Here are 71 books that Capote's Women fans have personally recommended if you like
Capote's Women.
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I moved to New York when I was 15 and fell in love with the city. I was starting high school then, and arriving in Manhattan felt like the world opened up to me. Suddenly, I could ride the subway anywhere I wanted, see the best theater in the world, and feel as if anything was possible. The female journey has also been a topic I have long been fascinated by, and when I began my journalism career and became a wife and mother, the need to explore those dynamics grew ever more pressing. I recommend these books because they combine my two favorite topicsâNew York and womenâs history.
I canât get enough of this novel about a group of young women making their way into the world of publishing in New York City. A window into what it was like to find a career, fall in love, and negotiate life as a single woman in the big city in the 1950s, Rona Jaffeâs book was a watershed when it was published in 1958. I think it should be required reading for all women, regardless of whether they work in publishing, or have ever lived in New York.
Who are you, and why do you have expertise or a passion for the topic/theme/mood of the book list you created?
Rona Jaffe's beloved novel about 1950s NYC women in the workplace that paved the way for the #MeToo movement and iconic cultural touchstones like Sex and the City and Mad Men, now for the first time in Penguin Classics, in a 65th anniversary edition with an introduction by New Yorker staff writer Rachel Syme
A Penguin Classic
When Rona Jaffeâs superb page-turner was first published in 1958, it changed contemporary fiction forever. Some readers were shocked, but millions more were electrified when they saw themselves reflected in its story of five young employees of a New York publishing company. Sixty-fiveâŚ
I moved to New York when I was 15 and fell in love with the city. I was starting high school then, and arriving in Manhattan felt like the world opened up to me. Suddenly, I could ride the subway anywhere I wanted, see the best theater in the world, and feel as if anything was possible. The female journey has also been a topic I have long been fascinated by, and when I began my journalism career and became a wife and mother, the need to explore those dynamics grew ever more pressing. I recommend these books because they combine my two favorite topicsâNew York and womenâs history.
I loved this book! It is dishy and smart and has all the glitz you would expect of the first-ever complete account of the making of Breakfast at Tiffanyâs. With a cast of characters that includes Truman Capote, Edith Head, and Audrey Hepburn, it transported me to New York in the late 1950s, one of my favorite decades.
"So smart and entertaining it should come with its own popcorn"-People
Coinciding with the sixtieth anniversary of the film version of Truman Capote's Breakast at Tiffany's, the acclaimed, New York Times bestseller that is the definitive account of Audrey Hepburn and the making of the cultural landmark film-now updated with a new introduction by the author.
In Fifth Avenue, 5 A.M., Sam Wasson goes beyond the legend to explore the woman inside the little black dress and the film that captured the imagination of the nation in 1961-when the staid propriety of the Eisenhower years gave way to the glamorousâŚ
I moved to New York when I was 15 and fell in love with the city. I was starting high school then, and arriving in Manhattan felt like the world opened up to me. Suddenly, I could ride the subway anywhere I wanted, see the best theater in the world, and feel as if anything was possible. The female journey has also been a topic I have long been fascinated by, and when I began my journalism career and became a wife and mother, the need to explore those dynamics grew ever more pressing. I recommend these books because they combine my two favorite topicsâNew York and womenâs history.
This book is a fictionalized story of one of the most sought-after artists' models in New York City in the early decades of the twentieth century and of her relationship with the Frick family, whose paintings and sculptures make up one of Americaâs most famous art collections.
I love Fiona Davisâ writing, which immediately pulls the reader in, and I canât get enough of this tale of female strength and grit and its peek inside the wondrous world of fine art.
Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue, returns with a tantalizing novel about the secrets, betrayal, and murder within one of New York City's most impressive Gilded Age mansions.
Eight months since losing her mother in the Spanish flu outbreak of 1919, twenty-one-year-old Lillian Carter's life has completely fallen apart. For the past six years, under the moniker Angelica, Lillian was one of the most sought-after artists' models in New York City, with statues based on her figure gracing landmarks from the Plaza Hotel to the Brooklyn Bridge. ButâŚ
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorâand only womanâon a remote Everest climb in Tibet.
I moved to New York when I was 15 and fell in love with the city. I was starting high school then, and arriving in Manhattan felt like the world opened up to me. Suddenly, I could ride the subway anywhere I wanted, see the best theater in the world, and feel as if anything was possible. The female journey has also been a topic I have long been fascinated by, and when I began my journalism career and became a wife and mother, the need to explore those dynamics grew ever more pressing. I recommend these books because they combine my two favorite topicsâNew York and womenâs history.
This book is a deeply researched account of one of the most famous women-only hotels, the go-to place for ambitious, aspiring career women from writers like Joan Didion and Sylvia Plath to actresses like Ali MacGraw and Jaclyn Smith. It is my favorite kind of history, a journey through the twentieth century told through the lives of fascinating women.
A âcaptivating portraitâ (The Wall Street Journal), both âpoignant and intriguingâ (The New Republic): from award-winning author Paulina Bren comes the remarkable history of New Yorkâs most famous residential hotel and the women who stayed there, including Grace Kelly, Sylvia Plath, and Joan Didion.
Welcome to New Yorkâs legendary hotel for women, the Barbizon.
Liberated after WWI from home and hearth, women flocked to New York City during the Roaring Twenties. But even as womenâs residential hotels became the fashion, the Barbizon stood out; it was designed for young women with artistic aspirations, and included soaring art studios and soundproofedâŚ
With a name like Susan Wands, it was inevitable that I would be drawn to the occult and to the world of tarot cards. In high school, I was drawn to a set of tarot cards, not knowing that this deck, the Ryde Waite deck, was illustrated by Pamela Colman Smith. Pamela was the co-creator of the worldâs best-selling tarot deck, and I became obsessed with her and her life story. I have written a historical fantasy series, the Arcana Oracle Series, based on Pamelaâs life and lectured worldwide on the Golden Dawn, Tarot, and Magical Women.
I was intrigued by the magical abilities in the âHandsâ of each one of the three protagonists in this book. Tamara uses her hands for tarot readings to tell peopleâs futures, while Phyllisâs hands have a super-power strength for knife-throwing, and Dev has âSaintâs Handsâ have a sort of spidey-sense, helping his work as a police spy.
I was intrigued by Tamaraâs tarot readings as part of this crime story, with the weaving in of black peopleâs stories of trauma, the double-edged sword of passing for white, and Juju assassins. This alternate history is a nebula of magic, criminals, and an exploration of how love heals people.
This book was the 2021 Winner of the World Fantasy Award. It was an unexpected winner, but I can see how Johnsonâs gritty writing pulled people in. Trigger warning: if you have nerves about reading about knives as weapons, you may want toâŚ
The dangerous magic of The Night Circus meets the powerful historical exploration of The Underground Railroad in this timely and unsettling novel, set against the darkly glamorous backdrop of New York City, where an assassin tries to fight her fate at the dawn of World War II.
Amid the whir of city life, a young woman from Harlem is drawn into the glittering underworld of Manhattan, where she's hired to use her knives to strike fear among its most dangerous denizens.
Ten years later, Phyllis LeBlanc has given up everything - not just her own past, and Dev, the manâŚ
Iâve written fourteen historical novels now and most of them include real historical characters. I particularly like writing about women I feel have been misjudged or ignored by historians, and trying to reassess them in the modern age. Fiction allows me to imagine what they were thinking and feeling as they lived through dramatic, life-changing experiences, giving more insight than facts alone could do. Sitting at my desk in the morning and pretending to be someone else is a strange way to earn a living but itâs terrific fun!
While I was writing my novel about Elizabeth Arden and Helena Rubinstein, I heard that RenĂŠe Rosen was writing about EstĂŠe Lauder and couldnât wait to read it.
She perfectly captures the pushy, driven, hilarious character of EstĂŠe, who was known for accosting strangers in the street to tell them they were wearing the wrong shade of lipstick for their skin tone. RenĂŠe Rosen is one of the authors whose books I always preorder: I love everything she writes.
Itâs 1938, and a young woman selling face cream out of a New York City beauty parlor is determined to prove she can have it all. Her name is EstĂŠe Lauder, and sheâs about to take the world by storm, in this dazzling new novel from the USA Today bestselling author of The Social Graces and Park Avenue Summer.
In New York City, you can disappear into the crowd. At least thatâs what Gloria Downing desperately hopes as she tries to reinvent herself after a devastating family scandal. Sheâs ready for a total life makeover and a friend she canâŚ
I grew up thinking that being adopted didnât matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Courtâs overturning of Roe v. Wade, the renewed debate over womenâs reproductive rights placesâŚ
Iâve spent years studying individual people involved in the American Revolution, especially the British soldiers and their wives. These were the people who did the day-to-day work, and their stories deserve to be told. I troll archival collections to find original documents that allow me to piece together the lives of the thousands of individuals who made up the regiments and battalions, focusing not on what they had in common, but on how they were different from each other, part of a military society but each with their own lives and experiences. They made the history happen.
Books on the warâs campaigns usually aggregate large numbers of people into bland terms like âregimentsâ and ârefugees,â singling out only a few key players as individuals.
This book takes a refreshingly different approach, examining one of the warâs major operations from the level of participants of all sorts, from senior government officials down to the soldiers, civilians, and spies caught up in the fighting. The campaign itself has heretofore been almost entirely overlooked, or seen only in terms of a few of the battles that were part of it.
The result is a vivid account of the many components of a major campaign, and the legions of individuals involved.
After two years of defeats and reverses, 1778 had been a year of success for George Washington and the Continental Army. France had entered the war as the ally of the United States, the British had evacuated Philadelphia, and the redcoats had been fought to a standstill at the Battle of Monmouth. While the combined French-American effort to capture Newport was unsuccessful, it lead to intelligence from British-held New York that indicated a massive troop movement was imminent. British officers were selling their horses and laying in supplies for their men. Scores of empty naval transports were arriving in theâŚ
No matter the genre, I have always loved surprises in a story. I want characters to do the unexpected and plots to take me to, âOh, I didnât see that one coming.â Because thatâs how life is, how my own life has been. Due to connections we didnât understand and secrets people around us have kept (or we didnât bother to uncover) the unexpected always jumps out in front of us. I also like characters who are either discovering or re-focusing their power in ways that are beneficial to themselves and others. Again, this has been my lifeâs story and I want my characters to search for that same balance.
Claire is seven years old when her college-age sister is found dead at a resort on the Caribbean island of Saint X.
Years later, Claire is living and working in New York City when a brief but fateful encounter brings her together with a man originally suspected of murdering her sister. This book is not your standard Thriller; the cast of characters is large and the plot complex, but the author pulls it off.
Itâs also not a book to keep you up all night. Try three or four nights. The writing is brilliant in ways not often seen in the genre and I was forced to slow down and give myself over to the story. Itâs one I will never forget.
'Hypnotic, delivering acute social commentary on everything from class and race to familial bonds and community . . . I devoured Saint X in a day.' Oyinkan Braithwaite (author of My Sister, the Serial Killer), New York Times
Claire is only seven years old when her college-age sister Alison vanishes from the luxury resort on the Caribbean island of Saint X on the last night of her family's vacation. Several days later Alison's body is found in a remote spot on a nearby cay, and two local men, employees at the resort, are arrested. But the evidence is slim, theâŚ
I learned how to write poetry by reading. Books have always been my main teachers. I try to read all kinds of work because there are so many different kinds of minds to learn from. When I discovered poetry as a teenager, it fascinated me on the level of the line. I spent a lot of time just looking at poems, without necessarily even reading themâlet alone understanding themâbecause the form on the page was a revelation. It amazed me that people were allowed to do that! That I could choose to do that with wordsâto explode a sentence across the white space or smash all the words together.
I love prose poems, and they are a great introduction to poetry for those unfamiliar with the genre. I admire Sean Singer's singular sensibility, as he weaves the dailiness of driving a taxi with intimations of jazz, the divine, and insights into the human condition. I find this collection mesmerizing, and return to it over and again.
Sean Singer's radiant and challenging body of work involves, much like Whitman's, nothing less than the ongoing interrogation of what a poem is. In this way his books are startlingly alive... I love in this work the sense that I am the grateful recipient of Singer's jazzy curation as I move from page to page. Today in the Taxi is threaded through with quotes from Kafka, facts about jazz musicians, musings from various thinkers, from a Cathar fragment to Martin Buber to Arthur Eddington to an anonymous comedian. The taxi is at once a real taxi and the microcosm ofâŚ
Bernardine's Shanghai Salon
by
Susan Blumberg-Kason,
Meet the Jewish salon host in 1930s Shanghai who brought together Chinese and expats around the arts as civil war erupted and World War II loomed on the horizon.
Bernardine Szold Fritz arrived in Shanghai in 1929 to marry her fourth husband. Only thirty-three years old, she found herself inâŚ
I have spent my professional career attempting to reform the justice system and create safer communities. For nearly two decades, I served as the executive director of the Center for Court Innovation (now the Center for Justice Innovation). Now, I co-edit a policy journal called Vital City that attempts to spark new thinking about how to achieve public safety. Over the years, I have worked with numerous city, state, and federal officials. I have seen that most of the people working within government are trying their best in difficult circumstances. I have also seen that it is enormously difficult to change government systems and solve complicated social problems.
Like many New Yorkers, I am fascinated by the history of the city.
The Cost of Good Intentionsdetails the run-up to a crucial turning point for the city: the fiscal crisis of 1975.
Written by a high-ranking city official after the fact, the book is an insightful analysis of how local government, particularly under Mayor John Lindsay, attempted to respond to a range of significant challenges, including the civil right movement, rising crime, and changing economic conditions.
Despite the best of intentions, the administrationâs reach ended up exceeding its grasp, laying the groundwork not only for the fiscal crisis and for an era of declining public trust in government.
This book is about public policy making in New York during the zenith of the great liberal experiment, from 1960, Mayor Robert Wagner's third term, through John V. Lindsay, Abraham Beame, and, finally, to Edward Koch and the inevitable return of fiscal conservatism.
The bigger they come the harder they fall. When New York City fell and its intricate, often exotic, budget gimmickry came unstuck, they foundations of every other large city in America shook. If we are not to relive this history it is important to learn the lessons taught so cogently and entertainingly in this book.