Here are 14 books that A Killer in the Crystal Palace fans have personally recommended if you like
A Killer in the Crystal Palace.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
I love a well-written underdog, and Ashley Gardner delivers in this book. Captain Gabriel Lacey acts as the bridge between the highest echelons of society and the poor at the bottom, humanizing every one of them while solving twisty crimes.
I adored the unexpected friendship between the retired military man and Grenville, a fashion-conscious man of high society. This long-running series remains one of my absolute favorites because of the mix of upstairs/downstairs intrigues and excellent character development.
London, 1816 Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars, burned out, fighting melancholia, his career ended. His interest is piqued when he learns of a missing girl, possibly kidnapped by a prominent member of Parliament. Lacey's search for the young woman leads to murder, corruption, and dealings with a leader of the underworld. At the same time, he struggles with his transition from a soldier's life to the civilian world, redefining his role with his former commanding officer, and making new friends--from the top of society to the street girls of Covent Garden.
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
When I needed a break from Regency England, Anna Lee Huber coaxed me up to Scotland with this book. It hooked me from the start with the unusual main character’s backstory as an artist turned anatomy illustrator.
What kept me reading was Huber’s imagery, which was rich with the depth and colors only an artist would notice. The slow-burn romance hit all the right notes.
“A riveting debut…an original premise, an enigmatic heroine, and a compelling Highland setting…a book you won’t want to put down.”—New York Times bestselling author Deanna Raybourn
Scotland, 1830. Following the death of her husband, Lady Darby has taken refuge at her sister’s estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own…
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
I am fairly convinced that Grace Burrowes is a time traveler, for I have never seen a modern author get period-specific language so right. Unlike all the other books on my list, the Lady Violet series does not include any murders.
Instead, Lady Violet’s penchant for solving “puzzles” made for a nice break from the more macabre. I got lost in the twisty details and adored the Agatha Christie-style reveal at the end of the book.
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
A regency setting with a hint of magic had me saying, "Yes, Please!" I loved the light touch of the paranormal that Cara Devlin included in her Bow Street Duchess series.
There are plenty of upstairs/downstairs friendships and class conflicts to make the books feel true to the time period. Her main characters are raw and vulnerable, and I loved cheering them on to their happily ever after.
A murdered opera singer. A duke drenched in her blood. For Bow Street Officer Hugh Marsden, the brutal killing is a straightforward case. Ever since his exile from polite society, the chance to arrest a high and mighty peer of the realm has never presented itself. Hugh won’t snub the opportunity now.
But Audrey Sinclair, the Duchess of Fournier, is certain her husband is wrongly accused, and she’s determined to prove it to the arrogant Bow Street officer, even if she must employ her most peculiar ability—or perhaps curse—to guide her investigation. After all, a duchess can do as she…
I’ve worked with business leaders on pay projects all over the world, at companies like Nike and Starbucks, in places like Brazil, Mexico, Vietnam, Singapore, the UAE, and all over Europe. While many business books are written from a theoretical or academic perspective, I bring an operator’s perspective. I get to work out the ideas in my book, Fair Pay, on a daily basis, and so I wrote the book to be a realistic and practical guide for understanding the perspectives of business leaders, human resources, and the typical employee.
Originally published in the late 1950s, “The Crystal Palace” could have easily been the inspiration for any number of modern workplace comedies. Harrington’s story about a sprawling and sterile corporate campus shows the lack of meaning the workplace can provide for the typical worker. Think Office Space + Severance, where “the Crystal Palace serves, among its many functions, as a protective league for small talents.” If you worry about your work having too little meaning, and if you want more from your life than a stable career, this story rightly puts that pursuit back on you to develop as a person and not seek meaning only from your job.
Thousands of men enter the crystal palace yearly. In time they must make a choice: accept the numbing security of big corporation life or revolt against submission. Especially in times of economic upheaval, this book makes the reader question their fear of loosing a job at a large corporation. Will you silently suffer for a paycheck, or will you stand up against the monotony and dullness of cubicle life? Life in the Crystal Palce has been published in England, Germany, and Japan. V.S. Pritchett described the book as "a deeply ironical and polished analysis of the welfare corporations," and its…
I ‘pick the brains’ of expert software developers to understand what makes them expert. I’ve spent decades studying how professional software developers reason and communicate about design and problem solving. Informed by the seminal books I’ve highlighted (among many others), my research is grounded in empirical studies of professionals in industry and draws on cognitive and social theory. Observing, talking to, and working with hundreds of professional software developers in organisations ranging from start-ups to the world’s major software companies has exposed actionable insights into the thinking that distinguishes high-performing teams.
Petroski is an eminent engineer and reflective author who provides powerful insights into engineering design.
I chose this book (among his many excellent books):
a) because it embodies a key theme that resonates throughout my own research – that success often emerges from engaging with failure; and
b) because the examples are beautifully organised and labelled, and each narrative reveals ‘the what and the why’.
Petroski writes beautifully, and he maps the connections between designerly, scientific, and engineering ideals – and the messy realities of real life.
How did a simple design error cause one of the great disasters of the 1980s - the collapse of the walkways at the Kansas City Hyatt Regency Hotel? What made the graceful and innovative Tacoma Narrows Bridge twist apart in a mild wind in 1940? How did an oversized waterlily inspire the magnificent Crystal Palace, the crowning achievement of Victorian architecture and engineering? These are some of the failures and successes that Henry Petroski, author of the acclaimed The Pencil, examines in this engaging, wonderfully literate book. More than a series of fascinating case studies, To Engineer is Human is…
I’ve been obsessed with London since childhood. The English side of my family lived and worked throughout the city, and a day out with my father walking its streets was my greatest treat. He was a doctor, so a London trip could involve shopping for medical equipment, trawling bookshops, an afternoon at his tailor, or pub crawls where he seemed to know everyone. I’ve always been aware of the eccentricity of the place, which still thrills me. I really struggled to choose these books because there’s just so much material that I had to leave out. But I hope what I’ve chosen might be of interest.
Henry Mayhew’s sprawling record of nineteenth-century London can be overwhelming, but his ear for the vernacular and eye for weird detail means that the reader can dip in and find something.
London’s population exploded in the nineteenth century, bulked out by a huge number of itinerant workers. Mayhew interviews these people–in the prologue to the first volume, he describes himself as a "traveller in the undiscovered country of the poor"–and because he gives no judgment on their lives, the book feels more like a modern documentary.
The voices are one thing; Mayhew’s statistics are another–"expenditure in ham sandwiches supplied by street sellers is £1,820 yearly…a consumption of 436,800 sandwiches." Anyone who thinks that Dickens’ writes grotesques should read this. The first book that really brought old London alive for me.
London Labour and the London Poor is a masterpiece of personal inquiry and social observation. It is the classic account of life below the margins in the greatest Metropolis in the world and a compelling portrait of the habits, tastes, amusements, appearance, speech, humour, earnings and opinions of the labouring poor at the time of the Great Exhibition.
In scope, depth and detail it remains unrivalled. Mayhew takes us into the abyss, into a world without fixed employment where skills are declining and insecurity mounting, a world of criminality, pauperism and vice, of unorthodox…
I am a Yorkshire writer with a passion for historical fiction. My love of history came as a surprise to me in my late teens, as I had originally thought history was not my thing. However, I soon discovered the incredible stories throughout history, and how many authors carve fictional stories around these time periods or historical events. I love researching for my own historical writing, whether it be to find out what kind of jobs people did, or what they ate for breakfast. I love reading and writing historical fiction in multiple eras, such as WW2, Victorian times, and further back to the Romans and ancient Egyptians.
I have always loved reading crime detective books, no matter what time period they are set in. However, The Railway Detective series manages to merge two of my favourite genres, crime and historical. Set in the mid-1800s when railways were still relatively new, this series has a brilliant set of characters and is written so brilliantly that you can picture every scene in your mind down to the last detail.
In 1851 England, the city of London anticipates the grand opening of the Great Expedition. Excitement is mounting with each engineering triumph of the railways, but not everyone feels like celebrating. A sudden attack hits the London to Birmingham mail train and it is looted and derailed. Planned with military precision, Detective Inspector Robert Colbeck fights to untangle a web of murder, blackmail and destruction. As Colbeck closes in on the criminal masterminds, events take an unexpected turn when the beautiful Madeline, daughter of the injured train driver, becomes a pawn in the criminals game. With time running out, good…
I wrote Orchid Muse: A History of Obsession in Fifteen Flowers. I’m a historian, a master gardener, and I’ve grown a few hundred orchids for over half my life. I love collecting stories of orchids because, well, they’re fascinating, and they offer a deeper connection to the pastime I love best.
Well, thank god this book exists. It fills a huge gap—Joseph Paxton, an English architect, gardener, and engineer, as well as a lover of orchids—was everywhere, doing everything, in the 19th century United Kingdom! He built London’s Crystal Palace (cementing it as the first and possibly most grand World’s Fair in history) as well as directed all activities at Chatsworth (home to one of the world’s largest orchid collections in its time). The book shows us once again that the rich and powerful were not in complete control of the subtropical orchid trade—it took visionaries like Paxton to make them grow successfully in cold locations.I loved getting to know Paxton, his environs, and his relationships with all the well-known horticulturists and botanists of his age.
This is a biography of Joseph Paxton, horticulturist to the Duke and Duchess of Devonshire, architect of the Crystal Palace at the Great Exhibition of 1851 and a great unsung hero of the Victorian Age. In the 19th century, which witnessed a revolution in horticulture and urban planning and architecture, Joseph Paxton, a man with no formal education, strode like a colossus. Head gardener at Chatsworth by the age of 23 and encouraged by the sixth Duke of Devonshire, whose patronage soon flourished into the defining friendship of his life, Paxton set about transforming this Derbyshire estate into the greatest…
I have always been fascinated with stargazing, bird-watching, photography, and microscopy, and consequently vintage telescopes, binoculars, cameras, microscopes, and optical and scientific instruments in general. I began my career in an optics laboratory at the Royal Aircraft Establishment, Farnborough, and went on to become a Chartered Engineer. After a successful career in science and engineering, spanning more than three decades, I left the corporate world to make stringed instruments and write fiction and non-fiction. Brass and Glass: Optical Instruments and Their Makersis my first non-fiction book. My novels include An Accident of Birth, andGalactic Alliance: Betrayal. I live in Kent, England with my wife, Margo, and our cat.
Much of the literature about British scientific instrument making focuses on the London trade. This book explores the history of British provincial instrument making from the late 18th century to the mid-19th century. A.D. Morrison-Low places this trade in the context of the London market, as well as examining the social and economic factors, the origins of the provincial trade, the nature of their market, and how industrialisation impacted the instrument makers. A substantial appendix contains a directory of the provincial makers, their addresses, and business successions. This is not only an in-depth and interesting historical account, it’s also a valuable reference.
At the start of the Industrial Revolution, it appeared that most scientific instruments were made and sold in London, but by the time of the Great Exhibition in 1851, a number of provincial firms had the self-confidence to exhibit their products in London to an international audience. How had this change come about, and why? This book looks at the four main, and two lesser, English centres known for instrument production outside the capital: Birmingham, Liverpool, Manchester and Sheffield, along with the older population centres in Bristol and York. Making wide use of new sources, Dr Morrison-Low, curator of history…
