My mother was an avid reader of Agatha Christie, and she gave me my first Nancy Drew book when I was nine, so I’ve loved mysteries all my life—not the ‘true crime’ kind, more the ‘cozy village’ kind, where the focus is on the characters and how they solve the mystery because of who they are and how they understand the people around them. After I wrote an historical novel about John Singer Sargent and his friends, I couldn’t stop thinking about them, even hearing their voices continuing to talk—I missed them! So naturally, I decided I’d turn John and his friend Violet into detectives and write mysteries.
Talk about feisty women who advance against tremendous odds! Despite the stultifyingly constrained life of “almost-poor” women in early Victorian England, out in the moor country, the three Brontë sisters (Charlotte, Emily, and Anne) slip around the rules, their father, and manage their wayward but beloved brother—all while being determined to become writers—and solve the occasional murder that happens in their neighborhood. Great period details and fascinating information about these three remarkable sisters, along with a great mystery read. This is the first book in the series.
Before they became legendary writers, Charlotte Brontë, Emily Brontë, and Anne Brontë were detectors in this charming historical mystery...
Yorkshire, 1845. A young wife and mother has gone missing from her home, leaving behind two small children and a large pool of blood. Just a few miles away, a humble parson’s daughters—the Brontë sisters—learn of the crime. Charlotte, Emily, and Anne Brontë are horrified and intrigued by the mysterious disappearance.
These three creative, energetic, and resourceful women quickly realize that they have all the skills required to make for excellent “lady detectors.” Not yet published novelists, they have well-honed imaginations…
Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives.
Daphnehas numerous elements that I particularly adore in a story: a classic writer as a character, an English manor house setting, and a mystery. Layer in a Brontë connection, and it’s a perfectly pleasing literary page-turner. In 1957, Daphne du Maurier is at her remote, seaside mansion in Cornwall, distracting herself from personal woes by researching a biography about Branwell Brontë, reprobate and possibly misunderstood brother of Charlotte, Emily, and Anne. Intertwined is a second storyline set in present-day London, as a lonely young woman, newly married to a mysterious older man seemingly still in thrall to his first wife, becomes caught up in a fifty-year-old mystery involving du Maurier and the Brontës.
It is 1957. The author Daphne du Maurier, beautiful, famous, despairing as her marriage falls apart, finds herself haunted by Rebecca, the heroine of her most famous novel, written twenty years earlier. Resolving to write herself out of her misery, Daphne becomes passionately interested in Branwell, the reprobate brother of the Bronte sisters, and begins a correspondence with the enigmatic bibliophile Alex Symington as she researches a biography. But behind Symington's respectable scholarly surface is a slippery character with much to hide, and soon truth and fiction have become indistinguishable.In present-day London, a lonely young woman, newly married after a…
I teach writing and children's literature at the University of Wisconsin, Stevens Point, and for many years worked as a librarian. (Once a librarian, always a librarian!) First and foremost, I'm a reader. The real world can be an unpleasant and depressing place, so I regularly escape inside books. Although serious books are great, it's also nice to escape to a world where you can laugh and not worry about anything too bad happening.
I'd list every one of Georgette Heyer's romance novels if I could. She's the master of creating plots so entangled you have no idea how they'll be pulled apart. Her characters are unique, if not exactly crazy, and love is always in the air. Heyer's world is Regency England as it never really was.
A charming "accidental" love triangle enchants readers in this delightful romp by the Queen of Regency Romance, bestselling author Georgette Heyer.
A dashing man of honor...
En route to propose to his sensible acquaintance Lady Hester, Sir Gareth Ludlow finds young, pretty Amanda wandering unattended and knows it is his duty to bring her back to her family. This turns out to be a challenge as Amanda seems to possess an imagination as intriguing as it is dangerous.
A shocking refusal...
Lady Hester stuns both him and her family when she refuses him. At her age, no one would expect…
Working in schools, I was surrounded by young people facing challenges and finding their place in the world. Their lives were affected by various relationships, family, and their own personalities. I thrived on their energy and was privileged when they shared their stories, hopes, fears, and uncertainties. I witnessed hearts captured by young love that wasn’t always returned and marvelled at how those without good family support still managed to stay true to themselves no matter what life threw at them. Thank goodness for human resilience. I’m no poet but enjoy language and using poetic devices. I became a writer when teen characters insisted that I give voice to their stories.
I’m a sucker for endpapers so, with inside covers that appear browned with age, this book instantly grabbed me. I was even more drawn in by the edges of all pages looking aged, with the book’s title repeatedly running along the bottom of each one like a handwritten footer. Once I was reading, the flavour of classics like those by the Bronte sisters and Jane Austin meant I couldn’t put it down.
Set in the later part of the 20th century, Kate’s story explores self-worth and finding purpose. First-person narrative uses language cleverly. It is easy to read, the voice unpretentious. I felt like I knew Kate. We have so much in common, including the ability to write in the dark and a penchant for taking laneways rather than main roads.
SHORT-LISTED: CBCA Book of the Year, Older Readers, 2005'My name is Kate O'Farrell and I am seventeen years old. I am in my last year of school, and when that is over I will be leaving this place for good - going to a real city, where I will begin my new life.'I have long red hair and pale skin. I like staying up very late at night. It is my ambition to see the sun rise, but sadly I am always asleep by then. I love eating and reading, preferably at the same time.'I am very tall, and too…
Elizabeth Buchan began her career as a blurb writer at Penguin Books. She moved on to become a fiction editor at Random House before leaving to write full-time. Her novels include the award-winning Consider the Lily, The Museum of Broken Promises, and the international bestseller, Revenge of the Middle-Aged Woman, which was made into a CBS Primetime Drama. Elizabeth’s short stories are broadcast on BBC Radio 4 and published in magazines. She has reviewed for The Times, the Sunday Times, and the Daily Mail, and has chaired the Betty Trask and Desmond Elliot literary prizes. She has been a judge for the Whitbread First Novel Award and for the 2014 Costa Novel Award.
Juliet Barker’s monumental biography, The Brontes (Abacus), certainly falls into the category of the tried and tested which will not let you down. A fiercely revisionist, meticulously researched reassessment of the background, landscape, and events that shaped and formed Patrick, Charlotte, Emily, Branwell, and Anne, it breathes fresh air and common sense into the dark myths and fantasies which envelop the sisters in particular. I love it for the hard work that the author invested in it, her detail, her scrupulous integrity, and her determination to get at the truth about the individuals and the family as a whole. She argues well and powerfully that "without this intense family relationship, some of the greatest novels in the English language might never have been written."
The story of the tragic Bronte family is familiar to everyone: we all know about the half-mad, repressive father, the drunken, drug-addicted wastrel of a brother, wild romantic Emily, unrequited Anne and "poor Charlotte". Or do we? These stereotypes of the popular imagination are precisely that - imaginary - created by amateur biographers from Mrs Gaskell onwards who were primarily novelists, and were attracted by the tale of an apparently doomed family of genius. Later biographers still repeat her mistakes, and have, without exception, relied on the bowdlerised texts published by T.J. Wise, a forger. Juliet Barker's landmark book is…
Throughout my teenage and early adult years, I experienced episodes of mental illness. Thankfully, it seems to be behind me, but it's not something I’ll ever forget, and I find myself deeply intrigued by the manifestations of those darker aspects in others. Some people hurt themselves and some hurt others, the common thread is the presence of pain and suffering. As heartrending as this reality is, it holds a certain fascination for me, both in real life and in literature. That’s why I write about it; that’s why I read about it.
The scene is set at the start of this book with a prologue, a journal entry from one of the main characters, Dr Sheehan. It’s as if I’m reading his mind, or he is talking to me, the reader, and so we hit the ground running instantly–because when someone is talking to you, you listen.
The author took the time to paint vivid images in my head, but the story wasn’t slow. He was scene-setting, and it drew me right in. The twists were clever, the dialogue was natural, and it is understandable why Hollywood snapped up the rights to this book. For me, though, the way we get to know and understand Teddy Daniels and his troubles was just great storytelling.
The basis for the blockbuster motion picture directed by Martin Scorsese and starring Leonardo DiCaprio, Shutter Island by New York Times bestselling author Dennis Lehane is a gripping and atmospheric psychological thriller where nothing is quite what it seems. The New York Times calls Shutter Island, “Startlingly original.” The Washington Post raves, “Brilliantly conceived and executed.” A masterwork of suspense and surprise from the author of Mystic River and Gone, Baby, Gone, Shutter Island carries the reader into a nightmare world of madness, mind control, and CIA Cold War paranoia andis unlike anything you’ve ever read before.
I often feel as if I live with one foot in the present, and one in the past. It’s always been the little-known stories that fascinate me the most, especially women’s history. Their lives can be harder to research, but more rewarding for that. As a writer and historian, it has been wonderful to discover the histories of intriguing but ‘overlooked’ women, and to share their tales. I hope you enjoy reading the books I have selected as much as I did!
So much has been written about the Brontë sisters, Charlotte, Emily, and Anne but, what of their mother, Maria? In this fascinating book, Maria (and her husband, Patrick) are brought to the forefront of the Brontë story. We learn about Maria’s early life in Cornwall, her move to Yorkshire, her ambition as a writer, and the influence she had on her incredible daughters. We begin to understand Maria’s daughters better by getting to know Maria herself.
At long last, the untold story of the mysterious Mrs Bronte.
They were from different lands, different classes, different worlds almost.
The chances of Cornish gentlewoman Maria Branwell even meeting the poor Irish curate Patrick Bronte in Regency England, let alone falling passionately in love, were remote.
Yet Maria and Patrick did meet, making a life together as devoted lovers and doting parents in the heartland of the industrial revolution. An unlikely romance and novel wedding were soon followed by the birth of six children. They included Charlotte, Emily and Anne Bronte, the most gifted literary siblings the world has…
My recommendations are more like a diary of my nascent writing career. I don’t mean to get melodramatic here, but these five Korean-American authors literally (get it?) built me. None of them know this, but they were a quintet of Dr. Frankensteins who created Sung J. Woo, writer. I dared to write my first novel because these authors showed me how, in the best possible way, the only way, really: through their printed words. When I held their books in my hands, I believed a little more that I could do the same. I’ll always be proud to be in their debt.
And now the year is 2007, and here’s the big-ass Korean-American book we’ve all been waiting for – Free Food for Millionaires. In baseball terms: while the rest of us first-time novelists choked up our bats and hit our singles and doubles, Min Jin swung for the fences. At the center of the novel is Casey Kim and her quest to find her passion, never mind the consequences of being basically disowned by her parents, but make no mistake: the scope of this book is like that of Casey’s favorite authors, George Eliot, the Brontë sisters, and Anthony Trollope. There are multiple generations of Koreans at work and play here. It’s exactly the type of book I love to read and never even consider writing, because I just don’t have that kind of ambition. Thank goodness some do!
The brilliant debut novel from the New York Times-bestselling author of Pachinko.
'Ambitious, accomplished, engrossing... As easy to devour as a nineteenth-century romance.' NEW YORK TIMES
Casey Han's years at Princeton have given her a refined diction, an enviable golf handicap, a popular white boyfriend and a degree in economics. The elder daughter of working-class Korean immigrants, Casey inhabits a New York a world away from that of her parents. But she has no job, and a number of bad habits.
So when a chance encounter with an old friend lands her a new opportunity, she's determined to carve a…
A genuine Aussie bookish girl, I’ve been an editor in the Australian publishing industry for 25 years, and I’ve been writing Australian novels for 15 of them. When I’m not reading or writing, I’m reviewing Australian books – can’t get enough of them! I’ve dedicated my heart and mind to exploring and seeking to understand the contradictions and quirks of the country I am privileged to call home, from its bright, boundless skies to the deepest sorrows of bigotry and injustice. Acknowledging the brilliance of those women writers who’ve come before me and shining a light ahead for all those to come is the most wonderful privilege of all.
If you’re a lover of women’s literature – Austen, the Brontës, Woolf – you are in for an utterly original treat with this mother-daughter odyssey. Australian Indigenous lawyer, Jasmine, takes her mother, Della, to England, wanting to indulge her passion for literature with a tour of significant dead-white-author sites. But what is really found along the way are the rich veins of ancient stories and the essential power we all possess: listening. This is a moving and intricate portrait of intergenerational, post-colonial trauma that examines whose stories get to be told and whose need to be told. For me, as an Australian and a lover of English literature, After Story is a slice of necessary truth-telling, which I predict will become an Australian classic of the future.
When Indigenous lawyer Jasmine decides to take her mother, Della, on a tour of England's most revered literary sites, Jasmine hopes it will bring them closer together and help them reconcile the past. Twenty-five years earlier the disappearance of Jasmine's older sister devastated their tight-knit community. This tragedy returns to haunt Jasmine and Della when another child mysteriously goes missing on Hampstead Heath. As Jasmine immerses herself in the world of her literary idols – including Jane Austen, the Brontë sisters and Virginia Woolf – Della is inspired to rediscover the wisdom of her own culture and storytelling. But sometimes…
Jane and Maria Porter were the true founders of the historical novel, but they remain in the shadow of Sir Walter Scott.
This book is the first full-length biography of the sisters and how their novels, including The Scottish Chiefs (Jane) and The Hungarian Brothers (Maria) were forerunners of the genre. In my opinion, The Scottish Chiefs equals or excels anything Sir Walter Scott wrote. Looser does a wonderful job of making the sisters feel like real people through her extensive research and quoting from their letters.
We feel sympathy for the sisters who felt compelled to write to support their family, and we find out the details of their relationship with Sir Walter Scott, allowing us to draw our own conclusions on whether or not they influenced him.
For readers of Prairie Fires and The Peabody Sisters, a fascinating, insightful biography of the most famous sister novelists before the Brontës.
Before the Brontë sisters picked up their pens, or Jane Austen's heroines Elizabeth and Jane Bennet became household names, the literary world was celebrating a different pair of sisters: Jane and Anna Maria Porter. The Porters-exact contemporaries of Jane Austen-were brilliant, attractive, self-made single women of polite reputation who between them published 26 books and achieved global fame. They socialized among the rich and famous, tried to hide their family's considerable debt, and fell dramatically in and out…
