I have long had an interest in government conspiracies and have spent hundreds of hours researching the many experiments our government has foisted upon an unsuspecting populous. When the Church Committee released info on Projects MK Ultra, Bluebird, Artichoke, and others, people were stunned to realize what had been going on. Movies such as The Matrix dealt with mind control and the attempt to create the perfect soldier, and I am convinced such research and experimentation continues today.
This novel has so many reasons to recommend it. It incorporates radical experimentation and horrifying surgeries being done in a bizarre hospital. To make it even more mysterious, there is a hurricane threatening the island which complicates the investigation of US Marshall Teddy Daniels searching for a patient who has disappeared.
I loved the creepy island hospital and the use of weather as a character.
The basis for the blockbuster motion picture directed by Martin Scorsese and starring Leonardo DiCaprio, Shutter Island by New York Times bestselling author Dennis Lehane is a gripping and atmospheric psychological thriller where nothing is quite what it seems. The New York Times calls Shutter Island, “Startlingly original.” The Washington Post raves, “Brilliantly conceived and executed.” A masterwork of suspense and surprise from the author of Mystic River and Gone, Baby, Gone, Shutter Island carries the reader into a nightmare world of madness, mind control, and CIA Cold War paranoia andis unlike anything you’ve ever read before.
I teach writing and children's literature at the University of Wisconsin, Stevens Point, and for many years worked as a librarian. (Once a librarian, always a librarian!) First and foremost, I'm a reader. The real world can be an unpleasant and depressing place, so I regularly escape inside books. Although serious books are great, it's also nice to escape to a world where you can laugh and not worry about anything too bad happening.
I'd list every one of Georgette Heyer's romance novels if I could. She's the master of creating plots so entangled you have no idea how they'll be pulled apart. Her characters are unique, if not exactly crazy, and love is always in the air. Heyer's world is Regency England as it never really was.
A charming "accidental" love triangle enchants readers in this delightful romp by the Queen of Regency Romance, bestselling author Georgette Heyer.
A dashing man of honor...
En route to propose to his sensible acquaintance Lady Hester, Sir Gareth Ludlow finds young, pretty Amanda wandering unattended and knows it is his duty to bring her back to her family. This turns out to be a challenge as Amanda seems to possess an imagination as intriguing as it is dangerous.
A shocking refusal...
Lady Hester stuns both him and her family when she refuses him. At her age, no one would expect…
Elizabeth Buchan began her career as a blurb writer at Penguin Books. She moved on to become a fiction editor at Random House before leaving to write full-time. Her novels include the award-winning Consider the Lily, The Museum of Broken Promises, and the international bestseller, Revenge of the Middle-Aged Woman, which was made into a CBS Primetime Drama. Elizabeth’s short stories are broadcast on BBC Radio 4 and published in magazines. She has reviewed for The Times, the Sunday Times, and the Daily Mail, and has chaired the Betty Trask and Desmond Elliot literary prizes. She has been a judge for the Whitbread First Novel Award and for the 2014 Costa Novel Award.
Juliet Barker’s monumental biography, The Brontes (Abacus), certainly falls into the category of the tried and tested which will not let you down. A fiercely revisionist, meticulously researched reassessment of the background, landscape, and events that shaped and formed Patrick, Charlotte, Emily, Branwell, and Anne, it breathes fresh air and common sense into the dark myths and fantasies which envelop the sisters in particular. I love it for the hard work that the author invested in it, her detail, her scrupulous integrity, and her determination to get at the truth about the individuals and the family as a whole. She argues well and powerfully that "without this intense family relationship, some of the greatest novels in the English language might never have been written."
The story of the tragic Bronte family is familiar to everyone: we all know about the half-mad, repressive father, the drunken, drug-addicted wastrel of a brother, wild romantic Emily, unrequited Anne and "poor Charlotte". Or do we? These stereotypes of the popular imagination are precisely that - imaginary - created by amateur biographers from Mrs Gaskell onwards who were primarily novelists, and were attracted by the tale of an apparently doomed family of genius. Later biographers still repeat her mistakes, and have, without exception, relied on the bowdlerised texts published by T.J. Wise, a forger. Juliet Barker's landmark book is…
My recommendations are more like a diary of my nascent writing career. I don’t mean to get melodramatic here, but these five Korean-American authors literally (get it?) built me. None of them know this, but they were a quintet of Dr. Frankensteins who created Sung J. Woo, writer. I dared to write my first novel because these authors showed me how, in the best possible way, the only way, really: through their printed words. When I held their books in my hands, I believed a little more that I could do the same. I’ll always be proud to be in their debt.
And now the year is 2007, and here’s the big-ass Korean-American book we’ve all been waiting for – Free Food for Millionaires. In baseball terms: while the rest of us first-time novelists choked up our bats and hit our singles and doubles, Min Jin swung for the fences. At the center of the novel is Casey Kim and her quest to find her passion, never mind the consequences of being basically disowned by her parents, but make no mistake: the scope of this book is like that of Casey’s favorite authors, George Eliot, the Brontë sisters, and Anthony Trollope. There are multiple generations of Koreans at work and play here. It’s exactly the type of book I love to read and never even consider writing, because I just don’t have that kind of ambition. Thank goodness some do!
The brilliant debut novel from the New York Times-bestselling author of Pachinko.
'Ambitious, accomplished, engrossing... As easy to devour as a nineteenth-century romance.' NEW YORK TIMES
Casey Han's years at Princeton have given her a refined diction, an enviable golf handicap, a popular white boyfriend and a degree in economics. The elder daughter of working-class Korean immigrants, Casey inhabits a New York a world away from that of her parents. But she has no job, and a number of bad habits.
So when a chance encounter with an old friend lands her a new opportunity, she's determined to carve a…
A genuine Aussie bookish girl, I’ve been an editor in the Australian publishing industry for 25 years, and I’ve been writing Australian novels for 15 of them. When I’m not reading or writing, I’m reviewing Australian books – can’t get enough of them! I’ve dedicated my heart and mind to exploring and seeking to understand the contradictions and quirks of the country I am privileged to call home, from its bright, boundless skies to the deepest sorrows of bigotry and injustice. Acknowledging the brilliance of those women writers who’ve come before me and shining a light ahead for all those to come is the most wonderful privilege of all.
If you’re a lover of women’s literature – Austen, the Brontës, Woolf – you are in for an utterly original treat with this mother-daughter odyssey. Australian Indigenous lawyer, Jasmine, takes her mother, Della, to England, wanting to indulge her passion for literature with a tour of significant dead-white-author sites. But what is really found along the way are the rich veins of ancient stories and the essential power we all possess: listening. This is a moving and intricate portrait of intergenerational, post-colonial trauma that examines whose stories get to be told and whose need to be told. For me, as an Australian and a lover of English literature, After Story is a slice of necessary truth-telling, which I predict will become an Australian classic of the future.
When Indigenous lawyer Jasmine decides to take her mother, Della, on a tour of England's most revered literary sites, Jasmine hopes it will bring them closer together and help them reconcile the past. Twenty-five years earlier the disappearance of Jasmine's older sister devastated their tight-knit community. This tragedy returns to haunt Jasmine and Della when another child mysteriously goes missing on Hampstead Heath. As Jasmine immerses herself in the world of her literary idols – including Jane Austen, the Brontë sisters and Virginia Woolf – Della is inspired to rediscover the wisdom of her own culture and storytelling. But sometimes…
Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives.
Daphnehas numerous elements that I particularly adore in a story: a classic writer as a character, an English manor house setting, and a mystery. Layer in a Brontë connection, and it’s a perfectly pleasing literary page-turner. In 1957, Daphne du Maurier is at her remote, seaside mansion in Cornwall, distracting herself from personal woes by researching a biography about Branwell Brontë, reprobate and possibly misunderstood brother of Charlotte, Emily, and Anne. Intertwined is a second storyline set in present-day London, as a lonely young woman, newly married to a mysterious older man seemingly still in thrall to his first wife, becomes caught up in a fifty-year-old mystery involving du Maurier and the Brontës.
It is 1957. The author Daphne du Maurier, beautiful, famous, despairing as her marriage falls apart, finds herself haunted by Rebecca, the heroine of her most famous novel, written twenty years earlier. Resolving to write herself out of her misery, Daphne becomes passionately interested in Branwell, the reprobate brother of the Bronte sisters, and begins a correspondence with the enigmatic bibliophile Alex Symington as she researches a biography. But behind Symington's respectable scholarly surface is a slippery character with much to hide, and soon truth and fiction have become indistinguishable.In present-day London, a lonely young woman, newly married after a…
Jane and Maria Porter were the true founders of the historical novel, but they remain in the shadow of Sir Walter Scott.
This book is the first full-length biography of the sisters and how their novels, including The Scottish Chiefs (Jane) and The Hungarian Brothers (Maria) were forerunners of the genre. In my opinion, The Scottish Chiefs equals or excels anything Sir Walter Scott wrote. Looser does a wonderful job of making the sisters feel like real people through her extensive research and quoting from their letters.
We feel sympathy for the sisters who felt compelled to write to support their family, and we find out the details of their relationship with Sir Walter Scott, allowing us to draw our own conclusions on whether or not they influenced him.
For readers of Prairie Fires and The Peabody Sisters, a fascinating, insightful biography of the most famous sister novelists before the Brontës.
Before the Brontë sisters picked up their pens, or Jane Austen's heroines Elizabeth and Jane Bennet became household names, the literary world was celebrating a different pair of sisters: Jane and Anna Maria Porter. The Porters-exact contemporaries of Jane Austen-were brilliant, attractive, self-made single women of polite reputation who between them published 26 books and achieved global fame. They socialized among the rich and famous, tried to hide their family's considerable debt, and fell dramatically in and out…
My mother was an avid reader of Agatha Christie, and she gave me my first Nancy Drew book when I was nine, so I’ve loved mysteries all my life—not the ‘true crime’ kind, more the ‘cozy village’ kind, where the focus is on the characters and how they solve the mystery because of who they are and how they understand the people around them. After I wrote an historical novel about John Singer Sargent and his friends, I couldn’t stop thinking about them, even hearing their voices continuing to talk—I missed them! So naturally, I decided I’d turn John and his friend Violet into detectives and write mysteries.
Talk about feisty women who advance against tremendous odds! Despite the stultifyingly constrained life of “almost-poor” women in early Victorian England, out in the moor country, the three Brontë sisters (Charlotte, Emily, and Anne) slip around the rules, their father, and manage their wayward but beloved brother—all while being determined to become writers—and solve the occasional murder that happens in their neighborhood. Great period details and fascinating information about these three remarkable sisters, along with a great mystery read. This is the first book in the series.
Before they became legendary writers, Charlotte Brontë, Emily Brontë, and Anne Brontë were detectors in this charming historical mystery...
Yorkshire, 1845. A young wife and mother has gone missing from her home, leaving behind two small children and a large pool of blood. Just a few miles away, a humble parson’s daughters—the Brontë sisters—learn of the crime. Charlotte, Emily, and Anne Brontë are horrified and intrigued by the mysterious disappearance.
These three creative, energetic, and resourceful women quickly realize that they have all the skills required to make for excellent “lady detectors.” Not yet published novelists, they have well-honed imaginations…
As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.
As well as being the best Gothic style verses in the English language with the possible exception of some by Edgar Allan Poe-there are some way ahead of their time. "If Earth & Moon were gone" prefigures Mach's Principle, which was only formulated 4 decades after EJB thought of it. Anyone lucky enough to find an edition with EJB's Essays she wrote in Brussels will have a copy of her formulation of Evolutionary theory 2 decades before Mr. Darwin claimed it as his own.
In 1846 a small book entitled Poems by Currer, Ellis and Acton Bellappeared on the British Literary scene. The three psuedonymous poets, the Bronte sisters went on to unprecedented success with such novels as Wuthering Heights, Agnes Grey, and Jane Eyre, all published in the following year. As children, these English sisters had begun writing poems and stories abotu an imaginary country named Gondal, yet they never sought to publish any of their work until Charlotte's discovery of Emily's more mature poems in the autumn of 1845. Charlotte later recalled: "I accidentally lighted on a MS. volume of verse in…
I will die on this hill: a knowledge of human history is essential. If we refuse to examine our past, we are truly doomed to repeat it. What we call “history,” however, is told from only one viewpoint: that of the victor, or whatever party lived to record the tale. Since childhood, I’ve been intrigued by the lives of our forebears even as I longed for proof of the uncanny in the waking world. But I’ve only ever encountered the fantastical—not to mention the historical—in texts like those on this list, where the two can commingle, enriching and refining one another for the enlightenment, and the pleasure, of their readers.
I read this book shortly after it came out, and I was blown away by this miraculous novel. A reimagining of the lives of the famous Bronte siblings, this book mixes what is “known” of the Brontes with Rachel Cantor’s own delightful, and at times unnatural, imaginings to explore and explicate the too-short lives of three beloved English authoresses (and their brother).
I love stylistically daring work, and here, Cantor manages to weave a strong emotional thread that easily pulls the reader through various unconventional forms—a phenomenal achievement.
Reimagines the lives of the Brontë siblings—Charlotte, Emily, Anne, and brother Branwell—from their precocious childhoods, to the writing of their great novels, to their early deaths.
A form-shattering novel by an author praised as “laugh-out-loud hilarious and thought-provokingly philosophical” (Boston Globe).
How did sisters Emily, Charlotte, and Anne write literary landmarks Jane Eyre, Wuthering Heights, and Agnes Grey? What in their lives and circumstances, in the choices they made, and in their close but complex relationships with one another made such greatness possible? In her new novel, Rachel Cantor melds biographical fact with unruly invention to illuminate the siblings’ genius,…
