68 books like Vanessa and Her Sister

First, I'm a woman and I'm inspired by women from the past who overcame the rules of the day in which they lived. It doesn’t matter where they lived, or what they tried to overcome, but to have bucked the patriarchal system and achieved some measure of success, is phenomenal. Second, I became inspired by silent film star Marion Davies, and I wrote a book about it. I never intended to write historical fiction. My first book was a memoir about sailing to Tahiti at fourteen with my father and two sisters. But life has a funny way of directing us where we need to go. Here I am: inspired by women from the past! 

Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives. 

Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives. 

Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives. 

When I was fourteen years old, my family moved from Texas to London for a year, and I started going to a little second-hand book shop around the corner. It was run by a long-haired Canadian, who always smoked a pipe. There were only three or four aisles, plus a cluttered backroom. You could pick up a 19th-century edition of the complete works of Shelley, with uncut pages, for two pounds. One volume led to another, in the same way that one friendship can lead to another, or introduce you to a new circle of people. Twenty-odd years later, I decided to write a novel about some of these writers.  

I’m the author of the short story collection I Meant It Once. I often say it’s a book about being a mess in your twenties, but to speak more personally, writing it was a necessity, a way to make sense of both the intensity and mundanity of my own experiences. I love a book where you can palpably feel the author working to make sense of their own life, through language—and, in turn, sorting out what it is for any of us to be a person. Books like these are essential reading when life feels thorny, beautiful, and impossible to make sense of, and all you can do is try to write it down.  

My memoir, Circling Home: What I Learned by Living Elsewhere, details my own trajectory in trying to find my voice and métier as a writer. I’ve kept a journal since I was a teenager, trained to be a journalist in college, and worked as an investigative reporter on a newspaper column and a news show in my twenties. When my husband and I moved abroad, I got a book contract for my PhD thesis and also published my research in academic journals. I wrote travel articles and profiles of people I met while living in East and West Africa. Working with a writing group of friends, I finished two novels before embarking on my memoir.

In the natural course as a young man, I became a husband and a father. I have four children and eleven grandchildren. Fatherhood has been the most difficult yet rewarding job of my life. You never stop being a parent. So, it was inevitable that this would become a subject of my writing. I have tried to be a compassionate caregiver and a positive role model to my children; you’ll have to ask them if I’ve succeeded. In my novel, I try to depict two fathers (and their two sons) as good yet flawed men, doing their best and finding their way. Just as all fathers do.

My literary interest began in childhood when my love for rhyme encouraged me to write limericks and poems. In 2009, my first novel, An Ordinary Life was published, which I considered to be a therapeutic exercise to see where it would lead, and here I am, much wiser, but still learning. Becoming an author has greatly enhanced my appreciation of the written word and how powerful it can be, hence, my book choices – a personal literary journey.  

I became involved in a rigid religious movement as a teen and prepared for the ministry at a fundamentalist college and seminary. I took this ideology to its logical extreme and became a foreign missionary. I know from the inside how such an ideology takes hold of a person and how difficult it is to escape its grasp, especially when family and career are intertwined. Through my own struggle with depression and anxiety, I scoured books to help understand myself and faith development, eventually earning a Ph.D in counseling, emphasizing developmental theory. I know from personal experience what it means to walk away from a way of thinking that has defined much of your life.