Fans pick 76 books like A Conquering Spirit

I have spent a large part of my career researching and writing about the pivotal era in which these conflicts occurred, and continue to be intrigued by these cataclysmic events and their repercussions. Many conflicts in this nation’s history compete for the title of most unknown war, but the Creek War of 1813-1814 and the related southern campaigns of the War of 1812 have perhaps the best claim on that notoriety. Yet these conflicts nonetheless dramatically altered the United States’ history. They led to the forced removal of native tribes, ushered in the era of slave-based cotton agriculture in the Old Southwest, secured large portions of the Gulf South against European powers, and launched the career of one of America’s most influential military and political leaders. 

I’m an award-winning author and professor of history at Wayne State College in Nebraska. Called “the dean of 1812 scholarship” by the New Yorker, I’ve written eleven books and more than a hundred articles, mostly on the War of 1812 and its causes. I didn’t become interested in this battle until well into my academic career, when I decided to turn the series of articles on the War of 1812 that I had written into my first book. I quickly became fascinated by the cast of characters, headed by tough-as-nails Andrew Jackson; Baratarian pirate Jean Laffite; and the British commander, Sir Edward Pakenham, who was the Duke of Wellington’s brother-in-law. No less intriguing was the magnitude of the U.S. victory and the British defeat, the profound and lasting legacy of the battle, and the many popular misconceptions about what actually happened in the battle or what might have happened had the British won.

I have spent a large part of my career researching and writing about the pivotal era in which these conflicts occurred, and continue to be intrigued by these cataclysmic events and their repercussions. Many conflicts in this nation’s history compete for the title of most unknown war, but the Creek War of 1813-1814 and the related southern campaigns of the War of 1812 have perhaps the best claim on that notoriety. Yet these conflicts nonetheless dramatically altered the United States’ history. They led to the forced removal of native tribes, ushered in the era of slave-based cotton agriculture in the Old Southwest, secured large portions of the Gulf South against European powers, and launched the career of one of America’s most influential military and political leaders. 

I have spent a large part of my career researching and writing about the pivotal era in which these conflicts occurred, and continue to be intrigued by these cataclysmic events and their repercussions. Many conflicts in this nation’s history compete for the title of most unknown war, but the Creek War of 1813-1814 and the related southern campaigns of the War of 1812 have perhaps the best claim on that notoriety. Yet these conflicts nonetheless dramatically altered the United States’ history. They led to the forced removal of native tribes, ushered in the era of slave-based cotton agriculture in the Old Southwest, secured large portions of the Gulf South against European powers, and launched the career of one of America’s most influential military and political leaders. 

I studied forty years of the political misuses of the memory of Dr. King and the Civil Rights Movement as a sociologist at USC and the daughter of Iranian immigrants who has always been interested in questions of identity and belonging. My interest in civil rights struggles started early, growing up in Virginia, a state that celebrated the Martin Luther King, Jr. holiday alongside Robert E. Lee and Stonewall Jackson. I wanted to understand how revisionist histories could become the mainstream account of the past and how they mattered for the future of democracy.

First a memory from my twelve years as a high school teacher: One day one of my ninth-grade history students remarked, “You are a nice guy Mr. Mayer. You can’t help it if you teach a boring subject.” That comment energized me, pushing me to show my students just how exciting the discipline of history was. I wanted my students to come to know historical actors, to hear their voices, and to feel their humanity. I then took that same project into my twenty-nine years as a teacher educator and finally into my life as a writer of historical non-fiction for young people. 

I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.

I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.

I read (and write) biography as much for history as for an individual life story. It’s a way of getting a personalized look at an historical period. When the book is a family biography, the history is amplified by different family members' perspectives, almost like a kaleidoscope, and it stretches over generations, allowing the historical story to blossom over time. The genre also opens a window into the ethos that animated this unique group of individuals who are bound together by blood. Whether it's a desire for wealth or power, the zeal for a cause, or the need to survive adversity, I found it in these family stories.  

I first saw the quilts of Gee’s Bend at the Whitney Museum in New York. I was wowed! I viewed the quilts as works of art and included some in a book I was doing, Art Against the Odds: From Slave Quilts to Prison Paintings. But I wanted to show and tell more about the quilters. Who were these women who dreamed up incredible designs and made art out of scraps despite their poverty and hard lives? Since I never quilted I had to find out how they did it, and realized that quilting not only produced covers for their families, but expressed individual creativity, and brought women together.