I was raised as one of two white kids in a large, multiracial adoptive family by loving parents who wanted to change the world. Our parents were thoughtful about adoption, ambitious about the symbolism of our family, and raised us all to be conscious about race, to see it, and to guard against it. But the world is a lot bigger than our house and racism is insidious and so, in a way, we all eventually got swallowed up. So I started thinking hard about the dynamic relationship between race and adoption and family when I was just a kid, and I’ve never really stopped.
When I picked up this book at a local bookstore in Indiana, I knew that it was going to take me places – the cover photo of two adorable children, one white and one black, standing in front of a yellow school bus told me that.
Julia Scheeres’s parents adopted an African American child her age named David, and the two became inseparable. Their extraordinary story – their intense commitment to each other as they move through dystopian settings ranging from the bleakness of rural Indiana to a strict religious reform school in the tropical Caribbean – was inspiring.
And the jaw-dropping ending of the book just broke me into pieces.
"A page turner . . . heart-stopping and enraging . . . focused, justified, and without a trace of self-pity. Shot through with poignancy." ––New York Times Book Review
Over a decade after its first publication, Jesus Land remains deeply resonant with readers. Now with a new preface by the author, this New York Times bestselling memoir is a gripping tale of rage and redemption, hope and humor, morality and malice―and most of all, the truth: that being a good person takes more than just going to church.
Julia and her adopted brother, David, are sixteen years old. Julia is…
I can’t guess how many great poems I have committed to memory. In waiting rooms, or in the checkout line, I recite them to myself. In this way, poetry helps me not only understand the world we live in, but live in it without going crazy. And while I love all poetry, I’ve always found that poetry in traditional forms—with meter and rhyme—is easier to remember. That’s one reason why I’ve always been drawn to formal verse. In my own poetry, I strive to uphold that tradition, while inventing new forms that spring organically from the subject at hand. I trust these books will demonstrate I’m not alone.
This book once again shows that dead white men do not hold a monopoly on great formalist verse. Espaillat hails from the Dominican Republic, and Spanish is her first language.
Many of the poems in this book deal directly with the difficulties, ambiguities, and opportunities of straddling two languages and cultures—particularly the troubling association with colonialism and imperialism inherent in both English and Spanish (conquistadors, anyone?).
I admire her easy handling of traditional forms—sonnets are apparently her favorite. What I love most is how these poems behave like the poems we knew as children, with satisfying rhyme and meter, while entertaining the themes we ponder as adults—power, history, exile, and language itself.
I find it interesting that this book—her first—was published relatively late in her life; perhaps that’s why it marries the energy of an author’s first book with the wisdom and understanding of an author’s last.
Writer and essayist Agnes Borinsky called my debut novel The Seep, “A swift shock of a novel that has shifted how I see our world.” Here are five short, urgent novels that continue to live with me in the months and years after reading them. These are some of my most beloved books, all of which happen to be under 200 pages, which ache with the inner mystery of what is hidden, and what is revealed. These books are my teachers, each a precise masterclass in world building, suspense, and purposeful storytelling. Enjoy these ‘swift shocks!’
Electric, dystopic, magical, queer, Tentacle is the most exciting, genre-bending book I’ve gotten my little hands on in quite some time. Expansive in theme yet swiftly paced, it moves between three different connected time spans including futuristic Santo Domingo. Felt like a fever dream with seriously high stakes, I can’t believe how much world building happens in under 200 pages. Rita Indiana is also a brilliant musician based in the Dominican Republic, I was introduced to her revelatory music after reading her fiction. Her music now haunts all my playlists.
Plucked from her life on the streets of post-apocalyptic Santo Domingo, young maid Acilde Figueroa finds herself at the heart of a voodoo prophecy: only she can travel back in time and save the ocean - and humanity - from disaster. But first she must become the man she always was - with the help of a sacred anemone.Tentacle is an electric novel with a big appetite and a brave vision, plunging headfirst into questions of climate change, technology, Yoruba ritual, queer politics, poverty, sex, colonialism and contemporary art. Bursting with punk energy and lyricism, it's a restless, addictive trip:…
Growing up in Brooklyn, New York, I was acutely aware of the way my non-white and non-citizen classmates were treated differently by police and other authorities. Studying racial inequality in the War on Drugs as an undergraduate and graduate-level Sociology student, I began to understand the many links between the criminal and immigration systems, and how often the stories of criminalized people are left behind. I became committed to bringing attention to the racially inequalities that shape these systems. In doing so, I aim to uplift resistance to the “good immigrant/bad immigrant” binary that frames non-citizens with criminal records as undeserving and disposable.
This book stood out to me in its in-depth and compassionate exploration of the deportee experience—in particular the stigmatization and blame placed on those deemed “criminals” and returned to their country of origin.
While mainstream narratives often blame immigrants for “bringing” crime to this country, Banished to the Homeland helped me to understand the central role of United States culture in creating the so-called “criminality” that men of color in particular are so often deported for.
I appreciate this book for its searing firsthand accounts, and its commitment to uplifting the humanity of migrants otherwise villainized and cast aside.
The 1996 U.S. Immigration Reform and Responsibility Act has led to the forcible deportation of tens of thousands of Dominicans from the United States. Following thousands of these individuals over a seven-year period, David C. Brotherton and Luis Barrios use a unique combination of sociological and criminological reasoning to isolate the forces that motivate emigrants to leave their homeland and then commit crimes in the Unites States violating the very terms of their stay. Housed in urban landscapes rife with gangs, drugs, and tenuous working conditions, these individuals, the authors find, repeatedly play out a tragic scenario, influenced by long-standing…
I read and write to better understand people. Why do we do what we do, feel what we feel, hide what we hide? Any book that illuminates these questions and their answers draws me in. Reading and writing are ways that I can attempt to walk in someone else’s shoes and see the world through their eyes, expanding my own understanding of the world. Perhaps the books on this list will offer you the same opportunity.
This is one of my long-time favorite books because of the relationships of these sisters and the way they react to a vicious dictatorship in their home country, the Dominican Republic.
Birthed from a true story, this author deftly weaves the tensions of the times with the real impact the violence has on each character. The bravery of these woman calls me to reread the dramatic, beautifully crafted book from time-to-time.
"A magnificent treasure for all cultures and all time.” --St. Petersburg Times
It is November 25, 1960, and three beautiful sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. The official state newspaper reports their deaths as accidental. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Rafael Leónidas Trujillo’s dictatorship. It doesn’t have to. Everybody knows of Las Mariposas--the Butterflies. In this extraordinary novel, the voices of all…
I am passionate about historical facts, and fiction. My narrative has a universeal appeal making my work relevant to readers of diverse backgrounds. My books entertain and at the same time educate the reader, giving him/her a greater appreciation of the complex world of Latin America and the resilience of its people. I love reading diverse approaches to history and exploring ideas of how our personal interpretations of history shape our opinions.
This book by Mario Vargas Llosa explores the last days of the Dominican Republic's Trujillo dictatorship. I really enjoyed this novel for its blending of historical facts with fiction and for providing a detailed depiction of Rafael Trujillo's regime, its impact on the country, and his assassination in 1961.
The narrative combines three storylines: The character of Urania, who returns to the Dominican Republic after many years in the United States, and shows us the long-lasting psychological impact of Trujillo's rule on her and her family. Trujillo’s last days, personality, control over the country, and the loyalty and fear he commanded. Finally, the group of people plotting to assassinate Trujillo, their motivations, fears, and actions show us that freedom is one of our most valuable treasures worthy of risking our lives.
Vargas Llosa's detailed and compelling narrative profoundly examines how dictatorial regimes can distort societies and damage lives.
'The Feast of the Goat will stand out as the great emblematic novel of Latin America's twentieth century and removes One Hundred Years of Solitude of that title.' Times Literary Supplement
Urania Cabral, a New York lawyer, returns to the Dominican Republic after a lifelong self-imposed exile. Once she is back in her homeland, the elusive feeling of terror that has overshadowed her whole life suddenly takes shape. Urania's own story alternates with the powerful climax of dictator Rafael Trujillo's reign.
In 1961, Trujillo's decadent inner circle (which includes Urania's soon-to-be disgraced father) enjoys the luxuries of privilege while the…
I am a black female writer who instinctively understood that in becoming an African American writer of stories (and essays), I would need to write from a long tradition of African American culture and history, as well as to learn everything I could from the amazing list of African American female writers who came before me. I embraced that notion, and as I began to place my own words on the page, I paid close attention to how those women writers had carefully chosen their own. These are the five books by African American women writers who have inspired me and helped me become the best writer I can be.
I may have admired Kincaid as a person even before I read her novel about a young woman who must find her way in life after her mother dies during childbirth. I admired Kincaid’s determined journey to become a writer: she left home as a teenager, worked, found a job as a staff writer for The New Yorker, then began writing stories and novels, even changing her name in the process.
Reading Autobiography—one of several of her books about the mother/daughter relationship—gave me a meaningful connection between the story being told and the language/syntax being used to tell that story. Kincaid’s amazing sense of honesty is only eclipsed by her lyrically perfect prose. I knew that if I found myself writing in that same beautiful style, I, too, might be able to tell my own stories as they should be told.
From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age
Jamaica Kincaid's The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman's inexorable evolution, evoked in startling and magical poetry.
Powerful, disturbing, stirring, Jamaica Kincaid's novel is the deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her…
I grew up in Latin America (& briefly in Europe) and my connections and regard for the people, culture, and natural setting resulted in my novel, A Place in the World. I have lived in six countries and appreciate the experiences. I love languages and history and like to travel, at least vicariously with a good book. I hope you enjoy my book picks as much as I have! I am a writer, former university lecturer, and environmental scientist, with an MS in geology and a passion for botany. This background enabled me to weave aspects of natural science, as well as Latino culture, into my writing.
After a blogger in Thailand interviewed me, he told me I should meet the author Rita Gardner, “Her memoir is about growing up in a Latin culture like yourself.” Rita and I exchanged books and personal stories, but her upbringing was darker than mine.
The young family moves to a remote village on a beach in the Dominican Republic in the 1950s. The two daughters are not only isolated, but their alcoholic father rants and makes irrational demands while the mother does nothing to protect them. During the light of day the dad proclaims them a “happy family, living in Paradise.” The writing is honest and captivating. You will root for Rita and be flabbergasted at what a young girl accomplishes on her own.
Gold Medal Winner, Autobiography/Memoir, 2015 IBPA Benjamin Franklin Awards.
Rita is an infant when her father leaves a successful career in the US to live in "paradise"-a seaside village in the Dominican Republic. The Coconut Latitudes is her haunting, lyrical memoir of surviving a reality far from the envisioned Eden-and of the terrible cost of keeping secrets.
I became curious about US imperialism and Latin American history after reading Gabriel García Marquez’s One Hundred Years of Solitude. While pursuing a BA in History and Spanish at Dalhousie and an MA and PhD in Latin American Studies and History at Georgetown, I learned that Marquez's fictional banana worker massacre really happened in 1928 Colombia. What made me focus on sugar, rather than bananas, is the fact that sugar’s not really food... it often takes over land where food was planted, and the lack of food leads to a potentially revolutionary situation. I've used the following books in my classes about Revolution, Populism, and Commodities in Latin America at York University's Glendon College.
This was a really amazing book to read with students in my graduate course on the social history of commodities.
It contributes some really original theory about power and race, the peasantry, politics, and other major topics that those more inclined towards sociology or political science would appreciate. It is a little like the Dominican Republic version of Jeff Gould’s To Lead as Equals on Nicaragua or Gladys McCormick’s The Logic of Compromise: Authoritarianism, Betrayal, and Revolution in Rural Mexico, 1935-1965.
I am constantly telling students and colleagues about the fascinating arguments presented in Foundations of Despotism, which echoes Gould’s evidence that dictators cannot remain in power through violence, alone.
Turits’ interviews with peasants and letters that he found in the Dominican national archives from humble rural peoples show that after first coming to power in the early 1930s—ostensibly purely because of US support—the Trujillo regime built a rural base…
This book explores the history of the Dominican Republic as it evolved from the first European colony in the Americas into a modern nation under the rule of Rafael Trujillo. It investigates the social foundations of Trujillo's exceptionally enduring and brutal dictatorship (1930-1961) and, more broadly, the way power is sustained in such non-democratic regimes.
The author reveals how the seemingly unilateral imposition of power by Trujillo in fact depended on the regime's mediation of profound social and economic transformations, especially through agrarian policies that assisted the nation's large independent peasantry. By promoting an alternative modernity that sustained peasants' free…
We know that there are markets for “illegal” goods and services, but how do these illegal markets operate? It’s not about who is participating in the market, but about how markets for things that are illegal function. How do you start your illegal business? How do you attract customers? How do you establish a reputation? All of these things are questions that attracted me to the study of male sex work. It is an occupation is thousands of participants. I was excited about the way that male sex work is illegal but also in plain view on the internet.
This is the first book I read about sex tourism, which is a growing part of the market for sex work in developing countries.
This book focuses on the men who provide services to men who are travelling to the Dominican Republic to engage with sex workers. Most of the men in this book identify as “straight” and have to navigate their personal identity and relationships while earning a living providing this service to other men.
I also really like the way this book discusses the health risks and how sex workers use various strategies to minimize the risk to themselves and their partners in an occupation that places them in the cross-hairs of an international market for sex tourism.
In recent years, the economy of the Caribbean has become almost completely dependent on international tourism. And today one of the chief ways that foreign visitors there seek pleasure is through prostitution. While much has been written on the female sex workers who service these tourists, "Caribbean Pleasure Industry" shifts the focus to the men. Drawing on his ground-breaking ethnographic research in the Dominican Republic, Mark Padilla discovers a complex world where the global political and economic impact of tourism has led to shifting sexual identities, growing economic pressures, and new challenges for HIV prevention. In fluid prose, Padilla analyzes…
