Here are 95 books that A Beautiful Blue Death fans have personally recommended if you like
A Beautiful Blue Death.
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I was an English major in college. In pursuing my love of books and language, I fell into a love of history. The passion for history began with author biographies as I tried to understand how the culture affected various authors’ writings. This is why my history strength resides in European history, because most of my favorite authors come from Europe. The more I read of the biographies, I often came across historical events I wasn’t knowledgeable about and so fell down a rabbit hole of historical research. The more I learn, the more I love history!
This is a fantastic genre fiction book series, and there are 14 or 15 books in this series, but I’ll mention only the first: What Angels Fear. So far, I’ve read the first four books, and I love this series!
It’s set in Regency England around 1811. Sebastian St. Cyr is a Viscount who gets involved in solving murders. I love this series for the superb and rich details she includes in her stories. It brings Regency England to life. Mystery. A touch of romance. History. Adventure. This series has it all!
'Harris' riveting debut delivers a powerful blend of political intrigue and suspense ...This fresh, fast-paced historical is sure to be a hit.' - Publishers WeeklyIt's 1811, and the threat of revolution haunts the upper classes of King George III's England. Then a beautiful young woman is found savagely murdered on the altar steps of an ancient church near Westminster Abbey. A duelling pistol discovered at the scene and the damning testimony of a witness both point to one man, Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.Now a fugitive running for…
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
I love a well-written underdog, and Ashley Gardner delivers in this book. Captain Gabriel Lacey acts as the bridge between the highest echelons of society and the poor at the bottom, humanizing every one of them while solving twisty crimes.
I adored the unexpected friendship between the retired military man and Grenville, a fashion-conscious man of high society. This long-running series remains one of my absolute favorites because of the mix of upstairs/downstairs intrigues and excellent character development.
London, 1816 Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars, burned out, fighting melancholia, his career ended. His interest is piqued when he learns of a missing girl, possibly kidnapped by a prominent member of Parliament. Lacey's search for the young woman leads to murder, corruption, and dealings with a leader of the underworld. At the same time, he struggles with his transition from a soldier's life to the civilian world, redefining his role with his former commanding officer, and making new friends--from the top of society to the street girls of Covent Garden.
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I like this series set in 1880s London. Julia Grey is trapped in an unsatisfying marriage to Sir Edward Grey. When he is poisoned, Julia gets an opportunity to restart her life.
She not only has to manage the estate left to her by her husband, but also deal with the murder of her husband. She retains a private investigator, Nicolas Brisbane, and develops a passionate attraction to this difficult man.
Go back to where it all began with the original Lady Julia Grey historical mystery series from New York Times bestselling author of Killers of a Certain Age, Deanna Raybourn.
“Let the wicked be ashamed, and let them be silent in the grave.”
These ominous words are the last threat that Sir Edward Grey receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, he collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests.
Most stories about murder in the Victorian era are set in London. Not all the best mysteries, however, take place there as I have discovered as a long-time reviewer for City Book Review. Some are; some are not. In my own writing, the setting must complement and even amplify the murderous doings being depicted. With this in mind, let me take you on a deadly country-wide tour of mystery, with each of our five stops brightened or darkened by one of my favorite murder stories. Each of them engaged me, mystified me, and, above all, entertained me.
Our next stop is Essex for a classic English village mystery. I knew from the moment I read the opening scene—the grisly discovery of a young man entombed in the crypt of the usually murder-free parish church—that I was going to love the story. And I did.
I was delighted to see how the tranquility of the pastoral scenes—the thatched-roof cottages, the earthy smell of horses in the stable, the square, Norman-style church tower overlooking the village green—carried through the story and beautifully counterpointed the skullduggery at the heart of the mystery.
The quaint village atmosphere heightens the tension in this well-constructed first installment of what promises to be an exciting new mystery series.
When the body of a young man is found stuffed into the tomb of a medieval knight, Parish Constable Daniel Haze is tasked with investigating his first solo murder case. Suspicion instantly falls on the only stranger to arrive in the village of Birch Hill just before the crime took place, but the American captain proves to be an unexpected asset. A former soldier and a skilled surgeon, Jason Redmond is not only willing to assist Haze with the investigation but will risk his own safety to apprehend the killer.With no suspects, no motive, and few leads to follow, Redmond…
History has always interested me, in part because it helps explain how we got where we are. I have a bachelor of music in music history, which is where I first became aware of how small things—the invention of the quill pen—can ripple into huge consequences. Tack onto that an inclination toward political science and law, plus a family full of bench scientists, and it’s easy to see how stories set in the past that focus on whodunit, how, and why fascinate me. Both reading and writing against that tapestry educates me, entertains me, and gives me a glimpse of our capacity to transcend all difficulties for the sake of truth and justice.
Early on, what the then-publisher sought, and what the characters preferred apparently diverged, because a few of the titles have an “alternate universe” relationship with the main mystery world.
That didn’t bother me one bit, when the characters and the historical aspects of Napoleonic Britain are so well drawn. Grant is particularly adept at exploring the odd corners of this time period—the diplomatic convolutions, New World repercussions, and sociological upheaval in Britain itself following Waterloo.
As the series progresses, the main protagonists build a community of sleuths, and the relationships complexify right along with the politics. Absolutely wonderful!
Including novellas (two of them prequels), this series is closing in on 30 titles.
Europe's elite have gathered at the glittering Congress of Vienna--princes, ambassadors, the Russian tsar--all negotiating the fate of the continent by day and pursuing pleasure by night. Until Princess Tatiana, the most beautiful and talked about woman in Vienna, is found murdered during an ill-timed rendezvous with three of her most powerful conquests. . .
Suzanne Rannoch has tried to ignore rumors that her new husband, Malcolm, has also been tempted by Tatiana. As a protégé of France's Prince Talleyrand and attaché for Britain's Lord Castlereagh, Malcolm sets out to investigate…
Most stories about murder in the Victorian era are set in London. Not all the best mysteries, however, take place there as I have discovered as a long-time reviewer for City Book Review. Some are; some are not. In my own writing, the setting must complement and even amplify the murderous doings being depicted. With this in mind, let me take you on a deadly country-wide tour of mystery, with each of our five stops brightened or darkened by one of my favorite murder stories. Each of them engaged me, mystified me, and, above all, entertained me.
This last tale brings the tour back to London, albeit with side trips to Yorkshire. I was attracted to this enthralling mystery not only by the twisty plot but also by the way the author cleverly sets scenes with just a few words. It was enough for me to know time and place while leaving room for my imagination to have its say.
I easily pictured the library or drawing room of Somerville Hall; Harrogate’s rat-infested police station; the derelict building housing Russell’s Book Shop; Verrey’s Restaurant, Regent Street; the London General Mourning Warehouse; and the list continues. I was drawn into every scene with the story’s heroine.
Lucy Lawrence stared down at her husband, his once handsome face now a twisted mask of death. She shivered and pulled her shawl tighter around her shoulders. His life had held so many secrets, and now his sins were hers to bear…England, 1886. In the flickering gaslights of Victorian London, 28-year-old Lucy Lawrence's future hangs in the balance. Her husband's murder has left her reputation in tatters, and the theft of her mother's priceless heirloom pearls has only added to her woes. But when the handsome investigator Phineas Stone enters her life, Lucy finds herself drawn into a web of…
Most stories about murder in the Victorian era are set in London. Not all the best mysteries, however, take place there as I have discovered as a long-time reviewer for City Book Review. Some are; some are not. In my own writing, the setting must complement and even amplify the murderous doings being depicted. With this in mind, let me take you on a deadly country-wide tour of mystery, with each of our five stops brightened or darkened by one of my favorite murder stories. Each of them engaged me, mystified me, and, above all, entertained me.
I must confess to a special interest in this mystery. It is set in Wales, and I am Welsh by birth. From a series of accidental deaths to an old collage created by a local master military tailor, this recent publication (2023) mesmerized me from start to finish. I could not put it down.
What fascinated me was how the settings, whether the town center with its breweries, tanneries, and museum, the site of the Art Treasures Exhibition, or the menacing waters of the Irish Sea, the location of the story’s nail-biting climax, brought this well-researched, page-turner to life before my eyes. I could feel the time and place of this intriguing detective story deep in my Welsh roots.
He only sought the truth. But some truths are best left buried.
Wrexham, 1876. Meet Alfred Neobard Palmer, an unlikely hero. "It was a death which had brought him here. Death by snake venom, of all things." Palmer - and his more courageous sweetheart, young Ettie Francis. A series of accidental deaths which increasingly seem - well, more than simply accidental. Deaths luring Palmer and Ettie, slowly but surely, towards a terrifying climax through the treacherous waters of the North Wales coast. But can those deaths truly be linked to the huge coverlet on display at Wrexham's magnificent Art Treasures…
Most stories about murder in the Victorian era are set in London. Not all the best mysteries, however, take place there as I have discovered as a long-time reviewer for City Book Review. Some are; some are not. In my own writing, the setting must complement and even amplify the murderous doings being depicted. With this in mind, let me take you on a deadly country-wide tour of mystery, with each of our five stops brightened or darkened by one of my favorite murder stories. Each of them engaged me, mystified me, and, above all, entertained me.
This debut author's story takes place in the beautiful city of Edinburgh—beautiful for some, but not all. I very much enjoyed this mystery, a tale of a female medical student’s efforts to find out what happened to a dead prostitute. What really sets it apart for me is the true-to-life description of the city’s underbelly.
Whether it is the infirmary that treats the poverty-stricken, the downcast, and those forced into a life of wrongdoing, or the crime-infested slums where shady deals and illegal trades are carried out with little regard for the arm of the law, I felt as though I was right there.
An irresistible mystery set in 1890s Edinburgh, Kaite Welsh's THE WAGES OF SIN features a female medical student-turned-detective, and will thrill fans of Sarah Waters and Antonia Hodgson.
'Historical fiction doesn't get much more delicious or original' Damian Barr
'This powerful novel combines a disturbing look at late Victorian attitudes towards women and morality with a satisfying murder mystery' Sunday Express
Sarah Gilchrist has fled from London to Edinburgh in disgrace and is determined to become a doctor, despite the misgivings of her family and society. As part of the University of Edinburgh's first intake of female medical students, Sarah…
It’s just my favorite trope, that’s all: the character who isn’t what he seems. I love the deception, I love the complications, I love the clues dropped along the way, I love the big reveal. I love the sensation I get when I, the reader, know just a little bit more than the characters do but still feel surprised and wonder when the whole truth is unveiled. When I sit down to write, I know I want to create that exact sensation in my readers.
I read this 1933 mystery novel as a teen, and it might have begun my love affair with the hero in disguise. In this book, we meet Death Bredon, a newly hired copywriter at Pym’s Publicity. We know, of course, that he is Lord Peter Wimsey in disguise, but we don’t know why the aristocratic amateur detective is pretending to be a working Joe.
The mystery is flawless; the ad agency setting is delightful; the banter is witty; and the climactic cricket match, in which our disguised hero lets his mask slip, is delicious.
The tenth book in Dorothy L Sayers' classic Lord Peter Wimsey series, introduced by bestselling crime writer Peter Robinson - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries.
Victor Dean fell to his death on the stairs of Pym's Advertising Agency, but no one seems to be sorry. Until an inquisitive new copywriter joins the firm and asks some awkward questions...
Disguised as his disreputable cousin Death Bredon, Lord Peter Wimsey takes a job - one that soon draws him into a vicious network of blackmailers and drug…
I’ve always adored mysteries. My dad has the entire collection of Agatha Christie books, but even before I read those, I worked through his ancient original hardbacks of Enid Blyton's Famous Fivebooks and the less well-known Malcolm SavilleLone Pineseries. I love getting totally engrossed in a series, so I really get to BE the main character–I am one of four siblings, and when I wasn’t too busy reading, we were the Famous Five. I was George. I think I still am, to be perfectly honest–she was fiery, passionate, loved her dog, and wanted to serve justice and out the bad guys. What a role model!
I love London. I love old mysteries. I love the Art Deco era. I love magic. As a child, my dad was part of the Magic Circle, and my brother and I learned some of the tricks–and when I say ‘my brother and I learned tricks,’ I mean I twirled endless chiffon scarfs from thin air and tried not to get cut in half, and he tried to cut me in half.
Tom Mead’s tale of conjuring, stage trickery, and locked room mystery somehow transports me back to my childhood, even though his 1930s setting is far further back than my 70s childhood! He gives us that Golden Age impossible puzzle–how is a man killed inside a locked room?–and I admit, my guess was quite wrong in this cleverly woven tale of intrigue and deceit, but the magic of smoke, mirrors, trickery, and Art Deco theatre more than made up…
A Publishers Weekly Top 10 Best Mysteries of 2022 Selection
In this "sharply-drawn period piece" (New York Times), a magician-turned-sleuth in pre-war London solves three impossible crimes
In 1930s London, celebrity psychiatrist Anselm Rees is discovered dead in his locked study, and there seems to be no way that a killer could have escaped unseen. There are no clues, no witnesses, and no evidence of the murder weapon. Stumped by the confounding scene, the Scotland Yard detective on the case calls on retired stage magician-turned-part-time sleuth Joseph Spector. For who better to make sense of the impossible than one who…
