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I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.
This book is a longtime favorite of mine. Toni Morrison was a master at blending the personal story and the political, and in this book, she blends the true story of a mother who kills her child to prevent slave catchers from returning the baby to life as a slave.
Morrison’s fictional Sethe is haunted by the ghost of the baby she killed and the memories of her difficult life as a slave. This is one of the novels I return to time after time, both for the beauty of the writing and the portrayal of a mother’s love, guilt, and the lingering impact of slavery.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
I am a British novelist and biographer who lived on and off in Latin America from the 1960s to the late 1980s. I was a boy in Brazil during the Death Squads; an adolescent in Argentina during the Dirty War; and a young journalist in Peru during the Shining Path insurgency, publishing a reportage for Granta on my search for Abimael Guzman. I gave the 2010 Borges Lecture and have written two novels set in Peru, the second of which, The Dancer Upstairs, was chosen as the best novel of 1995 by the American Libraries Association and turned into a film by John Malkovich.
I lived in Lima during the worst excesses of “the Sendero years” when I came to know the Peruvian Nobel laureate and quondam presidential candidate.
This story about the assassination of the Dominican dictator Trujillo is an exhilarating portrait of corruption, violence, and power. Trujillo stands in a long and grubby line of post-Pizarro tyrants like Melgarejo of Bolivia, Rosas of Argentina, Stroessner of Paraguay, and Pinochet of Chile, who deformed their countries.
'The Feast of the Goat will stand out as the great emblematic novel of Latin America's twentieth century and removes One Hundred Years of Solitude of that title.' Times Literary Supplement
Urania Cabral, a New York lawyer, returns to the Dominican Republic after a lifelong self-imposed exile. Once she is back in her homeland, the elusive feeling of terror that has overshadowed her whole life suddenly takes shape. Urania's own story alternates with the powerful climax of dictator Rafael Trujillo's reign.
In 1961, Trujillo's decadent inner circle (which includes Urania's soon-to-be disgraced father) enjoys the luxuries of privilege while the…
I've mostly made my living as a feature writer, covering a broad range of subjects—from 9/11 to the Poker Million tournament, Miles Davis to (a film version of) James Joyce’s Ulysses, British soldiers injured in Afghanistan to the Peace One Day campaign—for numerous UK and Irish newspapers and magazines, including GQ, where I was formerly deputy editor, and Esquire, where I was editor-at-large. I've also written extensively about music, jazz in particular; musicians I've interviewed include Nick Cave, Gil Scott-Heron, McCoy Tyner, Wynton Marsalis, and Maria Schneider. My first book, a biography of the American guitarist Bill Frisell, was published by Faber in the spring of 2022.
Another work that is wonderfully and winningly hard to pin down, Coming Through Slaughter is an imaginative and fragmentary collage of monologue, memoir, interviews, lyrics, photographs, archival material, hospital files—and white space—that builds a novelistic portrait of the mythical dark life and hard times of cornet player Buddy Bolden, one of the originators of jazz in New Orleans at the turn of the twentieth century. From the little that is known about Bolden and his music, Ondaatje shapes an audacious story that is short, cinematic, dream-like, and devastating, a book that incontrovertibly proved once again to me that there are many, many ways to tell the story of a life.
Discover Michael Ondaatje's debut novel, 'a beautifully detailed story, perhaps the finest jazz novel ever written' Sunday Times
Based on the life of cornet player Buddy Bolden, one of the legendary jazz pioneers of turn-of-the-twentieth-century New Orleans, Coming Through Slaughter is an extraordinary recreation of a remarkable musical life and a tragic conclusion. Through a collage of memoirs, interviews, imaginary conversations and monologues, Ondaatje builds a picture of a man who would work by day at a barber shop and by night unleash his talent to wild audiences who had never experienced such playing. But Buddy was also playing the…
I spent most of my life as a professor of mathematics at the University of Vienna, faithful to my first boyish infatuation. Yet, I always had an eye for the dangerous charms of philosophy. In the end, I succumbed and wrote The Waltz of Reason, convinced that the countless interactions of mathematics and philosophy provide the greatest adventure stories of reason, the scientific sagas which will remain as the most enduring and the most romantic account of humanity’s progress.
This book is a novel, unabashedly. It describes the lives of our old friend Humboldt and the math genius Karl Friedrich Gauss, culminating in their 1828 encounter in Berlin.
This meeting is a well-documented fact. Not everything else is. Daniel Kehlmann takes his liberties with history. He even boasts of his leger-de-main, like Alexandre Dumas.
The overall outcome is splendidly funny and uncannily wise. The cap-stone irony is that the most implausible episodes of the book are not the ones that the author invented.
Measuring the World recreates the parallel but contrasting lives of two geniuses of the German Enlightenment - the naturalist and explorer Alexander von Humboldt and the mathematician and physicist Carl Friedrich Gauss. Towards the end of the 18th century, these two brilliant young Germans set out to measure the world.
Humboldt, a Prussian aristocrat schooled for greatness, negotiates savannah and jungle, climbs the highest mountain then known to man, counts head lice on the heads of the natives, and explores every hole in the ground.
Gauss, a man born in poverty who will be recognised as the greatest mathematician since…
Three of my five novels have largely tragic historical settings—the siege of Leningrad, the Great Flood of 1927, and Hurricane Katrina—and I’ve always been fascinated and awed by how people survive the things they do. The origin of “May you live in interesting times” is disputed, but undoubtedly it's more curse than blessing. I’m also just fascinated by the way writers bring real people and events to life in new ways. As the daughter of scientists, I’m often drawn to works of fiction that feature scientists, real or invented.
I’m the daughter of two scientists, and this book was deeply important to me when I first read it. It helped me understand my parents’ passion for and pursuit of botanical knowledge. Many of the characters in this collection (a novella and stories) are fictional botanists, but historical figures appear in several stories. For instance, “The English Pupil” features an elderly Carl Linnaeus and explores themes of botany and regret.
The elegant short fictions gathered hereabout the love of science and the science of love are often set against the backdrop of the nineteenth century. Interweaving historical and fictional characters, they encompass both past and present as they negotiate the complex territory of ambition, failure, achievement, and shattered dreams. In "Ship Fever," the title novella, a young Canadian doctor finds himself at the center of one of history's most tragic epidemics. In "The English Pupil," Linnaeus, in old age, watches as the world he organized within his head slowly drifts beyond his reach. And in "The Littoral Zone," two marine…
Three of my five novels have largely tragic historical settings—the siege of Leningrad, the Great Flood of 1927, and Hurricane Katrina—and I’ve always been fascinated and awed by how people survive the things they do. The origin of “May you live in interesting times” is disputed, but undoubtedly it's more curse than blessing. I’m also just fascinated by the way writers bring real people and events to life in new ways. As the daughter of scientists, I’m often drawn to works of fiction that feature scientists, real or invented.
Each of the mostly very short stories in this collection features at least one animal and at least one real person—from Madonna to Thomas Edison and from David Hasselhoff’s dogwalker to Nicola Tesla. It’s funny, sad, and textured, uniting my interest in scientists with my love of animals. Often funny and often sad, each story is a gem of craft, sentence by sentence. As a writer, I admire the audacity of the project and the exuberant skill with which is carried out. This is not a book I could write, and I love it for showing me such a radically different approach to lying to tell the truth.
Animals and celebrities share unusual relationships in these hilarious satirical stories by an award-winning contemporary writer.
Lions, Komodo dragons, dogs, monkeys, and pheasants―all have shared spotlights and tabloid headlines with celebrities such as Sharon Stone, Thomas Edison, and David Hasselhoff. Millet hilariously tweaks these unholy communions to run a stake through the heart of our fascination with famous people and pop culture in a wildly inventive collection of stories that “evoke the spectrum of human feeling and also its limits” (Publishers Weekly, Starred Review).
While in so much fiction animals exist as symbols of good and evil or as author…
A summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues using many lenses and stories. Today I write mainly about risk, drawing on psychology, culture, policy, and economics. The third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. My fourth book, You Are What You Risk, explores risk perceptions and attitudes using a comparative, socio-cultural lens like the one I used in Why the Cocks Fight.
A novel based on the real-life story of the three Mirabal sisters, known as las mariposas (the butterflies) who became national heroes for their resistance to the dictator Generalissimo Rafael Leonidas Trujillo. The murder of these three courageous women by Trujillo’s henchmen helped to catalyze his downfall after more than 30 years of iron-fisted rule. When my publisher sent her an advance copy of my book in 1999, Julia sent me a lovely hand-written note that began more than two decades of friendship. Readers particularly interested in the contemporary relationship between the Dominican Republic and Haiti will find her non-fiction book, A Wedding in Haiti, well worth a read.
"A magnificent treasure for all cultures and all time.” --St. Petersburg Times
It is November 25, 1960, and three beautiful sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. The official state newspaper reports their deaths as accidental. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Rafael Leónidas Trujillo’s dictatorship. It doesn’t have to. Everybody knows of Las Mariposas--the Butterflies. In this extraordinary novel, the voices of all…
I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.
There’s no escaping past actions in this book—from a dying man confessing he assumed the identity of a dead friend and began a new life to the exploits of the Paisley family during colonial-era Jamaica.
I love the way the family stories intertwine, how the book traces the movement of Jamaican people from the Caribbean island to England and America, and the way the ghosts in the family are not just people but also broader things: slavery, colonization, migration, and abandoned families.
Longlisted for the 2020 Center for Fiction First Novel Prize
A "rich, ambitious debut novel" (The New York Times Book Review) that reveals the ways in which a Jamaican family forms and fractures over generations, in the tradition of Homegoing by Yaa Gyasi.
*An Entertainment Weekly, Millions, and LitHub Most Anticipated Book of 2020 Pick and Buzz Magazine's Top New Book of the New Decade*
Stanford Solomon's shocking, thirty-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole…
For my Book of Extraordinary Tragedies, I drew heavily upon my own life as a former musician who now lives with hearing loss, and how that loss informs my relationships with my family. The book is set on the south side of Chicago in the neighborhood where I grew up and where I continue to return to to visit family and it’s that part of the city that’s almost never documented in fiction or film that drew my attention. I wanted to write a novel that felt like a musical composition, detailing the contradictions of a family struggling against the past and present.
This award-winning novel follows Oscar, a young Dominican-American man from New Jersey struggling with his present as a self-confessed “ghetto-nerd” and the legacy of his family’s past. The book is a dazzling example of how complicated our relationship to our family can be. I read and reread passages trying to decode Diaz’s choice in language and how he created such a compelling cast of characters. Told in vary perspectives and points of view and leaping gloriously back and forth in time, the book brazenly displays how the past is never truly past when it comes to matters of family.
A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
A ghetto nerd living with his Dominican family in New Jersey, Oscar's sweet but disastrously overweight. He dreams of becoming the next J. R. R. Tolkien and he keeps falling hopelessly in love. With dazzling energy and insight Diaz immerses us in the tumultuous lives of Oscar; his runaway sister Lola; their beautiful mother Belicia; and in the family's uproarious journey from the Dominican Republic to the US and back.
'The Best Novel of the 21st Century to Date' - BBC Culture.
A summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues using many lenses and stories. Today I write mainly about risk, drawing on psychology, culture, policy, and economics. The third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. My fourth book, You Are What You Risk, explores risk perceptions and attitudes using a comparative, socio-cultural lens like the one I used in Why the Cocks Fight.
The title of this novel took me back to 1989, when I was living in the Dominican Republic they year and Juan Luis Guerra and his band 4-40 released their hit song, "Ojala que llueva café", an homage to rural Dominicans and their hopes; and another iconic song, "Visa para un sueño" (Visa for a Dream). This book is about the Dominicans in those songs: a family saga and the historical and contemporary realities that shaped their lives, aspirations, and disappointment. Its backdrop, unlike the other novels here, is mainly the post-Trujillo era: the brief presidency of Juan Bosch, his overthrow, and the revolution and US invasion that followed, catalyzing a wave of emigration that persists today.
With her first novel, Angie Cruz established herself as a dazzling new voice in Latin-American fiction. Junot Diaz called her "a revelation" and The Boston Globe compared her writing to that of Gabriel García Márquez. Now, with humor, passion, and intensity, she reveals the proud members of the Colón family and the dreams, love, and heartbreak that bind them to their past and the future. Esperanza did not risk her life fleeing the Dominican Republic to live in a tenement in Washington Heights. No, she left for the glittering dream she saw on television: JR, Bobby Ewing, and the crystal…
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