Fans pick 100 books like Dixie Lullaby

Winston-Salem native Folds is the focus of one of my chapters, as a truly unlikely success story.

At the height of the grunge era of 1990s alternative rock, he led Ben Folds Five, a piano trio that played catchy pop dubbed “punk rock for sissies.” Somehow, they had a hit single with a downcast ballad about teenage abortion.

Folds is an unexpected character himself, a musical prodigy who became a quirky multi-media star after his hitmaking days ran out. His 2019 memoir is a fantastic window into his artistic process, as well as his just-do-it worldview.

He’s been one of my favorite interview subjects over the years.

While I got to watch a lot of North Carolina music history unfold in real time, a great deal of it happened before I was born.

Fortunately, when it came to Piedmont blues, I had the work of English folklorist Bruce Bastin to draw on. With Cryin’ for the Carolinas and its 1986 companion volume Red River Blues: The Blues Tradition in the Southeast, Bastin gives an essential portrait of the 1930s vintage scene in Durham, North Carolina.

A large cast of iconic blues musicians, many of them disabled, got by busking in and around the city’s tobacco warehouses back then, legends like Sonny Terry, Brownie McGhee, Rev. Gary Davis, and Blind Boy Fuller – who wrote the song that became my book title.

Meticulously researched with extensive visuals.

One of the throughline themes of my book is the ongoing resourcefulness of the state’s musicians as they battle day jobs as well as an unfriendly music industry.

As portrayed in this highly engaging oral history, North Carolina institutions don’t get much more resourceful than Merge Records, a Chapel Hill-based independent label founded by members of the local band Superchunk.

Over the years, Merge went from putting out indie-rock seven-inch singles to topping the Billboard charts, and even winning an album-of-the-year Grammy Award.

More than one-third of a century later, both Merge and Superchunk are still at it.

Like me, John Darnielle of the band Mountain Goats (a Merge Records act, as it happens) was not born in North Carolina, but fully embraced it upon moving here.

After much acclaim for the twisted freak-folk of his band, Darnielle launched a parallel career as a fiction writer with this novella in Continuum Books’ 33-1/3 series.

Nominally about the 1971 Black Sabbath album of the title, Master of Reality is actually a personality sketch of obsessed and troubled super-fans of the sort Darnielle has in abundance in his hometown of Durham and elsewhere.

He has followed it up with more literary greatness, especially his revelatory 2014 novel Wolf in White Van.

Living Colour enjoyed an all too brief moment of superstardom at the same time as Sinéad O’Connor.

Grappling with issues such as racism, classism, and police brutality, it fused different musical styles. Yet white critics often saw the all-Black band as a rock anomaly- which was ironic considering that Little Richard and the saxophonist Maceo Parker (who played with James Brown) were among Living Colour's key collaborators! 

Through interviews with the band and key players in the production and reception of its bold, experimental 1990 album, Time’s Up, Mack shows why Living Colour was (and is) musically and politically powerful, and why it remains influential.

For me what makes this book really shine is her presence in the story as a Black girl growing up loving rock, then later as a scholar reclaiming it.

Some time in the 1960s, rock ’n’ roll became rock, and rock became white. That moment forms the core of Jack Hamilton’s exploration of the fraught racial politics of this music in the United States.

Putting different artists into dialogue – such as Dylan and Cooke, or Janis and Aretha – allows Hamilton to excavate the original complexity of genre labels that, over the fifty years since, have too often effaced the original, more complicated story about race, music, and American society. 

I dearly love this book by the daughter of Duane and Donna Allman, my favorite on the Allman Brothers Band. Part biography and part memoir, it’s heartfelt story of Galadrielle Allman’s quest to get to know her famous father as a human being and artist.

Through the lives of Donna and Linda Oakley, the two young widows at the center of the story, it is also one of the very few music history books that addresses rock & roll’s impact on families. Throughout the book, Allman connects with a father she never knew through her relationships with those who did—an extended family network that carried and shared Duane’s memory.

Her conclusion that Duane’s story was a love affair with the guitar helped me frame my own understanding of Duane’s artistry as I began writing my book.

Crossroads: Postwar American South, American youth culture, counterculture

One of the most legendary producers in music history, Visconti enabled the talent and genius of ground-breaking artists such as David Bowie, Iggy Pop, T Rex, Thin Lizzy, Wings, and U2.

This is an insider’s view from a brilliant musician and arranger, an intimate view from a man whose talent earned the trust of the talented. The book is filled with fascinating personal tales of his work, and photos from his private collection.

I am a huge Iron Maiden fan, like a devoted acolyte fan. Over the years, I’ve seen them multiple times, bought a closet full of concert shirts, and collected their beers/Funko Pops/album deluxe versions. Bruce Dickinson is the band’s second vocalist, and here he gives us the tales of his early days in Samson before joining Steve Harris and the Maiden crew. We get stories of his childhood and family in typical autobiography fashion, but it takes off once he gets into the meat of his time with Iron Maiden.

The book is captivating because he reflects on leaving Maiden to follow a solo career. The struggles he dealt with personally and professionally paint a picture of a man who had it all but wanted to try something new. The book’s final portion deals with his return to Iron Maiden and how he went through cancer. Cancer could’ve ended his… show more.

Lighters in the Sky: The All-Time Greatest Concerts takes on the tall task of trying to chronicle the greatest live popular music concerts in history. Corbin Reiff offers intricacies of the cultural and historical context for the legendary shows as well as details about the specific performances. Designed to entertain fans of all genres and certain to foment a bevy of arguments among die-hard fans, this book is delightful.