Here are 78 books that Mothers of the South fans have personally recommended if you like
Mothers of the South.
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I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.
Sara Brooks was one of seventeen children raised by landowning African American farmers in Alabama. Hers is a lively and evocative account of growing up on the land in a loving family and a harsh coming of age at the hands of an abusive man. Like many southern black women of the era, Brooks is able to escape the bleak conditions of her life by moving first to Mobile and then to Cleveland where she worked as a domestic, eventually acquiring her own home and reuniting with the children she had been forced to leave behind. Hers is a hopeful and richly textured story of resistance and resilience.
The daughter of a freeholder, Sara Brooks was born in 1911 on her parents' subsistence farm in west Alabama. Here in her own words, she makes us understand what it felt like to be young, black, innocent, and steeped in the ways of a black rural world that has largely been lost to us.
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.
Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.
Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.
Nate Shaw's father was born under slavery. Nate Shaw was born into a bondage that was only a little gentler. At the age of nine, he was picking cotton for thirty-five cents an hour. At the age of forty-seven, he faced down a crowd of white deputies who had come to confiscate a neighbor's crop. His defiance cost him twelve years in prison. This triumphant autobiography, assembled from the eighty-four-year-old Shaw's oral reminiscences, is the plain-spoken story of an “over-average” man who witnessed wrenching changes in the lives of Southern black people—and whose unassuming courage helped bring those changes about.
I was a book-loving Black Girl and am now a Black woman, professor-writer, and lifelong books and popular culture junkie. As a young reader, I marveled at the storytelling in books that took us into the diverse lives and deep interior of teen girls - from Are You There God It’s Me Margaret to especially ones like the five books I name which place Black girls and women at the center of the narrative. In most of the films and writings that I teach and my own book Snitchers, there’s some tragedy and pain, some blues, and perspectives that add to the truth and richness of our human and American story.
I almost chose a fifth book by an author more readers will likely have heard of (Octavia Butler, Parable of the Sower), but I’m going with a second autobiography, Anne Moody’s, Coming of Age in Mississippi.
Between ages 13 and 16, I read my blue paperback cover of this book more times than I can remember. It’s about Anne Moody’s growing up amid poverty and Jim Crow, beset by sexism and danger from within and outside her community due to her gender and race.
It chronicles her childhood in Mississippi to her evolution into a Civil Rights Activist as a teen and college student. It’s so unforgivingly honest, detailed, and visually rich on the page - it humanizes the history like an Eyes on the Prize documentary but way more personalized.
I think it taught me further about the value of writing very visually, the power of our individual…
The unforgettable memoir of a woman at the front lines of the civil rights movement—a harrowing account of black life in the rural South and a powerful affirmation of one person’s ability to affect change.
“Anne Moody’s autobiography is an eloquent, moving testimonial to her courage.”—Chicago Tribune
Born to a poor couple who were tenant farmers on a plantation in Mississippi, Anne Moody lived through some of the most dangerous days of the pre-civil rights era in the South. The week before she began high school came the news of Emmet Till’s lynching. Before then, she had “known the fear…
I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.
Separate Pasts is McLaurin’s account of his 1950s boyhood in the tiny hamlet of Wade, North Carolina, years when the Jim Crow system still reigned. He describes the complex, interconnected lives of the town’s white and black families, and his own confusion as he tried to make sense of the contradictions he observed in his world. A painfully honest account of a white boy’s reckoning with the legacies of segregation and oppression, McLaurin reveals how his own relationships with black neighbors undermined the racist beliefs he was taught.
The author of this book recalls his boyhood during the 1950s in the small hometown of Wade, North Carolina, where whites and blacks lived and worked within each other's shadows.
As a full-time English professor at Blinn College, I always try to choose stories for the literature classes I teach which will resonate with students. Likewise, as an author myself, I aim for that same approach with fiction writing: I want people to remember and reflect on what they read. Memorable settings can help achieve that, so it’s my pleasure to share some of these inAmerica's South that span both the classic side of the spectrum as well as the contemporary side.
Southern sass and situational humor anchor Susan Sands’ novels.
Her first series set in fictional Ministry, Alabama, and her second in fictional Cypress Bayou, Louisiana, allow readers to meet a large cast of characters, some of which are sure to become favorites. Any book in her series can be an entry point as a stand-alone, but starting with Again, Alabama is an entertaining first step.
Cammie Laroux is back in Alabama—again. Dragged back to her small town to help her mother recover from surgery while rescuing the family event planning business should be a cinch. Even for a disgraced television chef, right? Wrong. Among the many secrets Cammie’s family’s been hiding is the fact that their historic home is falling down. Oh, and the man hired to restore the house, Grey Harrison, is the same high school and college love of her life who thrashed her heart and dreams ten years ago. Yeah, that guy. Grey, a widower with a young daughter, has never stopped…
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
When Inman decides he’s had enough of the Civil War, he takes a very long walk home. Along his path, he encounters the detritus of the conflict in shattered land and people. Meanwhile, his love, Ada, tries to cobble together some remnants of her former life.
Maybe a book out of fashion these days because it’s set in the defeated South, and that I understand. However, it remains a masterclass in style, vision, plot, and insight.
In 1997, Charles Frazier’s debut novel Cold Mountain made publishing history when it sailed to the top of The New York Times best-seller list for sixty-one weeks, won numerous literary awards, including the National Book Award, and went on to sell over three million copies. Now, the beloved American epic returns, reissued by Grove Press to coincide with the publication of Frazier’s eagerly-anticipated second novel, Thirteen Moons. Sorely wounded and fatally disillusioned in the fighting at Petersburg, a Confederate soldier named Inman decides to walk back to his home in the Blue Ridge mountains to Ada, the woman he loves.…
Charles Todd is part of the mother-and-son writing team who lives on the east coast of the United States. They are the New York Times best-selling authors of the Inspector Ian Rutledge Series and the Bess Crawford series. A Game of Fear (Ian Rutledge Mystery #24) 2-1-22 and The Cliffs Edge (Bess Crawford Mystery #13) 2-14-23. They have published forty titles including two stand-alone novels, an anthology of short stories, and over twenty short stories appearing in mystery magazines and anthologies worldwide. Their works have received the Mary Higgins Clark, Agatha, and Barry awards along with nominations for the Anthony, Edgar, and Dagger awards.
Caroline Todd was born and raised in North Carolina, and Charles lived much of his adult life there. We love the Tarheel state, and Ingles Fletcher exposed us to the history of our home! It, too, speaks to my love of the ocean and the Outer Banks. Inglis Fletcher wrote the almost-forgotten Carolina Series, an early history of the coast of North Carolina, carrying it from its development through the Revolutionary War, with such a wealth of rich detail and a mixture of real people and well-drawn characters that the reader knows them intimately. The story begins with Roanoke Hundred, continuing through Men of Albemarle and Raleigh’s Eden, to The Scotswoman, which tells the story of Flora MacDonald’s years in the state after the Stuart Rebellion.
Roanoke Hundred is an historical novel about the very first attempt to found an English colony in North America in 1585. Although it is a fictional account, the story is based on the letters, diaries, and archives of the period. Every character is based on a real person.
The entire adventure centers around one of England’s greatest heroes, Sir Richard Grenville. Grenville was lord of the manors of Stowe, Kilkhampton in Cornwall, and of Bideford in Devon. He was also a soldier, an armed merchant fleet owner, privateer, colonizer, and explorer. When queen Elizabeth chose Grenville to organize and lead…
I never thought I’d become a historian of the US military. Like most Americans raised in the era of the All-Volunteer Force, I grew up with no close personal connections to the US military. Yet its symbols, metaphors, and power flooded my life, from movies to games to politics. Every encounter with a memoir, an operational history, a biography, or a government study offered a new understanding of how the US military came to play such a vital role in US society, and how US society in turn shaped practices and people in the military. These five histories did more than any others to shape my understanding of the military’s relationship to American society in the twentieth century.
When I picked up Homefront, I couldn’t put it down. A study of perhaps the most iconic military community in the US, Fort Bragg, North Carolina, Homefront brings a reader as close to everyday life in a military town as they can get without being there. Lutz burrows into Fayetteville and Fort Bragg, and pries open their histories and cultures. She offers glimpses into military subculture, the militarization of American infrastructure, the tensions surrounding town-and-installation relations. More than any other book, Homefront sensitized me to the complexities of twentieth-century US military culture and its deep influence on American people, places, and ideas.
A look at Fayetteville, North Carolina, home to Fort Bragg, that poses the question,'Are we all military dependents?'
Fayetteville has earned the nicknames of Fatalville and Fayettenam. Unusual and not-sounusual features of the town include gross income inequalities, an extraordinarily high incidence of venereal disease, miles and miles of strip malls, and a history of racial violence. Through interviews with residents and historical research, Catherine Lutz immerses herself in the life of the town to discover how it has supported the military for over a century. From secret training operations that use civilians as mock enemies and allies to the…
Anytime we imagine ourselves to be smarter or more clever than Madison Avenue or sponsored content on your social media feeds or a well-designed advertisement a nostalgia unlocking tweet will prove you wrong. We are all vulnerable to their manipulations, and it is from this belief that I explore the histories, the conflicts, and the techniques that strengthen capitalism’s hold on our imaginations. And yet, despite the lures of the marketplace, I believe that people can come together and outmaneuver corporations and their enablers. Whether it’s a fast-food restaurant that crashed and burned in the 1980s or the most popular toy of 1973 or failed TV spinoffs, I see these cultural contributions as rich texts to understand race, gender, and American identities.
When I teach students about the Civil Rights Movement, many of them had previously learned that the freedom struggle ended after Martin Luther King, Jr. was assassinated in 1968. I disabuse them of this notion by highlighting all the political work that was inspired—rather than stymied—by King’s passing. In this book, Fergus provides a provocative idea: What if the radicals of the late 1960s and 1970s were able to influence liberals and conservatives alike? By showing the ways that Black Power actually resonated with the leaders of pre-Reagan America, Fergus recovers the various approaches to capitalism, political participation, and compromise that can’t be easily categorized as Left or Right.
This book presents a provocative reinterpretation of recent political history. In this pioneering exploration of the interplay between liberalism and black nationalism, Devin Fergus returns to the tumultuous era of Johnson, Nixon, Carter, and Helms and challenges us to see familiar political developments through a new lens. What if the liberal coalition, instead of being torn apart by the demands of Black Power, actually engaged in a productive relationship with radical upstarts, absorbing black separatists into the political mainstream and keeping them from a more violent path? What if the New Right arose not only in response to Great Society…
I grew up in a mostly white town in Ohio, where, as a White woman, I didn’t have to think much at all about race. During college in North Carolina, I first began to consider racism. As a journalist, I’ve learned (sometimes the hard way) that you can’t write in a meaningful way about social justice issues without connecting them to history. The books I’ve recommended provide that connection. Once you make it, you’ll never be able to see the world the same way.
Wilmington’s Lie, winner of the 2021 Pulitzer Prize for Nonfiction, documents one of the darkest episodes in North Carolina’s history – the violent overthrow of an elected government in the Black-majority city of Wilmington. It was a massacre that left at least 60 Black men dead. I lived in North Carolina for decades before I heard about this history. And I’m hardly alone. Until recently, this coup had been described as a “race riot” and largely omitted from textbooks, while its White supremacist organizers had been revered as great North Carolinians. If you want to understand what people mean when they talk about the “whitewashing” of American history, this book is the ultimate case study.
WINNER OF THE 2021 PULITZER PRIZE FOR GENERAL NONFICTION
From Pulitzer Prize-winner David Zucchino comes a searing account of the Wilmington riot and coup of 1898, an extraordinary event unknown to most Americans
By the 1890s, Wilmington was North Carolina’s largest city and a shining example of a mixed-race community. It was a bustling port city with a burgeoning African American middle class and a Fusionist government of Republicans and Populists that included black aldermen, police officers and magistrates. There were successful black-owned businesses and an African American newspaper, The Record. But across the state—and the South—white supremacist Democrats were…
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