Here are 100 books that Coming of Age in Mississippi fans have personally recommended if you like
Coming of Age in Mississippi.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a white child bused to African American schools in Richmond, Virginia in the 1970s, I unwittingly stepped into a Civil Rights experiment that would shatter social norms and put me on a path to learning history not taught in textbooks. At first, I never expected to look back at this fraught time. Then I had children. The more I tried to tell them about my past, the more I wanted to understand the context. Why did we fall so short of America’s founding ideals? I have been reading and writing about American history ever since, completing a master’s degree and publishing books, essays, and poems.
One of nine Black students to integrate the high school in Little Rock, Arkansas in 1957, Beals faces threats to her life as well as constant cruelty not only from white people but also from members of her own community, who disapprove of her decision. Her book gives us an unflinching account of what it feels like to be inside the maelstrom. Education seems almost beside the point when she needs protection from the National Guard. Most resonant to me, Beals admits that being a warrior for social change is exhausting. “Sometimes,” she writes in her diary, “I just need to be a girl.”
In this essential autobiographical account by one of the Civil Rights Movement’s most powerful figures, Melba Pattillo Beals of the Little Rock Nine explores not only the oppressive force of racism, but the ability of young people to change ideas of race and identity.
In 1957, well before Martin Luther King’s “I Have a Dream” speech, Melba Pattillo Beals and eight other teenagers became iconic symbols for the Civil Rights Movement and the dismantling of Jim Crow in the American South as they integrated Little Rock’s Central High School in the wake of the landmark 1954 Supreme Court ruling, Brown…
I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.
Sara Brooks was one of seventeen children raised by landowning African American farmers in Alabama. Hers is a lively and evocative account of growing up on the land in a loving family and a harsh coming of age at the hands of an abusive man. Like many southern black women of the era, Brooks is able to escape the bleak conditions of her life by moving first to Mobile and then to Cleveland where she worked as a domestic, eventually acquiring her own home and reuniting with the children she had been forced to leave behind. Hers is a hopeful and richly textured story of resistance and resilience.
The daughter of a freeholder, Sara Brooks was born in 1911 on her parents' subsistence farm in west Alabama. Here in her own words, she makes us understand what it felt like to be young, black, innocent, and steeped in the ways of a black rural world that has largely been lost to us.
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.
Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.
Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.
Nate Shaw's father was born under slavery. Nate Shaw was born into a bondage that was only a little gentler. At the age of nine, he was picking cotton for thirty-five cents an hour. At the age of forty-seven, he faced down a crowd of white deputies who had come to confiscate a neighbor's crop. His defiance cost him twelve years in prison. This triumphant autobiography, assembled from the eighty-four-year-old Shaw's oral reminiscences, is the plain-spoken story of an “over-average” man who witnessed wrenching changes in the lives of Southern black people—and whose unassuming courage helped bring those changes about.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.
Strictly speaking, this is not a first-person account, but it includes dozens of detailed case studies drawn from interviews with white tenant farm women in North Carolina, Georgia, Alabama, Mississippi, and Louisiana. It was written in the 1930s by the pioneering sociologist Margaret Jarman Hagood, one of a group of practitioners at University of North Carolina who sought to produce academic studies that advanced solutions to the socio-economic problems that plagued the rural South. Although Hagood feared that “it is impossible for me to do justice to it either in observing or recording,” her study paints a vivid picture of life among white women who raised children and worked the land on the South’s hardscrabble farms.
This study is based primarily on case records of more than one hundred white tenant farm mothers living in North Carolina, but comparisons are made with an equal number living in the Deep South. Through its scientific approach, this study serves all those who seek a better understanding of rural folks and their problems. Originally published 1939. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in…
I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.
Separate Pasts is McLaurin’s account of his 1950s boyhood in the tiny hamlet of Wade, North Carolina, years when the Jim Crow system still reigned. He describes the complex, interconnected lives of the town’s white and black families, and his own confusion as he tried to make sense of the contradictions he observed in his world. A painfully honest account of a white boy’s reckoning with the legacies of segregation and oppression, McLaurin reveals how his own relationships with black neighbors undermined the racist beliefs he was taught.
The author of this book recalls his boyhood during the 1950s in the small hometown of Wade, North Carolina, where whites and blacks lived and worked within each other's shadows.
When I was little, I would draw for hours, captivated by the female experience. Art, film, and literature focused on women’s lives have always felt the most compelling to me. Whether it’s gazing at a woman painted centuries ago, watching a film about a woman navigating her time, or reading a book that delves into her inner world, I’m drawn to their stories. Their complexities and imperfections are often what I love most. This lifelong fascination has shaped my career. Whether illustrating fashion, designing book covers, or authoring my own books, the emotions and experiences of female characters inspire me, fuel my creativity, and remind me of the power and importance of their stories.
It’s devastating to reconcile a world that could treat anyone, especially children, the way Pecola Breedlove is treated in The Bluest Eye. The cruelty of racism and oppression, both historical and ongoing, feels unbearable to confront. The idea that worth, beauty, and love could be tied to a single, narrow ideal is profoundly heartbreaking. I want to reach through the pages, take Pecola in my arms, and tell her she is beautiful, that her self-worth is inherent, and free her from the horrors she endures.
Throughout the book, I yearn for someone in her world to lift her up, hold her, and tell her it will be okay. But they, too, are trapped in cycles of pain and suffering. Morrison’s writing is unflinchingly honest and achingly beautiful, taking me to a raw, vulnerable place where pain demands confrontation.
This book captures the depth of human experience, reminding me that…
Read the searing first novel from the celebrated author of Beloved, which immerses us in the tragic, torn lives of a poor black family in post-Depression 1940s Ohio.
Unlovely and unloved, Pecola prays each night for blue eyes like those of her privileged white schoolfellows. At once intimate and expansive, unsparing in its truth-telling, The Bluest Eye shows how the past savagely defines the present. A powerful examination of our obsession with beauty and conformity, Toni Morrison's virtuosic first novel asks powerful questions about race, class, and gender with the subtlety and grace that have always characterised her writing.
When Jennifer Shea married Russel Redmond, they made a decision to spend their honeymoon at sea, sailing in Mexico. The voyage tested their new relationship, not just through rocky waters and unexpected weather, but in all the ways that living on a twenty-six-foot sailboat make one reconsider what's truly important.…
I am an award-winning author of two five-star rated memoirs: “My Whorizontal Life: An Escort’s Tale” and “A Someday Courtesan,” and the creator/performer of the 90-minute solo show: “My Whorizontal Life: The Show!” I co-host the podcast My Index to Sex. and I am a Juilliard Drama Graduate and the former #1 escort in the country. Thinking about how I grew up in a safe, typical suburb in the middle of America made me wonder if the things that happened to me with men as a girl happened to many women as we came of age in the 70s.
We all know the incomparable poet, writer, and speaker she became, but before that was her coming-of-age story. Raw and painful yet written with Maya Angelou's lyrical and insightful eye, this too was a book I started and could not put down.
Drawn into her world as a girl feeling imprisoned inside herself for terrible reasons, she finds that self-love and kindness and the world of words, books, poetry, and writing unlock the cage she was in.
As a woman, as a girl, I would never know the cruel racism she experienced, but her journey into art and its ability to heal and set one free was something I felt kin to.
Maya Angelou's seven volumes of autobiography are a testament to the talents and resilience of this extraordinary writer. Loving the world, she also knows its cruelty. As a Black woman she has known discrimination and extreme poverty, but also hope, joy,achievement and celebration. In this first volume of her six books of autobiography, Maya Angelou beautifully evokes her childhood with her grandmother in the American south of the 1930s. She learns the power of the white folks at the other end of town and suffers the terrible trauma of rape by her mother's lover.
I’m Kai Storm, author of reality-based urban fiction and erotica, erotica blogger, YouTuber, and Podcaster. I love reading books that feel real, that make you feel, and that teach you something as they entertain you.
Another great read of my teens that had me looking for real versions of the people described in this book, aka I wished I lived in this book!
It was like an action-packed movie; all the details of the story came to life in my head at the time I read it. Books like this one made me wish I could tell stories like this.
In a stunning first novel, renowned hip-hop artist, writer and activist Sister Souljah brings the streets of New York to life with a powerful and utterly unforgettable tale. Ghetto-born, Winter is the young, wealthy daughter of a prominent Brooklyn drug-dealing family. Quick-witted, sexy, business minded and fashionable, Winter knows no restrictions. No one can control her. She's nobody's victim. Winter knows the Brooklyn streets like she knows the curves of her own body. She manoeuvres skilfully, applying all she has learned to come out on top, no matter how dramatically the scenes change. But a cold winter wind is about…
As a white child bused to African American schools in Richmond, Virginia in the 1970s, I unwittingly stepped into a Civil Rights experiment that would shatter social norms and put me on a path to learning history not taught in textbooks. At first, I never expected to look back at this fraught time. Then I had children. The more I tried to tell them about my past, the more I wanted to understand the context. Why did we fall so short of America’s founding ideals? I have been reading and writing about American history ever since, completing a master’s degree and publishing books, essays, and poems.
Raised in a working-class white family in segregated Richmond in the 1930s and 1940s, Peeples grows up to challenge the racism around him. His transformation – how he learned to think critically and become a “traitor to the race” – is both unusual and compelling. He spends the rest of his life fighting for racial equality, first in the U.S. Navy and later at the university where he teaches. His perspective as someone who rejects his upbringing and energetically defends equal treatment for all races, as well as broader human rights, shows how much one individual can do to overcome the hate in his past and improve the world.
Scalawag tells the surprising story of a white working-class boy who became an unlikely civil rights activist. Born in 1935 in Richmond, where he was sent to segregated churches and schools, Ed Peeples was taught the ethos and lore of white supremacy by every adult in his young life. That message came with an equally cruel one-that, as the child of a wage-earning single mother, he was destined for failure.
But by age nineteen Peeples became what the whites in his world called a ""traitor to the race."" Pushed by a lone teacher to think critically, Peeples found his way…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
As a white child bused to African American schools in Richmond, Virginia in the 1970s, I unwittingly stepped into a Civil Rights experiment that would shatter social norms and put me on a path to learning history not taught in textbooks. At first, I never expected to look back at this fraught time. Then I had children. The more I tried to tell them about my past, the more I wanted to understand the context. Why did we fall so short of America’s founding ideals? I have been reading and writing about American history ever since, completing a master’s degree and publishing books, essays, and poems.
Griffin’s account of his journey through the Deep South as a white man disguised to look Black, originally published in 1960, has stood the test of time because it reveals Griffin’s keen insight into a society riddled with racism. Griffin’s humanity shines through in his descriptions of his encounters with people of all races. He encounters ignorance, cruelty, and threats, but also kindness. His perspective from both sides of the color line reveals the desperate need for the change that would soon come during the Civil Rights movement.
New edition with a foreword by Bernardine Evaristo
'A brutal record of segregated America ... essential reading' Guardian
'An anti-racist classic' Bernardine Evaristo
In the autumn of 1959, a white Texan journalist named John Howard Griffin travelled across the Deep South of the United States disguised as a working-class black man. Black Like Me is Griffin's own account of his journey. Published in book form two years later it sold over five million copies, revealed to a white audience the daily experience of racism and became one of the best-known accounts of racial injustice in Jim Crow-era America. Embraced by…
