I study the Gilded Age and Progressive Era because it has so many practical applications for the present. As we face our own Gilded Age of enormous technological achievements paired with ongoing problems stemming from what Bob La Follette called “the encroachment of the powerful few upon the rights of the many,” why reinvent the wheel? What worked for progressive reformers in their struggles to create a more equitable and just society? What didn’t work, and why? To help answer those questions I wrote Fighting Bob La Follette: The Righteous Reformer and Belle La Follette: Progressive Era Reformer, and co-edited A Companion to the Gilded Age and Progressive Era.
If you’re tired of historians spoon-feeding you their interpretations of the Gilded Age and Progressive Era, this great selection of the period’s documents provides an unfiltered look at what people were thinking and doing at the time in their own words. The documents are arranged thematically with four or five per section: The New South; The New West; Native Americans; Big Business; Gilded Age Society; Working People, Immigrants in the Industrial Age; Populism; The Coming of Jim Crow; Labor Protest Rebuilding American Institutions; The Political System; Imperialism and Anti-imperialism, and the Debate about World War I. This is a user-friendly collection that doesn’t go too deep into any one person or event, yet introduces the key issues of the period.
This volume presents documents that illustrate the variety of experiences and themes involved in the transformation of American political, economic, and social systems during the Gilded Age and Progressive Era (1870-1920). * Includes nearly 70 documents which cover the period from the end of the Civil War and Reconstruction in the 1870s through World War I * Explores the experiences of people during the Gilded Age and Progressive Era from a variety of diverse perspectives, including important political and cultural leaders as well as everyday individuals * Charts the nationalization of American life and the establishment of the United States…
When I was young, my family accused me of being a “full contact reader.” My hands still bear the scars of books I’d read while slicing carrots, the knife edging ominously close to a curled knuckle. As an adult, I’ve managed to temper my more reckless tendencies – mainly thanks to audiobooks, which allow me to read whilst intersecting traffic or sautéing onions. To me, the best books are those you can’t bear to put down: the ones you read late into the night, unaware that the ticking clock is edging ever closer to dawn. Here’s a list of five of my favourites… preferably to be read without sharp or flammable objects in the vicinity.
I’m a sucker for a gilded-age story, and Renee Rosen’s latest novel ticks all the boxes for a truly immersive read. Chronicling the high society rivalry between Caroline Astor and Alva Vanderbilt, The Social Graces takes readers into the truly baffling feud between old and new money, making you all but feel as though you’re at parties with the Four Hundred, backbiting and gossiping behind the fold of an open fan.
Named one of 2021’s Most Anticipated Historical Novels by Oprah Daily ∙ SheReads ∙ Frolic ∙ BookReporter ∙ and more...
The author of Park Avenue Summer throws back the curtain on one of the most remarkable feuds in history: Alva Vanderbilt and the Mrs. Astor's notorious battle for control of New York society during the Gilded Age.
1876. In the glittering world of Manhattan's upper crust, women are valued by their pedigree, dowry, and, most importantly, connections. They have few rights and even less independence—what they do have is society. The more celebrated the hostess, the…
I study the Gilded Age and Progressive Era because it has so many practical applications for the present. As we face our own Gilded Age of enormous technological achievements paired with ongoing problems stemming from what Bob La Follette called “the encroachment of the powerful few upon the rights of the many,” why reinvent the wheel? What worked for progressive reformers in their struggles to create a more equitable and just society? What didn’t work, and why? To help answer those questions I wrote Fighting Bob La Follette: The Righteous Reformer and Belle La Follette: Progressive Era Reformer, and co-edited A Companion to the Gilded Age and Progressive Era.
This short book, filled with delightful illustrations, is so much fun that you don’t immediately notice that it’s a powerful history of how urbanization and industrialization led to a new mass culture. The particular focus is on the rise of the amusement park, and the controversies that arose over how people “should” spend their leisure time and discretionary income. When the Russian revolutionary Maxim Gory toured Coney Island in 1907, he concluded that in America, amusement (rather than religion) had become the opiate of the masses. This book, a classic, remains relevant, inspiring thoughtful analysis concerning the ongoing power of the leisure industry and its impact on how people think, live, and spend their money.
Coney Island: the name still resonates with a sense of racy Brooklyn excitement, the echo of beach-front popular entertainment before World War I. Amusing the Million examines the historical context in which Coney Island made its reputation as an amusement park and shows how America's changing social and economic conditions formed the basis of a new mass culture. Exploring it afresh in this way, John Kasson shows Coney Island no longer as the object of nostalgia but as a harbinger of modernity--and the many photographs, lithographs, engravings, and other reproductions with which he amplifies his text support this lively thesis.
Like many of us over (ahem…we’ll say) 40, I grew up reading historical romance—those were the first full-length romance novels on store shelves. My mum is British and visits there added to my interest in Regency England. Then 50 Shades exploded and people’s spice level tolerance increased. But mainly in contemporary romance, with all the tools and toys. Curious as to how spice in the Regency would look, I went searching. I found a few of these fabulous authors, but not many choices, so I decided to write one. Now there are more authors published in this subgenre, and I’m proud to be one of them.
While I found Joanna Shupe from her Regency books, I heard an interview with her in which she talked about trying to write about the Gilded Age, but no publisher would take it. So to support her dream, I choose the first of her Gilded Age series—an opposites attract novel between an uptown girl and a downtown guy who works for her father and has some secrets. The spice level in this is steamy rather than erotic. I picked this because I will read a Robin Hood story with romance every time.
Silver-tongued lawyer. Keeper of secrets. Breaker of hearts.
He can solve any problem . . .
In serving the wealthy power brokers of New York society, Frank Tripp has finally gained the respectability and security his own upbringing lacked. There's no issue he cannot fix . . . except for one: the beautiful and reckless daughter of an important client who doesn't seem to understand the word danger.
She's not looking for a hero . . .
Excitement lies just below Forty-Second Street and Mamie Greene is determined to explore all of it-while playing a modern-day Robin Hood along the…
I’d written modern true crime before—a book that helped solve a 40-year-old cold case—and wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age.
A lavishly illustrated and engagingly written history of New York during the Gilded Age that covers not just crime, sin, and policing but also such topics as rich vs. poor, the immigrant wave, the early women’s movement, and theater and entertainment. You’ll be entranced by the many beautiful photographs and illustrations alone; I know I was!
Mark Twain coined the term the "Gilded Age" for this period of growth and extravagance, experienced most dramatically in New York City from the 1870s to 1910. More than half of America's millionaires lived in the city. Previously unimaginable sums of money were made and spent, while poor immigrants toiled away in tenements. Author Esther Crain writes, "There was an incredible energy, a sense of greatness and destiny. Things were literally going up-skyscrapers, elevated train tracks, new neighborhoods and parks. Accompanying all of that was an equal amount of greed and lust. Crime, vice, political scandals-the Gilded Age produced an…
I have been researching and writing about 19th-century American murders since 2009, and my blog, Murder by Gaslight (murderbygaslight.com), includes illustrated stories of more than 500 murder cases. My book, The Bloody Century: True Tales of Murder in 19th Century America, compiled fifty of the most famous murders. In researching these stories, I prefer to use primary sources such as newspaper articles, pamphlets, and books from the time of the murder. They present the attitudes surrounding the crime without modern analysis and preserve details that tend to disappear over time. My latest book, So Far from Home: The Pearl Bryan Murder, draws almost exclusively from newspaper accounts in 1896 and 1897.
Stagolee, the bad man who will not back down, is an icon of African American mythology. His defining moment, the Christmas night murder of Billy Lyons is the subject of folk and blues songs from the turn of the twentieth century to the present day. Though many know the story, before Cecil Brown’s book, most did not realize that the story was true. On Christmas night, 1895, in St. Louis, “Stack” Lee Shelton shot Billy Lyons in a fight over a Stetson hat. Stagolee Shot Billy documents the events leading to the murder while shining a light on the culture, attitudes, and politics of the St. Louis black community in the 1890s. The shooting of Billy Lyons is a Gilded Age murder that continues to resonate.
Although his story has been told countless times - by performers from Ma Rainey, Cab Calloway and the Isley brothers to Ike and Tina Turner, James Brown and Taj Mahal - no one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan", Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in…
This story of Gilded Age New York City manages to skewer the follies of these fabulously wealthy, yet curiously small minded and provincial characters at the same time that it hints, however obscurely, at the possibility of a more enlightened age to come. It's both a hilarious period piece about Victorian sexual morality and a very timely look into the vacuous lives of the obscenely rich.
Edith Wharton's novel reworks the eternal triangle of two women and a man in a strikingly original manner. When about to marry the beautiful and conventional May Welland, Newland Archer falls in love with her very unconventional cousin, the Countess Olenska. The consequent drama, set in New York during the 1870s, reveals terrifying chasms under the polished surface of upper-class society as the increasingly fraught Archer struggles with conflicting obligations and desires. The first woman to do so, Edith Wharton won the Pulitzer Prize for this dark comedy of manners which was immediately recognized as one of her greatest achievements.
I am a retired professor of kinesiology at North Central College in Naperville, Illinois. I am the former president of the North American Society for Sport History and vice-president of the International Society for the History of Physical Education and Sport, as well as a Fulbright Scholar. I have presented my research in more than three dozen countries and have over 250 publications, including 31 books, most of which pertain to sports history and sociology. I draw on my own history for inspiration and believe that sport has inspirational lessons for life.
My next pick is a masterful account of astute analysis written in vibrant prose that recounts the working class version of pugilism during the Antebellum period and the Gilded Age of the nineteenth century. In the frontier communities, males issued public challenges to other individuals or, in general, appealed to any challengers to test one's masculinity.
Lacking rules, such contests allowed for brutal tactics, including eye gouging and even castration, unless or until an opponent admitted defeat. Rather than the middle and upper-class virtues of piety, sobriety, and social mobility, such altercations provided a compensatory value system that rewarded physical prowess.
With the gradual introduction of the Marquis of Queensberry rules after the Civil War, boxing gradually assumed a somewhat more genteel appearance and limited acceptance as a professional sport, producing working-class, racial, and ethnic heroes. By the end of the nineteenth century, it gained the stature of a commercialized…
"It didn't occur to me until fairly late in the work that I was writing a book about the beginnings of a national celebrity culture. By 1860, a few boxers had become heroes to working-class men, and big fights drew considerable newspaper coverage, most of it quite negative since the whole enterprise was illegal. But a generation later, toward the end of the century, the great John L. Sullivan of Boston had become the nation's first true sports celebrity, an American icon. The likes of poet Vachel Lindsay and novelist Theodore Dreiser lionized him-Dreiser called him 'a sort of prize…
Between the two of us, we have written over a dozen books and won numerous prizes. Wilson, when not writing critically-acclaimed music or explaining how to catch a haggis, has received the Ontario Historical Association’s Joseph Brant Award for King Alpha’s Song in a Strange Land.Reid, who wisely passed up the chance of a law career in order to play an extra year of soccer, received the C. P. Stacey Award for African Canadians in Union Blue. Both writers believe that sports offer a valuable lens by which to examine a society’s core values.
Winders captures the hardening racial attitudes of America’s “Gilded Age” and white society’s embrace of segregation and exploitation in his study of one of the all-time great fighters.
A man of contradictions, George Dixon would become a famous world champion and one of North America’s richest and most popular Black men. Dixon would also die of alcoholism, destitute, alone, and forgotten. Winders claims that, to the then fledgling Black culture in North America, “Dixon was the single-most significant athlete of nineteenth century.”
Yet at the same time, he was a man “who could be indifferent to his race.” Satisfied to live in a white world that celebrated him while he was winning, Dixon found that that same world could turn on him when he was too successful. His gory victory over Jack Skelly in the 1892 Carnival fight in New Orleans put an end to mixed race fights in the…
On September 6, 1892, a diminutive Black prizefighter brutally dispatched an overmatched white hope in the New Orleans Carnival of Champions boxing tournament. That victory sparked celebrations across Black communities nationwide but fostered unease among sporting fans and officials, delaying public acceptance of mixed-race fighting for half a century. This turn echoed the nation's disintegrating relations between whites and Blacks and foreshadowed America's embrace of racial segregation.
In this work of sporting and social history we have a biography of Canadian-born, Boston-raised boxer George Dixon (1870-1908), the first Black world champion of any sport and the first Black world boxing…
I’m a scented candles and bubble bath girl. But my love of love doesn’t intersect with chocolate-covered strawberries and champagne; it’s a circle. I’m not sure if I’m inspired to write romance because of my reality or if my reality is enriched by my writing. In any case, I enjoy a healthy love life, which, to me, is a necessity when writing realistic love or sex scenes. I’ve dated…extensively, and it’s that very experience that makes my love scenes ring true. A little bit of a past goes a long way when devising a romantic scenario or plot. Comma placement can always be learned.
This book is the ultimate “lovers torn apart by class differences” story. For me the premise has always held great appeal. I find nothing better in a romance than the longing, the heartbreak, and the anticipation of a lover’s reunion.
This story had double the pleasure since we experience the original slow burn of Jens Harken and Lorna Barnett falling in love and then their passionate reunion.
Ms. Spencer is a master of historical fiction, her research seamlessly drawn on every page. Her book is ripe with details about Gilded Age wealth, tall ships, and regattas. But it’s ultimately the characters and how well-crafted and complex the various relationships are that kept me spellbound. I shed every tear and felt every pain right along with them.
Lorna Barnett is tired of playing the role of "good girl" that her mother has always lived, and that high society prizes. It isn't until she meets Jens Harken that she realizes she yearns to be cherished for herself. Although Jens is a servant, his strength and intelligence put all the society men she's met to shame.
Jens knows their love is forbidden, but he can't keep away from the spirited, headstrong girl who's stolen his heart. His boat-building skills are his one way to break into society, and when he designs his first boat for Lorna's father, it seems…
