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I grew up on my family’s land run farm north of Enid before coming to the OKC metro for school, giving me a view of the quiet rural spaces and the hopping city life Oklahoma pushes for today and more!
People were shocked to read about the Osage murders, but those who’ve read Angie Debo just had to sigh and shake their heads since it’s nothing new. Her 1936 work opened my eyes to the systematic devastation of the tribes, bite by bite. Forced off their homelands with removal, they were promised to hold land in Oklahoma “as long as the waters run,” but it wasn’t more than a few decades before allotment narrowed tribal holdings and opened up more land to be taken. With Native peoples not even legal citizens, anyone with money had to have a guardian, a breeding ground for amoral administrators to siphon off as much as they wanted.
Debo's classic work tells the tragic story of the spoliation of the Choctaw, Chickasaw, Cherokee, Creek, and Seminole nations at the turn of the last century in what is now the state of Oklahoma. After their earlier forced removal from traditional lands in the southeastern states--culminating in the devastating 'trail of tears' march of the Cherokees--these five so-called Civilized Tribes held federal land grants in perpetuity, or "as long as the waters run, as long as the grass grows." Yet after passage of the Dawes Act in 1887, the land was purchased back from the tribes, whose members were then…
My family’s farm was lost due to a dishonest lawyer that my great-grandmother entrusted. Because of that, I have devoted the past 20 years of my career to providing low-cost legal services to aging rural farmers around estate planning and civil rights. As an attorney, I have worked for the US Department of Agriculture and the Office of Civil Rights in Washington DC. I also founded the non-profit organization F.A.R.M.S., which provides services to aging rural farmers such as preventing farm foreclosures, executing wills, and securing purchase contracts. After drafting Systematic Land Theft over the span of several years, I am happy to release this historic synopsis documenting the land theft of Indigenous and Black communities. I have written extensively on the topics of agriculture, environmental, and land injustice in a variety of legal, trade, and other publications.
This book uses census data and other historical facts to highlight the 250,000 free blacks who were in the south post-Civil War. It shows the struggles black people faced in regards to their community, liberty, education, and economic independence inside an oppressive society. Berlin does a good job at depicting the interaction between Blacks and Whites both free and enslaved. He offers a better understanding of the complex race relations that existed in the south. He gives one of the best accounts on record, of the wealth black people accumulated during slavery and 20 years after despite the pushback they faced.
The prize-winning classic volume by acclaimed historian Ira Berlin is now available in a handsome new edition, with a new preface by the author. It is a moving portrait of the quarter of a million free black men and women who lived in the South before the Civil War and describes the social and economic struggles that were part of life within this oppressive society. It is an essential work for both educators and general readers. Berlin's books have won many prizes and he is widely recognized as one of the leading scholars on slavery and African American life.
I'm a labor journalist. I've spent the past 20 years writing widely about inequality, class war, unions, and the way that power works in America. My parents were civil rights and antiwar activists in the 1960s and 70s, and they instilled in me an appreciation for the fact that social movements are often the only thing standing between regular people and exploitation. My curiosity about power imbalances in America drew me inexorably towards the absence of worker power and led me to the conclusion that the labor movement is the tool that can solve America's most profound problems. I grew up in Florida, live in Brooklyn, and report all over.
You can’t understand the role of labor in America unless you understand slavery, which set the original template for American labor exploitation that still echoes to this day.
This book is one of the best explorations of American slavery, its roots, and its integral connection to the capitalism that surrounds us all.
When you appreciate how long and completely slaves were oppressed and who got the gains of the work they did, you will develop a much sharper appreciation for the importance of maintaining worker power today.
Americans tend to cast slavery as a pre-modern institution,the nation's original sin, perhaps, but isolated in time and divorced from America's later success. But to do so robs the millions who suffered in bondage of their full legacy. As historian Edward E. Baptist reveals in The Half Has Never Been Told , the expansion of slavery in the first eight decades after American independence drove the evolution and modernization of the United States. In the span of a single lifetime, the South grew from a narrow coastal strip of worn-out tobacco plantations to a continental cotton empire, and the United…
My family’s farm was lost due to a dishonest lawyer that my great-grandmother entrusted. Because of that, I have devoted the past 20 years of my career to providing low-cost legal services to aging rural farmers around estate planning and civil rights. As an attorney, I have worked for the US Department of Agriculture and the Office of Civil Rights in Washington DC. I also founded the non-profit organization F.A.R.M.S., which provides services to aging rural farmers such as preventing farm foreclosures, executing wills, and securing purchase contracts. After drafting Systematic Land Theft over the span of several years, I am happy to release this historic synopsis documenting the land theft of Indigenous and Black communities. I have written extensively on the topics of agriculture, environmental, and land injustice in a variety of legal, trade, and other publications.
A beautiful manuscript documenting the overall racial tension between Indigenous, enslaved Africans, and Europeans is superbly described by Dr. Miles in all aspects. The undertones of admiration and challenges between all three racial groups is eloquently pictured in the relationship between Shoeboots, a prominent Cherokee Champion and farmer, and Doll, his companion and enslaved African woman. The three-decade depiction of Shoeboot’s and Doll’s lives together and Doll’s petition to the federal government requesting Shoe Boot’s pension as his widow is beyond historic. Ties that Bind is a true testament to the enslaved Africans tribal experience before, during, and after slavery; it is essential to one’s book collection.
This beautifully written book, now in its second edition, tells the haunting saga of a quintessentially American family. It is the story of Shoe Boots, a famed Cherokee warrior and successful farmer, and Doll, an African slave he acquired in the late 1790s. Over the next thirty years, Shoe Boots and Doll lived together as master and slave and also as lifelong partners who, with their children and grandchildren, experienced key events in American history including slavery, the Creek War, the founding of the Cherokee Nation and subsequent removal of Native Americans along the Trail of Tears, and the Civil…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.
Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.
Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.
Nate Shaw's father was born under slavery. Nate Shaw was born into a bondage that was only a little gentler. At the age of nine, he was picking cotton for thirty-five cents an hour. At the age of forty-seven, he faced down a crowd of white deputies who had come to confiscate a neighbor's crop. His defiance cost him twelve years in prison. This triumphant autobiography, assembled from the eighty-four-year-old Shaw's oral reminiscences, is the plain-spoken story of an “over-average” man who witnessed wrenching changes in the lives of Southern black people—and whose unassuming courage helped bring those changes about.
I first saw the quilts of Gee’s Bend at the Whitney Museum in New York. I was wowed! I viewed the quilts as works of art and included some in a book I was doing, Art Against the Odds:From Slave Quilts to Prison Paintings. But I wanted to show and tell more about the quilters. Who were these women who dreamed up incredible designs and made art out of scraps despite their poverty and hard lives? Since I never quilted I had to find out how they did it, and realized that quilting not only produced covers for their families, but expressed individual creativity, and brought women together.
Patricia McKissack introduces the quilts of Gee’s Bend to young readers in this charming picture book. McKissack not only read about Gee’s Bend but she visited and learned how to quilt. Her text is written in poems that capture the lilt and rhythm of Gee’s Bend women. The speaker, “Baby Girl,” describes how she learned how to quilt from her grandma. The soft, painterly illustrations by Cozbi A. Cabrera resemble Gee’s Bend quilts, and depict the colorful scraps of material the women used. The story includes the visit of Dr. Martin Luther King to “the Bend” on his way to Camden, then Selma, to march for the right to vote. And the aftermath of that march. A superb picture book full of history and hope for readers of all ages.
This collection of poems that tell the story of the quilt-making community in Gee’s Bend, Alabama, is now available as a Dragonfly paperback.
For generations, the women of Gee’s Bend have made quilts to keep a family warm, as a pastime accompanied by sharing and singing, or to memorialize loved ones. Today, the same quilts hang on museum walls as modern masterpieces of color and design. Inspired by these quilts and the women who made them, award-winning author Patricia C. McKissack traveled to Alabama to learn their stories. The lyrical rite-of-passage narrative that is the result of her journey seamlessly…
I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.
Sara Brooks was one of seventeen children raised by landowning African American farmers in Alabama. Hers is a lively and evocative account of growing up on the land in a loving family and a harsh coming of age at the hands of an abusive man. Like many southern black women of the era, Brooks is able to escape the bleak conditions of her life by moving first to Mobile and then to Cleveland where she worked as a domestic, eventually acquiring her own home and reuniting with the children she had been forced to leave behind. Hers is a hopeful and richly textured story of resistance and resilience.
The daughter of a freeholder, Sara Brooks was born in 1911 on her parents' subsistence farm in west Alabama. Here in her own words, she makes us understand what it felt like to be young, black, innocent, and steeped in the ways of a black rural world that has largely been lost to us.
I first saw the quilts of Gee’s Bend at the Whitney Museum in New York. I was wowed! I viewed the quilts as works of art and included some in a book I was doing, Art Against the Odds:From Slave Quilts to Prison Paintings. But I wanted to show and tell more about the quilters. Who were these women who dreamed up incredible designs and made art out of scraps despite their poverty and hard lives? Since I never quilted I had to find out how they did it, and realized that quilting not only produced covers for their families, but expressed individual creativity, and brought women together.
I used this adult coffee table book as a main reference for writing my children’s book of the same title. The amazing reproductions of the quilts are beautiful. The colors glow. I could see the bits of patterns –flowers, triangles, plaids – ingeniously composed like abstract paintings. Captions give the names of the quilters. And there are photos of them as well as vintage pictures. Quotes from the quilters tell their histories. One of the most touching stories was by Missouri Pettway who told that when her Daddy died her mother took his old work clothes to make a quilt “to remember him, and cover-up under it for love.” I have seen this extraordinary quilt displayed at the Metropolitan Museum of Art in New York and remembering the story behind it, was deeply moved.
Since the 19th century, the women of Gees Bend in southern Alabama have created stunning, vibrant quilts. Beautifully illustrated with 110 color illustrations, The Quilts of Gees Bend includes a historical overview of the two hundred years of extraordinary quilt-making in this African-American community, its people, and their art-making tradition. This book is being·released in conjunction with a national exhibition tour including The Museum of Fine Art, Houston, the Whitney Museum of American Art, The Corcoran Gallery of Art, The Museum of Fine Art, Boston, The Cleveland Museum of Art, The Milwaukee Art Museum, The High Museum of Art, Atlanta,…
First a memory from my twelve years as a high school teacher: One day one of my ninth-grade history students remarked, “You are a nice guy Mr. Mayer. You can’t help it if you teach a boring subject.” That comment energized me, pushing me to show my students just how exciting the discipline of history was. I wanted my students to come to know historical actors, to hear their voices, and to feel their humanity. I then took that same project into my twenty-nine years as a teacher educator and finally into my life as a writer of historical non-fiction for young people.
In my writing I love to relate the stories of important historical actors that are unknown. Especially young actors.
Phillip Hoose apparently shares those loves. He gives us the story of Claudette Colvin who, at fifteen, refused to give up her seat on a Montgomery, Alabama bus to a White person. This was nine months before Rosa Parks’ famous stand. Through Hoose’s beautifully-rendered narrative, we are on the bus with Colvin that day and we are later in the courtroom when she bravely tells her story.
As I said previously, I love to use the actual words historical actors spoke in my books. Hoose seems to share that passion as well. The author carried out fourteen interviews with Ms. Colvin. Through her own voice, we come to know this amazing young woman.
"When it comes to justice, there is no easy way to get it. You can't sugarcoat it. You have to take a stand and say, 'This is not right.'" - Claudette Colvin On March 2, 1955, an impassioned teenager, fed up with the daily injustices of Jim Crow segregation, refused to give her seat to a white woman on a segregated bus in Montgomery, Alabama. Instead of being celebrated as Rosa Parks would be just nine months later, fifteen-year-old Claudette Colvin found herself shunned by her classmates and dismissed by community leaders. Undaunted, a year later she dared to challenge…
I studied forty years of the political misuses of the memory of Dr. King and the Civil Rights Movement as a sociologist at USC and the daughter of Iranian immigrants who has always been interested in questions of identity and belonging. My interest in civil rights struggles started early, growing up in Virginia, a state that celebrated the Martin Luther King, Jr. holiday alongside Robert E. Lee and Stonewall Jackson. I wanted to understand how revisionist histories could become the mainstream account of the past and how they mattered for the future of democracy.
This brilliant, best-selling book turned award-winning documentary is so fantastic for unraveling a revisionist history of the “tired old lady who wouldn’t move to the back of the bus.”
Not unlike the way I show how Dr. King’s memory has been sanitized and defanged, Theoharis shows how Parks’ memory has been voided of her long history of radical activism, and her unyielding pursuit of racial and social justice.
I thought about this book a lot as I was writing my chapter on the hidden Black women, the “sheroes” of the Civil Rights Movement who present-day Black feminist activists are resurrecting in public consciousness.
The basis for the documentary of the same name executive produced by award-winning journalist Soledad O’Brien. The Rebellious Life of Mrs. Rosa Parks premieres on Peacock on October 19.
2014 NAACP Image Award Winner: Outstanding Literary Work–Biography/Autobiography
2013 Letitia Woods Brown Award from the Association of Black Women Historians
Choice Top 25 Academic Titles for 2013
The definitive political biography of Rosa Parks examines her six decades of activism, challenging perceptions of her as an accidental actor in the civil rights movement.
This revised edition includes a new introduction by the author, who reflects on materials in the Rosa Parks…
