I feel passionate about spreading the word about all the fantastic children’s literature set in South America. As an author and a multilingual mom whose son enjoys learning about his Latin American heritage, I’ve always brought home stacks of picture books—in Spanish and English—that celebrate Latin American cultures and settings. I’ve loved traveling to the Andes mountains and the Amazon rain forest as part of my children’s book collaborations with Indigenous women in those regions. Most of all, I love transporting young readers to these inspiring places through story.
Here we have another inspiring book based on the true story of a passionate librarian in Colombia, only this one takes place in remote villages.
Ana is an imaginative girl who treasures her only book, and feels enchanted when she meets Luis Soriano Bohórquez with his burros, bringing books to the countryside. The books she borrows transport her and inspire her to write a tale about the librarian and his burros.
The ending comes full circle when the librarian packs Ana’s book onto the burro and brings it to another village to inspire another child. This reminds us of the magic and power of books!
Ana loves stories. She often makes them up to help her little brother fall asleep. But in her small village there are only a few books and she has read them all. One morning, Ana wakes up to the clip-clop of hooves, and there before her, is the most wonderful sight: a traveling library resting on the backs of two burros‑all the books a little girl could dream of, with enough stories to encourage her to create one of her own.
Inspired by the heroic efforts of real-life librarian Luis Soriano, award-winning picture book creators Monica Brown and John Parra…
Growing up in Brooklyn, New York, I was acutely aware of the way my non-white and non-citizen classmates were treated differently by police and other authorities. Studying racial inequality in the War on Drugs as an undergraduate and graduate-level Sociology student, I began to understand the many links between the criminal and immigration systems, and how often the stories of criminalized people are left behind. I became committed to bringing attention to the racially inequalities that shape these systems. In doing so, I aim to uplift resistance to the “good immigrant/bad immigrant” binary that frames non-citizens with criminal records as undeserving and disposable.
This book stood out to me in its in-depth and compassionate exploration of the deportee experience—in particular the stigmatization and blame placed on those deemed “criminals” and returned to their country of origin.
While mainstream narratives often blame immigrants for “bringing” crime to this country, Banished to the Homeland helped me to understand the central role of United States culture in creating the so-called “criminality” that men of color in particular are so often deported for.
I appreciate this book for its searing firsthand accounts, and its commitment to uplifting the humanity of migrants otherwise villainized and cast aside.
The 1996 U.S. Immigration Reform and Responsibility Act has led to the forcible deportation of tens of thousands of Dominicans from the United States. Following thousands of these individuals over a seven-year period, David C. Brotherton and Luis Barrios use a unique combination of sociological and criminological reasoning to isolate the forces that motivate emigrants to leave their homeland and then commit crimes in the Unites States violating the very terms of their stay. Housed in urban landscapes rife with gangs, drugs, and tenuous working conditions, these individuals, the authors find, repeatedly play out a tragic scenario, influenced by long-standing…
I am a black female writer who instinctively understood that in becoming an African American writer of stories (and essays), I would need to write from a long tradition of African American culture and history, as well as to learn everything I could from the amazing list of African American female writers who came before me. I embraced that notion, and as I began to place my own words on the page, I paid close attention to how those women writers had carefully chosen their own. These are the five books by African American women writers who have inspired me and helped me become the best writer I can be.
I may have admired Kincaid as a person even before I read her novel about a young woman who must find her way in life after her mother dies during childbirth. I admired Kincaid’s determined journey to become a writer: she left home as a teenager, worked, found a job as a staff writer for The New Yorker, then began writing stories and novels, even changing her name in the process.
Reading Autobiography—one of several of her books about the mother/daughter relationship—gave me a meaningful connection between the story being told and the language/syntax being used to tell that story. Kincaid’s amazing sense of honesty is only eclipsed by her lyrically perfect prose. I knew that if I found myself writing in that same beautiful style, I, too, might be able to tell my own stories as they should be told.
From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age
Jamaica Kincaid's The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman's inexorable evolution, evoked in startling and magical poetry.
Powerful, disturbing, stirring, Jamaica Kincaid's novel is the deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I love this novel in verse because it made me think a lot about what it must be like to have a whole root system, a family, in a place, a whole country apart, that you have never or rarely visited. I concluded that sometimes it’s not about how you came to eventually make it back to that home you’ve never known, but that you went to explore it at all.
The stunning New York Times bestselling novel from the 2019 Carnegie Medal winning, Waterstones Book Prize shortlisted author of THE POET X. 2020 Goodreads Choice Award Winner of CLAP WHEN YOU LAND.
Camino Rios lives for the summers when her father visits her in the Dominican Republic. But this time, on the day when his plane is supposed to land, Camino arrives at the airport to see crowds of crying people...
In New York City, Yahaira Rios is called to the principal's office, where her mother is waiting to tell her that her father, her hero, has died in a…
When I first started writing in English, which is my second language, I was reluctant to share my work with others. I was terrified they would find it lacking. It takes a lot of effort and research to write authentically for a foreign audience. I studied creative writing at different universities around the world to gain knowledge and experience. I published short stories and poems in online and print journals. Bit by bit, I gathered the courage to submit my first picture book manuscript.
Moving to a new place can be daunting for adults and more so for children. Airplanes turn into dragons and the new home into a terrifying place. It takes courage to emigrate and imagination to adapt. Anita’s story stayed with me long after I finished it. And Anna Cunha’s illustrations are exquisite.
A beautifully tender story touching on the range of emotions immigrants may feel when leaving their home countries – excitement and sorrow, fear and courage.
Anita watches the dragons high above her as she hops from one cement roof to another in her village in the Dominican Republic. But being the valiant princesa she is, she never lets them scare her. Will she be brave enough to enter the belly of the beast and take flight to new adventures?
A Barnes & Noble Bookseller Favorite. A BookTrust Book of the Month. A Love Reading For Schools Book of the Month.…
I read and write to better understand people. Why do we do what we do, feel what we feel, hide what we hide? Any book that illuminates these questions and their answers draws me in. Reading and writing are ways that I can attempt to walk in someone else’s shoes and see the world through their eyes, expanding my own understanding of the world. Perhaps the books on this list will offer you the same opportunity.
This is one of my long-time favorite books because of the relationships of these sisters and the way they react to a vicious dictatorship in their home country, the Dominican Republic.
Birthed from a true story, this author deftly weaves the tensions of the times with the real impact the violence has on each character. The bravery of these woman calls me to reread the dramatic, beautifully crafted book from time-to-time.
"A magnificent treasure for all cultures and all time.” --St. Petersburg Times
It is November 25, 1960, and three beautiful sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. The official state newspaper reports their deaths as accidental. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Rafael Leónidas Trujillo’s dictatorship. It doesn’t have to. Everybody knows of Las Mariposas--the Butterflies. In this extraordinary novel, the voices of all…
I became curious about US imperialism and Latin American history after reading Gabriel García Marquez’s One Hundred Years of Solitude. While pursuing a BA in History and Spanish at Dalhousie and an MA and PhD in Latin American Studies and History at Georgetown, I learned that Marquez's fictional banana worker massacre really happened in 1928 Colombia. What made me focus on sugar, rather than bananas, is the fact that sugar’s not really food... it often takes over land where food was planted, and the lack of food leads to a potentially revolutionary situation. I've used the following books in my classes about Revolution, Populism, and Commodities in Latin America at York University's Glendon College.
This was a really amazing book to read with students in my graduate course on the social history of commodities.
It contributes some really original theory about power and race, the peasantry, politics, and other major topics that those more inclined towards sociology or political science would appreciate. It is a little like the Dominican Republic version of Jeff Gould’s To Lead as Equals on Nicaragua or Gladys McCormick’s The Logic of Compromise: Authoritarianism, Betrayal, and Revolution in Rural Mexico, 1935-1965.
I am constantly telling students and colleagues about the fascinating arguments presented in Foundations of Despotism, which echoes Gould’s evidence that dictators cannot remain in power through violence, alone.
Turits’ interviews with peasants and letters that he found in the Dominican national archives from humble rural peoples show that after first coming to power in the early 1930s—ostensibly purely because of US support—the Trujillo regime built a rural base…
This book explores the history of the Dominican Republic as it evolved from the first European colony in the Americas into a modern nation under the rule of Rafael Trujillo. It investigates the social foundations of Trujillo's exceptionally enduring and brutal dictatorship (1930-1961) and, more broadly, the way power is sustained in such non-democratic regimes.
The author reveals how the seemingly unilateral imposition of power by Trujillo in fact depended on the regime's mediation of profound social and economic transformations, especially through agrarian policies that assisted the nation's large independent peasantry. By promoting an alternative modernity that sustained peasants' free…
For almost thirty years, I have studied and tried to understand Latin America and the Caribbean. As a historian I have worked with manuscripts and newspapers and books, in archives and libraries and private collections, but I’ve learned my most important lessons elsewhere: on the baseball diamond in Holguín, Cuba, at pick-up cricket matches in Port-of-Spain, Trinidad, and in soccer stadiums in Rio de Janeiro, São Paulo, and Buenos Aires. These books help give us a sense of the power of such places, the power of sports to reveal the region, and as such they’re a great place to start to understand it.
In Dominican Baseball, Alan Klein continues his essential work to document the country’s relationship to American professional baseball. As he says, Major League teams have come to view the Dominican Republic as “a renewable resource” of baseball talent, a resource they not only consume but produce, through sophisticated recruitment strategies and the highly regimented academies many teams run in the country. Rather than offering easy answers, he shows that the system is one of American power, but also of Dominican agency, of local pride in Dominican success, but also of anxiety about the loss of national sovereignty. He thus provides an invaluable illustration of how Latin American sports help us understand the region’s position in the global commodity chain.
Pedro Martinez. Sammy Sosa. Manny Ramirez. By 2000, Dominican baseball players were in every Major League clubhouse, and regularly winning every baseball award. In 2002, Omar Minaya became the first Dominican general manager of a Major League team. But how did this codependent relationship between MLB and Dominican talent arise and thrive?
In his incisive and engaging book, Dominican Baseball, Alan Klein examines the history of MLB's presence and influence in the Dominican Republic, the development of the booming industry and academies, and the dependence on Dominican player developers, known as buscones. He also addresses issues of identity fraud and…
A love of literature and a summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues. Today I write about risk, drawing on psychology, culture, policy, and economics, as in Why the Cocks Fight. My third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. The sequel, You Are What You Risk, explores risk perceptions and attitudes through a comparative, socio-cultural lens.
The Haitian writer narrates this 1955 novel about the 1937 massacre of Haitians in the Dominican Republic via a laborer, Hilarion, who is thrown into prison for petty theft and politically awakened by a fellow inmate (a stand-in for the author). After he is released, he meets his love, Claire-Heureuse. Political upheaval sends them across the Dominican border, where he cuts cane then joins in a strike. When the Dominican dictator Rafael Trujillo orders an ethnic cleansing, Hilarion is mortally wounded as he tries to return to Haiti across the Massacre River along the northern border.
An English translation of "Compere General Soleil", published in France in 1955. This novel depicts the nightmarish journey of a labourer and his wife from the slums of Port-au-Prince to the cane fields of the Dominican Republic, and personifies the sun as friend and leader of the workers.
I've been interested in U.S.-Latin American relations ever since my junior year in college when I studied abroad in Chile, a country that had only two years prior been run by dictator Augusto Pinochet. Often referred to as America’s “backyard,” Latin America has often been on the receiving end of U.S. machinations and expansions. In terms of the history of American foreign policy, it's never a dull moment in U.S. involvement in its own hemisphere. I have now had the privilege to work inside the executive branch of the U.S. government on Latin America policy, stints which have forced me to reconsider some of what I had assumed about U.S. abilities and outcomes.
Professor McPherson’s stellar history paints an incredibly rich portrait of protracted U.S. interventions—the Dominican Republic, Haiti, and Nicaragua, most critically—during the so-called Banana Wars in the first decades of the 20th century. This painstaking researched and lucidly penned tome demands that we take the Latin American side of the story when we study the searing history of Uncle Sam interventionism.
In 1912 the United States sent troops into a Nicaraguan civil war, solidifying a decades-long era of military occupations in Latin America driven by the desire to rewrite the political rules of the hemisphere. In this definitive account of the resistance to the three longest occupations-in Nicaragua, Haiti, and the Dominican Republic-Alan McPherson analyzes these events from the perspective of the invaded themselves, showing why people resisted and why the troops eventually left.
Confronting the assumption that nationalism primarily drove resistance, McPherson finds more concrete-yet also more passionate-motivations: hatred for the brutality of the marines, fear of losing land, outrage…
