100 books like You May Plow Here

I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.

Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.

Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.

Strictly speaking, this is not a first-person account, but it includes dozens of detailed case studies drawn from interviews with white tenant farm women in North Carolina, Georgia, Alabama, Mississippi, and Louisiana. It was written in the 1930s by the pioneering sociologist Margaret Jarman Hagood, one of a group of practitioners at University of North Carolina who sought to produce academic studies that advanced solutions to the socio-economic problems that plagued the rural South. Although Hagood feared that “it is impossible for me to do justice to it either in observing or recording,” her study paints a vivid picture of life among white women who raised children and worked the land on the South’s hardscrabble farms.

I almost chose a fifth book by an author more readers will likely have heard of (Octavia Butler, Parable of the Sower), but I’m going with a second autobiography, Anne Moody’s, Coming of Age in Mississippi.

Between ages 13 and 16, I read my blue paperback cover of this book more times than I can remember. It’s about Anne Moody’s growing up amid poverty and Jim Crow, beset by sexism and danger from within and outside her community due to her gender and race.

It chronicles her childhood in Mississippi to her evolution into a Civil Rights Activist as a teen and college student. It’s so unforgivingly honest, detailed, and visually rich on the page - it humanizes the history like an Eyes on the Prize documentary but way more personalized.

I think it taught me further about the value of writing very visually,  the power of our individual… show more.

Separate Pasts is McLaurin’s account of his 1950s boyhood in the tiny hamlet of Wade, North Carolina, years when the Jim Crow system still reigned. He describes the complex, interconnected lives of the town’s white and black families, and his own confusion as he tried to make sense of the contradictions he observed in his world. A painfully honest account of a white boy’s reckoning with the legacies of segregation and oppression, McLaurin reveals how his own relationships with black neighbors undermined the racist beliefs he was taught.

William James Edward is the grandfather of the author Donald Stone. The author does a great job of highlighting the importance that William J. Edward placed on lineage at the beginning of the book. The author shows the forgotten legacy of Edwards as one of Tuskegee’s first graduates. Edwards goes on to start a secondary school in Wilcox county Alabama, following the legacy of Booker T. Washington. The school was called the Snow Hill Institute and in its prime employed over 20 teachers and had over a dozen buildings on the campus. The curriculum was like Tuskegee, where the students learned trades and received a formal education. Under the leadership of William James Edwards, the school thrived until it was forced to close in the 1960s. Donald Stone mostly uses primary sources to paint a picture of the opposition that Edwards faced in trying to operate a school outside of… show more.

Patricia McKissack introduces the quilts of Gee’s Bend to young readers in this charming picture book. McKissack not only read about Gee’s Bend but she visited and learned how to quilt. Her text is written in poems that capture the lilt and rhythm of Gee’s Bend women. The speaker, “Baby Girl,” describes how she learned how to quilt from her grandma. The soft, painterly illustrations by Cozbi A. Cabrera resemble Gee’s Bend quilts, and depict the colorful scraps of material the women used. The story includes the visit of Dr. Martin Luther King to “the Bend” on his way to Camden, then Selma, to march for the right to vote. And the aftermath of that march. A superb picture book full of history and hope for readers of all ages.

I used this adult coffee table book as a main reference for writing my children’s book of the same title. The amazing reproductions of the quilts are beautiful. The colors glow. I could see the bits of patterns –flowers, triangles, plaids – ingeniously composed like abstract paintings. Captions give the names of the quilters.  And there are photos of them as well as vintage pictures. Quotes from the quilters tell their histories. One of the most touching stories was by Missouri Pettway who told that when her Daddy died her mother took his old work clothes to make a quilt “to remember him, and cover-up under it for love.” I have seen this extraordinary quilt displayed at the Metropolitan Museum of Art in New York and remembering the story behind it, was deeply moved.

In my writing I love to relate the stories of important historical actors that are unknown. Especially young actors.

Phillip Hoose apparently shares those loves. He gives us the story of Claudette Colvin who, at fifteen, refused to give up her seat on a Montgomery, Alabama bus to a White person. This was nine months before Rosa Parks’ famous stand. Through Hoose’s beautifully-rendered narrative, we are on the bus with Colvin that day and we are later in the courtroom when she bravely tells her story. 

As I said previously, I love to use the actual words historical actors spoke in my books. Hoose seems to share that passion as well. The author carried out fourteen interviews with Ms. Colvin. Through her own voice, we come to know this amazing young woman.

This brilliant, best-selling book turned award-winning documentary is so fantastic for unraveling a revisionist history of the “tired old lady who wouldn’t move to the back of the bus.”

Not unlike the way I show how Dr. King’s memory has been sanitized and defanged, Theoharis shows how Parks’ memory has been voided of her long history of radical activism, and her unyielding pursuit of racial and social justice.

I thought about this book a lot as I was writing my chapter on the hidden Black women, the “sheroes” of the Civil Rights Movement who present-day Black feminist activists are resurrecting in public consciousness.

This huge volume was another reference book for me as I researched The Quilts of Gee’s Bend.  The large reproductions of the quilts showed how the women with the same material used it in different ways.  Startling to see so many imaginative versions of a pattern called Housetop. Two quilts titled Flower Garden shown side by side are dazzling. And this book contains more photos of the quilters and provides information about their lives and struggles against poverty and racism. The art they produced despite their limited resources and hardships is truly an inspiration. A miracle!