I’m a chronic over-achiever. As a high school senior, I produced our school play, started a school newspaper, took Advanced Placement classes, and worked with our social justice club. In university, I was the co-president of the English society and decided to pursue double honours, all while working part-time. Now that I’m a teacher, I recognise the over-achievers in my classes, usually on day one when they show up with highlighters in multiple colours. I want to help them let go of perfectionism and take time to laugh. These books have helped me do just that and I hope The Year Shakespeare Ruined My Life can do that for others.
If you’re an over-achiever, you may have been accused of taking things too seriously. (I wouldn’t know anything about that, of course.) Tina Fey proves that the academic goody-two-shoes can also be the funniest person in the room. This autobiography is written as a series of stories from Fey’s life, as well as short reflections on issues like the objectification of women’s bodies. Reading this book made me feel like I too could be a funny person and that hard work doesn’t make me any less creative.
Once in a generation a woman comes along who changes everything. Tina Fey is not that woman, but she met that woman once and acted weird around her. Before 30 Rock, Mean Girls and 'Sarah Palin', Tina Fey was just a young girl with a dream: a recurring stress dream that she was being chased through a local airport by her middle-school gym teacher. She also had a dream that one day she would be a comedian on TV. She has seen both these dreams come true. At last, Tina Fey's story can be told. From her youthful days as…
A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
One of the throughline themes of my book is the ongoing resourcefulness of the state’s musicians as they battle day jobs as well as an unfriendly music industry.
As portrayed in this highly engaging oral history, North Carolina institutions don’t get much more resourceful than Merge Records, a Chapel Hill-based independent label founded by members of the local band Superchunk.
Over the years, Merge went from putting out indie-rock seven-inch singles to topping the Billboard charts, and even winning an album-of-the-year Grammy Award.
More than one-third of a century later, both Merge and Superchunk are still at it.
Merge Records defies everything you’ve heard about the music business. Started by two twenty-year-old musicians, Merge is a lesson in how to make and market great music on a human scale. The fact that the company is prospering in a failing industry is something of a miracle. Yet two of their bands made the Billboard Top 10 list; more than 1 million copies of Arcade Fire's Neon Bible have been sold; Spoon has appeared on Saturday Night Live and The Tonight Show; and the Magnetic Fields' 69 Love Songs is a contemporary classic.
In celebration of their twentieth anniversary, founders…
The reason I’m so fascinated by stand-up and books on writing is because I have done both. For a brief time I was a comedian, and the lessons in creativity and writing I learned along the way helped me find the career of copywriting. I’m passionate about learning how great writers write, and more importantly, keep writing, even when they don’t feel like it. I like to be inspired with lessons I can bring with me to every Word doc I open up.
Steve Martin talks about perfecting his craft and really gives comedians and fans of stand-up a front row seat to what goes into being a comedian. The grind on the way up, and performing in near-empty places, will make you empathize with Martin and all the comics who started just like him.
In the mid-seventies, Steve Martin exploded on to the comedy scene. By 1978, he was the biggest concert draw in the history of stand-up. In 1981 he quit forever. This book is, in his own words, the story of "why I did stand-up and why I walked away." Emmy and Grammy Award winner, author of the acclaimed New York Times bestsellers Shopgirl and The Pleasure of My Company, and a regular contributor to The New Yorker, Martin has always been a writer. His memoir of his years in stand-up is candid, spectacularly amusing, and beautifully written. At age ten, Martin…
I am currently the features editor at Input, a website about tech and culture. Earlier in my career, I worked at the now-defunct music magazine Blender, for which I wrote an oral history of Sub Pop, the Seattle label that put out early records by the likes of Nirvana, Soundgarden, and Mudhoney. That article was the basis of my book for Everybody Loves Our Town. I’m also a widely published freelancer, with pieces in the New Yorker, the New York Times, Wired, WSJ. Magazine, Rolling Stone, and many other outlets.
This is the definitive look at an American comedy institution (yes, we know it kinda sucks now) and includes input from almost all the show’s biggest names. The book features the requisite amount of sex, drugs, and rock and roll — plus fisticuffs and lots and lots of backbiting — but it also has some surprisingly tender moments, like Bill Murray’s recollection of the last time he saw his castmate, Gilda Radner, before her death.
When first published to celebrate the 30th anniversary of Saturday Night Live, LIVE FROM NEW YORK was immediately proclaimed the best book ever produced on the landmark and legendary late-night show. In their own words, unfiltered and uncensored, a dazzling galaxy of trail-blazing talents recalled three turbulent decades of on-camera antics and off-camera escapades. Now a fourth decade has passed---and bestselling authors James Andrew Miller and Tom Shales have returned to Studio 8H. Over more than 100 pages of new material, they raucously and revealingly take the SNL story up to the present, adding a constellation of iconic new stars,…
When most people think of haunted houses, they usually
picture an aging building on the edge of town. But what if the place that’s
haunted is a busy fast food joint? That’s the premise of Daniel Kraus’s The
Ghost That Ate Us.
The employees of Burger City near Jonny, Iowa begin to
experience strange events. At first, the incidents are harmless, but they slowly
become more menacing, until an event happens that makes the national news. A
journalist comes in after the fact, to interview the surviving workers and try
to figure out what ‘really’ happened.
The book is scattered with pictures, a la
Ransom Riggs’ Miss Peregrine’s Peculiar Children series. The result is
an intriguing blend of horror, faux true crime, and biting social commentary.
Maybe you read about it on Twitter. Maybe a friend sent you a news clip. Maybe you saw it on an episode of Spectral Journeys that night you were flipping through channels, unable to sleep. On June 1, 2017, six people were killed at a Burger City franchise off I-80 near Jonny, Iowa. It was the bizarre and gruesome conclusion to nine months of alleged paranormal activity at the fast-food joint-events popularly known as "the Burger City Poltergeist."
The story inspired Facebook memes, Twitter hashtags, Buzzfeed listicles, Saturday Night Live sketches, and more.…
I love comedy and have made it my living my whole life as a columnist and writer for every major humor site and publication including MAD, SPY, American Bystander, Playboy, McSweeney’s, The Village Voice and worked with the funniest humorists in the world. My cartoons have appeared around the world as well as The New Yorker. I’ve appeared in over 100 TV and radio appearances speaking on the subject of humor.
This is the guy who wrote Deeper Thoughts and some of the best sketches on Saturday Night Live. He is a regular in The New Yorker and American Bystander and one of our generation’s finest humorists. This collection I feel is his best yet. I read a passage before I go to sleep to deal with this crazy world.
I’m a senior writer at Rolling Stone, where I cover a wide range of music-related topics. But as a child of the Seventies, I was shaped by the defining and enthralling pop culture of that era, from singer-songwriters, Southern rock, and disco records to Norman Lear sitcoms. In some of my work, I’ve chronicled the highs and lows of that era, perhaps as a way to answer a question that haunted me during my youth: Why did my older sisters and their friends keep telling me that the Sixties were the most incredible decade ever and the Seventies were awful? What did I miss? And how and where did it all go wrong?
Even though they weren’t musicians, the original cast members of Saturday Night Live were among the biggest rock stars of the Seventies. Their journey from underground comics and performers to crossover superstardom, via TV, albums, and movies, is the story of the rise of the counterculture in the Seventies. And, sadly, Belushi’s flameout was the dark side of that tale.
I read this book not long after I had graduated from NYU with a degree in journalism, and Woodward’s peerless reporting—including a chilling, nearly hour-by-hour chronicle of Belushi’s last few weeks before his death in 1982—made me realize the power of narrative, research, and detail. If I were stymied while writing a story of my own in the early days of my career, I’d grab my increasingly beaten-up Wired paperback and be inspired anew.
This reissue of Bob Woodword’s classic book about John Belushi—one of the most interesting performers and personalities in show business history—“is told with the same narrative style that Woodward employed so effectively in All the President’s Men and The Final Days” (Chicago Tribune).
John Belushi was found dead of a drug overdose March 5, 1982, in a seedy hotel bungalow off Sunset Boulevard in Hollywood. Belushi’s death was the beginning of a trail that led Washington Post reporter Bob Woodward on an investigation that examines the dark side of American show business—TV, rock and roll, and the movie industry. From…
Do you trust anyone without a sense of humor? Neither do I. I’ve always had an odd sense of humor. Laughter is good for the soul. I don’t know if I’m an expert, but I’ve certainly spent decades watching and reading comedies. And while I love writing serious and dark fiction, something cute and funny now and then feels like a nice balance. My personal taste runs from slapstick to standup to snappy scenes and witty dialog. I like smart humor, and because I had the wittiest dad, I can even appreciate a well-done dad joke.
I read just about anything – dark fiction, cozy mysteries, thrillers, and even plenty of non-fiction. But, while I rarely read memoirs, I will if it’s someone I truly admire.
Enter Betty White. I’ve always been a fan of her quick, one-liner wit, and this book doesn’t disappoint. But even the non-witty parts are packed with a punch. Betty’s wisdom is heartfelt and spot-on.
The New York Times bestseller from the beloved actress and Hollywood icon who's made us laugh on shows from The Mary Tyler Moore Show to Golden Girls to Saturday Night Live!
In this candid take on everything from the unglamorous reality behind red-carpet affairs to her beauty regimen ("I have no idea what color my hair is, and I never intend to find out"), Betty White shares her observations about life, celebrity, and love (for humans and animals). Filled with photos, If You Ask Me is funny, sweet, and straight to the point-just like Betty.
For
over 20 years, I’ve been a TV producer in Hollywood, and I always had this
suspicion that my industry was more toxic and abusive than others, but networks
and studios always kept me so busy that I never had the time to think about it.
But this year, I picked up Burn it Down, and my life was forever
changed. This book provides an honest and clear-eyed look at the realities of
working in Hollywood—and it made me re-think my own career choices and forced
me to change how I work and lead.
For anyone who works in Hollywood, it’s a
must-read. For anyone outside of Hollywood, if you want to know what life is
like behind the scenes, this is your way in.
NEW YORK TIMES BESTSELLER * LOS ANGELES TIMES BESTSELLER
In this spectacular, newsmaking expose that has the entertainment industry abuzz and on its heels, Vanity Fair's Maureen Ryan blows the lid on patterns of harassment and bias in Hollywood, the grassroots reforms under way, and the labor and activist revolutions that recent scandals have ignited.
It is never just One Bad Man.
Abuse and exploitation of workers is baked into the very foundations of the entertainment industry. To break the cycle and make change that sticks, it's important to stop looking at headline-making stories as individual events. Instead, one must…
When I listen to Sinéad O’Connor, her voice strikes a deep and unique chord, and when I read her biography Rememberings, the same.
Her book is a series of discrete scenes arranged roughly in time order. Her description of people, events, and feelings is immediate and honest. When she relates a scene with her Aunt Frances, I believe she is six. Through reading her book, I better understand that she was a simple soul with complex psychology, a paradox.
She writes that she made a contract “with the Holy Spirit before she made one with the music business.” I now better understand why she was deliberately misunderstood. Society doesn’t tolerate people like Sinéad who live up to that contract.
From the acclaimed, controversial singer-songwriter Sinéad O’Connor comes a revelatory memoir of her fraught childhood, musical triumphs, fearless activism, and of the enduring power of song.
Blessed with a singular voice and a fiery temperament, Sinéad O’Connor rose to massive fame in the late 1980s and 1990s with a string of gold records. By the time she was twenty, she was world famous—living a rock star life out loud. From her trademark shaved head to her 1992 appearance on Saturday Night Live when she tore up Pope John Paul II’s photograph, Sinéad has fascinated and outraged millions.
