From my days as a student in India in the early 1970s through my years in the U.S. Foreign Service with postings in Pakistan, Bangladesh, and Kenya, as well as assignments to the India, Kenya, and Uganda desks at the Department of State, I learned something of the cultures of South Asia and East Africa and gained an appreciation for the peoples of those countries. During the early months of the Covid-19 pandemic, I had the time to write. I developed a novel that was part autobiography and part fiction, and most of which was set in South Asia and East Africa. The result is Danger and Romance in Foreign Lands.
Kenya was an exotic territory for British colonial interests in the late 19th century. For reasons almost impossible to understand today, the British decided to build a railroad from Mombasa, the seaport on the Indian Ocean, through the Kenyan savannah, to Kampala, a city of some riches in the far interior of what is now Uganda. The story of the building of the railroad at the end of the 19th century is hair-raising, thanks to Miller’s classic history, as imported Indian workers had to endure predatory lions, harsh climates, and raging rivers to forge across the frontier. That the railroad to nowhere was completed is a tribute to those Indian workers and their intrepid British overseers.
Today, one can take the train from Mombasa to Nairobi, some three hundred miles distant, either in the daylight, hoping to spy some wildlife, or in a sleeping berth at night. I…
In 1895, George Whitehouse arrived at the east African post of Mombasa to perform an engineering miracle: the building of the Mombasa-Nairobi-Lake Victoria Railway - a 600-mile route that was largely unmapped and barely explored. Behind Mombasa lay a scorched, waterless desert. Beyond, a horizonless scrub country climbed toward a jagged volcanic region bisected by the Great Rift Valley. A hundred miles of sponge-like quagmire marked the railway's last lap. The entire right of way bristled with hostile tribes, teemed with lions and breathed malaria.
What was the purpose of this 'giant folly' and whom would it benefit? Was it…
Gufu Oba (Professor) has taught Ecology, Pastoralism, and Environmental History at the Norwegian University of Life Sciences for 21 years. He previously worked for UNESCO-MAB on issues of environmental conservation. He has published four books on social and environmental history. His books include Nomads in the shadows of Empires (BRILL, 2013), Climate change adaptations in Africa (Routledge, 2014), Herder Warfare in East Africa: A social and Spatial History (White Horse Press, 2017), and African Environmental Crisis: A History of Science for development (Routledge, 2020).
This pioneering book was one of the first to place the history of East Africa within the context of the environment. It has been used continuously for student teaching. The book puts people at the centre of events. It thus serves as a modification to nationalist history with its emphasis on leaders. Helge Kjekshus provides evidence to suggest that the nineteenth century was a period of relative prosperity with well-developed trade. He questions the view that warfare was pervasive and that the slave trade led to depopulation. He points to a balance between man and the environment. Helge Kjeskshus’s book has, for a long time, been the sole reference on environmental history in East Africa, with a focus on Tanganyika.
This pioneering book was one of the first to place the history of East Africa within the context of the environment. It has been used continuously for student teaching. It is now reissued with an introduction placing it within the debate that has developed on the subject; there is also an updated bibliography. The book puts people at the centre of events. It thus serves as a modification to nationalist history with its emphasis on leaders. It presents environmental factors that had been underestimated; for instance, it points to the critical importance of the rinderpest outbreak. Helge Kjekshus provides evidence…
For more than two decades, I have been travelling to the wild places of this planet looking for stories. Africa in all its diversity has always been my first love. Whether I’m off the grid in the Kalahari, or scanning the far horizon of the Serengeti looking for lions, Africa feels like home to me, and I’m passionate about finding, and then telling the stories of the people I meet, and the wildlife I encounter, along the way. And driving me every step of the way is my great belief in the power of the written word and that of a good story to transform the way we think about, and interact with, the natural world.
I could have chosen any of Matthiessen’s books set in Africa – Sand Rivers and African Silences are both magnificent – but The Tree Where Man Was Born is a book of wise observations, superb writing, and great humanity. Whether writing about the Maasai, the poignant death of a zebra, or the landscapes of the Serengeti, the words are perfectly chosen and the tone elegiac. The final chapter, ‘At Gidabembe’ is a masterpiece.
A timeless and majestic portrait of Africa by renowned writer Peter Matthiessen (1927-2014), author of the National Book Award-winning The Snow Leopard and the new novel In Paradise
A finalist for the National Book Award when it was released in 1972, this vivid portrait of East Africa remains as fresh and revelatory now as on the day it was first published. Peter Matthiessen exquisitely combines nature and travel writing to portray the sights, scenes, and people he observed firsthand in several trips over the course of a dozen years. From the daily lives of wild herdsmen and the drama of…
From my days as a student in India in the early 1970s through my years in the U.S. Foreign Service with postings in Pakistan, Bangladesh, and Kenya, as well as assignments to the India, Kenya, and Uganda desks at the Department of State, I learned something of the cultures of South Asia and East Africa and gained an appreciation for the peoples of those countries. During the early months of the Covid-19 pandemic, I had the time to write. I developed a novel that was part autobiography and part fiction, and most of which was set in South Asia and East Africa. The result is Danger and Romance in Foreign Lands.
In the early 1980s, when I lived in Lahore, Pakistan, and served on the board of the Lahore American School—an institution that catered to rich Pakistanis and expats whose commercial companies paid the high tuition—I talked to a fourth-grade class whose Pakistani teacher was a close friend. She alerted me twenty years later that one of those students had just published his first novel, describing the fast life of the affluent and often decadent Pakistanis who lived in mansions, partied till dawn, drank heavily, and engaged, it was rumored, in romantic liaisons with each other’s spouses.
Moth Smoke describes this life, with a main character who falls in love with a friend’s wife while losing his job and turning to the sale of heroin and hashish to survive. Mohsin takes the reader through a bittersweet recounting of life in the fast lane in modern Pakistan, a life I observed for…
The debut novel from the internationally bestselling author of Exit West and The Reluctant Fundamentalist, both shortlisted for the Man Booker Prize
Moth Smoke, Mohsin Hamid’s deftly conceived first novel, immediately marked him as an uncommonly gifted and ambitious young literary talent to watch when it was published in 2000. It tells the story of Daru Shezad, who, fired from his banking job in Lahore, begins a decline that plummets the length of Hamid’s sharply drawn, subversive tale.
Fast-paced and unexpected, Moth Smoke was ahead of its time in portraying a contemporary Pakistan far more vivid and complex than the…
War is a horror story, laying bare the harm that humankind is capable of. Being a stubborn historian, I set myself the task of finding humanity in the face of conflict. I am especially intrigued by first-hand accounts that leave little to the imagination, yet I am not drawn to record the distress of the individual, but rather the ability to live through a war and find peace. I am a South African historian with a PhD from Stellenbosch University. I write about individuals in war, and I am determined to give a voice to those South African servicemen who were forgotten when they came home in 1945.
Andrew Stewart’s book left me in no doubt that the Second World War still holds many hidden tales.
The "first victory" he writes about, is the victory of the British and Commonwealth forces over the Italian colonies in East Africa. I loved the way Stewart describes the complex relationships between men like Churchill and Generals Wavell and Cunningham.
Yet, for me, it is the setting: African bush, rivers, and mountains–and their effect on the military strategy in this war theatre that held my interest.
A riveting new account of the long-overlooked achievement of British-led forces who, against all odds, scored the first major Allied victory of the Second World War
Surprisingly neglected in accounts of Allied wartime triumphs, in 1941 British and Commonwealth forces completed a stunning and important victory in East Africa against an overwhelmingly superior Italian opponent. A hastily formed British-led force, never larger than 70,000 strong, advanced along two fronts to defeat nearly 300,000 Italian and colonial troops. This compelling book draws on an array of previously unseen documents to provide both a detailed campaign history and a fresh appreciation of…
I’ve always been fascinated by monsters. Growing up I saw television shows and read books about famous ones like Bigfoot and Nessie, and always wanted to search for them and discover the truth. That led me to a degree in psychology to learn about human cognition and perception, and a career in folklore to understand how legends and rumors spread. But I also wanted field experience, and spent time at Loch Ness, in Canadian woods said to house Sasquatch, to the Amazon, Sahara, and the jungles of Central America looking for the chupacabra. Along the way became an author, writing books including Tracking the Chupacabra, Lake Monster Mysteries, Big—If True, and Investigating Ghosts.
Among all the world’s monsters one perennial favorite is vampires.
Yes, I know they’ve been done to death (or would that be undeath?) but there’s a rich history of vampires beyond Dracula, Nosferatu, Lestat, and their legions. I’m talking about “real” vampires—or at least those people believed to be real vampires.
This is the subject of Luise White’s book Speaking with Vampires: Rumor and History in Colonial Africa.White is an anthropologist and folklorist who investigated rumors of vampires throughout East Africa. She found that many Africans told similar stories of real, actual vampires that sucked the blood out of Africans.
What I love about this book is how White takes a scholarly approach to the rumors of (alleged) real-life vampires, sometimes from their victims. Along the way we learn about colonialism, racism, and the cultural contexts in which these rumors flourish.
During the colonial period, Africans told each other terrifying rumors that Africans who worked for white colonists captured unwary residents and took their blood. In colonial Tanganyika, for example, Africans were said to be captured by these agents of colonialism and hung upside down, their throats cut so their blood drained into huge buckets. In Kampala, the police were said to abduct Africans and keep them in pits, where their blood was sucked. Luise White presents and interprets vampire stories from East and Central Africa as a way of understanding the world as the storytellers did. Using gossip and rumor…
I am a journalist, travel writer, and author based in Australia, writing about all sorts of people and on topics that I find personally inspiring and thrilling, and which are guaranteed to raise the spirits of readers. I was born in England but travelled the world for 10 years before ending up in Australia in 1989. I also lecture in travel writing at Boston University’s Sydney campus.
I was entranced by this book when I first read it, and still am. I loved the way Kenyan writer and activist Ngugi wa Thiong'o told a story in such a simple, unadorned way that just manages to get under your skin. It’s an important lesson for any writer about unaffected writing! This was the first major novel in English by an East African writer and is just so redolent of its time and place. It charts the life of a young boy growing up through a major change in his home country, and the rise of the Mau Mau freedom fighters.
This is a powerful, moving story that details the effects of the infamous Mau Mau war, the African nationalist revolt against colonial oppression in Kenya, on the lives of ordinary men and women, and on one family in particular. Two brothers, Njoroge and Kamau, stand on a rubbish heap and look into their futures. Njoroge is excited; his family has decided that he will attend school, while Kamau will train to be a carpenter. Together they will serve their country - the teacher and the craftsman. But this is Kenya and the times are against them. In the forests, the…
I have always had an interest in reading factual information about other people’s lives. I am a realist, and prefer reading non-fiction that is true. I am especially interested in reading inspirational stories from people that have overcome adversity, illness, or discrimination.
I enjoyed Too Close to the Sun by Sara Wheeler. This book focused on the free spirit and playboy that was Denys George Finch Hatton, portrayed by Robert Redford in the film Out of Africa. Denys was from an upper-class family and lived an unconventional life according to his own rules. He is buried in the Ngong Hills, Nairobi, where he loved to spend his time hunting. He is a perfect example of doing what you want to do and not having to worry about money.
Conservationist, scholar, soldier, white hunter and fabled lover - Denys Finch Hatton was an aristocrat of leonine nonchalance. After a dazzling career at Eton and Oxford, he sailed in 1910 for British East Africa - still then the land of the pioneer. Sara Wheeler reveals the truth behind his love affairs with the glamorous aviatrix Beryl Markham, and - famously - with Karen Blixen, a romance immortalised in her memoir Out of Africa.
'No one who ever met him', his Times obituary concluded, 'whether man or woman, old or young, white or black, failed to come under his spell'.
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
Prolific author and intellectual Francis Mading Deng became South Sudan’s first ambassador to the United Nations. Meeting Dr. Deng in person was one of the highlights of my life. To read any of his 40-some books is a privilege. It is possible to read Dinka Folktales as astonishing anthropological events, but Francis Mading Deng provides an introduction that reveals the “truth” in storytelling. These folktales contain the philosophical, religious, and day-to-day practices of the Dinka, who are the largest ethnic tribe in South Sudan. Given the civil war with north Sudan and the south’s dramatic victory in establishing their own country, these extraordinary stories belong in the ranks of world literature.
I am a dark fiction author. As far back as anyone can remember I have been an introverted creature, with a rapacious appetite for knowledge, a dark sense of humour, and an insatiable appetite for books. Having written eight darkly humorous works of fiction and read dozens of titles that fall into this genre, I believe that I am the ideal person to provide you with recommendations for darkly humorous fiction stocking fillers this Christmas. Think of me as the Santa of darkly humorous fiction. My titles include theNecropolis Series. Their protagonist is Dyson Devereux – a cultured council worker and compulsive murderer with sardonic tendencies.
Set during WWI, the story vacillates between Kent and German and British East Africa. There are a host of colourful and caricatured characters. An Ice-Cream War’s motif is the absurdness of war. Its author is unwavering in presenting the East African campaign as utterly futile.
The book’s grave content is laced with humour of the dark variety, in addition to occasional gruesome descriptions. This unpredictable serio-comedy’s blend of tragedy and black humour appealed to me.
"Rich in character and incident, An Ice-Cream War fulfills the ambition of the historical novel at its best." --The New York Times Book Review
Booker Prize Finalist
"Boyd has more than fulfilled the bright promise of [his] first novel. . . . He is capable not only of some very funny satire but also of seriousness and compassion." --Michiko Kakutani, The New York Times
1914. In a hotel room in German East Africa, American farmer Walter Smith dreams of Theodore Roosevelt. As he sleeps, a railway passenger swats at flies, regretting her decision to return to the Dark Continent--and to…