In terms of style, I see Cormac McCarthy as a writer who fully takes on Hemingway’s dictum of simplicity in the service of conveying complex emotion, and takes it even further by eschewing what he sees as unneeded punctuation: One would be hard-pressed to find a comma anywhere in this book, and the dialogue has no quotation marks (and then there is McCarthy’s famous disdain for the semicolon). I found this style distracting for the first page, but I immediately got used to it, and it made the story become a smooth flow of scenes and events at once vivid and disturbing.
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
I teach the histories of early modern Europe and European worlds at Macquarie University in Sydney, Australia. I developed a fascination for the period and, especially, for the Italian Renaissance as an undergraduate before going on to complete a PhD at Northwestern University in the United States. I love the contradictions and tensions of the period: a society and culture in transition from what we call medieval understandings and worldviews to what we see as more modern ones. These are some of the books that helped to fuel my passion for Renaissance Italian history and to answer some of my questions about what life was really like in Renaissance Italy.
This was another book that really inspired my choice of profession. Located in the northeast corner of the Italian peninsula, Friuli emerges as something like the wild west of Renaissance Italy in this engrossing study.
Far removed from the urbane cities and courts and the worlds of art and literature commonly associated with the Renaissance, Edward Muir reveals the continuing binds of feudal obligation, family, vengeance, and honor, and the violence they provoked in the early sixteenth century. Incidentally, the history he tells also encounters the real-life origins of the story that would become Romeo and Juliet.
Like Trexler, Muir explores the power of ritual in Renaissance Italian life, but rather than rituals of community and government, he focuses in this book on the rituals of aversion and violence.
Nobles were slaughtered and their castles looted or destroyed, bodies were dismembered and corpses fed to animals-the Udine carnival massacre of 1511 was the most extensive and damaging popular revolt in Renaissance Italy (and the basis for the story of Romeo and Juliet). Mad Blood Stirring is a gripping account and analysis of this event, as well as the social structures and historical conflicts preceding it and the subtle shifts in the mentality of revenge it introduced. This new reader's edition offers students and general readers an abridged version of this classic work which shifts the focus from specialized scholarly…
I have been a teacher, writer, scholar, and, above all, a critic of social injustice for my entire professional life. My experience living in the Israeli-occupied West Bank informed my critical voice around issues of language, knowledge, history, and policy in and about the Middle East, leading to the publication of my two scholarly monographs: Palestine in the American Mind: The Discourse on Palestine in the Contemporary United States and Palestine-Israel in the Print News Media: Contending Discourses. The titles I introduce here have been vital to my ongoing education on these issues and in my continuing advocacy for peace and justice in Palestine, the Middle East, and around the world.
I came across the work of Nick Turse while working on the fifth chapter of my new book. I had been struggling to find a critical voice in the assessment of the American war in Vietnam that was sustained by a keen historical eye and the pure, intellectual critique of a scholar. When I found Turse, I found my answers.
Turse’s assessment of the unmitigated brutality of the American war in Vietnam chilled me; his powerful critique brought a new voice and vigor to my own burgeoning criticism of that U.S. slaughter in Southeast Asia.
Anyone looking for a strong voice condemning wholesale the U.S. anti-communist paranoia of the era and/or the indiscriminate killing capacity of the U.S. military machine need look no further than Turse and Kill Anything that Moves.
Americans have long been taught that events such as the notorious My Lai massacre were isolated incidents in the Vietnam War, carried out by just a few "bad apples." But as award-winning journalist and historian Nick Turse demonstrates in this groundbreaking investigation, violence against Vietnamese non-combatants was not at all exceptional during the conflict. Rather, it was pervasive and systematic, the predictable consequence of official orders to "kill anything that moves." Drawing on more than a decade of research into secret Pentagon archives and extensive interviews with American veterans and Vietnamese survivors, Turse reveals for the first time the workings…
I’m a Professor of Women’s Mental Health and have worked clinically, taught, and researched in the area of perinatal psychiatry for over thirty years. I do forensic psychiatry related to this; all this guides the books I write. I am passionate about promoting mental health and helping everyone understand the high level of trauma and its devastating effects on people; I have also been an avid reader of just about everything since I was eight, and love a gripping crime or psychological thriller. But it has to make sense, be authentic and not demonize mental illness; I have a particular hatred for the evil serial killer who was just “born that way”.
Mass killings are rare – especially in Norway, but we hear about them and they cause fear. Understanding why they happen has to be a way to try to stop them—even if it’s only stopping gun access (in the USA anyway) to those who are at risk. Seierstad takes a clear hard look at the tragedy where 77 people lost their lives—at the perpetrator’s childhood, where the system got it wrong and where the psychiatric profession couldn’t agree.
On 22 July 2011 Anders Behring Breivik killed 77 of his fellow Norwegians in a terrorist atrocity that shocked the world. Many were teenagers, just beginning their adult lives. In the devastating aftermath, the inevitable questions began. How could this happen? Why did it happen? And who was Anders Breivik? Asne Seierstad was uniquely placed to explore these questions. An award-winning foreign correspondent, she had spent years writing about people caught up in violent conflict. Now, for the first time, she was being asked to write about her home country. Based on extensive testimonies and interviews, One of Us is…
My new thriller centers around a small, mysterious cult and their shocking demise. For years, I’ve read true crime books on the subject, and I wanted to infuse the reality and truth of real-life events into my fictional novel. In a similar vein, these books represent a range of thrillers inspired by true events, ranging from cults to serial killers to teenage criminals. I hope you find these books as gripping and haunting as I do.
I find this book to be an unsettling but impactful read, both thought-provoking and complex. We Need to Talk about Kevin follows the mother of a troubled teenager responsible for a school shooting.
It’s about nature versus nurture, the relationship between mother and child, and deeply seated guilt. It draws inspiration from real events, including the 1999 shooting at Columbine, which wasn’t the U.S.’s first mass shooting at a school, but it would become one of the most infamous.
Shriver’s novel raises unsettling questions about a mother’s guilt and self-justification and a community’s heartache and blame. I consider it to be a captivating and moving book.
Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to…
From an early age, I have made a life out of listening to, telling, teaching, and writing about war stories. I am intrigued by their widespread personal and public importance. My changing associations with these stories and their tellers have paralleled evolving stages in my life—son, soldier, father, and college professor. Each stage has spawned different questions and insights about the tales and their narrators. At various moments in my own life, these war stories have also given rise to fantasized adventure, catharsis, emotional highs and lows, insights about human nature tested within the crucible of war, and intriguing relationships with the storytellers—their lives and minds.
For me, this book is the best of the Vietnam War “aftermath” novels, books dealing with veterans’ post-war physical and psychological struggles. Winner of the 1987 National Book Award for fiction, this novel, according to the author in our 2005 interview, was written to “get the hair up on the back of your [reader’s] neck.” Haunting, as well as times cynical, ironic, and brutally graphic, the author accomplishes his goal. Heinemann deftly portrays Army veteran Paco Sullivan’s cross-country odyssey, via interstate buses, in search of both spiritual and physical homes. This interstate nomad is a tragic character—mysterious and complex. At the end of this thought-provoking and uncomfortable novel, I am left with an unresolved question: is Paco a sympathetic victim of the war and America’s indifference to veterans or an active agent in his own physical and psychological turmoil?
Paco Sullivan is the only man in Alpha Company to survive a cataclysmic Viet Cong attack on Fire Base Harriette in Vietnam. Everyone else is annihilated. When a medic finally rescues Paco almost two days later, he is waiting to die, flies and maggots covering his burnt, shattered body. He winds up back in the US with his legs full of pins, daily rations of Librium and Valium, and no sense of what to do next. One evening, on the tail of a rainstorm, he limps off the bus and into the small town of Boone, determined to find a…
I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.
Even though I grew up in Jamaica, which is about 334 miles from Haiti, I knew nothing about the 1937 Parsley Massacre, during which thousands of Haitians were executed under the orders of Dominican President Rafael Trujillo.
This book blends the personal love story of Amabelle and Sebastien with the history and politics of that time. I came away from this book with a greater understanding of survival, racism in the Caribbean, and the power of memory.
It is 1937, and Amabelle Desir is a young Haitian woman working as a maid for a wealthy family in the Dominican Republic, across the border from her homeland. The Republic, under the iron rule of the Generalissimo, treats the Haitians as second-class citizens, and although Amabelle feels a strong sense of loyalty to her employers, especially since her own parents drowned crossing the river from Haiti, racial tensions are heightened when Amabelle's boss accidentally kills a Haitian in a car accident. The accident is a catalyst for a systematic round-up of Haitians, ostensibly for repatriation but in fact a…
As an author, humanitarian, and diplomat, I’ve seen firsthand how the everyday brutality of civil wars and ethnic conflicts is often overlooked in favor of statistics: 100,000 displaced; 500 arrested; 7 villages torched. In places like Myanmar, Ethiopia, Congo, Nigeria, and Bangladesh, I have tried to use human-centered reporting to bring a magnifying glass to the effect of these tragedies on everyday people. By focusing on the stories that most of the world would rather turn away from, I think we have a better chance to understand, and ultimately prevent, these violent political and social upheavals.
The Democratic Republic of the Congo’s civil wars have claimed 5.5 million lives since the mid-1990s, but most people have never heard the stories of those who died. Stearns is an academic who spent years in the DRC researching how and why communities that once lived side by side could descend into brutal violence. This book is essential reading for anyone who wants to better understand how intercommunal conflict can turn neighbors into enemies, ethnicity into a weapon, and school children into genocidal street gangs. I spent two years living in DRC reporting on human rights abuses, and found Stearns’s treatment of his subjects and their personal histories arresting, respectful, and deeply humane.
A Best Book of the Year- The Economist & the Wall Street Journal At the heart of Africa is the Congo, a country the size of Western Europe, bordering nine other nations, that since 1996 has been wracked by a brutal war in which millions have died. In Dancing in the Glory of Monsters, renowned political activist and researcher Jason K. Stearns has written a compelling and deeply-reported narrative of how Congo became a failed state that collapsed into a war of retaliatory massacres. Stearns brilliantly describes the key perpetrators, many of whom he met personally, and highlights the nature…
I have spent a large part of my career researching and writing about the pivotal era in which these conflicts occurred, and continue to be intrigued by these cataclysmic events and their repercussions. Many conflicts in this nation’s history compete for the title of most unknown war, but the Creek War of 1813-1814 and the related southern campaigns of the War of 1812 have perhaps the best claim on that notoriety. Yet these conflicts nonetheless dramatically altered the United States’ history. They led to the forced removal of native tribes, ushered in the era of slave-based cotton agriculture in the Old Southwest, secured large portions of the Gulf South against European powers, and launched the career of one of America’s most influential military and political leaders.
In this book, talented archaeologist and historian Gregory Waselkov finally gives the Battle of Fort Mims the thorough analysis it so long deserved. The book features the most detailed and informed account of the tragic attack which brought the brewing conflict on America’s southwestern frontier to the nation’s conscious. While its scope extends to the treatment of the larger region in which the fight occurred and the battle in historical memory, the richly informed account of the fight here is unparalleled and definitive.
The August 30, 1813, massacre at Fort Mims left hundreds dead and ultimately changed the course of American history. The Indian victory shocked and horrified a young America, ushering in a period of violence surrounded by racial and social confusion. Fort Mims became a rallying cry, calling Americans to fight their assailants and avenge the dead. In ""A Conquering Spirit"", Waselkov thoroughly explicates the social climes surrounding this tumultuous moment in early American history with a comprehensive collection of illustrations, artifact photographs, and detailed accounts of every known participant in the attack on Fort Mims. These rich and extensive resources…
A psychic once told me I was born in the wrong century, and I can believe it. I have always been drawn to tales of the past, feeling a kinship for the men and women of whom I read―whether they are real or born of someone's imagination―and longing for a life not digitalized or controlled and one in which self-reliance and community are not at odds. Am I a romantic? You bet, and happy to be.
There is a reason Louis L'Amour books remain popular. I wish I had the whole collection, and I read every one I can get my hands on. One I particularly recommend is Down the Long Hills, which is a slight departure from his usual tales. In this one, two children find themselves aloneand pitted against weather, wilderness, warriors, and their own worry that they are too little for this journey. I could not help measuring my own knowledge and ingenuity against that of a seven-year-old boy and finding it wanting. Nor could I help admiring the resolve and sense of responsibility that would put most adults to shame. I'll be reading this one again, too.
As part of the Louis L’Amour’s Lost Treasures series, this edition contains exclusive bonus materials!
Everyone was dead. Indian raiders massacred the entire wagon train. Only seven-year-old Hardy Collins and three-year-old Betty Sue Powell, managed to survive. With a knife, a faithful stallion, and the survival lessons his father taught him, Hardy must face the challenges of the open prairie as they head west in search of help. Using ingenuity and common sense, Hardy builds shelters, forages for food, and learns to care for Betty Sue. But their journey through this hostile wilderness is being tracked by even more hostile…
