Here are 78 books that The Best of Everything fans have personally recommended if you like
The Best of Everything.
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I’m a career financial and business journalist, only recently turned novelist. I’m obsessed with the way that history repeats itself in the financial markets and that we never seem to learn our lessons. Fear and greed have always driven the behavior of bankers, traders, and investors; and they still do today, only barely inhibited by our regulatory system. I want to help people understand how markets work, and I like combining fiction with fact to explain these systems and how they’re abused. With that in mind, I work during the day as a reporter at NPR and by night as a scribbler of historical fiction with a financial twist.
I love the way Wolfe brings one of the more arcane areas of the financial markets to life - namely bankruptcy workout - and skewers the greed and ambition of real estate investors in the 1990s.
I’m a huge admirer of Wolfe’s technique of writing a novel using journalistic interviews, and I’m struck by the way he nails the characters and actions when he describes how the bankruptcy process works. And all while keeping the reader absolutely hooked on the narrative.
I go back to Wolfe’s novels again and again, not just to be amused and entertained but to get a real insight into the dark heart and often absurd workings of the financial system.
A dissection of greed-obsessed America a decade after The Bonfire of the Vanities and on the cusp of the millennium, from the master chronicler of American culture Tom Wolfe
Charlie Croker, once a fabled college football star, is now a late-middle-aged Atlanta real estate entrepreneur-turned conglomerate king. His expansionist ambitions and outsize ego have at last hit up against reality. Charlie has a 28,000 acre quail shooting plantation, a young and demanding second wife and a half-empty downtown tower with a staggering load of debt. Wolfe shows us contemporary America with all the verve, wit, and insight that have made…
I love to tell stories, a love I discovered ever since I was a kid listening to my family who love to tell stories. Mine defy genres because the voice and characters guide me into how their tales should be told. I've written mysteries, YA and middle-grade books, a graphic novel, and courtroom drama. My newest book is driven by the character of Margaret Adams, who's seeking a new life after years of being buried alive with sometimes hilarious results. I just had to listen...
How can you not love Bridget? How she stumbles through life, all the while trying so hard to be cool. Searching for a second chance at love despite betrayals and humiliations.
Meanwhile, she notes her days and nights in her diary–the fluctuating weight, cigarette and cocktail counts, and the worry about ending up alone and being eaten by wild dogs. The result is a character so human and funny that it hurts. Write on, Bridget.
A dazzlingly urban satire on modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
As Bridget documents her struggles through the social minefield of her thirties and tries to weigh up the eternal question (Daniel Cleaver or Mark Darcy?), she turns for support to four indispensable friends: Shazzer, Jude, Tom and a bottle of chardonnay.
Welcome to Bridget's first diary: mercilessly funny, endlessly touching and utterly addictive.
Helen Fielding's first Bridget Jones novel, Bridget Jones's Diary, sparked a phenomenon that has seen…
When I was a child, I grew up in a very crowded house in suburbia with three sisters. Reading was the best way to escape all the mayhem. By the age of eight I was reading my parents’ novels, whatever books I could find. I wanted to move to a big city like the ones in their novels. At night I would tell myself Cinderella-type stories where I lived in a fabulous apartment and got to be the heroine. I took a class at Harvard Extension, and the professor read my story aloud to the group. From that day on I was hooked.
I was driving across country to move to Miami. When we stopped in Austin, I picked up a copy of Back to Blood by Tom Wolfe.
I was thrilled to find a novel about the city I was moving to. A thick book meticulously researched I settled back and immersed myself into a brilliant novel about multicultural Miami. The Cuban police officer, a Creole professor, Russian criminals, artists from Miami Art Basel, retired New York Yentas, and many more call Miami home.
It was a great primer for my move. That first year I went to Art Basel, visited Little Havana for pastries, and celebrated my birthday at a Russian nightclub all because of Back to Blood.
As a police launch speeds across Miami's Biscayne Bay - with officer Nestor Camacho on board - Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, an ambitious young journalist and his Yale-marinated editor; a psychiatrist who specialises in sex addiction and his Latina nurse by day, mistress by night - until lately, the love of Nestor's life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin' little brother; a billionaire porn addict, crack dealers in the `hoods, `de-skilled' conceptual artists at the Miami…
When I was a child, I grew up in a very crowded house in suburbia with three sisters. Reading was the best way to escape all the mayhem. By the age of eight I was reading my parents’ novels, whatever books I could find. I wanted to move to a big city like the ones in their novels. At night I would tell myself Cinderella-type stories where I lived in a fabulous apartment and got to be the heroine. I took a class at Harvard Extension, and the professor read my story aloud to the group. From that day on I was hooked.
I lived in Palm Springs for a long time. My husband and I loved to go to Los Angeles, where we would roam the neighborhoods.
My favorite book about Los Angeles is Shopgirl a thin novel written by Steve Martin, yes that Steve Martin, the actor. I love his writing; it is so spare he doesn’t waste a word. What happens when new-to-the-city aspiring artist Miabelle begins to date the wealthy older Ray Porter.
This book isn’t about how to marry a millionaire but an honest look that captures the loneliness mixed with exhilaration that a young woman faces when she moves to a place where she doesn’t know anyone. I carry this book with me every place I move because I want to keep the real Los Angeles close to me.
'A delicate, poignant modern romance about a shy shopgirl' Richard Corliss
Mirabelle Buttersfield spends her days selling expensive evening gloves in Beverly Hills' finest store, and her nights watching television and drawing darkly gothic pictures.
Adrift in the world and lonely, she has few customers, so spends most of her time leaning on the counter staring into space. But then two men enter her life: Jeremy, a roadie for a band, and Mr Ray Porter, a middle-aged millionaire who invites her out to dinner.
Funny, tender, and insightful, Shop Girl is a coming of age story set against the backdrop…
I am Associate Professor of Atlantic World Women’s History at the University of Oxford. The history of race, gender, and childbearing is my passion and my profession. The Dobbs decision pissed me TF off and inspired me to write this list. I hope you enjoy these books, and never stop questioning why women’s reproductive lives are controlled so minutely and why their reproductive labour is unpaid and unacknowledged.
It is a sign of our shocking historical amnesia regarding American women’s reproductive lives that this remarkable book is out of print. Leavitt discusses the long history of American women’s childbearing lives, moving from colonial times through the twentieth century and charting along the way women’s loss of control over their reproductive lives as they moved away from births at home, attended by friends and neighbors, and toward birth in hospitals where their freedom of choice was increasingly restricted. To understand the dark side of the ‘twilight sleep’ procedures depicted in The Crown or Mad Men, read Chapter 5 on the growing use, by the early twentieth century, of drugs that rendered women so passive that their babies could be pulled roughly from their bodies with metal instruments.
This is a comprehensive history of women and childbirth in America. Many of the basic changes that have occurred since 1750 resulted from two factors: the replacement of midwives and other female support systems by male doctors in the actual delivery process, and the movement of childbirth from the home to hospitals.
At 18 years old, this book taught me that it was okay to be different and that it was okay to aim for greatness and success without worrying about what other people thought of me.
The book also taught me the value of perseverance and the importance of staying true to oneself even in the face of adversity.
I am a film buff and history nerd who has brought her two passions together in the study of history on screen. So much of what we know is shaped by what we watch. It is crucial that we don’t dismiss historical TV shows and films as mere entertainment and instead work to understand how history is constructed and represented on screen. I have spent my postgraduate career exploring the screen’s unique capabilities for telling historical stories. I received my PhD from the University of Auckland and currently teach film studies at Media Design School, Aotearoa’s leading digital creativity tertiary provider.
As indicated by the title, Landsberg’s book considers not just historical feature films, but alternative forms of screened history including TV serials, reality TV shows, and websites. Each chapter includes concise yet compelling case studies of texts such as Hotel Rwanda, Mad Men, and Frontier House. Unsurprisingly—given the focus of my own book—I was drawn to the section on dramatic TV shows and her discussion and definition of “historically conscious dramas.” Landsberg meticulously explains how audiences engage with the past through mass culture and, unlike many history on film scholars, pays considerable attention to the formal elements of filmmaking such as sound and editing.
Reading films, television dramas, reality shows, and virtual exhibits, among other popular texts, Engaging the Past examines the making and meaning of history for everyday viewers. Contemporary media can encourage complex interactions with the past that have far-reaching consequences for history and politics. Viewers experience these representations personally, cognitively, and bodily, but, as this book reveals, not just by identifying with the characters portrayed. Some of the works considered in this volume include the films Hotel Rwanda (2004), Good Night and Good Luck (2005), and Milk (2008); the television dramas Deadwood, Mad Men, and Rome; the reality shows Frontier House,…
Kimberly Potts is a TV and pop culture journalist and author who believes television is not only the ultimate entertainment medium, but is also the ultimate cultural common denominator. She has written for The New York Times, Entertainment Weekly, Vulture, The Hollywood Reporter, TV Guide, The Los Angeles Times, Yahoo, Variety, People.com, US Weekly, E! Online, Thrillist, Esquire.com, AOL, Movies.com, and The Wrap. Kimberly also co-hosts the Pop Literacyand #Authoring podcasts, and is a member of the Television Critics Association, Critics Choice Association, Authors Guild, and American Society of Journalist and Authors.
The most important aspect of television history is, of course, the shows. And though there have been hundreds, at least, more series that will need to be added to the book since it was published in 2015, it is a gorgeously designed collection of viewing suggestions. And like any great guidebook, it’s also just a fun way for any TV fan to revisit the best series of the past, arranged by decades, and including American and international programming.
The most groundbreaking and important must-see shows from the 1950s to today’s golden age of television. This latest addition to the best-selling and highly acclaimed 1001 series showcases the best programs produced for television from its inception to the bumper crop of great shows being produced in today’s era of original cable programming and digital streaming. Offering a critical evaluation of the most important and groundbreaking TV programs ever created, this book tracks television’s evolution through decades of social, cultural, and stylistic change. Included are shows that broke new ground, influenced the future, and left a lasting mark, ranging from…
For more than 30 years I have been immersed in creative public relations and marketing from campaign development and activation to effectively engaging the primary consumer audiences. Me and my teams developed campaigns around such major sports and entertainment properties as the Olympic Games, Super Bowl, and The Rolling Stones. No matter your industry, inspiration for creativity, transformation, and innovation can come from many sources including the compelling storytelling featured in the books that I recommend.
Often called the “Father of Advertising,” David Ogilvy pulls back the curtain on his career and the advertising industry in the mid to late 1900s.
Strategic and creative approaches to marketing that he and his colleagues took decades ago are still timely, relevant, and applicable in today’s social and digital media world.
A new edition of the timeless business classic featured on Mad Men—as fresh and relevant now as the day it was written
"We admire people who work hard, who are objective and thorough. We detest office politicians, toadies, bullies, and pompous asses. We abhor ruthlessness. The way up our ladder is open to everybody. In promoting people to top jobs, we are influenced as much by their character as anything else." —David Ogilvy
David Ogilvy was considered the "father of advertising" and a creative genius by many of the biggest global brands. First published in 1963, this seminal book revolutionized…
I like understanding television as culturally situated. Television is constructed along a number of sites: cultural, institutional, ideological, historical, or via the different ways audiences understand it. Interrogating television and what it does as a medium was historically relevant because it was a mass medium. But how can we evaluate the medium in times of highly fragmented audiences? Because of this, exploring Netflix as a new form of ‘television’ has become so important to me. The authors all try to get to terms with how television has changed over its short existence. This helps us understand the medium better, as well as our current moment.
Dunleavy explores what complexity means for contemporary ‘quality’ TV. She focusses on the narrative structures, creative strategies, and style of contemporary television.
For me, what stands out about this book is how it explores the interrelationship between recent technological changes and what we understand as television. This results in a redefinition of television.
When writing the second edition of my book, I found the different ways people have conceptualized contemporary television especially important.
This book examines the creative strategies, narrative characteristics, industrial practices and stylistic tendencies of complex serial drama. Exemplified by shows like HBO's The Sopranos, AMC's Mad Men and Breaking Bad, Showtime's Dexter, and Netflix's Stranger Things, complex serials are distinguished by their conceptual originality, narrative complexity, transgressive lead characters and serial allure. As a drama form that continues to expand and diversify in today's television, HBO's Boardwalk Empire and Game of Thrones, Netflix's Orange Is the New Black and Hulu's The Handmaid's Tale provide further examples. Dunleavy investigates the strategies that underpin the innovations, influence and success of complex serial…
