Here are 76 books that Mothers of the South fans have personally recommended if you like
Mothers of the South.
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I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.
Sara Brooks was one of seventeen children raised by landowning African American farmers in Alabama. Hers is a lively and evocative account of growing up on the land in a loving family and a harsh coming of age at the hands of an abusive man. Like many southern black women of the era, Brooks is able to escape the bleak conditions of her life by moving first to Mobile and then to Cleveland where she worked as a domestic, eventually acquiring her own home and reuniting with the children she had been forced to leave behind. Hers is a hopeful and richly textured story of resistance and resilience.
The daughter of a freeholder, Sara Brooks was born in 1911 on her parents' subsistence farm in west Alabama. Here in her own words, she makes us understand what it felt like to be young, black, innocent, and steeped in the ways of a black rural world that has largely been lost to us.
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.
Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.
Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.
Nate Shaw's father was born under slavery. Nate Shaw was born into a bondage that was only a little gentler. At the age of nine, he was picking cotton for thirty-five cents an hour. At the age of forty-seven, he faced down a crowd of white deputies who had come to confiscate a neighbor's crop. His defiance cost him twelve years in prison. This triumphant autobiography, assembled from the eighty-four-year-old Shaw's oral reminiscences, is the plain-spoken story of an “over-average” man who witnessed wrenching changes in the lives of Southern black people—and whose unassuming courage helped bring those changes about.
I was a book-loving Black Girl and am now a Black woman, professor-writer, and lifelong books and popular culture junkie. As a young reader, I marveled at the storytelling in books that took us into the diverse lives and deep interior of teen girls - from Are You There God It’s Me Margaret to especially ones like the five books I name which place Black girls and women at the center of the narrative. In most of the films and writings that I teach and my own book Snitchers, there’s some tragedy and pain, some blues, and perspectives that add to the truth and richness of our human and American story.
I almost chose a fifth book by an author more readers will likely have heard of (Octavia Butler, Parable of the Sower), but I’m going with a second autobiography, Anne Moody’s, Coming of Age in Mississippi.
Between ages 13 and 16, I read my blue paperback cover of this book more times than I can remember. It’s about Anne Moody’s growing up amid poverty and Jim Crow, beset by sexism and danger from within and outside her community due to her gender and race.
It chronicles her childhood in Mississippi to her evolution into a Civil Rights Activist as a teen and college student. It’s so unforgivingly honest, detailed, and visually rich on the page - it humanizes the history like an Eyes on the Prize documentary but way more personalized.
I think it taught me further about the value of writing very visually, the power of our individual…
The unforgettable memoir of a woman at the front lines of the civil rights movement—a harrowing account of black life in the rural South and a powerful affirmation of one person’s ability to affect change.
“Anne Moody’s autobiography is an eloquent, moving testimonial to her courage.”—Chicago Tribune
Born to a poor couple who were tenant farmers on a plantation in Mississippi, Anne Moody lived through some of the most dangerous days of the pre-civil rights era in the South. The week before she began high school came the news of Emmet Till’s lynching. Before then, she had “known the fear…
I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.
Separate Pasts is McLaurin’s account of his 1950s boyhood in the tiny hamlet of Wade, North Carolina, years when the Jim Crow system still reigned. He describes the complex, interconnected lives of the town’s white and black families, and his own confusion as he tried to make sense of the contradictions he observed in his world. A painfully honest account of a white boy’s reckoning with the legacies of segregation and oppression, McLaurin reveals how his own relationships with black neighbors undermined the racist beliefs he was taught.
The author of this book recalls his boyhood during the 1950s in the small hometown of Wade, North Carolina, where whites and blacks lived and worked within each other's shadows.
As a full-time English professor at Blinn College, I always try to choose stories for the literature classes I teach which will resonate with students. Likewise, as an author myself, I aim for that same approach with fiction writing: I want people to remember and reflect on what they read. Memorable settings can help achieve that, so it’s my pleasure to share some of these inAmerica's South that span both the classic side of the spectrum as well as the contemporary side.
Southern sass and situational humor anchor Susan Sands’ novels.
Her first series set in fictional Ministry, Alabama, and her second in fictional Cypress Bayou, Louisiana, allow readers to meet a large cast of characters, some of which are sure to become favorites. Any book in her series can be an entry point as a stand-alone, but starting with Again, Alabama is an entertaining first step.
Cammie Laroux is back in Alabama—again. Dragged back to her small town to help her mother recover from surgery while rescuing the family event planning business should be a cinch. Even for a disgraced television chef, right? Wrong. Among the many secrets Cammie’s family’s been hiding is the fact that their historic home is falling down. Oh, and the man hired to restore the house, Grey Harrison, is the same high school and college love of her life who thrashed her heart and dreams ten years ago. Yeah, that guy. Grey, a widower with a young daughter, has never stopped…
A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
While I got to watch a lot of North Carolina music history unfold in real time, a great deal of it happened before I was born.
Fortunately, when it came to Piedmont blues, I had the work of English folklorist Bruce Bastin to draw on. With Cryin’ for the Carolinas and its 1986 companion volume Red River Blues: The Blues Tradition in the Southeast, Bastin gives an essential portrait of the 1930s vintage scene in Durham, North Carolina.
A large cast of iconic blues musicians, many of them disabled, got by busking in and around the city’s tobacco warehouses back then, legends like Sonny Terry, Brownie McGhee, Rev. Gary Davis, and Blind Boy Fuller – who wrote the song that became my book title.
I’ve written about, taught, and litigated wrongful conviction cases for decades. As Director and Co-Founder of the California Innocence Project, I was able to walk 40 innocent people out of prison. I’m proud to have been part of a small group of lawyers who started innocence organizations in the 1990s. That small group has now turned into a global movement. Free the innocents!
This book documents the wrongful conviction of Ronald Cotton while simultaneously relating the story of Jennifer Thompson, a victim of the brutal rape Cotton was convicted of.
I love this book because it’s co-authored by Cotton and Thompson and shows both sides of the damage of wrongful convictions: the wrongfully convicted person who goes to prison for a crime he did not commit and the victim who is denied closure. Cotton’s suffering is obvious and brutal, as he writes about the pain he went through being arrested, wrongfully identified, tried, convicted, and sentenced to life in prison plus 54 years.
Thompson’s suffering continues many years after the rape as she contends with the faulty identification procedures that caused the misidentification of Cotton.
The New York Times best selling true story of an unlikely friendship forged between a woman and the man she incorrectly identified as her rapist and sent to prison for 11 years.
Jennifer Thompson was raped at knifepoint by a man who broke into her apartment while she slept. She was able to escape, and eventually positively identified Ronald Cotton as her attacker. Ronald insisted that she was mistaken-- but Jennifer's positive identification was the compelling evidence that put him behind bars.
After eleven years, Ronald was allowed to take a DNA test that proved his innocence. He was released,…
I write cross-genre fiction with a pen in one hand and a vintage cocktail in the other, filling the romantic void, writing novels when my husband deployed. When in port, we taught swing dancing and have been avid collectors of vintage sewing patterns, retro clothing, and antiques. All of which make appearances in my stories. I’ve always been fascinated with the paranormal and have had some unexplained experiences, some of those made their way into my stories as well. I live in a 1908 home in Texas that may or may not be haunted. I have book reviews, vintage lifestyle tips, recipes, interviews, giveaways, and games on my site!
The vintage fashion descriptions are killer diller with little mini-stories about each dress featured that evoke nostalgia and often melancholy. The mini-stories were sweet, delightful vignettes that reminded me of the way I think of my vintage clothing. They were beautifully written and I loved them all but most noticeably, I loved the story about the wartime mother splashing in puddles with her children. Dora’s character was likable and believable and I rooted for her. The supporting characters were perfectly quirky and delightfully despicable. Plus there is a nice romantic element with a fun love-triangle with wonderful supporting characters.
'Every dress has a story. Let me tell you mine...'
Dora is in love with a man who barely notices her, has a job she doesn't care about, and dresses entirely for comfort, not style. All a far cry from her vivid, eccentric childhood, growing up with her beloved grandmother Mimi.
However, when disaster strikes, Dora knows she has no choice but to return to her childhood home and take over running Mimi's vintage clothing shop. And there she makes a surprising discovery - Mimi's been writing stories to accompany every dress she sells. Romantic, heartbreaking tales about each one's…
Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought.
I credit John Hart for inspiring me to write; I think this is his best work. I love the balance between gritty, literary-style writing and an action-filled, fast-paced plot.
As a reader, I found that balance to be exquisite, especially as the POVs shift from a child's mind to troubled adults and the investigation into the missing child.
It contains all the elements that make a great novel. I’ve only read one novel twice, and this was the one.
Thirteen-year-old Johnny Merrimon has to face things no boy his age should face. In the year since his twin sister's abduction his world has fallen apart: his father has disappeared and his fragile mother is spiralling into ever deeper despair.
Johnny keeps strong. Armed with a map, a bike and a flashlight, he stalks the bad men of Raven County. The police might have given up on Alyssa; he never will. Someone, somewhere, knows something they're not telling.
Only one person looks out for Johnny. Detective Clyde Hunt shares his obsession with the case. But when Johnny witnesses a hit-and-run…
Jennifer Bean Bower is an award-winning writer and native Tar Heel. A passionate student of North Carolina history, Bower seeks to document the lesser-known people, places, and events of her state's past. She is the author of four books: North Carolina Aviatrix Viola Gentry: The Flying Cashier; Animal Adventures in North Carolina; Winston & Salem: Tales of Murder, Mystery, and Mayhem; andMoravians in North Carolina.
Nancy Roberts, also known as the “First Lady of American Folklore,” inspired many children—including me—to read. North Carolina Ghosts & Legends recounts stories of “true” ghostly encounters and has sent many readers on ghost hunts of their own. I became fascinated with Roberts’ story of the Little Red Man—a ghost who is said to haunt a historic site in Winston-Salem—and while visiting the site (on a second-grade field trip), I interrupted a tour guide to inquire about his whereabouts. My classmates erupted in giggles and I was reprimanded for the disruption. Nevertheless, many years later, I had the pleasure of working at that historic site; but, I never had the pleasure of meeting the infamous ghost.
Nancy Roberts's Southern Ghost Lore Revival--Exhumed and Improved for Fearless Reader.
Nancy Roberts has often been described to as the "First Lady of American Folklore" and the Title is well deserved. Throughout her decades-long career, Roberts documented supernatural experiences and interviewed hundreds of people about their recollections of encounters with the supernatural.
This nationally renowned writer began her undertaking in this ghostly realm as a freelance writer for the Charlotte Observer. Encouraged by Carl Sandburg, who enjoyed her stories and articles, Roberts wrote her first book in 1958. Aptly called a "custodian of the twilight zone" by Southern Living magazine,…
