79 books like Half Life of a Stolen Sister

Speaking of authors who combine stylistic daring with profound emotion, I give you George Saunders. Saunders’s strange and funny stories prompted me to try my hand at writing fiction, and his first novel is one of my favorite books.

Inspired by the true story of Abraham Lincoln sneaking, on multiple occasions, into a Washington D.C. crypt to cradle the corpse of his young son, Willie, this book also breathes life into a sizeable cast of ghosts squatting in the “Bardo”—a liminal space between life and death. As the American Civil War rages, President Lincoln and the unwilling ghosts must all come to terms with the inevitability of death. This book is a great American novel, equally hilarious and heart-breaking.

I read this book for the first time while working on my PhD, and I love the novel for its beautiful, uncanny, and brutally honest portrayal of maternal love.

Based on the true story of an enslaved woman who escaped a Kentucky plantation to the free state of Ohio and then did the unthinkable in a desperate attempt to save her children from bondage, Morrison’s book is literally haunted by the ghost of the protagonist’s lost daughter, and figuratively haunted, by the stygian specter of American slavery. Toni Morrison was a true master, and for me, Beloved is her masterpiece.   

The frame-tale—also known as a “story within a story”—is one of my favorite fictional devices, and Margaret Atwood’s deft handling of three separate storylines makes this book a truly astonishing read.

Though her characters are fictional, their story is set against a backdrop of major Canadian historical events of the 1930s and 1940s. The exterior tale carries Iris Chase, an unhappily married upper-class woman, from childhood to death, while the real author of the interior story—a novel about a pair of illicit lovers that contains an embedded science fiction tale (the eponymous Blind Assassin)—is one of the story’s biggest mysteries.

This novel is ambitious, engaging, and wholly surprising. 

My last pick is Colson Whitehead’s first novel, a book that, for me, was a revelation. Set in an unnamed City chockablock with skyscrapers (implicitly New York), in an unspecified time period (implicitly the mid-20th century), it is the story of the City’s first Black female elevator inspector, Lila Mae Watson.

In the book, the City’s elevator inspectors are split into two warring schools: The Intuitionists and the Empiricists, and when an elevator that Lila has inspected goes into freefall, she must try to clear her name, as well as that of her school. This novel—a propulsive page-turner thick with satire and philosophical commentary—remains one of the most extraordinary I’ve ever read.

So much has been written about the Brontë sisters, Charlotte, Emily, and Anne but, what of their mother, Maria? In this fascinating book, Maria (and her husband, Patrick) are brought to the forefront of the Brontë story. We learn about Maria’s early life in Cornwall, her move to Yorkshire, her ambition as a writer, and the influence she had on her incredible daughters. We begin to understand Maria’s daughters better by getting to know Maria herself.

If you’re a lover of women’s literature – Austen, the Brontës, Woolf – you are in for an utterly original treat with this mother-daughter odyssey. Australian Indigenous lawyer, Jasmine, takes her mother, Della, to England, wanting to indulge her passion for literature with a tour of significant dead-white-author sites. But what is really found along the way are the rich veins of ancient stories and the essential power we all possess: listening. This is a moving and intricate portrait of intergenerational, post-colonial trauma that examines whose stories get to be told and whose need to be told. For me, as an Australian and a lover of English literature, After Story is a slice of necessary truth-telling, which I predict will become an Australian classic of the future. 

I found this book sinister and compelling, playing as it does with ideas of madness and sanity, innocence, and guilt.

It is full of layers and constantly made me second-guess my theories on where the plot was heading. I also liked the fact that the author said he was inspired by the works of the Brontë sisters, whom I studied at university.

I could feel echoes of their work in the claustrophobia and chaos of this book. 

Daphne has numerous elements that I particularly adore in a story: a classic writer as a character, an English manor house setting, and a mystery. Layer in a Brontë connection, and it’s a perfectly pleasing literary page-turner. In 1957, Daphne du Maurier is at her remote, seaside mansion in Cornwall, distracting herself from personal woes by researching a biography about Branwell Brontë, reprobate and possibly misunderstood brother of Charlotte, Emily, and Anne. Intertwined is a second storyline set in present-day London, as a lonely young woman, newly married to a mysterious older man seemingly still in thrall to his first wife, becomes caught up in a fifty-year-old mystery involving du Maurier and the Brontës. 

As well as being the best Gothic style verses in the English language with the possible exception of some by Edgar Allan Poe-there are some way ahead of their time. "If Earth & Moon were gone" prefigures Mach's Principle, which was only formulated 4 decades after EJB thought of it. Anyone lucky enough to find an edition with EJB's Essays she wrote in Brussels will have a copy of her formulation of Evolutionary theory 2 decades before Mr. Darwin claimed it as his own.

I’m a sucker for endpapers so, with inside covers that appear browned with age, this book instantly grabbed me. I was even more drawn in by the edges of all pages looking aged, with the book’s title repeatedly running along the bottom of each one like a handwritten footer. Once I was reading, the flavour of classics like those by the Bronte sisters and Jane Austin meant I couldn’t put it down.

Set in the later part of the 20th century, Kate’s story explores self-worth and finding purpose. First-person narrative uses language cleverly. It is easy to read, the voice unpretentious. I felt like I knew Kate. We have so much in common, including the ability to write in the dark and a penchant for taking laneways rather than main roads.