I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, I’m drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
The cross-cultural stories in this anthology are painful, funny, and heartbreaking. You’ll find famous and little-known writers exploring migration, immigration, othering, and otherness. We know these problems, but sometimes stories help us imagine alternate ways of solving them, making connections we can build from our common humanity.
Thirty acclaimed writers of international fiction explore the stranger in tales of cultural clashes and bonds. These stories of disparate experience travel beyond politics and multicultural manners to become an essential discussion of otherness. Contributors include Nathan Englander, Laila Lalami, Ana Menendez, Josip Novakovich, Wanda Coleman, Tony d'Souza, Samrat Upadhyay, Mary Yukari Waters, Luis Alfaro, and Amanda Eyre Ward, as well as other accomplished writers from Azerbaijan, Bangladesh, Iran, Israel, Pakistan, and Zimbabwe, some published for the first time in the United States.
This is a unique tale of exciting personal encounters with wild tigers as well my hard science that revealed their mysterious world. Readers will experience the conflicts, violence, and corruption, inherent to struggle to recover the charismatic, dangerous predator. Among Tigers is not the usual doomsday prophecy, but a clear roadmap for how we can grow tiger populations to new levels of abundance. While it does not gloss over the very real challenges, overall, it delivers a message of reasonable hope to nature lovers worldwide. I have scientifically researched tigers and, fought passionately to save them, making me uniquely qualified to tell this story like no one else can.
This is a non-fiction classic about ‘tiger culture’ of a remote part of India where tigers do not fear humans as they do elsewhere: in fact, they even hunt down and eat dozens of people every year in this giant Sundarbans swamp where natural prey is scarce. Montgomery is brilliantly evocative while bringing to life both nature and humans of the swamp, making the book a NY Times best-seller. The local culture, where tigers are loathed, feared, and revered as deities—all at the same—is portrayed stunningly. These habitats, tiger behaviors, and local cultures are strikingly different from the ones I describe in my book. Montgomery views the tiger through a filter of human culture, whereas I do so through a filter of hard ecology. Yet, we admire each other’s work because we are both under the spell of the same tiger.
From the author of The Soul of an Octopus and bestselling memoir The Good Good Pig, a book that earned Sy Montgomery her status as one of the most celebrated wildlife writers of our time, Spell of the Tiger brings readers to the Sundarbans, a vast tangle of mangrove swamp and tidal delta that lies between India and Bangladesh. It is the only spot on earth where tigers routinely eat people-swimming silently behind small boats at night to drag away fishermen, snatching honey collectors and woodcutters from the forest. But, unlike in other parts of Asia where tigers are rapidly…
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
This book is probably among the first ones written by a Pakistani author on the history of the 1971 war, aka Liberation War of Bangladesh, which thrilled me as a reader. It challenges not only the statist-nationalist accounts of Pakistan but those from India and Bangladesh as well.
Anam, the author, accomplished commendable work by talking to people across the cartographies and bringing up diverse and contradictory perspectives about the pretexts and events of 1971-related politics. While after all these years, both the state and society of Pakistan and Bangladesh remained taboo to each other, such a venture appears to be the silver lining of knowledge sharing between the entities in the two territories.
Unsettling for the conformists, nationalists, and statists, this piece of work is a must-read for everyone interested in the region.
The year 1971 exists everywhere in Bangladesh-on its roads, in sculptures, in its museums and oral history projects, in its curriculum, in people's homes and their stories, and in political discourse. It marks the birth of the nation, its liberation. More than 1000 miles away, in Pakistan too, 1971 marks a watershed moment, its memories sitting uncomfortably in public imagination. It is remembered as the 'Fall of Dacca', the dismemberment of Pakistan or the third Indo-Pak war. In India, 1971 represents something else-the story of humanitarian intervention, of triumph and valour that paved the way for India's rise as a…
I'm a journalist and author writing (mostly) about labour rights and the politics of the fashion industry. This work has taken me to Bangladesh, Kenya, Macedonia, and the Topshop warehouses in Solihull. I am the author of Foot Work – What Your Shoes Are Doing To The World, an exposé of the dark origins of the shoes on our feet. My award-winning first book Stitched Up – The Anti-Capitalist Book of Fashion, is available in six languages and was selected by Emma Watson for her "Ultimate Book List".
This is an award winning book by an extraordinary social commentator who turned his anthropological eye to the Bangladeshi garment industry in the aftermath of Rana Plaza – the 2012 factory collapse that killed 1,138 people. This is painstaking and sensitive work documenting the lives of workers and the poverty and instability that drives people into garment factories. It is also a detailed explanation of how Rana Plaza was the latest in a long list of industrial homicides that stretches back to imperialism and the East India Company. It is exceptional.
Oh, Men, with Sisters dear! Oh, Men, with Mothers and Wives! It is not linen you re wearing out, But human creatures lives! Stitch stitch stitch, In poverty, hunger and dirt, Sewing at once, with a double thread, A Shroud as well as a Shirt. --from The Song of the Shirt by Thomas Hood (1843) Labour in Bangladesh flows like its rivers -- in excess of what is required. Often, both take a huge toll. Labour that costs $1.66 an hour in China and 52 cents in India can be had for a song in Bangladesh -- 18 cents. It…
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
Willem van Schendel is one of those first few names who are the authority on Bengal Borderland. Schendel's interest in the Bengal Borderland and Bangladesh has been persistent for decades.
This particular volume is significant because the author focused on the complex and intertwined relationship between border-making in the region and the historical perpetuation of 1947. The book helps one to see how the Partition, far from being an event from the past, has yet been unfolding in the lands and lives of people living there. I consider it to be an intervention of both Partition studies and Borderland studies.
A historian by training, Schendel has taken his methodological venture into the realm of anthropology, and his empirical research reciprocated the political history with a rich social corpus.
'The Bengal Borderland' constitutes the epicentre of the partition of British India. Yet while the forging of international borders between India, Pakistan, Bangladesh and Burma (the 'Bengal Borderland') has been a core theme in Partition studies, these crucial borderlands have, remarkably, been largely ignored by historians.
I love this book because it so completely
submerged me in the life and surroundings of the protagonist, Nazneen, a young
Muslim woman who leaves her small Bangladeshi village to live in a London
council flat in an arranged marriage with an older man.
Ali conveys a visceral
sense of the stifling apartment, the tedious work, the bleak weather, and the
loneliness and dullness of Nazneen’s life. Not that it’s a place we want to be,
but we experience Nazneen’s yearning for escape so profoundly that we root
passionately for her as she pursues some degree of freedom and purpose.
A
master of the finest detail, Ali brings the sights, smells, and sounds ofBrick Lane to dazzling life.
Nazneen's inauspicious entry to the world, an apparent stillbirth on the hard mud floor of a Bangladeshi village hut, imbues in her a sense of fatalism that she carries across continents when she is married off to Chanu. Her life in London's Tower Hamlets is, on the surface, calm. For years, keeping house and rearing children, she does what is expected of her. Yet Nazneen walks a tightrope stretched between her daughters' embarrassment and her husband's resentments. Chanu calls his elder daughter the little memsahib. 'I didn't ask to be born here,' says Shahana, with regular finality. Into that fragile…
I grew up dreaming of other worlds, both real and imagined. I’ve since had the great fortune of living in Angola, Bangladesh, Gambia, Italy, Malawi, Mozambique, Myanmar, and Tanzania—each country as fascinating to me as the next. Yet there’s so much more of the world I want to experience! This is why I love novels that immerse me in the history and culture of foreign lands. By entering the hearts and minds of characters with different life experiences than myself, I feel a sense of connection that expands my own worldview. I hope you enjoy these books as much as I have!
I found this novel about a young, widowed mother living through Bangladesh’s 1971 Liberation War both eye-opening and deeply touching. Having recently moved to Bangladesh myself, I welcomed the chance to learn more about my host country’s history while at the same time being transported into the fictional lives of Rehana and her two adolescent children, Maya and Sohail.
Tahmima Anam’s expert storytelling and razor-sharp observation made me feel as if I were right there with the characters, facing the same impossible choices but also experiencing the same unexpected moments of passion and beauty.
Spring, 1971, East Pakistan. Rehana Haque is throwing a party for her beloved children, Sohail and Maya. Her young family is growing up fast, and Rehana wants to remember this day forever. But out on the hot city streets, something violent is brewing. As the civil war develops, a war which will eventually see the birth of Bangladesh, Rehana struggles to keep her children safe and finds herself facing a heartbreaking dilemma.
I grew up in Nepal, where politics was part and parcel of everyday life. During my childhood and teenage years, we lived under a monarchy, where the king was supreme. Yet there was always a simmering tension between what was a mildly authoritarian rule and what the people’s aspirations were. As I grew into adulthood, Nepal saw a massive uprising that ushered in a multiparty system, then later, after a bloody Maoist civil war, the overthrow of the crown. Yet, even amidst all these political upheavals, people do live quotidian lives, and the space between these two seemingly disparate things has always felt like a literary goldmine to me.
As an author from Nepal, I have learned the most from Rohinton Mistry than any other South Asian writer about how to “translate” the landscape and language of my country for an international audience. Such a Long Journey was the first novel that taught me how to integrate the social and political seamlessly into the psychological makeup of my protagonist—in an English that is uniquely local. In the novel, Gustad Noble, a devoted family man, gets snared into the deception and corruption of the government under Indira Gandhi. It’s a riveting read, and Mistry is superb with vivid descriptions. That the book was banned in certain conservative circles in India makes it even more of a gem.
It is Bombay in 1971, the year India went to war over what was to become Bangladesh. A hard-working bank clerk, Gustad Noble is a devoted family man who gradually sees his modest life unravelling. His young daughter falls ill; his promising son defies his father’s ambitions for him. He is the one reasonable voice amidst the ongoing dramas of his neighbours. One day, he receives a letter from an old friend, asking him to help in what at first seems like an heroic mission. But he soon finds himself unwittingly drawn into a dangerous network of deception. Compassionate, and…
I grew up on a small farm, expecting to return to it after college, but I was inspired by books and by a teacher to focus instead on alleviating hunger and poverty problems in developing countries and two years working with the rural poor in Colombia in the Peace Corps helped me understand the need to attack these problems at both the household and policy levels. I taught courses and wrote on agricultural development issues at Virginia Tech for forty years and managed agricultural projects in Africa, Asia, and Latin America. I am passionate about improving food security and human health and treating people with respect regardless of their circumstances.
I loved the author's innovative, passionate, and broadminded approach as he experimented and succeeded in bringing tiny loans to the poorest of the poor in his country, Bangladesh. His bank lifted millions out of poverty and provided an example that has been copied in many other nations, deservedly winning him the Nobel Peace Prize.
Having worked part-time on an agricultural project in Bangladesh for many years, I appreciate his challenges and the ingenuity required to overcome them. I like that he identified impoverished women as the primary clients for the bank and figured out how to overcome prevailing religious and cultural norms to include them.
His model, which relies heavily on peer pressure to achieve high loan repayment rates, has revolutionized micro-lending worldwide.
Muhammad Yunus is that rare thing: a bona fide visionary. His dream is the total eradication of poverty from the world. In 1983, against the advice of banking and government officials, Yunus established Grameen, a bank devoted to providing the poorest of Bangladesh with minuscule loans. Grameen Bank, based on the belief that credit is a basic human right, not the privilege of a fortunate few, now provides over 2.5 billion dollars of micro-loans to more than two million families in rural Bangladesh. Ninety-four percent of Yunus's clients are women, and repayment rates are near 100 percent. Around the world,…
I really enjoyed reading this book a tale of a writer's journey and discovery.
The style is very apt of kiwi culture, I myself a kiwi found the scenes and setting very accurate and the characters relatable. Having a glossary is very helpful with the Māori words. The characters have familiar traits of everyday kiwis I have met and live around. New Zealand culture shines through, one is given a realistic feel and educated view of the history.
The main character Hamiora is humorous making me laugh out loud in places. The story is intriguing, keeping me reading with hints of what’s to come. Hamiora is full of personality and chuckles. The subject matter and storyline are age appropriate and fitting for the audience it is written for.
Jack Jondell seems like your typical Year 10 student, hanging out in Gisborne with his mates. But Jack also writes winning speeches in English and Te Reo, while his twin sister Hinemarama writes rap.
Did they inherit this talent for words from Grandma Rosalyn, who was always determined to be published? She joined Junior Writers while still in primary school. He can’t ask her how she did it, because Rosalyn mysteriously disappeared in Bangladesh when she was eighteen. She hasn’t been heard of since.
It isn’t until 2017, forty years later, that Jack gets a chance to understand what sort…
