92 books like Shutter Island

This is one of the nonfiction books I read as a teenager that convinced me to become a professional writer. The author, Sebastian Junger, doesn’t just describe the titular storm (which hit the U.S. East Coast in 1991) in terrifying detail—he also manages to assemble all of the weather-driven chaos into a real, gripping narrative. We don’t know a lot about what actually happened to the Andrea Gail, the fishing boat at the center of the narrative, but Junger recreates its final hours in a way that feels bracingly real—and heartbreaking.

Even if you don’t like nonfiction books, The Perfect Storm has the pacing and heart of a novel. I consider it one of the finest—maybe the finest—disaster narrative ever written, and it’s a perfect choice of book if you’re trapped inside by a raging storm.

I loved this book because it was so gripping. It made me long to be a writer. Although it was written over a hundred years ago, the dark story spoke directly to me.

I read it at the darkest time in my life. I was fourteen, and my alcoholic father had become a terrifying force in our home, just like Dr. Moreau, who rules his island with vicious power. I had never dreamed that a crazed leader could break an entire population, but the idea seems shockingly prescient now.

The book made me realize that I, too, could escape from the trap around me, just like the book’s hero, and learn to use my imagination to tell stories.

Although a suspense novel rather than a mystery, this one utilizes plenty of tricks to keep you enthralled and guessing. It starts with a “Strangers on a Train” kind of premise, the exchanging of murders by people who just met. Then it takes off, morphing into unexpected incarnations, each one exciting and satisfying.  If you become a fan, and I’m betting you will, be warned. Swanson uses similar plot developments in his other books. This is by far his best one.

About halfway into Red Dragon, you meet Francis Dolarhyde, and from then on, the book is all his. Forget the FBI who are looking for him, the only person you care about is Dolarhyde, the serial killer who’s been brutally murdering entire families.

As far as I’m concerned, he’s the hero. Hannibal Lecter isn’t Thomas Harris’ best villain. It’s Dolarhyde. He’s everything Lecter isn’t. He’s awkward, shy, hates his body, hates himself and spends all his time stewing on his inadequacies. If I’ve got to pick between the Virgin Dolarhyde and the Chad Lecter, it’s Dolarhyde every time.

Deep down, he just wants to be loved, but the way he goes about it is almost comically misguided. Dolardhyde is on an impossible, bloody mission to fix himself, and no matter how many bodies he drops trying to do it, I’m always rooting for him to make it out the… show more.

There’s no storm in J.G. Ballard’s masterpiece of post-apocalyptic fiction, just the aftermath. This was another book that I read at a highly impressionable age and return to every so often, especially when I’m writing something disaster-related. It takes place in a London flooded by climate change: a science team is dispatched to the feverish swamp that was once a great city, where they’re confronted by pirates and other dangers.

It always blows my mind that Ballard wrote the book in 1962, well before the current debate over the climate. The thrilling set-pieces aside, it’s also a chilling reminder of how nature can still topple even the mightiest cities.

I find this book to be an unsettling but impactful read, both thought-provoking and complex. We Need to Talk about Kevin follows the mother of a troubled teenager responsible for a school shooting.

It’s about nature versus nurture, the relationship between mother and child, and deeply seated guilt. It draws inspiration from real events, including the 1999 shooting at Columbine, which wasn’t the U.S.’s first mass shooting at a school, but it would become one of the most infamous.

Shriver’s novel raises unsettling questions about a mother’s guilt and self-justification and a community’s heartache and blame. I consider it to be a captivating and moving book.

I couldn’t look at society the same way after reading this tale of how a group of schoolboys stranded on an island descends, step by step, into savagery. The savagery is inside all of us, and the veneer of civilization that our education puts on it is very thin and easily cracks. Haunting. 

To say I love this book is to say I love torture, which may not be accurate. It’s better to say it burrowed into my brain and stayed there for far too long. I don’t get scared easily. But this novel caught me differently.

This one freaked me out on a level I’d never experienced before. Why? Because it’s the kind of story that could happen to anyone, especially to dingbats like me. And make no mistake: Nick, the “hero” of this story, is a complete dingbat. I mean, he’s smart. But he makes so many believably bad decisions in the face of a ruinous situation to preserve his own interests that we’re reminded how no one is immune to situations that conspire at every level to defeat us.

This book just gets under your skin and stays there. It did mine.

I’m fascinated by the in-depth character development and details in this book. The film is a classic, but I think the book is even better. Many people think of Hannibal Lecter as the obvious villain of Silence of the Lambs, forgetting that Clarice and the FBI were seeking his guidance to find “Buffalo Bill,” a fictional serial killer attacking women.

Buffalo Bill is an amalgamation of real serial killers, including Ted Bundy, Ed Gein, and Gary Heidnik. By cherry-picking the methods and traits of real killers, I think Harris created a truly terrifying villain. I find the characters, and especially the villain, to be rooted in reality, making them stick in your mind long after the last page.

This wonderful novel features a journalist, Mikala Blomkvist, searching for a highly respected, long-lost member of a notable family. Once again, government corruption is rampant in the investigation.

A special aspect of this novel is the introduction of Lisbeth Salander, a brash, tattooed young woman with an abrasive personality matched only by her singular skills. I loved this character, who is incredibly unique.