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A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
In its ambition and sweep across time and political upheavals as well as musical styles, this book may have been the closest thing I had to a model for my book.
Part musical memoir and part capsule history of the American South’s era of integration, Dixie Lullaby was written by longtime music journalist Mark Kemp – a man who grew up in Asheboro, North Carolina in the 1960s and ’70s and has the Lynyrd Skynyrd and Allman Brothers records to prove it.
In ""Dixie Lullaby"", a veteran music journalist ponders the transformative effects of rock and roll on the generation of white southerners who came of age in the 1970s - the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina, Mark Kemp burned with shame and anger at the attitudes of many white southerners - some in his own family - toward the recently won victories of the civil rights movement. ""I loved the land that surrounded me but hated the history that haunted that land,"" he writes. Then the down-home, bluesy rock of the Deep…
A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
Winston-Salem native Folds is the focus of one of my chapters, as a truly unlikely success story.
At the height of the grunge era of 1990s alternative rock, he led Ben Folds Five, a piano trio that played catchy pop dubbed “punk rock for sissies.” Somehow, they had a hit single with a downcast ballad about teenage abortion.
Folds is an unexpected character himself, a musical prodigy who became a quirky multi-media star after his hitmaking days ran out. His 2019 memoir is a fantastic window into his artistic process, as well as his just-do-it worldview.
He’s been one of my favorite interview subjects over the years.
Ben Folds is an internationally celebrated musician, singer-songwriter and former front man of the alternative rock band, Ben Folds Five, beloved for songs such as 'Brick', 'You Don't Know Me', 'Rockin' the Suburbs' and 'The Luckiest'.
In A Dream About Lightning Bugs Folds looks back at his life so far in a charming, funny and wise chronicle of his artistic coming of age, infused with the wry observations of a natural storyteller. He opens up about finding his voice as a musician, becoming a rock anti-hero, and hauling a baby grand piano on and off stage for every performance. From…
A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
While I got to watch a lot of North Carolina music history unfold in real time, a great deal of it happened before I was born.
Fortunately, when it came to Piedmont blues, I had the work of English folklorist Bruce Bastin to draw on. With Cryin’ for the Carolinas and its 1986 companion volume Red River Blues: The Blues Tradition in the Southeast, Bastin gives an essential portrait of the 1930s vintage scene in Durham, North Carolina.
A large cast of iconic blues musicians, many of them disabled, got by busking in and around the city’s tobacco warehouses back then, legends like Sonny Terry, Brownie McGhee, Rev. Gary Davis, and Blind Boy Fuller – who wrote the song that became my book title.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
Like me, John Darnielle of the band Mountain Goats (a Merge Records act, as it happens) was not born in North Carolina, but fully embraced it upon moving here.
After much acclaim for the twisted freak-folk of his band, Darnielle launched a parallel career as a fiction writer with this novella in Continuum Books’ 33-1/3 series.
Nominally about the 1971 Black Sabbath album of the title, Master of Reality is actually a personality sketch of obsessed and troubled super-fans of the sort Darnielle has in abundance in his hometown of Durham and elsewhere.
He has followed it up with more literary greatness, especially his revelatory 2014 novel Wolf in White Van.
John Darnielle describes Master of Reality through a fictional character, a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985.John Darnielle describes "Master of Reality" in the voice of a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985. Adolescents in treatment are often required to keep a journal, and they write letters by the dozens: to their parents, to their friends on the outside, to the nurses who confiscate their belongings, to the teachers back at school who've offered them an outlet for their creativity. Our narrator has arrived…
My interests as a historian involve examining how Americans organize to
change policy or politics through affiliations beyond political parties
and, by extension, thinking about how culture is made and supported
through institutions and businesses. These messy networks and
relationships ultimately define how we relate to one another in the U.S.
Indie music scenes are one way to trace all of these relationships,
from federal policy governing radio stations and what goes out over the
airwaves to the contours of local music scenes, to the business of
record labels, to ordinary DJs and music fans trying to access
information and new sounds that they love.
No list of books on the indie music scenes of the 1980s is complete without this classic tale of the rise of commercial tensions regarding indie rock bands.
Music offered a form of rebellion against conformity – and punk challenged the corporate music industry of the 1970s with its DIY code and aesthetics. But in its wake, new forms of rebellion and alternative pathways to success emerged – at least for a time.
These bands that Azerrad chronicles became the giants of this alternative scene, and they were the sound of college radio. As Azerrad writes, corporate labels co-opted new wave in the early 1980s, “but they couldn’t co-opt punk’s infrastructure—the local underground scenes, labels, radio stations, fanzines, and stores. They, perhaps more so than any particular musical style, are punk’s most enduring legacy.”
Finally in paperback, the story of the musical revolution that happened right under the nose of the Reagan Eighties - when a small but sprawling network of bands, labels, fanzines, radio stations and other subversives re-energised American rock with punk rock's d-I-y credo and created music that was deeply personal, often brilliant, always challenging and immensely influential. OUR BAND COULD BE YOUR LIFE is a sweeping chronicle of music, politics, drugs, fear, loathing and faith that is already being recognized as an indie rock classic in its own right.
Among the legendary bands featured are: Black Flag, the Minutement, Mission…
As a latchkey kid with cable access, I was practically raised by MTV. In the 80s/90s, Music Television defined popular culture, and it’s through music videos that I received my education on how songs can enhance the motion picture experience (and vice versa). My favorite books are ones that read like movies, and since movie soundtracks are, essentially, mixtapes for stories, I work to incorporate the perfect songs into my writing to set the mood for my readers. I take note with other writers do that, too, which is how I developed this list.
Unlike the previous two titles, Pure doesn’t have an author built-in soundtrack. However, this story, written in 2000 by a sixteen-year-old (!!!), is as paradoxically blunt and elusive as so many alternative music albums of the 1990s were. A mixtape for Pure would definitely include Hole, Radiohead, Tori Amos, an Explicit Content label, and just about all the trigger warnings you can think of. As difficult as some of the scenes of this book were to read, I found it deeply impactful and empathy-inducing. I’ve yet to meet another person who connected with this book that I don’t feel a certain kinship to. They are few and far between, like people who still own a Temple of the Dog CD.
A sensational and accomplished novel that made its young author one of the most talked about in Britain last year, Pure is about fourteen -- the age when you know everything, except when you don't know anything. It's about first love and the end of innocence in all its passion and absurdity. It's about the raw transition between loving your parents as a child and understanding them as an adult. It's about the cool friend for whom everything seems effortless, and the impossibly embarrassing friend you're nice to when your cool friends can't see. It's about the struggle between desire…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
There are places one feels at home, even though not from there. The South does that to me. I'm drawn to its exotic beauty—the magnolias and moss. It's deep porches and melodic accents. There is a degree of tranquility that hangs over it, veiling the repulsive scars of years of master-slave culture. The South is the perfect backdrop for the themes that appeal to me—coming-of-age, political unrest, and social activism. These excellent Southern novels below all place the reader deep in the culture.
A beautifully written debut novel. When I read the first paragraph, I knew I was in capable hands. "The day Donald Ray Spencer was killed, he caught four catfish. I found them, right there beside him on the floorboard, wrapped in yesterday's paper. They looked as surprised to be dead as the boy did."
I love a book of secrets, bad choices, and, like all good stories, loss and love. The writing was so lyrical I didn't care that it teased me along and made me wait before I was invited to discover the secrets. I also appreciated that not all the characters are likable because, in the end, I understood why.
"This beautifully written novel, with its complicated, stubborn characters, will haunt you long after the last page." -Margot Livesey, Author of The Boy in The Field
The death of Donald Ray in a freak car accident becomes the catalyst for the release of passions, needs, and hurts. Clayton's discovery of dead Donald Ray upends his longtime emotional numbness. Darlene, the seventeen-year-old widow, struggles to reconnect with her late husband while proving herself still alive. Soon Clayton and Darlene's bond of loss and death works its magic, drawing them into an affair that brings the loneliness in Clayton's marriage to a…
As I write in Fight Songs, my name has nothing to do with it: It refers to a geography an ocean away, and predates any notion of the American South (or of America, for that matter). I have spent most of my life in the South, though, loving football, basketball, and other sports that didn’t always love me back. I became curious about why they’ve come to play such an outsized role in our culture. Why did my home state come to a standstill for a basketball tournament? Why does my wife’s home state shut down for a football game? Writing Fight Songs was one way of exploring those questions. Reading these books was another.
What does this book have to do with sports? Nothing.
What does it have to do with identity and community, and how the one pushes and pulls, rips and welds the other into form? With how histories can turn into hauntings and our fondest hopes into demons? Everything.
Randall Kenan died while I was finishing my book and I still haven’t really gotten over it. I’m always going to miss the words he never got to write, even as I cherish those he did.
Horace Cross, the 16-year-old descendent of slaves and deacons of the church, spends a horror-filled spring night wrestling with the demons and angels of his brief life. Brilliant, popular, and the bright promise of his elders, Horace struggles with the guilt of discovering who he is, a young man attracted to other men and yearning to escape the narrow confines of Tim's Creek. His cousin, the Reverend James Greene, tries to help Horace but finds he is no more prepared than the older generation to save Horace's soul or his life. And as he views the aftermath of Horace's horrible…
I write cross-genre fiction with a pen in one hand and a vintage cocktail in the other, filling the romantic void, writing novels when my husband deployed. When in port, we taught swing dancing and have been avid collectors of vintage sewing patterns, retro clothing, and antiques. All of which make appearances in my stories. I’ve always been fascinated with the paranormal and have had some unexplained experiences, some of those made their way into my stories as well. I live in a 1908 home in Texas that may or may not be haunted. I have book reviews, vintage lifestyle tips, recipes, interviews, giveaways, and games on my site!
The vintage fashion descriptions are killer diller with little mini-stories about each dress featured that evoke nostalgia and often melancholy. The mini-stories were sweet, delightful vignettes that reminded me of the way I think of my vintage clothing. They were beautifully written and I loved them all but most noticeably, I loved the story about the wartime mother splashing in puddles with her children. Dora’s character was likable and believable and I rooted for her. The supporting characters were perfectly quirky and delightfully despicable. Plus there is a nice romantic element with a fun love-triangle with wonderful supporting characters.
'Every dress has a story. Let me tell you mine...'
Dora is in love with a man who barely notices her, has a job she doesn't care about, and dresses entirely for comfort, not style. All a far cry from her vivid, eccentric childhood, growing up with her beloved grandmother Mimi.
However, when disaster strikes, Dora knows she has no choice but to return to her childhood home and take over running Mimi's vintage clothing shop. And there she makes a surprising discovery - Mimi's been writing stories to accompany every dress she sells. Romantic, heartbreaking tales about each one's…
In the wake of my father’s sudden death (when I was sixteen) I was left with many questions about my heritage. Why didn’t I know more about my parents and their homeland of Korea? Why wasn’t I curious enough to ask questions when my father was alive? Now I’m a Korean American author of many award-winning children’s books most of which are inspired by my family heritage. I’ve spent my adult life unearthing the past, immortalizing long-lost loved ones, sharing meaningful stories that would otherwise be forgotten. I’m drawn to historical fiction the way most people are to their smartphones. The truth is, there is no future without remembering the past.
“Nine robed figures dressed all in white,” begins this haunting story of the Ku Klux Klan arriving in the small town of Bumblebee, North Carolina. The year is 1932 and the town is, of course, segregated. Black and White. A line in the soil―just like the neighborhood street of my childhood in Springfield, Virginia that divided my Korean family from the white family who fought and failed to keep us from moving into our home. The reader will step into eleven-year-old Stella Mills' shoes and feel all her fear and anger over the injustices of her world that highlights voting rights. But young Stella harnesses her anger through words (much the way I did as a child) by creating a fantasy newspaper column called Stella Star’s Sentinel. Why didn’t I think of that? I only had my blue diary with a gold clasp. In Stella’s ‘newspaper’ she expresses how…
Sharon M. Draper presents "storytelling at its finest" (School Library Journal, starred review) in this New York Times bestselling Depression-era novel about a young girl who must learn to be brave in the face of violent prejudice when the Ku Klux Klan reappears in her segregated southern town.
Stella lives in the segregated South-in Bumblebee, North Carolina, to be exact about it. Some stores she can go into. Some stores she can't. Some folks are right pleasant. Others are a lot less so. To Stella, it sort of evens out, and heck, the Klan hasn't bothered them for years. But…