Here are 94 books that Brick Lane fans have personally recommended if you like
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I’ve been a journalist for years, and to write my first book, I ended up doing a ton of original research and reporting about photography, fashion, the art world, and the magazine industry in midcentury New York. But certain passages in the twins’ interviews reminded me strongly of many books I’d read growing up, that address the challenges young women face as they confront choices in life. And their story, with its wild and colorful characters, begged to be structured like a novel. It also took place when American society was changing dramatically for women, as it is today. So, I kept books like these in mind while writing.
To me, this slim novel is perfect, and perfectly constructed.
The narrator spends it obsessing over a single question–why did my sister marry an older, wealthy, boring man?–and doesn’t figure out the answer till the end. And in retrospect, it’s obvious. Meanwhile she also mulls over the options for young women circa the early 1960s in an England that’s transforming dramatically: Do I marry? Stay single? Let my life drift?
My parents bought the Penguin paperback when we lived in London in the late 1960s for a year, when the city was really swinging. I began reading it at 10 and was transfixed by the glimpse it offered into adulthood, and I have re-read the same paperback many times since.
Two sisters: beautiful, sophisticated Louise and attractive, witty and intelligent Sarah who has always felt left behind. Then Louise marries the wealthy but unappealing novelist Stephen Halifax, and Sarah, recently graduated from Oxford, is thrown back into family affairs. As Louise enters a high-profile world of glamour, parties and gossip columns, Sarah, drifting in London with her degree and new-found freedom, is only allowed glimpses into this new alien life. However, as the cracks begin to show in Louise's marriage and rumours of infidelity spread, Sarah discovers that, beneath her cool exterior, her sister is not quite the person she…
Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives.
“Long ago Virginia decreed, in the way that Virginia decrees, that I was the painter and she the writer.” Vanessa and Her Sisteris a portrait of two extraordinary and unconventional women, Virginia Woolf and her sister, Vanessa Bell. The story is told in the form of a diary kept by Vanessa, beginning at the turn of the 20th century with the formation of the Bloomsbury Group in London. Priya Parmar has created a sympathetic yet honest portrayal of Virginia Woolf, her genius and her often precarious mental state, and the impact it had on her family—in particular Vanessa, who was an important and steadying influence for her sister and a talented artist in her own right.
A New York Times Notable Book • An Entertainment Weekly “Must List” Pick • “Prepare to be dazzled.”—Paula McLain • “Quite simply astonishing.”—Sarah Blake
What if Virginia Woolf’s sister had kept a diary? For fans of The Paris Wife and Loving Frank comes a spellbinding new story of the inseparable bond between Virginia and her sister, the gifted painter Vanessa Bell, and the real-life betrayal that threatened to destroy their family. Hailed by The New York Times Book Review as “an uncanny success” and based on meticulous research, this stunning novel illuminates a little-known episode in the celebrated sisters’ glittering…
I’m a novelist with a PhD in Literature from NYU. My background is Modern British, and I’ve always been drawn to literary stylists. But, over the years, I’ve developed a passion for reading and writing novels that deal with themes of betrayal either within families or between close friends. I’m drawn to domestic suspense in which the characters’ psychological growth isn’t secondary to the plot.
Flynn Berry’s first thriller opens with a stunningly rendered scene in which the protagonist, Nora, discovers the body of her sister, Rachel, who has been murdered.
Throughout the novel, Berry captures Nora’s shock, grief, and sense of mission—to find out who killed her beloved sister—in precise but poetic language. I witnessed the horror visually and felt Nora’s emotions without any extra flourishes or sentimental language.
'It's like Broadchurch written by Elena Ferrante. I've been telling all my friends to read it - the highest compliment' Claire Messud
When Nora takes the train from London to visit her sister in the countryside, she expects to find her waiting at the station, or at home cooking dinner. But when she walks into Rachel's familiar house, what she finds is entirely different: her sister has been the victim of a brutal murder. Stunned and adrift, Nora finds she can't return to her former life. An unsolved assault in the past has shaken her faith in the police, and…
When I started researching the 1930s in Britain, I realised that I had only ever considered the period from the Irish perspective, as the tail-end of the long battle for independence. I had always seen Britain in the role of oppressor: Rich, where Ireland was poor; powerful where Ireland was weak. As I read more, a new picture of Britain began to emerge. The Great Depression, the numbers of people unemployed, the children with rickets and scurvy due to malnutrition. And with those things, the rise of socialism and fascism, both expressing the same dissatisfaction with life. I wanted to know more. And so I went looking for books to teach me.
This is a children's book – the story of the three Fossil children, their peculiar upbringing, and the ups and downs of their lives at stage school – but it is a wonderful read at any age. Brilliantly infused with the texture of daily life in 1930s London, it creates a really specific and compelling atmosphere. The food they ate, the cost of clothes, transport, the make-up of their household, even the quality of the air they breathed, is all described, as part of a warm and engrossing tale. Nothing I've read quite transports you to that time in the way that this does.
When Sylvia and her old nurse Nana agree to keep house for Gum, they know they will be looking after his fossil collection while his away on his travels. But imagine their surprise when one day he brings them something else - three baby girls whose names all being with 'P'! Pauline, Petrova and Posy Fossil are not really sisters - even their surname is invented. The girls decide to 'put our name in the history books because it's our very own', and enrol at the Children's Academy of Dancing and Stage Training. Each Fossil uses her individual talents to…
Enchanted by mysteries of the cozy, comic, or traditional sort, I was delighted to realize that they replay the holy grail myth. Here the Waste Land is the community paralyzed by the crime that cannot be undone, murder, the sleuth is the Grail Knight, and the Grail Cup is the restorative magic of the solution. Cozy or comic or traditional sleuths find the murderer by asking the right questions, so re-storying or restoring the fertility of the realm. Comedy is used for rebirth in the face of tragedy. I began to write cozies-with-an-edge, emphasizing women heroes who need each other as they face issues of today’s wasteland in climate change.
Embrace this beloved comic novel with seventy-five-year-old showgirl twins, Dora and Nora Chance. Dora recalls their bawdy existence of struggle and romance hours before partying with the toff side of the family, Shakespearean actor dynasty, the Hazards. The Chances grab life and joy from the wrong side of the tracks. Possibly fathered by actor, Sir Melchior, or his twin brother, the Chance twins struggled to make a living in the illegitimate theater of song and dance. Despite male lovers, their lives are shaped by women, like Hollywood starlet Delia, and the Lady A, both unfortunate wives of their putative father. Disabled and thrown out by cruel daughters, Lady A pops up as Wheelchair when taken in by the warm-hearted Chances. The kindness of women is what matters here.
In Brixton, Nora and Dora Chance - twin chorus girls born and bred south of the river - are celebrating their 75th birthday. Over the river in Chelsea, their father and greatest actor of his generation Melchior Hazard turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he's still alive. And if, in truth, Melchior is their real father after all...
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Wise Children is adapted for the stage from Angela Carter's last novel about a theatrical family living in South London. It centres around twin chorus girls, Nora and Dora Chance, whose lives…
Rabbit Hole is about Teddy’s obsession with her sister Angie’s cold-case disappearance. When Angie was alive, she was angry and difficult, but Teddy still misses her. While writing the book, I thought a lot about my relationships with my own sisters and how unique that particular bond is. I love books that capture the at-times-uncomfortable closeness of sisterhood and grapple with its power.
Austen writes sisters like no one else, and the dynamic between tempestuous Marianne and practical Elinor is the template for so many novels that have followed.
Austen keeps the two sisters from becoming caricatures by making them more alike than different, and the love that anchors their relationship is at the heart of the novel.
I first read this as a freshman in college, and I still think about it every time I’m writing sisters. A classic.
'The wit of Jane Austen has for partner the perfection of her taste' Virginia Woolf
Jane Austen's subtle and witty novel of secrets and suppression, lies and seduction, brilliantly portrays a world where rigid social convention clashes with the impulses of the heart. It tells the story of two very different sisters who find themselves thrown into an unkind world when their father dies. Marianne, wild and impulsive, falls dangerously in love, while Elinor suffers her own private heartbreak but conceals her true feelings, even from those closest to her.
Being diagnosed with an incurable cancer and told I may only live 5-years forced me to become an expert in the misconceptions of how to behave and what to say to cancer patients. It’s all bunk! What I know: (1) Don’t tell me “Call if you need anything.” I’m the one who’s sick, you need to call me. (2) Please don’t patronize me; I live in reality, not the land of rainbows, unicorns, and miracles. (3) It’s okay not to know what to say; I’m as blown away as you are. What patients need is honesty, present and available support, and laughter – a lot of it.
What a wonderful, moral-rich, non-preachy, feel-good, tapped several of the big societal issues (adultery, death, divorce, pride, bullying, regret, work vs. family; you get the point), without ever once making me squirm with too many religious overtones, or want to run off to confess my improprieties. As a flower child at heart, I loved the continual nuances of people and growth compared to good soil and water, seasons, and blooms. This book was beautifully done.
When the matriarch of a loving family is diagnosed with cancer and determined to live out her days without treatment, there are twists and turns of reality that make this book a must-read. I too, nearly chose the path of non-treatment and this book resonates.
From New York Times bestselling author Julie Cantrell comes a story of family and the Southern roots that call us home.
"If Julie Cantrell isn't on your reading list, she should be." -Lisa Wingate
Years ago, Lovey chose to leave her family and the South far behind. But now that she's returned, she's realizing things at home were not always what they seemed.
Eva Sutherland-known to all as Lovey-grew up safe and secure in Oxford, Mississippi, surrounded by a rich literary history and her mother's stunning flower gardens. But a shed fire, and the injuries it caused, changed everything. Her…
When I first visited Antarctica, I not only fell in love with penguins but saw firsthand how high the stakes are regarding climate change—not only for humans but especially for animals, who are suffering horribly due to our actions. Being in Antarctica, the most rapidly warming place on earth, highlighted how important it is to tackle climate change, which includes protecting animals. When we lose one species, the entire ecosystem changes. I’ve embraced protecting domestic animals as well, from companion animals to farmed animals, having learned just how much human and non-human animals have in common—so much more than you’d think! And I love reading and writing about the ways in which we’re all connected.
Katy Yocom’s Three Ways to Disappear won the Siskiyou Prize for New Environmental Literature and was named a Barnes & Noble Top Indie Favorite—well-deserved recognition for this gorgeous debut novel. Three Ways to Disappear reveals the plight of the endangered Bengal tigers through the stories of two sisters who come together years after a family tragedy changes their lives—journalist Sarah, in India to help preserve the tigers, and Quinn, in Kentucky, dealing with family issues. The novel shows the complicated balance of tiger conservation among humans who themselves are struggling, and portrays the complexities of family bonds as well as the immense challenges facing the natural world. Both the human and tiger characters are beautifully rendered, empathetic, and unforgettable.
A Barnes & Noble Top Indie Favorite
Winner of the First Horizon Award and the Siskiyou Prize for New Environmental Literature Leaving behind a nomadic and dangerous career as a journalist, Sarah DeVaughan returns to India, the country of her childhood and a place of unspeakable family tragedy, to help preserve the endangered Bengal tigers. Meanwhile, at home in Kentucky, her sister, Quinn--also deeply scarred by the past and herself a keeper of secrets--tries to support her sister, even as she fears that India will be Sarah's undoing. As Sarah faces challenges in her new job--made complicated by complex local…
Here are words I like for their feel, especially when they describe fantasy: surprise; twist; subvert. I am generally a mild-mannered writer, but I do love the passing strange. By that I mean, twisty, not shocking. Surprising and intriguing, but grounded in a relatable story. A story with something wondrous and unexpected but also deeply human. I’ve written eighteen fantasy and science fiction novels, and each time, though I am creating a strange—hopefully wondrous, place—central in the story are people who desire, fear, love, and strive.
I love stories set in modern times, with the fae living—secretly—in the local woods. It reminds me of the uncanny in real life, and the possibility of adventure.
The pleasure of this rendition of the fae-next-door is that the human realm is brought fully to life and slowly entwines with the fantastical. Also: It gradually dawned on me that the human thread of the story is a fairy tale in its own right. That really twisted my expectations.
Imogen and her sister Marin escape their cruel mother to attend a prestigious artists' retreat, but soon learn that living in a fairy tale requires sacrifices, whether it be art or love in this critically acclaimed debut novel from "a remarkable young writer" (Neil Gaiman, American Gods).
Imogen has grown up reading fairy tales about mothers who die and make way for cruel stepmothers. As a child, she used to lie in bed wishing that her life would become one of these tragic fairy tales because she couldn't imagine how a stepmother could be worse than her mother now. As…
Like most writers, I’m intoxicated by stories, and when I first learned about the all-but-unknown country of Oman—once a major maritime power in the Indian Ocean—and its involvement in the East African slave trade, I was hungry to discover more. That “more” soon catapulted me into an extraordinary world filled with romance, beauty, violence, cruelty, and larger-than-life characters I had never heard of before. I was eager to share that world with others and so wrote this book. I am also the author of two other books about the Middle East and am deeply interested in writing about the region’s people, history, and culture, rather than its politics.
In this lyrical novel, winner of the 2019 Man Booker International Prize (the first novel in Arabic to do so), the Omani writer Altharthi captures the rich complexity of a country caught between the past and the future.
Her characters embody various aspects of Oman’s history—its slave trade, its maritime prowess, its close-knit village life, its rapid modern development—while at the same time debunking Western stereotypes about Arab women, society, and culture.
I visited Oman in early 2023 and everywhere I went, I saw Alharthi’s novel brought to life. Time and memory, religion and magic, poetry and proverbs—all swirl hypnotically together in this book, brilliantly translated by Marilyn Booth.
This winner of the 2019 Man Booker International Prize and national bestseller is “an innovative reimagining of the family saga . . . Celestial Bodies is itself a treasure house: an intricately calibrated chaos of familial orbits and conjunctions, of the gravitational pull of secrets" (The New York Times Book Review).
In the village of al-Awafi in Oman, we encounter three sisters: Mayya, who marries after a heartbreak; Asma, who marries from a sense of duty; and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada.
