Why did I love this book?
Borges was the first proper writer I met, aged 16, when living in Buenos Aires.
In 1974, I climbed the stairs to his flat in Avenida Maipú and spent the morning reading to him – Anglo-Saxon verse, a Kipling poem, a page of Chesterton – and a line from Hamlet that he wanted me to check, “There’s nothing either good or bad but thinking makes it so.”
The blind Borges remembered the quote as not containing the word “either”. He thought for a moment, then said: “My version is better. Memory has made it better.”
Labyrinths contains his best stories, many inspired by his life-long love of English literature. When I visited his grave in Geneva this summer, nearly 50 years after our first encounter, I realised how deep coursed his influence. As Bruce Chatwin said, “You can’t go anywhere without packing a Borges. It’s like taking your toothbrush.”
7 authors picked Labyrinths as one of their favorite books, and they share why you should read it.
The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths.
This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in translations…