A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
I wrote
Step It Up and Go: The Story of North Carolina Popular Music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk
In its ambition and sweep across time and political upheavals as well as musical styles, this book may have been the closest thing I had to a model for my book.
Part musical memoir and part capsule history of the American South’s era of integration, Dixie Lullaby was written by longtime music journalist Mark Kemp – a man who grew up in Asheboro, North Carolina in the 1960s and ’70s and has the Lynyrd Skynyrd and Allman Brothers records to prove it.
In ""Dixie Lullaby"", a veteran music journalist ponders the transformative effects of rock and roll on the generation of white southerners who came of age in the 1970s - the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina, Mark Kemp burned with shame and anger at the attitudes of many white southerners - some in his own family - toward the recently won victories of the civil rights movement. ""I loved the land that surrounded me but hated the history that haunted that land,"" he writes. Then the down-home, bluesy rock of the Deep…
Winston-Salem native Folds is the focus of one of my chapters, as a truly unlikely success story.
At the height of the grunge era of 1990s alternative rock, he led Ben Folds Five, a piano trio that played catchy pop dubbed “punk rock for sissies.” Somehow, they had a hit single with a downcast ballad about teenage abortion.
Folds is an unexpected character himself, a musical prodigy who became a quirky multi-media star after his hitmaking days ran out. His 2019 memoir is a fantastic window into his artistic process, as well as his just-do-it worldview.
He’s been one of my favorite interview subjects over the years.
Ben Folds is an internationally celebrated musician, singer-songwriter and former front man of the alternative rock band, Ben Folds Five, beloved for songs such as 'Brick', 'You Don't Know Me', 'Rockin' the Suburbs' and 'The Luckiest'.
In A Dream About Lightning Bugs Folds looks back at his life so far in a charming, funny and wise chronicle of his artistic coming of age, infused with the wry observations of a natural storyteller. He opens up about finding his voice as a musician, becoming a rock anti-hero, and hauling a baby grand piano on and off stage for every performance. From…
While I got to watch a lot of North Carolina music history unfold in real time, a great deal of it happened before I was born.
Fortunately, when it came to Piedmont blues, I had the work of English folklorist Bruce Bastin to draw on. With Cryin’ for the Carolinas and its 1986 companion volume Red River Blues: The Blues Tradition in the Southeast, Bastin gives an essential portrait of the 1930s vintage scene in Durham, North Carolina.
A large cast of iconic blues musicians, many of them disabled, got by busking in and around the city’s tobacco warehouses back then, legends like Sonny Terry, Brownie McGhee, Rev. Gary Davis, and Blind Boy Fuller – who wrote the song that became my book title.
One of the throughline themes of my book is the ongoing resourcefulness of the state’s musicians as they battle day jobs as well as an unfriendly music industry.
As portrayed in this highly engaging oral history, North Carolina institutions don’t get much more resourceful than Merge Records, a Chapel Hill-based independent label founded by members of the local band Superchunk.
Over the years, Merge went from putting out indie-rock seven-inch singles to topping the Billboard charts, and even winning an album-of-the-year Grammy Award.
More than one-third of a century later, both Merge and Superchunk are still at it.
Merge Records defies everything you’ve heard about the music business. Started by two twenty-year-old musicians, Merge is a lesson in how to make and market great music on a human scale. The fact that the company is prospering in a failing industry is something of a miracle. Yet two of their bands made the Billboard Top 10 list; more than 1 million copies of Arcade Fire's Neon Bible have been sold; Spoon has appeared on Saturday Night Live and The Tonight Show; and the Magnetic Fields' 69 Love Songs is a contemporary classic.
In celebration of their twentieth anniversary, founders…
Like me, John Darnielle of the band Mountain Goats (a Merge Records act, as it happens) was not born in North Carolina, but fully embraced it upon moving here.
After much acclaim for the twisted freak-folk of his band, Darnielle launched a parallel career as a fiction writer with this novella in Continuum Books’ 33-1/3 series.
Nominally about the 1971 Black Sabbath album of the title, Master of Reality is actually a personality sketch of obsessed and troubled super-fans of the sort Darnielle has in abundance in his hometown of Durham and elsewhere.
He has followed it up with more literary greatness, especially his revelatory 2014 novel Wolf in White Van.
John Darnielle describes Master of Reality through a fictional character, a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985.John Darnielle describes "Master of Reality" in the voice of a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985. Adolescents in treatment are often required to keep a journal, and they write letters by the dozens: to their parents, to their friends on the outside, to the nurses who confiscate their belongings, to the teachers back at school who've offered them an outlet for their creativity. Our narrator has arrived…
Step It Up & Go is the anthologized book version of the work I did for the newspaper. I came to North Carolina at age 30, knowing almost nothing about this place and its music history. Getting to know the ins and outs of North Carolina music was a genuine revelation, especially the first decade or so I was here: “Wait a minute, John Coltrane was from North Carolina? Nina Simone, too? And Clyde McPhatter, Ben E. King, Link Wray, Earl Scruggs? Plus the guy who wrote ‘Dedicated to the One I Love,’ and the fiddler who wrote ‘Orange Blossom Special’?!”
North Carolina is a state with a major yet nevertheless under-appreciated status in American popular music. It has produced artists who made gigantic contributions to jazz, blues, country, and more.
I come by my interest in history and the years before, during, and after the Second World War honestly. For one thing, both my father and my father-in-law served as pilots in the war, my father a P-38 pilot in North Africa and my father-in-law a B-17 bomber pilot in England. Their histories connect me with a period I think we can still almost reach with our fingertips and one that has had a momentous impact on our lives today. I have taken that interest and passion to discover and write true life stories of the war—focusing on the untold and unheard stories often of the “Average Joe.”
October 24, 1944, is not a day of national remembrance. Yet, more Americans serving in World War II perished on that day than on any other single day of the war.
The narrative of No Average Day proceeds hour by hour and incident by incident while focusing its attention on ordinary individuals—clerks, radio operators, cooks, sailors, machinist mates, riflemen, and pilots and their air crews. All were men who chose to serve their country and soon found themselves in a terrifying and otherworldly place.
No Average Day reveals the vastness of the war as it reaches past the beaches in…
October 24, 1944, is not a day of national remembrance. Yet, more Americans serving in World War II perished on that day than on December 7, 1941, when the Japanese attacked Pearl Harbor, or on June 6, 1944, when the Allies stormed the beaches of Normandy, or on any other single day of the war. In its telling of the events of October 24, No Average Day proceeds hour by hour and incident by incident. The book begins with Army Private First-Class Paul Miller's pre-dawn demise in the Sendai #6B Japanese prisoner of war camp. It concludes with the death…
