Whether I read fiction, non-fiction, poetry, or prose, I especially love books by authors whose voices resonate with authenticity and originality, and who write imaginative page-turners about characters who change and grow personally, regardless of the difficulties they face in life. When their changes lead to creating conducive conditions for others to thrive, I feel gratified and inspired by them. As a practicing psychotherapist and writer I have devoted my career to supporting people in discovering and nurturing the creative sparks within themselves. My PhD in psychology and Post-Doctoral studies, presentations, and publications over the past 45 years have focused on the healing aspect of the creative process.
Barbara Small’s novel is about the interwoven lives of a Black family and a White family facing the challenges of surviving while raising their children in the Jim Crow South during the Great Depression.
The vivid language and sense details of Faith’s Reckoning transported me completely into the very different worlds the characters experienced in this riveting page-turner. What I loved most was how they transformed their suffering into a desire to improve the worlds they inhabited, not only for themselves but also others. The personal reckonings they made by changing their lives evoked a depth of empathy that has changed me.
These characters continue to stay in my heart, and like friends I cherish them still. In fact, I hope to see a sequel and a movie one day!
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
This book by Joya Chatterji is a path-breaking one, as it posed a challenge against the hegemonic narratives dominant in the 1947 Partition studies to date.
Before Chatterji's work, Partition studies largely agreed upon the fact that apart from the British, the only home-grown villain behind the communal plot of Partition was the Muslim League and its leadership. Scholars in the field also agreed that the Indian National Congress was a secular platform.
Chatterji, however, argues that in the case of Bengal, the upper-class Hindu Bhadraloks were against the Partition in 1905. However, this same section of people in 1947 went for Partition along the communal line. And Congress, besides Hindu Mahasabha, had taken up communal politics.
Whereas previous studies of the end of British rule in India have concentrated on the negotiations of the transfer of power at the all-India level or have considered the emergence of separatist politics amongst India's Muslim minorities, this study provides a re-evaluation of the history of Bengal focusing on the political and social processes that led to the demand for partition in Bengal and tracing the rise of Hindu communalism. In its most startling revelation, the author shows how the demand for a separate homeland for the Hindus, which was fuelled by a large and powerful section of Hindu society…
I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This book served as my entry point to Indian goddess traditions. It examines a millennia-old tradition alongside the modern concept of feminism. What emerges is a nuanced and complicated set of essays that challenges my understanding of goddesses and their relation to women and men. At the end of the day, I walk away with a greater appreciation for both goddesses and feminism.
In India, God can be female. The goddesses of Hinduism and Buddhism represent the largest extant collection of living goddesses anywhere on the planet. Feminists in the West often draw upon South Asian goddesses as theological resources in the contemporary rediscovery of the Goddess. Yet, these goddesses are products of a male supremacist society. What is the impact of powerful female deities--their images, projections, textuality, and history--on the social standing and psychological health of women? Do they empower women, or serve the interests of patriarchal culture? Is the Goddess a Feminist? looks at the goddesses of South Asia to address…
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
This book is probably among the first ones written by a Pakistani author on the history of the 1971 war, aka Liberation War of Bangladesh, which thrilled me as a reader. It challenges not only the statist-nationalist accounts of Pakistan but those from India and Bangladesh as well.
Anam, the author, accomplished commendable work by talking to people across the cartographies and bringing up diverse and contradictory perspectives about the pretexts and events of 1971-related politics. While after all these years, both the state and society of Pakistan and Bangladesh remained taboo to each other, such a venture appears to be the silver lining of knowledge sharing between the entities in the two territories.
Unsettling for the conformists, nationalists, and statists, this piece of work is a must-read for everyone interested in the region.
The year 1971 exists everywhere in Bangladesh-on its roads, in sculptures, in its museums and oral history projects, in its curriculum, in people's homes and their stories, and in political discourse. It marks the birth of the nation, its liberation. More than 1000 miles away, in Pakistan too, 1971 marks a watershed moment, its memories sitting uncomfortably in public imagination. It is remembered as the 'Fall of Dacca', the dismemberment of Pakistan or the third Indo-Pak war. In India, 1971 represents something else-the story of humanitarian intervention, of triumph and valour that paved the way for India's rise as a…
From my days as a student in India in the early 1970s through my years in the U.S. Foreign Service with postings in Pakistan, Bangladesh, and Kenya, as well as assignments to the India, Kenya, and Uganda desks at the Department of State, I learned something of the cultures of South Asia and East Africa and gained an appreciation for the peoples of those countries. During the early months of the Covid-19 pandemic, I had the time to write. I developed a novel that was part autobiography and part fiction, and most of which was set in South Asia and East Africa. The result is Danger and Romance in Foreign Lands.
During my student days in the early 1970s, I travelled throughout North India by train and country bus, often staying in the countryside in former colonial rest houses from days of British rule in India. I tried to imagine what it was like for the British East India Company officials before 1857, and then for the British colonial officials who replaced the company officers after the Indian Sepoy Mutiny.The Siege of Krishnapurvividly recreates the 1857 mutiny from the perspective of British company officials and their families trapped by the local soldiers they had employed.
Farrell used a diary and letters from those besieged in the real city of Lucknow to illustrate the horrors of hunger, impending rape, torture, and eventual death that many of the British faced. The scenes are graphic, and the portrayals of the relationships among those trapped have stayed with me for years. The novel…
In the Spring of 1857, with India on the brink of a violent and bloody mutiny, Krishnapur is a remote town on the vast North Indian plain. For the British there, life is orderly and genteel. Then the sepoys at the nearest military cantonment rise in revolt and the British community retreats with shock into the Residency. They prepare to fight for their lives with what weapons they can muster. As food and ammunition grow short, the Residency, its defences battered by shot and shell and eroded by the rains, becomes ever more vulnerable.
I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This book is not only a deep scholarly engagement with the world of art collection and Hindu goddesses, but it also reads like a mystery novel. Kaimal took me on a journey from India, the home of the images/works of art under discussion, through their disparate journeys in the shadowy world of international art collecting and sales. It made me understand how the modern museum is stocked with images taken from active sites of religious practice.
Scattered Goddesses: Travels with the Yoginis is a book about the lost home, the new homes, and the journeys in between of nineteen sculptures that now reside in at least twelve separate museums across North America, Western Europe, and South India. After piecing together what these goddesses and their former companions might have meant when they were together in tenth-century South India, Kaimal traces them into the hands of private collectors and public museums as these objects became more thoroughly separated from each other with each transaction. In the process of export and purchase, and in the hostile as well…
I have a passion for this topic because I too am a South Asian author. I read these books to stay informed about the latest ideas shaping our understanding of the South Asian young adult, both within and outside of the geographical boundaries of South Asia. I want to see more stories out there with South Asian themes, characters, settings— contemporary stories in particular. I’d like to see South Asians in ordinary life and not stereotypical situations like The Indian Wedding. We have so many stories to tell! I hope you enjoy the books on this list as much as I have!
Indians born in the USA are all clubbed under the euphemism, “ABCD.” In other words, American Born Confused Desi. Desi loosely translates as Indian native. There is some truth to this as the question of identity hits each of us when we enter young adulthood. Ethnicity is a huge part of this, and for Indian Americans it is a double whammy—they are so different from their peers born and raised in India, yet so different to their American peers too. I love how Tanuja addresses these challenges in her story.
Tanuja Desai Hidier's fantastically acclaimed cross-cultural debut comes to PUSH!
Dimple Lala doesn't know what to think. Her parents are from India, and she's spent her whole life resisting their traditions. Then suddenly she gets to high school and everything Indian is trendy. To make matters worse, her parents arrange for her to meet a "suitable boy." Of course it doesn't go well -- until Dimple goes to a club and finds him spinning a magical web . Suddenly the suitable boy is suitable because of his sheer unsuitability. Complications ensue. This is a funny, thoughtful story about finding your…
I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This book is a riveting exploration of the major goddess festival in India, Navaratri, and a follow-up volume of the popular Nine Nights of the Goddess.
I love this book because it dives into the regional diversity of the festival, taking me on a journey into the many ways that the goddess is celebrated throughout India and into the lives of her devotees. What I find so mesmerizing about Nine Nights of Power is the balance between breadth and depth that gives me a flavor of the diversity of the traditions with deep dives into the individual case studies.
The autumnal Navaratri festival—also called Durga Puja, Dassehra, or Dasain—is the most important Hindu festival in South Asia and wherever Hindus settle. A nine-night-long celebration in honor of the goddess Durga, it ends on the tenth day with a celebration called "the victorious tenth" (vijayadasami). The rituals that take place in domestic, royal, and public spaces are closely connected with one's station in life and dependent on social status, economic class, caste, and gender issues. Exploring different aspects of the festival as celebrated in diverse regions of South Asia and in the South Asian diaspora, this book addresses the following…
I have for over fifty years studied and written about the Indian nationalist movement, examining it from many different angles. I lived and worked for many years in India. I have throughout had an appreciative but often troubled relationship with Gandhi – admiring him for much of what he stood for, while finding it hard to accept many of his beliefs and actions. This will be apparent to anyone reading the books that I have written. Despite this, I have a deep respect for a man who was undoubtedly a towering figure in twentieth-century history.
Although I contributed to this volume, I am recommending it not because of that but because it has a couple of excellent chapters on Gandhi. Best known is Shahid Amin’s, "Gandhi as Mahatma: Gorakhpur District, Eastern UP, 1921-2". In this, he examines Gandhi’s fleeting visit in February 1921 to Gorakhpur District, a largely rural area close to the border with Nepal – showing how this visit was understood by the local peasantry. Many tales circulated, many of which involved the idea that Gandhi had the power of rewarding those who accepted his message and punishing those who did not in supernatural ways. The chapter provides a superb analysis of the ways in which his message was filtered and changed in ways that Gandhi himself not only had no part in, but which he – when brought to his notice – repudiated. The chapter by Partha Chatterjee, "Gandhi and the Critique…
This third volume in the "Subaltern Studies" series contains essays and discussion pieces designed to promote a systematic and detailed discussion of subaltern themes in the field of South East Asian studies and research.
I was drawn to the subject of Yoga already as a teenager. Much later, I did my Ph.D. Thesis on the subject of the Nāths. I find fascinating the wealth of esoteric ideas and assumptions at the root of their project: the search for the elixir of immortality through internalization of the principles of alchemy. I admire their ethos, their stories, and the whole fabric of legends that surrounds them. I have done some work on translating the poetry attributed to their founder, guru Gorakhnāth, and that made me appreciative of their wisdom and their views, even when I disagreed with some of those.
I find extremely interesting the mix of historical scholarship and anthropological fieldwork so vividly presented in this study, as in the other work, by Véronique Bouillier.
She has a particular penchant to focus on and engage with the tension in the ideology and lived experience of her chosen subjects, be it between ancient stories about the Yogis and the lifestyle of the contemporary ascetics or between the ethos of the warriors and the ethos of the renouncers (as the former, in particular kings, become the latter, in popular legends), which gives particular attraction to her elegant and learned exposition.
How have the premodern Shaiva ascetic sect of the Nath Yogis (known also as the Yogis with splitted ears) succeeded in maintaining its presence and importance until today? This book intends to give a general survey of this sampradaya which is said to have been founded by the Siddha Gorakhnath, known for his strong link to Hatha Yoga. However, rather than to Yoga, the history and expansion of the Nath sect are linked to its rich legendary corpus. Dealing first with the marks of belonging (such as the huge earring worn by the fully initiated Yogis) which give the sect…
