Here are 94 books that The Hanover Square Affair fans have personally recommended if you like
The Hanover Square Affair.
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I was an English major in college. In pursuing my love of books and language, I fell into a love of history. The passion for history began with author biographies as I tried to understand how the culture affected various authors’ writings. This is why my history strength resides in European history, because most of my favorite authors come from Europe. The more I read of the biographies, I often came across historical events I wasn’t knowledgeable about and so fell down a rabbit hole of historical research. The more I learn, the more I love history!
This is a fantastic genre fiction book series, and there are 14 or 15 books in this series, but I’ll mention only the first: What Angels Fear. So far, I’ve read the first four books, and I love this series!
It’s set in Regency England around 1811. Sebastian St. Cyr is a Viscount who gets involved in solving murders. I love this series for the superb and rich details she includes in her stories. It brings Regency England to life. Mystery. A touch of romance. History. Adventure. This series has it all!
'Harris' riveting debut delivers a powerful blend of political intrigue and suspense ...This fresh, fast-paced historical is sure to be a hit.' - Publishers WeeklyIt's 1811, and the threat of revolution haunts the upper classes of King George III's England. Then a beautiful young woman is found savagely murdered on the altar steps of an ancient church near Westminster Abbey. A duelling pistol discovered at the scene and the damning testimony of a witness both point to one man, Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.Now a fugitive running for…
I’ve been a lover of historical mysteries ever since I realized it’s possible to read mystery fiction and learn history at the same time. Every time I pick up a mystery set in the past, whether it’s the ancient past, the more recent past, or somewhere in between, I know I’m going to be intrigued and challenged by a great story and come away with a greater understanding of the people, culture, customs, and events of that time period. It’s a win-win. I write historical mysteries because I want to share with readers what I’ve learned about a particular time or place in a way that’s compelling and engaging.
This first-in-series book is set in Regency London, a place I would love to see via time machine (but only to visit—not to live there—because I like my creature comforts way too much).
The two main characters, Charlotte Sloane and the Earl of Wrexford, are from different sides of the tracks, so to speak, but there is some evidence that Charlotte may have experienced affluence at one time. Charlotte and Wrexford team up to solve a murder for which Wrexford stands accused. Their witty dialogue, disparate strengths, and willingness to overlook the other’s shortcomings make this a great read.
In Regency London, an unconventional scientist and a fearless female artist form an unlikely alliance to expose a cold-hearted killer . . .
The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London’s most popular satirical cartoonist, A.J. Quill, skewers them both. But then the clergyman is found slain in a church—his face burned by chemicals, his throat slashed ear to ear—and Wrexford finds himself…
I have been a mystery fan all my life and an avid reader of Regency fiction—from the mystery authors I’ve recommended to early Regency romance writers, including Jane Austen and Georgette Heyer. When I visited England a few years ago, I dragged my travel companion to all the Regency landmarks left standing and nearly missed a tour bus because I just had to see a Regency assembly room where their dances were held! When I switched from writing fantasy (under the pen name Ally Shields) to writing historical mysteries in 2019, I spent hundreds of hours devouring non-fiction books on this fascinating period of Prince George’s regency (1811-1820).
Kate Ross's books are unique in her choice of protagonist—outwardly a self-obsessed dandy rather than a hero—and in her deftness at creating the classic whodunit.
Although Julian Kestrel's ancestry is a bit vague, he clearly moves among the upper class with ease. After rescuing a young lord from a gaming hell, he is invited to a country house party. Unfortunately, he wakes up next to the body of a beautiful but very dead woman.
The only thing disappointing about this series is its shortness. The author passed away prematurely after writing only four books.
England in the 1820s is the setting for this period mystery, which introduces the detective, Julian Kestrel. He finds the corpse of an attractive woman in his bed during an elegant country weekend at a friend's estate. He sets out to discover which of his hosts is a killer.
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
When I needed a break from Regency England, Anna Lee Huber coaxed me up to Scotland with this book. It hooked me from the start with the unusual main character’s backstory as an artist turned anatomy illustrator.
What kept me reading was Huber’s imagery, which was rich with the depth and colors only an artist would notice. The slow-burn romance hit all the right notes.
“A riveting debut…an original premise, an enigmatic heroine, and a compelling Highland setting…a book you won’t want to put down.”—New York Times bestselling author Deanna Raybourn
Scotland, 1830. Following the death of her husband, Lady Darby has taken refuge at her sister’s estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own…
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I like this series set in 1880s London. Julia Grey is trapped in an unsatisfying marriage to Sir Edward Grey. When he is poisoned, Julia gets an opportunity to restart her life.
She not only has to manage the estate left to her by her husband, but also deal with the murder of her husband. She retains a private investigator, Nicolas Brisbane, and develops a passionate attraction to this difficult man.
Go back to where it all began with the original Lady Julia Grey historical mystery series from New York Times bestselling author of Killers of a Certain Age, Deanna Raybourn.
“Let the wicked be ashamed, and let them be silent in the grave.”
These ominous words are the last threat that Sir Edward Grey receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, he collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests.
Most stories about murder in the Victorian era are set in London. Not all the best mysteries, however, take place there as I have discovered as a long-time reviewer for City Book Review. Some are; some are not. In my own writing, the setting must complement and even amplify the murderous doings being depicted. With this in mind, let me take you on a deadly country-wide tour of mystery, with each of our five stops brightened or darkened by one of my favorite murder stories. Each of them engaged me, mystified me, and, above all, entertained me.
The tour begins in an elegant London residence, one of my favorite settings for a puzzling murder. What I like in this story of the apparent suicide of a maid is how the careful rendering of scenes made the story’s events more realistic and its characters, especially the gentleman-of-leisure amateur sleuth, more believable.
The author’s deft touch made me feel that I was right there—reading in the library of his West End house, riding in his carriage through clogged London streets, and even being kicked in the stomach in a dark alley. I thoroughly enjoyed this expertly plotted, frequently humorous, well-written mystery, made more enjoyable in my eyes by an effective use of convincing background material.
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
I am fairly convinced that Grace Burrowes is a time traveler, for I have never seen a modern author get period-specific language so right. Unlike all the other books on my list, the Lady Violet series does not include any murders.
Instead, Lady Violet’s penchant for solving “puzzles” made for a nice break from the more macabre. I got lost in the twisty details and adored the Agatha Christie-style reveal at the end of the book.
History has always interested me, in part because it helps explain how we got where we are. I have a bachelor of music in music history, which is where I first became aware of how small things—the invention of the quill pen—can ripple into huge consequences. Tack onto that an inclination toward political science and law, plus a family full of bench scientists, and it’s easy to see how stories set in the past that focus on whodunit, how, and why fascinate me. Both reading and writing against that tapestry educates me, entertains me, and gives me a glimpse of our capacity to transcend all difficulties for the sake of truth and justice.
Early on, what the then-publisher sought, and what the characters preferred apparently diverged, because a few of the titles have an “alternate universe” relationship with the main mystery world.
That didn’t bother me one bit, when the characters and the historical aspects of Napoleonic Britain are so well drawn. Grant is particularly adept at exploring the odd corners of this time period—the diplomatic convolutions, New World repercussions, and sociological upheaval in Britain itself following Waterloo.
As the series progresses, the main protagonists build a community of sleuths, and the relationships complexify right along with the politics. Absolutely wonderful!
Including novellas (two of them prequels), this series is closing in on 30 titles.
Europe's elite have gathered at the glittering Congress of Vienna--princes, ambassadors, the Russian tsar--all negotiating the fate of the continent by day and pursuing pleasure by night. Until Princess Tatiana, the most beautiful and talked about woman in Vienna, is found murdered during an ill-timed rendezvous with three of her most powerful conquests. . .
Suzanne Rannoch has tried to ignore rumors that her new husband, Malcolm, has also been tempted by Tatiana. As a protégé of France's Prince Talleyrand and attaché for Britain's Lord Castlereagh, Malcolm sets out to investigate…
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
A regency setting with a hint of magic had me saying, "Yes, Please!" I loved the light touch of the paranormal that Cara Devlin included in her Bow Street Duchess series.
There are plenty of upstairs/downstairs friendships and class conflicts to make the books feel true to the time period. Her main characters are raw and vulnerable, and I loved cheering them on to their happily ever after.
A murdered opera singer. A duke drenched in her blood. For Bow Street Officer Hugh Marsden, the brutal killing is a straightforward case. Ever since his exile from polite society, the chance to arrest a high and mighty peer of the realm has never presented itself. Hugh won’t snub the opportunity now.
But Audrey Sinclair, the Duchess of Fournier, is certain her husband is wrongly accused, and she’s determined to prove it to the arrogant Bow Street officer, even if she must employ her most peculiar ability—or perhaps curse—to guide her investigation. After all, a duchess can do as she…
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
I am always on the lookout for historical mysteries with strong female leads. When I discovered Marlowe’s Kier and Levitt series, I was all in. The female main character has it all–brains, wealth, and beauty.
She has also endured enough hardships and setbacks to make her relatable to the reader. I could not help but cheer Kara onwards as she kept the male lead on his toes while solving the crime.
A grand showcase for technology, art, design and . . . murder.
Welcome to book one in the thrilling new Kier and Levett Mystery series.
London, 1851, and the Great Exhibition is on. A soaring success despite months of dour predictions, it is the event of the year, on front pages and wagging tongues the world over—and Miss Kara Levett is thrilled to be in the middle of it. The daughter of a baron and an exhibitor herself, she happily demonstrates her elaborate automatons and case clocks to the crowds.
But her situation grows perilous when a man is murdered…
