eighteen full-length titles (No. 19 What Cannot Be Said, due out in Spring 2024).
'Harris' riveting debut delivers a powerful blend of political intrigue and suspense ...This fresh, fast-paced historical is sure to be a hit.' - Publishers WeeklyIt's 1811, and the threat of revolution haunts the upper classes of King George III's England. Then a beautiful young woman is found savagely murdered on the altar steps of an ancient church near Westminster Abbey. A duelling pistol discovered at the scene and the damning testimony of a witness both point to one man, Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.Now a fugitive running for…
Early on, what the then-publisher sought, and what the characters preferred apparently diverged, because a few of the titles have an “alternate universe” relationship with the main mystery world.
That didn’t bother me one bit, when the characters and the historical aspects of Napoleonic Britain are so well drawn. Grant is particularly adept at exploring the odd corners of this time period—the diplomatic convolutions, New World repercussions, and sociological upheaval in Britain itself following Waterloo.
As the series progresses, the main protagonists build a community of sleuths, and the relationships complexify right along with the politics. Absolutely wonderful!
Including novellas (two of them prequels), this series is closing in on 30 titles.
Europe's elite have gathered at the glittering Congress of Vienna--princes, ambassadors, the Russian tsar--all negotiating the fate of the continent by day and pursuing pleasure by night. Until Princess Tatiana, the most beautiful and talked about woman in Vienna, is found murdered during an ill-timed rendezvous with three of her most powerful conquests. . .
Suzanne Rannoch has tried to ignore rumors that her new husband, Malcolm, has also been tempted by Tatiana. As a protégé of France's Prince Talleyrand and attaché for Britain's Lord Castlereagh, Malcolm sets out to investigate…
Nine titles make up this now (apparently) complete series, which features the eponymous Lady Julia, a widow as of the first scene in the first tale, and the tall, dark, and enigmatic Nicholas Brisbane.
Raybourn’s chops as a romance author might explain why the chemistry between these two characters is wonderfully intense, but her fascinating exploration of the high Victorian English world (including some far-flung locations) highlights Raybourn’s skill with setting and historical rabbit holes.
Not only does Silent in the Grave go on my list, but the series itself also goes on my “wish there were more stories!” list. Fortunately, Raybourn’s Veronica Speedwell mysteries are just as scrumptious!
Go back to where it all began with the original Lady Julia Grey historical mystery series from New York Times bestselling author of Killers of a Certain Age, Deanna Raybourn.
“Let the wicked be ashamed, and let them be silent in the grave.”
These ominous words are the last threat that Sir Edward Grey receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, he collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests.
A Beautiful Blue Death begins the publication order of this marvelous Victorian series, though some later-written prequels bring the list of titles to fifteen.
Lenox is remarkable for his affable nature—no enormous childhood trauma, addictions, or unresolved grief defining him; he’s not oppressed by his society. He stands in contrast to the complicated, dynamic, and politically fraught world he investigates.
Finch’s prose is both plummy and punchy, his voice well crafted for the period, and his plots delightfully rife with Victorian arcana and eccentricities. Comfort reading never had quite this much style, elegance, and verve!
I find the Georgian era fascinating (kinda shows, right?) particularly in the years immediately after Waterloo.
Gardner (a pseudonym for prolific author Jennifer Ashley) presents us with a sleuth who is a former officer recently returned from the war. He’s limping in body and spirit, and the puzzles he solves take us from the slums and alleys to high society, and a lot of interesting places in between.
Lacey is grouchy, astute, sweet, and tenacious, I doubt I will ever tire of reading of his exploits. (And if he’s your jam too, you will doubtless enjoy Gardner’s Gladiator Mysteries, and her Belowstairs Mysteries.)
London, 1816 Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars, burned out, fighting melancholia, his career ended. His interest is piqued when he learns of a missing girl, possibly kidnapped by a prominent member of Parliament. Lacey's search for the young woman leads to murder, corruption, and dealings with a leader of the underworld. At the same time, he struggles with his transition from a soldier's life to the civilian world, redefining his role with his former commanding officer, and making new friends--from the top of society to the street girls of Covent Garden.
Lord Julian Caldicott has come home from the war in ragged health and with a reputation in tatters. All he wants is to recuperate in private without bringing any further scandal on the family’s good name. His godmother inveigles him into escorting her to a rural house party, whereupon circumstances conspire to prevent Julian from resuming his reclusive existence.
Julian becomes the subject of rumors, lies, and whispers, and soon he’s faced with a choice: Wage one more battle for honor’s sake, or be branded a traitor to all that he holds dear. He will enlist unlikely allies, face old demons, and vex every other guest on the premises, but he will not stop until he brings a criminal to justice–or dies trying.
I have been to, and loved, North, Central, and especially East Africa for over fifty years. Only six times have I been to Africa on holiday; more often, perhaps twenty or more times, as a television producer. Working in Africa gains a perspective of reality that the glories of vacation do not. Each has its place, each its pitfalls like stalled plane rides with emergency landings in the bush or attacks by wildlife. But, in the end, the magic of the “otherness,” what an old friend called “primitava” captures one’s soul and changes your life.
Keen to rekindle their love of East African wildlife adventures after years of filming, extreme dangers, and rescues, producer Pero Baltazar, safari guide Mbuno Waliangulu, and Nancy Breiton, camerawoman, undertake a filming walking adventure north of Lake Rudolf, crossing from Kenya into Ethiopia along the Omo River, following a herd of elephant making their annual migration.
Stumbling onto an elephant poaching, the team become embroiled in true financing of terrorism for al Shabaab –ivory sales–and are determined to stop the slaughter at any cost. Ivory trade financing terrorism involves UN refugee camps with two hundred thousand displaced Somali persons, powerful…
A documentary team hiking through East Africa collides with a gang of deadly poachers, in this gripping adventure by the author of Kidnapped on Safari.
Years of filming, extreme dangers, and daring rescues have taken their toll on documentary producer Pero Baltazar and his team. To relax and reconnect with the East African wildlife they love, Pero organizes a walking safari for him, his camerawoman Nancy Breiton, and their elite guide Mbuno Waliangulu. Still, Pero has trouble truly disconnecting from work. When the team comes across a herd of elephants making their annual migration north of Lake Rudolf, Pero decides…
