I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
This book is probably among the first ones written by a Pakistani author on the history of the 1971 war, aka Liberation War of Bangladesh, which thrilled me as a reader. It challenges not only the statist-nationalist accounts of Pakistan but those from India and Bangladesh as well.
Anam, the author, accomplished commendable work by talking to people across the cartographies and bringing up diverse and contradictory perspectives about the pretexts and events of 1971-related politics. While after all these years, both the state and society of Pakistan and Bangladesh remained taboo to each other, such a venture appears to be the silver lining of knowledge sharing between the entities in the two territories.
Unsettling for the conformists, nationalists, and statists, this piece of work is a must-read for everyone interested in the region.
The year 1971 exists everywhere in Bangladesh-on its roads, in sculptures, in its museums and oral history projects, in its curriculum, in people's homes and their stories, and in political discourse. It marks the birth of the nation, its liberation. More than 1000 miles away, in Pakistan too, 1971 marks a watershed moment, its memories sitting uncomfortably in public imagination. It is remembered as the 'Fall of Dacca', the dismemberment of Pakistan or the third Indo-Pak war. In India, 1971 represents something else-the story of humanitarian intervention, of triumph and valour that paved the way for India's rise as a…
I’ve lived in small towns and capital cities and gone to school on four continents, so I love books in which the location is practically a character in the story. When moving, I struggle to put down roots and feel legitimate in my new home. Writing about old homes helps. While living in New England, I wrote my Jana Bibi trilogy, set in India. Now in New York state, I’m setting a new novel in my native New Hampshire. I’ve been a Jill of all Trades: teaching, software, editing, fact-checking, social science research, and, most happily, fiction-writing. I’m also an amateur musician and an avid foreign language buff.
I love Rumer Godden’s novels, but I’m even fonder of her memoirs, especially this one. Writing with her sister, Jon, she describes life in Naryangang (then in British India, now in Bangla Desh) during and shortly after World War 1. The large household, the bazaar, the diversity of people, the bright sun and the monsoon rains, the wealth and the poverty, the danger of rabid dogs, the holidays in hill stations…I grew up in India forty years after Jon and Rumer Godden, but in many ways, their experiences bring back my own childhood.
I was a very active kid – the kind of kid who was constantly told to sit still and be quiet. Growing up in the 1960s, I had few opportunities to engage in athletics, other than neighborhood games of tag and kick-the-can. But when I got to high school, our school district had just begun offering competitive sports for girls. Finally, my energy and athletic ability were appreciated (at least by my coaches and teammates). So I guess it was inevitable that when I began writing books for young readers, I would start with a book about a girl who loves sports.
Samira is a Rohingya girl whose family fled anti-Muslim violence in Myanmar and now lives near a refugee camp in a Bangladesh beach town. This doesn’t sound like the set-up for a “sports” book, yet like all the best sports books, this beautiful novel-in-verse is about so much more than simply winning or losing a game. I love the way Guidroz shows the strong bonds that form within a team – in this case, a group of girls who help one another learn to swim and surf, defying cultural standards that bar girls from these activities. I also love how participating in this sport gives Samira a way to grow as an individual and claim her own identity: “Before I was Samira,” she says. “Now, I am Samira the Surfer.”
A middle grade novel in verse about Samira, an eleven-year-old Rohingya refugee living in Cox's Bazar, Bangladesh, who finds strength and sisterhood in a local surf club for girls.
Samira thinks of her life as before and after: before the burning and violence in her village in Burma, when she and her best friend would play in the fields, and after, when her family was forced to flee. There's before the uncertain journey to Bangladesh by river, and after, when the river swallowed her nana and nani whole. And now, months after rebuilding a life in Bangladesh with her mama,…
I grew up in Nepal, where politics was part and parcel of everyday life. During my childhood and teenage years, we lived under a monarchy, where the king was supreme. Yet there was always a simmering tension between what was a mildly authoritarian rule and what the people’s aspirations were. As I grew into adulthood, Nepal saw a massive uprising that ushered in a multiparty system, then later, after a bloody Maoist civil war, the overthrow of the crown. Yet, even amidst all these political upheavals, people do live quotidian lives, and the space between these two seemingly disparate things has always felt like a literary goldmine to me.
As an author from Nepal, I have learned the most from Rohinton Mistry than any other South Asian writer about how to “translate” the landscape and language of my country for an international audience. Such a Long Journey was the first novel that taught me how to integrate the social and political seamlessly into the psychological makeup of my protagonist—in an English that is uniquely local. In the novel, Gustad Noble, a devoted family man, gets snared into the deception and corruption of the government under Indira Gandhi. It’s a riveting read, and Mistry is superb with vivid descriptions. That the book was banned in certain conservative circles in India makes it even more of a gem.
It is Bombay in 1971, the year India went to war over what was to become Bangladesh. A hard-working bank clerk, Gustad Noble is a devoted family man who gradually sees his modest life unravelling. His young daughter falls ill; his promising son defies his father’s ambitions for him. He is the one reasonable voice amidst the ongoing dramas of his neighbours. One day, he receives a letter from an old friend, asking him to help in what at first seems like an heroic mission. But he soon finds himself unwittingly drawn into a dangerous network of deception. Compassionate, and…
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
Delwar Hussein, an anthropologist, conducted his research along the north-eastern borderline of Bangladesh. He has been fascinating in depicting the transformation of the borderland from a site of evolving nation-states to the catchment area of cross-border neoliberal capitalism.
Hussein crafted the minute details of how the cement factory had changed the communities, lives, and livelihoods at that margin. The marginality of the Borderlanders is central in this work; however, as often, Borderland studies surprise us, this book also talks about opportunities and hopes. It would enable its readers to look into the postcolonial nation-states with an unorthodox approach.
When anthropologist Delwar Hussain arrived in a remote coal mining village on the Bangladesh/India border to research the security fence India is building around its neighbour, he discovered more about the globalised world than he had expected. The present narrative of the Bangladesh/ India border is one of increasing violence. Not so long ago, it was the site of a monumental modernist master-plan, symbolic of a larger optimism which was to revolutionise post-colonial nations around the world. Today this vision and what it gave rise to lies in spectacular ruin; the innards of the decomposing industrial past are scattered across…
I love this book because it so completely
submerged me in the life and surroundings of the protagonist, Nazneen, a young
Muslim woman who leaves her small Bangladeshi village to live in a London
council flat in an arranged marriage with an older man.
Ali conveys a visceral
sense of the stifling apartment, the tedious work, the bleak weather, and the
loneliness and dullness of Nazneen’s life. Not that it’s a place we want to be,
but we experience Nazneen’s yearning for escape so profoundly that we root
passionately for her as she pursues some degree of freedom and purpose.
A
master of the finest detail, Ali brings the sights, smells, and sounds ofBrick Lane to dazzling life.
Nazneen's inauspicious entry to the world, an apparent stillbirth on the hard mud floor of a Bangladeshi village hut, imbues in her a sense of fatalism that she carries across continents when she is married off to Chanu. Her life in London's Tower Hamlets is, on the surface, calm. For years, keeping house and rearing children, she does what is expected of her. Yet Nazneen walks a tightrope stretched between her daughters' embarrassment and her husband's resentments. Chanu calls his elder daughter the little memsahib. 'I didn't ask to be born here,' says Shahana, with regular finality. Into that fragile…
This is a unique tale of exciting personal encounters with wild tigers as well my hard science that revealed their mysterious world. Readers will experience the conflicts, violence, and corruption, inherent to struggle to recover the charismatic, dangerous predator. Among Tigers is not the usual doomsday prophecy, but a clear roadmap for how we can grow tiger populations to new levels of abundance. While it does not gloss over the very real challenges, overall, it delivers a message of reasonable hope to nature lovers worldwide. I have scientifically researched tigers and, fought passionately to save them, making me uniquely qualified to tell this story like no one else can.
This is a non-fiction classic about ‘tiger culture’ of a remote part of India where tigers do not fear humans as they do elsewhere: in fact, they even hunt down and eat dozens of people every year in this giant Sundarbans swamp where natural prey is scarce. Montgomery is brilliantly evocative while bringing to life both nature and humans of the swamp, making the book a NY Times best-seller. The local culture, where tigers are loathed, feared, and revered as deities—all at the same—is portrayed stunningly. These habitats, tiger behaviors, and local cultures are strikingly different from the ones I describe in my book. Montgomery views the tiger through a filter of human culture, whereas I do so through a filter of hard ecology. Yet, we admire each other’s work because we are both under the spell of the same tiger.
From the author of The Soul of an Octopus and bestselling memoir The Good Good Pig, a book that earned Sy Montgomery her status as one of the most celebrated wildlife writers of our time, Spell of the Tiger brings readers to the Sundarbans, a vast tangle of mangrove swamp and tidal delta that lies between India and Bangladesh. It is the only spot on earth where tigers routinely eat people-swimming silently behind small boats at night to drag away fishermen, snatching honey collectors and woodcutters from the forest. But, unlike in other parts of Asia where tigers are rapidly…
I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, I’m drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
The cross-cultural stories in this anthology are painful, funny, and heartbreaking. You’ll find famous and little-known writers exploring migration, immigration, othering, and otherness. We know these problems, but sometimes stories help us imagine alternate ways of solving them, making connections we can build from our common humanity.
Thirty acclaimed writers of international fiction explore the stranger in tales of cultural clashes and bonds. These stories of disparate experience travel beyond politics and multicultural manners to become an essential discussion of otherness. Contributors include Nathan Englander, Laila Lalami, Ana Menendez, Josip Novakovich, Wanda Coleman, Tony d'Souza, Samrat Upadhyay, Mary Yukari Waters, Luis Alfaro, and Amanda Eyre Ward, as well as other accomplished writers from Azerbaijan, Bangladesh, Iran, Israel, Pakistan, and Zimbabwe, some published for the first time in the United States.
I really enjoyed reading this book a tale of a writer's journey and discovery.
The style is very apt of kiwi culture, I myself a kiwi found the scenes and setting very accurate and the characters relatable. Having a glossary is very helpful with the Māori words. The characters have familiar traits of everyday kiwis I have met and live around. New Zealand culture shines through, one is given a realistic feel and educated view of the history.
The main character Hamiora is humorous making me laugh out loud in places. The story is intriguing, keeping me reading with hints of what’s to come. Hamiora is full of personality and chuckles. The subject matter and storyline are age appropriate and fitting for the audience it is written for.
Jack Jondell seems like your typical Year 10 student, hanging out in Gisborne with his mates. But Jack also writes winning speeches in English and Te Reo, while his twin sister Hinemarama writes rap.
Did they inherit this talent for words from Grandma Rosalyn, who was always determined to be published? She joined Junior Writers while still in primary school. He can’t ask her how she did it, because Rosalyn mysteriously disappeared in Bangladesh when she was eighteen. She hasn’t been heard of since.
It isn’t until 2017, forty years later, that Jack gets a chance to understand what sort…
I'm a journalist and author writing (mostly) about labour rights and the politics of the fashion industry. This work has taken me to Bangladesh, Kenya, Macedonia, and the Topshop warehouses in Solihull. I am the author of Foot Work – What Your Shoes Are Doing To The World, an exposé of the dark origins of the shoes on our feet. My award-winning first book Stitched Up – The Anti-Capitalist Book of Fashion, is available in six languages and was selected by Emma Watson for her "Ultimate Book List".
This is an award winning book by an extraordinary social commentator who turned his anthropological eye to the Bangladeshi garment industry in the aftermath of Rana Plaza – the 2012 factory collapse that killed 1,138 people. This is painstaking and sensitive work documenting the lives of workers and the poverty and instability that drives people into garment factories. It is also a detailed explanation of how Rana Plaza was the latest in a long list of industrial homicides that stretches back to imperialism and the East India Company. It is exceptional.
Oh, Men, with Sisters dear! Oh, Men, with Mothers and Wives! It is not linen you re wearing out, But human creatures lives! Stitch stitch stitch, In poverty, hunger and dirt, Sewing at once, with a double thread, A Shroud as well as a Shirt. --from The Song of the Shirt by Thomas Hood (1843) Labour in Bangladesh flows like its rivers -- in excess of what is required. Often, both take a huge toll. Labour that costs $1.66 an hour in China and 52 cents in India can be had for a song in Bangladesh -- 18 cents. It…
