The most recommended books about Saturday Night Live

Mike Sacks is an authority on comedy and scholar who created two volumes which are a Comedy Bible for any humorist, interviewing the funniest people from the last fifty years. This is a must-read for any comedy geek. The other volume is And Here’s the Kicker. But wait, that’s all, as they say. Sacks has also become the king of kitsch producing a series of books mocking pop culture (Slouchers, Passable In Pink, Randy! and Stinker Lets Loose!)

When I listen to Sinéad O’Connor, her voice strikes a deep and unique chord, and when I read her biography Rememberings, the same.

Her book is a series of discrete scenes arranged roughly in time order. Her description of people, events, and feelings is immediate and honest. When she relates a scene with her Aunt Frances, I believe she is six. Through reading her book, I better understand that she was a simple soul with complex psychology, a paradox.

She writes that she made a contract “with the Holy Spirit before she made one with the music business.” I now better understand why she was deliberately misunderstood. Society doesn’t tolerate people like Sinéad who live up to that contract. 

Tom Shales and James Andrew Miller’s oral history Live From New York (published in 2002, updated and expanded a decade later) is probably the most popular book on sketch comedy giant Saturday Night Live, but I’m more partial to Doug Hill and Jeff Weingrad’s 1986 record of the show’s historic but tumultuous first ten years on the air. Unlike Live From New York, the vibe is less “hanging out with comedy giants” and more “I can’t believe these coked-out maniacs were able to stay alive, let alone create something that’s still going strong.” As SNL approaches its 50th anniversary, see the near-impossible alchemy that changed network television forever.

Even though they weren’t musicians, the original cast members of Saturday Night Live were among the biggest rock stars of the Seventies. Their journey from underground comics and performers to crossover superstardom, via TV, albums, and movies, is the story of the rise of the counterculture in the Seventies. And, sadly, Belushi’s flameout was the dark side of that tale.

I read this book not long after I had graduated from NYU with a degree in journalism, and Woodward’s peerless reporting—including a chilling, nearly hour-by-hour chronicle of Belushi’s last few weeks before his death in 1982—made me realize the power of narrative, research, and detail. If I were stymied while writing a story of my own in the early days of my career, I’d grab my increasingly beaten-up Wired paperback and be inspired anew. 

When most people think of haunted houses, they usually picture an aging building on the edge of town. But what if the place that’s haunted is a busy fast food joint? That’s the premise of Daniel Kraus’s The Ghost That Ate Us.

The employees of Burger City near Jonny, Iowa begin to experience strange events. At first, the incidents are harmless, but they slowly become more menacing, until an event happens that makes the national news. A journalist comes in after the fact, to interview the surviving workers and try to figure out what ‘really’ happened.

The book is scattered with pictures, a la Ransom Riggs’ Miss Peregrine’s Peculiar Children series. The result is an intriguing blend of horror, faux true crime, and biting social commentary.

We’ve outgrown vaulting over five-barred gates, running up mountains, drinking all night, and springing bright-eyed from our beds, and so what? For anyone in denial, or clinging stubbornly to youth, Dave is the Baby Boomer to point out the stark realities. He’s funny but he’s ruthless. Fifty’s not the new thirty. It’s fifty. The reason I recommend it is that it can be hard to let go and you’ll waste precious autumn if you don’t accept the inevitable, and move on with a spring in your step into what I have found to be the best period of all. Laughing helps. Laughing always helps.  

Curtis Sittenfeld has been a go-to author for me since I read and loved her debut, Prep, in 2005.

Her latest, Romantic Comedy, centers on Sally, a comedy writer at The Night Owls (a stand-in for Saturday Night Live) who finds herself the subject of affection of a very famous singer, Noah. I am a longtime fan of SNL, and I loved the inside look at sketch development and the hierarchy and competition among the writers and actors.

I alternated between relating to Sally and wanting to throttle her for not recognizing her own worth, but in a deeply invested in the story kind of way! And if you need one more reason to give this book a try, it was a Reese Witherspoon Book Club pick.

One of the throughline themes of my book is the ongoing resourcefulness of the state’s musicians as they battle day jobs as well as an unfriendly music industry.

As portrayed in this highly engaging oral history, North Carolina institutions don’t get much more resourceful than Merge Records, a Chapel Hill-based independent label founded by members of the local band Superchunk.

Over the years, Merge went from putting out indie-rock seven-inch singles to topping the Billboard charts, and even winning an album-of-the-year Grammy Award.

More than one-third of a century later, both Merge and Superchunk are still at it.

I love this book because I can’t recall the last time I laughed so much while reading. As Leslie would say, “This b*tch is crazy!” Leslie’s wild stories about how she navigated her way into standup comedy made me throw my head back and howl with laughter.

I listened to the audiobook and enjoyed her narration style. She didn’t seem to be reading at all, rather than just following the general topics of the chapters. I don’t think that reading a paper book of Leslie’s story would have been as entertaining. Her magnetic personality shined, and I felt like I was just hanging out with her while she riffed about her life, telling hilarious story after story while I moved about my day.  

I read just about anything – dark fiction, cozy mysteries, thrillers,  and even plenty of non-fiction. But, while I rarely read memoirs, I will if it’s someone I truly admire.

Enter Betty White. I’ve always been a fan of her quick, one-liner wit, and this book doesn’t disappoint. But even the non-witty parts are packed with a punch. Betty’s wisdom is heartfelt and spot-on.