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A Dream about Lightning Bugs.
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A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
In its ambition and sweep across time and political upheavals as well as musical styles, this book may have been the closest thing I had to a model for my book.
Part musical memoir and part capsule history of the American South’s era of integration, Dixie Lullaby was written by longtime music journalist Mark Kemp – a man who grew up in Asheboro, North Carolina in the 1960s and ’70s and has the Lynyrd Skynyrd and Allman Brothers records to prove it.
In ""Dixie Lullaby"", a veteran music journalist ponders the transformative effects of rock and roll on the generation of white southerners who came of age in the 1970s - the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina, Mark Kemp burned with shame and anger at the attitudes of many white southerners - some in his own family - toward the recently won victories of the civil rights movement. ""I loved the land that surrounded me but hated the history that haunted that land,"" he writes. Then the down-home, bluesy rock of the Deep…
A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
While I got to watch a lot of North Carolina music history unfold in real time, a great deal of it happened before I was born.
Fortunately, when it came to Piedmont blues, I had the work of English folklorist Bruce Bastin to draw on. With Cryin’ for the Carolinas and its 1986 companion volume Red River Blues: The Blues Tradition in the Southeast, Bastin gives an essential portrait of the 1930s vintage scene in Durham, North Carolina.
A large cast of iconic blues musicians, many of them disabled, got by busking in and around the city’s tobacco warehouses back then, legends like Sonny Terry, Brownie McGhee, Rev. Gary Davis, and Blind Boy Fuller – who wrote the song that became my book title.
A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
One of the throughline themes of my book is the ongoing resourcefulness of the state’s musicians as they battle day jobs as well as an unfriendly music industry.
As portrayed in this highly engaging oral history, North Carolina institutions don’t get much more resourceful than Merge Records, a Chapel Hill-based independent label founded by members of the local band Superchunk.
Over the years, Merge went from putting out indie-rock seven-inch singles to topping the Billboard charts, and even winning an album-of-the-year Grammy Award.
More than one-third of a century later, both Merge and Superchunk are still at it.
Merge Records defies everything you’ve heard about the music business. Started by two twenty-year-old musicians, Merge is a lesson in how to make and market great music on a human scale. The fact that the company is prospering in a failing industry is something of a miracle. Yet two of their bands made the Billboard Top 10 list; more than 1 million copies of Arcade Fire's Neon Bible have been sold; Spoon has appeared on Saturday Night Live and The Tonight Show; and the Magnetic Fields' 69 Love Songs is a contemporary classic.
In celebration of their twentieth anniversary, founders…
A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
Like me, John Darnielle of the band Mountain Goats (a Merge Records act, as it happens) was not born in North Carolina, but fully embraced it upon moving here.
After much acclaim for the twisted freak-folk of his band, Darnielle launched a parallel career as a fiction writer with this novella in Continuum Books’ 33-1/3 series.
Nominally about the 1971 Black Sabbath album of the title, Master of Reality is actually a personality sketch of obsessed and troubled super-fans of the sort Darnielle has in abundance in his hometown of Durham and elsewhere.
He has followed it up with more literary greatness, especially his revelatory 2014 novel Wolf in White Van.
John Darnielle describes Master of Reality through a fictional character, a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985.John Darnielle describes "Master of Reality" in the voice of a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985. Adolescents in treatment are often required to keep a journal, and they write letters by the dozens: to their parents, to their friends on the outside, to the nurses who confiscate their belongings, to the teachers back at school who've offered them an outlet for their creativity. Our narrator has arrived…
My interests as a historian involve examining how Americans organize to
change policy or politics through affiliations beyond political parties
and, by extension, thinking about how culture is made and supported
through institutions and businesses. These messy networks and
relationships ultimately define how we relate to one another in the U.S.
Indie music scenes are one way to trace all of these relationships,
from federal policy governing radio stations and what goes out over the
airwaves to the contours of local music scenes, to the business of
record labels, to ordinary DJs and music fans trying to access
information and new sounds that they love.
No list of books on the indie music scenes of the 1980s is complete without this classic tale of the rise of commercial tensions regarding indie rock bands.
Music offered a form of rebellion against conformity – and punk challenged the corporate music industry of the 1970s with its DIY code and aesthetics. But in its wake, new forms of rebellion and alternative pathways to success emerged – at least for a time.
These bands that Azerrad chronicles became the giants of this alternative scene, and they were the sound of college radio. As Azerrad writes, corporate labels co-opted new wave in the early 1980s, “but they couldn’t co-opt punk’s infrastructure—the local underground scenes, labels, radio stations, fanzines, and stores. They, perhaps more so than any particular musical style, are punk’s most enduring legacy.”
Finally in paperback, the story of the musical revolution that happened right under the nose of the Reagan Eighties - when a small but sprawling network of bands, labels, fanzines, radio stations and other subversives re-energised American rock with punk rock's d-I-y credo and created music that was deeply personal, often brilliant, always challenging and immensely influential. OUR BAND COULD BE YOUR LIFE is a sweeping chronicle of music, politics, drugs, fear, loathing and faith that is already being recognized as an indie rock classic in its own right.
Among the legendary bands featured are: Black Flag, the Minutement, Mission…
I’m Irish, writing since 2001. I’m fascinated by the impulses that propel us towards or away from another person, the ways we are hurt or charmed or offended or beguiled by another, and how we react to all of the above. I’m not married or in a relationship myself; somewhere along the way I realised that I’m happier alone, and I think it puts me in a good position to observe the behaviours of friends and family, and sometimes strangers (yes, I’m that person sitting nearby on the train or at the airport or in the cafe, tapping furiously into her laptop as you converse with your partner).
This book has one of the most interesting characters I’ve ever come across in fiction. Evie Decker is an introverted and slightly eccentric teen living in small-town America whose ordinary life takes a completely different turn when she hears a young musician, Drumsticks Casey, being interviewed on the radio. Anne Tyler can be depended on to create fascinatingly quirky characters – I’ve long been a big fan of her writing – but I think she outdid herself with Evie. The story is unexpected and moving and funny and sad – really, it provides all the feels. The evolving relationship between Evie and Casey, with its ups and downs and twists, is perfectly told, and the dialogue sparkles with authenticity.
In a small Southern town, shy teenager Evie Decker becomes obsessed with local rock singer Bertram 'Drumstrings' Casey, and decides to take her life into her own hands. When she manages to meet him, she bursts out of her lonely shell and their two lives become unforgettably entwined.
**ANNE TYLER HAS SOLD OVER 1 MILLION BOOKS WORLDWIDE**
I am a journalist, author, guitarist, singer, and songwriter who has spent my career spreading the gospel of the music I love, notably the Allman Brothers Band and the blues masters. I’ve been a Guitar World writer and editor since 1991, profiled countless musicians for The Wall Street Journal, and lived in Beijing for four years, forming a blues band with three Chinese musicians that toured the country, recorded an album, and won awards. That experience has informed everything I’ve done since, including forming Friends of the Brothers, the premier celebration of the music of the Allman Brothers Band.
I found this book riveting from page one and studied the ease with which Booth alternates chapters of straight biography and his own personal experiences with the band.
This included a drug-fueled slide that contributed to the book, largely chronicling the Stones’ 1969 tour of America, to take 15 years to complete. He writes about this with honesty and without romance, looking the devil in the eye with candor while also offering deep insights into bit characters like BB King and providing the definitive story of the Altamont fiasco.
Stanley Booth, a member of the Rolling Stones’ inner circle, met the band just a few months before Brian Jones drowned in a swimming pool in 1968. He lived with them throughout their 1969 tour across the United States, staying up all night together listening to blues, talking about music, ingesting drugs, and consorting with groupies. His thrilling account culminates with their final concert at Altamont Speedway—a nightmare of beating, stabbing, and killing that would signal the end of a generation’s dreams of peace and freedom. But while this book renders in fine detail the entire history of the Stones,…
Pet names in romance can make or break a book, in my opinion. Sometimes, they can be offputting, but other times, pet names make me smile. They elevate the chemistry between characters–turn the heat up a notch on a steam scene, make you blush, and make you fall in love with the characters. When I read a pet name I can imagine the tone, level, and timbre. It makes me feel like I'm there in the pages with the characters. I think it's because a pet name or nickname is special. A person assigns it to you because they care–or, better yet, within the pages of a romance, they love.
I cannot explain why, but this book is the book I will always find some reason to recommend. Krit is my original book boyfriend, and Blythe is, if I had to pick, the character I would bring to life to be friends with. Krit calls Blythe “Love,” which always makes me smile.
I loved how simple it was to call her that, but it's not necessarily something we hear often in the United States. It was an endearment that wasn't overtly sexual–sometimes, he would call her that, and it was only to calm or comfort her. I also think it was perfect for the character of Blythe, who unfortunately hadn't felt loved by anyone before Krit.
The notorious rock ’n’ roll star from Misbehaving might just make some beautiful music with his sweet new downstairs neighbor in this sultry installment in the New York Times and USA TODAY bestselling Sea Breeze series from Abbi Glines.
Addiction is part of Krit Corbin’s nature, and women are his favorite obsession. But that’s the life of a lead singer in a band. He can have any woman he wants—anywhere, anytime.
Blythe Denton is used to being alone. The minister’s family who raised her never accepted her, and they made it clear how unworthy she was of love. So when…
I’ve been fascinated by musicians almost my entire life, but I always wanted more than the slick on-screen video, profile on the Lifestyles of the Rich and Famous, or interview. I wanted to know the whys and hows: why they wrote a certain way, what made them want to be a musician first, and where the inspiration and determination came from. What are they like when they’re hanging out at home, not in the spotlight? This research led me to the music and musicians of Laurel Canyon in particular and how one small area of Los Angeles has managed to create music still influential today.
I love this book for its deep dive into the music and time period of the 1960s and 1970s. It’s a wonderful discovery of the bands that made this era of music so wonderful and how Laurel Canyon was in the center of it.
There are great behind-the-scenes stories and interviews with the people who were there, in the industry and making the music. It’s a great glimpse into the vision, values, and freedom of the time and how it all got funneled into that fantastic music I so love.
Michael Walker’s Laurel Canyon presents the inside story of the once hottest rock and roll neighborhood in LA.
In the late sixties and early seventies, an impromptu collection of musicians colonized a eucalyptus-scented canyon deep in the Hollywood Hills of Los Angeles and melded folk, rock, and savvy American pop into a sound that conquered the world as thoroughly as the songs of the Beatles and the Rolling Stones had before them. Thirty years later, the music made in Laurel Canyon continues to pour from radios, iPods, and concert stages around the world. During the canyon's golden era, the musicians…
Having spent seven years researching and writing about Prince (and another year updating the book), I spoke to as many people who worked and lived with him as I could. While my book is rich with information gleaned from interviews, alongside my own analysis, there were a few people who didn’t talk to me. Of the above, I did talk to Dez Dickerson, but the others were holding off (presumably because their own books were in the works). All the books below work as perfect compliments to mine and are all must-haves for any Prince fan’s purple library.
Prince was different things to different people and one of the things you’ll discover through these books is that they work as a mosaic showing different sides of him. Only two people will ever know what it was like to be married to Prince, and Mayte is one of them.
In The Most Beautiful, a title inspired by the hit song Prince wrote about their legendary love story, Mayte Garcia for the first time shares the deeply personal story of their relationship and offers a singular perspective on the music icon and their world together: from their unconventional meeting backstage at a concert (and the long-distance romance that followed), to their fairy-tale wedding (and their groundbreaking artistic partnership), to the devastating losses that ultimately dissolved their romantic relationship for good. Throughout it all, they shared a bond more intimate than any other in Prince's life. No one else can tell…
