Here are 13 books that Fifth Avenue, 5 A.M. fans have personally recommended if you like
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I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
Peter Biskind chronicles the rise of New Hollywood in the 1970s, featuring such "movie brat" directors as Martin Scorsese, Francis Ford Coppola, and Steven Spielberg. But he also refers to such older directors as Stanley Kubrick.
It’s written in a chatty and easy-to-read style and is full of useful tidbits of information about Kubrick and especially his new backers at Warner Brothers.
When the low-budget biker movie Easy Rider shocked Hollywood with its success in 1969, a new Hollywood era was born. This was an age when talented young filmmakers such as Scorsese, Coppola, and Spielberg, along with a new breed of actors, including De Niro, Pacino, and Nicholson, became the powerful figures who would make such modern classics as The Godfather, Chinatown, Taxi Driver, and Jaws. Easy Riders, Raging Bulls follows the wild ride that was Hollywood in the '70s -- an unabashed celebration of sex, drugs, and rock 'n' roll (both onscreen and off) and a climate where innovation and…
My writing takes readers behind the scenes of major moments in pop culture history and examines the lasting impact that our favorite TV shows, music, and movies have on our society and psyches. I investigate why pop culture matters. I have written eight books, including the New York Times bestseller Seinfeldia, When Women Invented Television, Sex and the City and Us, and my latest, So Fetch. I’ve chosen books here that share my mission not only by going behind the scenes of major films but also by chronicling their effects on people’s real lives as well as culture and society at large.
This book looks at the ways the pop culture of 1974 reverberated throughout history. I must admit that one of the reasons I love it is that I was born in 1974. Another is that I am enamored of the culture of the ‘70s, which might be evidenced by this list.
Brownstein, a political reporter for The Atlantic and a commentator for CNN, takes pop culture seriously here, and I cannot help but be excited by that. In this book, he looks at the ways that movies, music, TV, and politics interacted in this critical year, and my favorite thing about it is the way he brings them all together.
Brownstein makes the case that this was the year when conservatives lost the culture war and have been playing catch-up ever since.
In this exceptional cultural history, Atlantic Senior Editor Ronald Brownstein-"one of America's best political journalists" (The Economist)-tells the kaleidoscopic story of one monumental year that marked the city of Los Angeles' creative peak, a glittering moment when popular culture was ahead of politics in predicting what America would become.
Los Angeles in 1974 exerted more influence over popular culture than any other city in America. Los Angeles that year, in fact, dominated popular culture more than it ever had before, or would again. Working in film, recording, and television…
My writing takes readers behind the scenes of major moments in pop culture history and examines the lasting impact that our favorite TV shows, music, and movies have on our society and psyches. I investigate why pop culture matters. I have written eight books, including the New York Times bestseller Seinfeldia, When Women Invented Television, Sex and the City and Us, and my latest, So Fetch. I’ve chosen books here that share my mission not only by going behind the scenes of major films but also by chronicling their effects on people’s real lives as well as culture and society at large.
As someone who wrote a book about Mean Girls, I have to quarrel just a bit with that subtitle. But twenty years after its release, Anchorman remains vital comedy viewing and shares a lot in common with Mean Girls: both came out in 2004, and both were made by a team of Saturday Night Live alums (in this case, Will Ferrell and Adam McKay), and both were crucial in shaping the comedy of the last two decades.
Austerlitz dives deep, showing the comedic and societal forces swirling beneath the surface of this quite silly-looking comedy, from Steve Carrell to Judd Apatow, from pioneering real-life news anchor Jessica Savitch to George W. Bush.
This is the book about Anchorman that you didn’t know you needed.
From the author of Generation Friends, featuring brand-new interviews with Will Ferrell and Adam McKay, a surprising, incisive, and often hilarious book about the film that changed comedy, Anchorman.
It’s been nearly twenty years since Ron Burgundy burst into movie fans’ lives, reminding San Diego to “stay classy” while lampooning a time gone by—although maybe not as far gone as we might think? In Kind of a Big Deal, comedy historian Saul Austerlitz tells the history of how Anchorman was developed, written, and cast, and how it launched the careers of future superstars like…
My writing takes readers behind the scenes of major moments in pop culture history and examines the lasting impact that our favorite TV shows, music, and movies have on our society and psyches. I investigate why pop culture matters. I have written eight books, including the New York Times bestseller Seinfeldia, When Women Invented Television, Sex and the City and Us, and my latest, So Fetch. I’ve chosen books here that share my mission not only by going behind the scenes of major films but also by chronicling their effects on people’s real lives as well as culture and society at large.
Nora Ephron’s classic rom coms When Harry Met Sally and You’ve Got Mail are, I am certain, the two movies I have rewatched the most, and I could still flip them on right now, and revel in every second, laugh again at every joke, swoon at every romantic turn. And Ephron herself, a journalist-turned-filmmaker, has been a lifelong inspiration to me.
So it’s no surprise that I adore Carlson’s look behind the making of these two films, plus Sleepless in Seattle, which I also like but is not a tentpole of my existence like the other two.
It will have you pining for a time when human relationships, not superpowers, and explosions, ruled the box office.
A backstage look at the making of Nora Ephron's revered trilogy--When Harry Met Sally, You've Got Mail, and Sleepless in Seattle--which brought romantic comedies back to the fore, and an intimate portrait of the beloved writer/director who inspired a generation of Hollywood women, from Mindy Kaling to Lena Dunham.
In I'll Have What She's Having entertainment journalist Erin Carlson tells the story of the real Nora Ephron and how she reinvented the romcom through her trio of instant classics. With a cast of famous faces including Rob Reiner, Tom Hanks, Meg Ryan, and Billy Crystal, Carlson takes readers on a…
Like many of us over (ahem…we’ll say) 40, I grew up reading historical romance—those were the first full-length romance novels on store shelves. My mum is British and visits there added to my interest in Regency England. Then 50 Shades exploded and people’s spice level tolerance increased. But mainly in contemporary romance, with all the tools and toys. Curious as to how spice in the Regency would look, I went searching. I found a few of these fabulous authors, but not many choices, so I decided to write one. Now there are more authors published in this subgenre, and I’m proud to be one of them.
While I found Joanna Shupe from her Regency books, I heard an interview with her in which she talked about trying to write about the Gilded Age, but no publisher would take it. So to support her dream, I choose the first of her Gilded Age series—an opposites attract novel between an uptown girl and a downtown guy who works for her father and has some secrets. The spice level in this is steamy rather than erotic. I picked this because I will read a Robin Hood story with romance every time.
Silver-tongued lawyer. Keeper of secrets. Breaker of hearts.
He can solve any problem . . .
In serving the wealthy power brokers of New York society, Frank Tripp has finally gained the respectability and security his own upbringing lacked. There's no issue he cannot fix . . . except for one: the beautiful and reckless daughter of an important client who doesn't seem to understand the word danger.
She's not looking for a hero . . .
Excitement lies just below Forty-Second Street and Mamie Greene is determined to explore all of it-while playing a modern-day Robin Hood along the…
I married my high school sweetheart, so I believe strongly in the magic and power of happily ever after. Although I wrote stories for my classmates as early as third grade, becoming a writer felt unattainable at the age of 21. As an elementary teacher, I adored my students, but the writing bug burrowed deep. Finally, I left the classroom and pursued writing full-time. It was a long road, but it has been so rewarding. My goal is to create a character-driven romance that feels real and relatable. One of the nicest comments I ever received was a reviewer who said she wanted to have dinner with my characters.
First of all—a holiday story set in New York City? Who can resist that? Like the heroine, I am one of those people who loves immersing myself in Christmas as soon as Halloween is over. That usually means reading several holiday-set novels. With this book, I found myself turning pages faster and faster, yet never wanting the book to end.
The hero worried me. He’d faced a tragedy and shut himself off from the world. Sometimes, that can be too dark for my reading pleasure. But Sarah is a masterful storyteller. Her heroine is so empathetic and caring (possibly at the risk of breaking her own heart) that the hero is ever-so-slowly coaxed back from the brink of disaster.
Even for readers not from the Christmas tradition, the unfolding story will be satisfying.
Get your copy of Sarah Morgan's new Christmas novel Snowed in for Christmas now!
Praise for Sarah Morgan:
'Christmas isn't Christmas without a Sarah Morgan novel to inhale, and she's knocked it out of the heart-warming, uplifting park again' Laura Jane Williams
'Comfort reading at its best, all wrapped up in a tartan ribbon. Sarah Morgan will make your Christmas!' Veronica Henry
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Sometimes love needs a Christmas miracle...
Hopeless romantic Eva Jordan loves everything about Christmas. Even if she is spending it alone housesitting a spectacular Fifth Avenue apartment. What she didn't expect was to find the…
I’ve written fourteen historical novels now and most of them include real historical characters. I particularly like writing about women I feel have been misjudged or ignored by historians, and trying to reassess them in the modern age. Fiction allows me to imagine what they were thinking and feeling as they lived through dramatic, life-changing experiences, giving more insight than facts alone could do. Sitting at my desk in the morning and pretending to be someone else is a strange way to earn a living but it’s terrific fun!
While I was writing my novel about Elizabeth Arden and Helena Rubinstein, I heard that Renée Rosen was writing about Estée Lauder and couldn’t wait to read it.
She perfectly captures the pushy, driven, hilarious character of Estée, who was known for accosting strangers in the street to tell them they were wearing the wrong shade of lipstick for their skin tone. Renée Rosen is one of the authors whose books I always preorder: I love everything she writes.
It’s 1938, and a young woman selling face cream out of a New York City beauty parlor is determined to prove she can have it all. Her name is Estée Lauder, and she’s about to take the world by storm, in this dazzling new novel from the USA Today bestselling author of The Social Graces and Park Avenue Summer.
In New York City, you can disappear into the crowd. At least that’s what Gloria Downing desperately hopes as she tries to reinvent herself after a devastating family scandal. She’s ready for a total life makeover and a friend she can…
I’m a devourer of Golden Age Detective Fiction, and a writer of locked-room mysteries inspired by the classics. When it comes to old-school mystery writers, my favourites are John Dickson Carr, Ellery Queen, and of course Agatha Christie. What I love about that era is the brilliance of the puzzles, and the way those writers really engaged with the reader and (in some cases) addressed them directly, challenging them to solve the crime along with the detective. Additionally, I’m fascinated by stage illusions (though I’m terrible at performing them myself), and this has also had a major influence on my writing.
I simply had to include one of Daniel Stashower’s brilliant mysteries, as this all-too-brief series features one of the greatest and most famous illusionists of them all: Harry Houdini.
The story is narrated by Houdini’s brother, Dash, who serves as a kind of “Watson” to Houdini’s boisterous “Holmes,” and the two find themselves embroiled in numerous mysteries peppered with old-fashioned derring-do.
What I love about this book is the meticulous research that has clearly gone into it – but Stashower wears his learning lightly; this is a brisk adventure where the pace never sags.
Harry Houdini and his brother, Dash, are called to solve the murder of a toy tycoon in this first locked room mystery starring the legendary real-life magicians
New York City, 1897: Young escapologist Harry Houdini is struggling to get the recognition he craves from the ruthless entertainment industry. But when toy tycoon Branford Wintour is found murdered in his Fifth Avenue mansion, detectives call upon Houdini to help solve this mysterious crime, ushering in a new era of Houdini’s career: amateur sleuth.
When Harry and his brother Dash reach the scene of the murder, they discover Wintour was found dead…
I've been a working journalist for 50 years, and as a child of TV, especially in the 1960s, I grew up with some of the most memorable TV themes ever written. I started writing about TV in the 1980s, and since moving to Los Angeles in 1986, have used every opportunity to meet and interview all of my favorite composers of movie and TV music. The result is this book, which looks at the history of TV themes and, in a larger sense, music written for TV generally. Every genre of TV, from crime to sitcoms, westerns to adventure, has had fun, often compelling, and truly memorable music, and I've tried to celebrate it here.
Mancini wrote "Moon River," "Days of Wine and Roses," the Pink Panther theme and, for TV, music for Peter Gunn, Newhart, and The Thorn Birds.
He was the first film composer to become a household name in the 1960s and '70s. His cool jazz for Peter Gunn was so popular and influential that every cop and detective for the next 20 years was accompanied by "crime jazz," as it became known.
This is less about Mancini's personal life than about his career (the composer covered that already in his autobiography, Did They Mention the Music?), but I was captivated, particularly with Caps' ability to convey the essence of Mancini's music in descriptive words and phrases.
Through film composer Henry Mancini, mere background music in movies became part of pop culture--an expression of sophistication and wit with a modern sense of cool and a lasting lyricism that has not dated. The first comprehensive study of Mancini's music, Henry Mancini: Reinventing Film Music describes how the composer served as a bridge between the Big Band period of World War II and the impatient eclecticism of the Baby Boomer generation, between the grand formal orchestral film scores of the past and a modern American minimalist approach. Mancini's sound seemed to capture the bright, confident, welcoming voice of the…
I’ve been the pianist for the Heath Brothers and the Jimmy Heath Quartet for over 20 years. Since moving to NYC in 1996, I’ve had the honor of playing and recording with an assortment of jazz luminaries including Charles McPherson, Roberta Gambarini, Lewis Nash, Winard Harper, Rodney Green, Michael Rodriguez, David Wong, among many others. During that time, I’ve also been actively involved in teaching, arranging, and writing, having three books published by Chuck Sher since 2013, An Approach to Comping Vol. 1 and Vol. 2 and Introduction to Jazz Piano, A Deep Dive.
This resource offers a great selection of standards. Some include verses as well. The lyrics, chords, and melody are crystal clear and professionally copied. The look and style of these real books are legendary and very easy to use. I personally own the version in B-flat. This helps me see these tunes in another key and in turn, makes them slightly easier to transpose in general. Knowledge of standards cannot be underestimated in my opinion. For me, hearing how the great jazz pianists interpreted jazz standards is very illuminating.
The Standards Real Book is the most comprehensive book of classic songs in the jazz tradition ever published. Lyrics are included for every song that has a lyric and even the verses are there, especially valuable for vocalists. The book includes the best songs of Gershwin, Rodgers & Hart, Cole Porter, Harold Arlen, Henry Mancini, Johnny Mandel and many more! The Gold Standard in jazz songbooks.
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