73 books like The Magnolia Palace

I’ve lived a long, richly varied, well-traveled, international life, and I can truly say my education has been worldly. Despite advancements in science and technology, two millennia of patriarchal religious brainwashing have prevented humanity from achieving gender balance in power and peace on earth. Today, more than ever, women who confront societal norms are essential to humanity’s progression and the preservation of our planet. People often open up to me about their most daring and dangerous experiences because they know I won’t judge. Their most intimate and romantic revelations have particularly inspired me, and I have namelessly infused many of them into my books, alongside my own. Empowerment begins with education.

I’ve lived a long, richly varied, well-traveled, international life, and I can truly say my education has been worldly. Despite advancements in science and technology, two millennia of patriarchal religious brainwashing have prevented humanity from achieving gender balance in power and peace on earth. Today, more than ever, women who confront societal norms are essential to humanity’s progression and the preservation of our planet. People often open up to me about their most daring and dangerous experiences because they know I won’t judge. Their most intimate and romantic revelations have particularly inspired me, and I have namelessly infused many of them into my books, alongside my own. Empowerment begins with education.

I’ve lived a long, richly varied, well-traveled, international life, and I can truly say my education has been worldly. Despite advancements in science and technology, two millennia of patriarchal religious brainwashing have prevented humanity from achieving gender balance in power and peace on earth. Today, more than ever, women who confront societal norms are essential to humanity’s progression and the preservation of our planet. People often open up to me about their most daring and dangerous experiences because they know I won’t judge. Their most intimate and romantic revelations have particularly inspired me, and I have namelessly infused many of them into my books, alongside my own. Empowerment begins with education.

I’ve lived a long, richly varied, well-traveled, international life, and I can truly say my education has been worldly. Despite advancements in science and technology, two millennia of patriarchal religious brainwashing have prevented humanity from achieving gender balance in power and peace on earth. Today, more than ever, women who confront societal norms are essential to humanity’s progression and the preservation of our planet. People often open up to me about their most daring and dangerous experiences because they know I won’t judge. Their most intimate and romantic revelations have particularly inspired me, and I have namelessly infused many of them into my books, alongside my own. Empowerment begins with education.

I write historical fiction based on the lives of my ancestors: Agnes Canon’s War is the story of my twice-great grandparents during the Civil War. An Irish Wife is based on their son. I write about the Gilded Age, which is only now drawing the attention of historical novelists and the wider public: the vast wealth of industrialists contrasted to the poverty of the lower classes, scandalous politics, environmental degradation, fear of and prejudices about immigrants. My ancestors lived through those days; I want to imagine how that tumultuous society affected them, how they managed, what they lost and gained, and to memorialize those stories as a way to honor them.

I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.

I’d written modern true crime before—a book that helped solve a 40-year-old cold case—and wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age. 

I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.

I’d written modern true crime before—a book that helped solve a 40-year-old cold case—and wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age. 

Nightclubs and country clubs figured in my father’s business distributing snack foods in post-WWII “Steel City,” Pittsburgh, where I was served “Shirley Temple” cocktails in martini glasses alongside my parents’ Manhattans. (To my five- and six-year-old eye, the trophy was the maraschino cherry.) Decades later, teaching American literature in the university, my interest deepened in Jack London’s writing, and my book on him demanded close attention to the history of US cocktails and other drinks. London’s memoir, John Barleycorn, frankly details his drinking and eventual capture by alcohol. As a scholar-researcher, I was “captured” by the backstory of US cocktail culture.