100 books like Love in the Time of Cholera

This is one classic that everyone should read because it’s a pleasure to do so. I read this as a 13-year-old, and it quickly became the yardstick against which I measured every other love story. Yes, it’s a love story, and that is the heart of this book, but it’s not a sappy romantic tale. 

This book explores class structures, mental disorders, and a glimpse into another time. Intense yet leashed emotions form the backbone of the story. As a teen and even now, the brooding, dark quality of this tale really appeals to me.

This masterpiece is a story of the Grimké sisters, Sarah and Angelina—path-breakers in the abolitionist and women’s rights movements—interwoven with the story of Hetty, a young slave girl given to Sarah on her 11th birthday.

Hetty and Sarah find their way through the prejudice and barriers of a patriarchal society that views them as less than. Both learn to soar.

This book affected me deeply as a writer. Kidd is simply a master of words. But the story itself stripped away my naivety about what our society would look like had these women not taken on the patriarchal system. It is jolting to realize that the fight for women’s rights is not over, but ongoing.

We owe such a debt to those who struggled through the painful and sometimes deadly slings and arrows of culture to stand up for what was right. And we are not done.

This book portrays the emotional conspiracies involving rape, wild sex, cruelty, miseries, and the poverty-stricken French people during the 19th century. 

The book resonates with the life of the upper and lower classes of society. There is hatred between the gendarme Javert and Jean Valjean, a poor man. The gendarme is looking for any reason to put the poor man in jail, who has already been in jail for 17 years for stealing a loaf of bread. 

I love this book because you can compare life between the past and the present and find a lot of similarities between now and then, even though there is a considerable time difference between the two eras. 

It shows that kindness plays a vital role in changing humans. Though punishment was worsening and coarsening the behavior of Jean Valjean, Myriel, the bishop, treated him with kindness, changing his life thoroughly.

Neither novel nor travel book, this classic journey defies category.

Purportedly a quest for a scrap of giant slothskin, which the author finds in a cave in southern Chile, it zig-zags through time and space, alighting on travellers from Magellan to Butch Cassidy, while trampling down conventional boundaries.

“Everyone says: ‘Are you writing a novel?’ No, I’m writing a story and I do rather insist that things must be called stories. That seems to me to be what they are. I don’t quite know the meaning of the word novel.” 

I lived in Lima during the worst excesses of “the Sendero years” when I came to know the Peruvian Nobel laureate and quondam presidential candidate.

This story about the assassination of the Dominican dictator Trujillo is an exhilarating portrait of corruption, violence, and power. Trujillo stands in a long and grubby line of post-Pizarro tyrants like Melgarejo of Bolivia, Rosas of Argentina, Stroessner of Paraguay, and Pinochet of Chile, who deformed their countries.

This is the novel to read if you want to submerge yourself in Sicily’s culture and history.

I read it during a visit to Italy, and was sucked right into this tale of an aristocratic Sicilian family decaying in the 19th century in the time of Garibaldi’s revolution. I really despised the patriarch Don Fabrizio, and was still fascinated by the choices he had to make to keep his family status in turbulent times.

Once you finish the book, check out the 1963 film starring Burt Lancaster and Alain Delon.

I mean, hello! The opening sentence “All happy families are alike…” is probably my favorite opening sentence of all time. This book is what I place in the “epic story telling” category for its breadth and scope of time. In many ways it is the story of two separate families and it hits on several themes I have come to crave and demand from art. Tolstoy looks at class, cultural and societal norms, and the emotional toll of familial expectations. It is a book so dense with interesting, flawed characters and it is one of the rare works I come back again to read every few years.  

Was the hero of F. Scott Fitzgerald’s American classic African-American?

A couple of academics have advanced that theory. I’m not sure I buy it. The notion (and supporting “evidence”) seems little more than a literary parlor game, not to mention the fact that nothing in Fitzgerald’s work or his letters shows a particular engagement with, or sympathy for, black Americans.

Still, it’s an interesting metaphor and the reason this seminal American novel appears in a list of what’s otherwise non-fiction. Gatsby’s yearning for his lost love could be an African-American yearning for a beloved country that does not always love them in return.

I first read this book in high school. It wasn’t until my second, third, and fourth re-reading that I began to appreciate Fitzgerald’s gift for story-telling and his evocative, poignant language. And to identify with Gatsby, the outsider craving to become an insider.

Having read this book when I was 22, it helped shape my fear of the danger of complacent societies. Simply but powerfully written, its first-person narrative creates a sense of claustrophobia, a glimpse into the isolating and dehumanizing life of a handmaid. 

Through Offred, the traumas she experiences, and the people she interacts with the whole world of Gilead springs to scary life. While reading the book, it struck me that nothing was totally made up. Every incident in the book was derived from history. These things had already happened, and they could happen again. It showed me that victory is not always heroic and impressive. Sometimes, victory can be just surviving oppression.

Before there were Daniel Day Lewis and Michelle Pfeiffer, there was the book that brought them together (in the movie): Edith Wharton’s The Age of Innocence, Wharton’s lush, sepia-toned tale of the New York haut ton of the 1870s. Gilded Age society at its best; it won the 1921 Pulitzer for fiction, making Wharton the first woman to win the prize. Read it first, then stream the movie. I loved its opulent portrayal of the well-heeled society of upper-class New York and its spot-on portrayal of moral hypocrisy. The battles that nineteenth-century women of all classes fought to live their lives with integrity and honesty seem to me to echo today in the ongoing injustices perpetrated against society’s powerless.