100 books like The Feast of the Goat

This groundbreaking and wonderfully written study of two “protest” leaders during the Great Depression of the 1930s in the United States shows us what happens when truly hard times hit ordinary people, and what sort of leaders they then turn to. Brinkley brilliantly chronicles the rise of Louisiana politician Huey Long, the “Kingfish”, from obscurity in the poor Jim Crow south to becoming, by the time he was assassinated in 1935, the most significant political threat to the popular President Franklin D. Roosevelt. Long’s calls for wealth redistribution, contempt for traditional elites, and disregard for democratic institutions, make him an important historical example of so-called populist leadership, and of the power and appeal of populism in times of crisis.

Neither novel nor travel book, this classic journey defies category.

Purportedly a quest for a scrap of giant slothskin, which the author finds in a cave in southern Chile, it zig-zags through time and space, alighting on travellers from Magellan to Butch Cassidy, while trampling down conventional boundaries.

“Everyone says: ‘Are you writing a novel?’ No, I’m writing a story and I do rather insist that things must be called stories. That seems to me to be what they are. I don’t quite know the meaning of the word novel.” 

This might seem like a strange choice since this book is not directly about policing. But it shows in a powerful and direct way how inextricably bound policing is with the basic organization of this society.

Despite the controversies currently surrounding Hayley’s depiction of Malcolm X’s life, the book retains its power to express Malcolm X’s cutting critique of every one of this country’s justifications for its brutal criminal justice system. No one who engages with it can believe that police exist simply to deal with some criminal element in society.

But the book also shows how impossible it would be for this society to somehow “defund” the force used to keep under control the millions of people who, even with all their talents, this society can find no place for.

Anyone who follows India will be acquainted with the writing of Arundhati Roy. In this short and powerful book she focuses on two remarkable leaders of pre-independence India, Mahatma Gandhi and B. R. Ambedkar; the two clashed over the place of the Caste system – and Hinduism itself – in the future Indian nation. Ambedkar, an “Untouchable” (Dalit), believed that ending colonialism was not enough and the Untouchables could never be free until the “annihilation” of the entire Caste system. Gandhi believed that in building a national community there had to be a compromise with people’s strong attachment to Caste. Roy’s book is simultaneously a rediscovery of Ambedkar, a reassessment of Gandhi, and an indictment of Caste-based oppression in India today.

Oral history as a literary form is relatively new in China. When asked why he wrote the book, Mr. Feng replied that it was because of his guilt as a survivor and as a witness. The Cultural Revolution has devastated and scarred generation after generation in China, yet most people are silent about their personal experiences. Feng conducted numerous interviews with ordinary people who had lived through that period and wrote these intimate stories in the collection. Every voice is different and deeply personal; together, they portray one of the most disturbing and tumultuous times in Chinese history. 

Of my favorites it was The Old Man and the Sea that held me riveted from the first line.

I felt I was walking behind the boy and the old man, listening in and watching them. How the boy loved the old man was how I loved ole Charlie in my novel. Hemingway took the patience to describe the old man and the boy’s thoughts and caring—how a framed picture of the ole man’s wife was face down on a shelf because seeing her was hard on him.

The night excursion alone couldn’t have been written if Hemingway hadn’t experienced it himself—it would seem. When sharks returned, this time, from the deep—I jolted as I was shaken when that Mississippi steamboat struck Huck’s raft. I tell students this short story is the best read ever to learn writing details as an artist would capture them in oil. 

Just when the novel seemed to be on its last pant, this Chilean writer revitalised the form in a baggy-monstered fiction that roams the world, stampeding a herd of sacred cows (e.g. Mexican Nobel laureate Octavio Paz).

It fizzes with rebellious energy and humour, and makes one grieve for the works that Bolaño, like Chatwin, who also died before his time, still had to write.

Maybe the weirdest and most beautiful collection of stories in my house full of books.

In “The Circular Ruins,” a man dreams up another man, only to realize that he, too, is a dream. “The Library of Babel” imagines a world containing every possible book, most of which are nonsense but some of which, if only you could find them, contain the most profound truths ever written. “Funes the Memorious” imagines a boy paralyzed by a perfect memory, one that retains every single detail of every event ever experienced.

Every sentence of these stories is bizarre and fascinating, with a richness that leaves me understanding them differently with every re-read.

Esmeralda Santiago portrays the 19th-century journey of Ana Cubillas from imperial Spain to colonial outpost Puerto Rico. Cubillas has a complicated relationship with her family, slavery, and Puerto Rico, and the reader never knows quite what to think of her. Like Cubillas, Puerto Rico itself is complicated. I lived in San Juan for two years and grew to love the island, but I never felt like I quite understood it – any outsider who says they do is probably lying.

For me Graham Greene is the master of the literary novel of political intrigue, the literary political thriller writer who spans the globe in his narrative reach. It is difficult to focus on only one of his novels, all have influenced, moved, and taught me, but for the purposes of this list I chose The Comedians.

When I discovered Graham Greene decades ago, I started reading his many novels and then rereading them, immersed in his worlds, trying to learn how he did what he did, but of course, what he did was unique to his perspective, experience, and talent.

The Comedians spins out its story in the dangerous landscape of Haiti under the regime of Papa Doc and the Tontons Macoute secret police. I still remember the sinister tone and compelling narrative drive of the book on my first reading as the innocent American, the sophisticated returning hotel… show more.