The most recommended magic books (illusion)

This is the first book in a series that goes on and on, following the life of a couple of characters as the world changes around them. Spanning two different worlds, this first book builds up a number of characters you want to keep reading about. As the series continues through time, new threats to the two worlds introduce new characters. What I like most about this series is it keeps moving the worlds forward instead of stagnating.

How does Anna Belfrage produce book after wonderful book with (or so it seems) as much ease as a conjuror performs an intriguing magic trick?

How does she keep the Graham Saga going with each episode about the family so compelling and exciting through the next generation - and the next? Each new novel is exquisitely alive and fresh!

Times of Turmoil is a gripping tale of apparently ordinary people following their seemingly ordinary lives in Colonial America in 1718 – although given that the main characters have experienced travel through time, they are hardly ‘ordinary’.

Ms. Belfrage’s research is spot on, with just enough backstory from the previous books without overloading the details. An excellent series, with this latest contribution, no exception.

Taylor is one of the authors who made me want to be a writer. He’s a magician of the short story, compressing events and characters from the upper South into luminous stories that can seem more real than life. He wrote longhand in poetic lines, usually drafting about a hundred pages for every ten he kept. The result is a rich reduction of scenes that move us to laughter and tears. Taylor holds the mirror up to life, and you can’t help but be drawn in.

This novel's central character is a fictionalization, not of another character, but of an author, Thomas Mann. Tóibín presents the known outer details of Mann’s life well—his work, his fame, and the cultural and social upheavals of 20th-century Germany—but I find the intimate inner life of the great writer most fascinating.

Drawing on Mann’s published works as well as his posthumously published diaries, Tóibín can enter Mann’s mind and heart as he interacts with his wife, his brother, his children, particularly Klaus (nicknamed Essi), his sexuality, and above all, with his forbidden love for the young Tadzio, the love interest of Mann’s novel Death in Venice.   

I found that Tóibín’s work has the quiet gravitas and beautiful prose of Henry James. 

For anyone wishing to learn sleight of hand, this is the place to begin.

What makes the book so good are the more than 1500 illustrations combined with carefully written text. The book is loaded with more performance material than you’ll ever use, but so what?

The variety of magic taught is astonishing.  Bill—a noted sculptor as well as a magician—became a dear friend long after he had written this book. 

My wife and I once went to a magic convention with Bill and his wife Yvonne. The moment we walked into the main hall, he was surrounded by adoring fans who recognized him from his goatee and turtleneck and had grown up with his book by their bedside.    

Sorcerers is the tale of teenaged Eliot, who’s growing up in Philadelphia in the 1950s and strives to learn magic. Let’s not confuse this with the magic found in Harry Potter, the Narnia books, or in any of today’s fantasy worlds; Eliot studies basic stage-magic tricks and gains entrance to the Sorcerers, a club of aspiring teen magicians. Some Sorcerers are adept and elegant; others graceless gawks. As the novel develops, there's mystery, and to everyone's surprise, some of what might be termed "real magic" and strange power. This is a bildungsroman about human possibility, which is what prompts me to recommend it here. It's subtle and unusual, with a deep understanding of humanity and spiritual development. I've not encountered many novels that attempt what this one does. 

Multiple ingenious impossible crimes feature into the first Jessica Blackwood thriller by magician Andrew Mayne. A killer calling himself the Warlock claims to be using supernatural powers to perform deadly miracles, and only former stage magician Jessica Blackwood, now an FBI agent, can see through his tricks. Because magicians create misdirection for a living, they’re perfect characters to unravel seemingly impossible crimes. As a bonus, Jessica Blackwood is a terrific character you’ll root for. 

Have you ever been to a mathematics lecture where the speaker wore a tuxedo and baffled the audience with his mystifying knowledge of numbers? Well, I have and the speaker was Arthur Benjamin, who combined mathematics and magic. He even displayed this knowledge with Stephen Colbert on his earlier show The Colbert Report. It is our good fortune that he describes much of this mathematical wizardry in this fascinating book. 

Barbara Hambly brings us rousing adventures that unexpectedly go into dark places. I love how she sets up the premise of hapless females begging for help, and then shows us they aren't so helpless after all.  

The viewpoint character is a mercenary captain, coerced by poison into training a band of misfit females who are determined to save their families from an evil wizard. Unbeknownst even to him, Sunwolf is developing magic of his own. It's great fun to watch the partnership grow out of an adversarial relationship between the scrappy women and the mercenary who finds himself suddenly vulnerable.

Like many fantasy novels, The Paper Magician revolves around a character who feels small, lost, and powerless.

Although Ceony Twill desperately wants metal magic, she gets assigned to paper and decides to make the most of it. Since I’m half-Japanese, I immediately thought “origami!” when I read about the folding magic. It is the first book in a trilogy and I found the story to be a light, fast read.

Holmberg’s Victorian, gas-lamp world feels familiar, and though I found the characters a little thin (paper joke intended!), I enjoyed Ceony’s adventure. My favorite characters were two of the paper creatures, Fennel and Jonto, and I dare you not to adore them too!