How
does Anna Belfrage produce book after wonderful book with (or so it
seems) as much ease as a conjuror performs an intriguing magic trick?
How
does she keep the Graham Saga going with each episode about the family
so compelling and exciting through the next generation - and the next?
Each new novel is exquisitely alive and fresh!
Times
of Turmoil is a gripping tale of apparently ordinary people following
their seemingly ordinary lives in Colonial America in 1718 – although
given that the main characters have experienced travel through time,
they are hardly ‘ordinary’.
Ms.
Belfrage’s research is spot on, with just enough backstory from the
previous books without overloading the details. An excellent series,
with this latest contribution, no exception.
As an author of young adult fantasy and science fiction, I’ve read many books that fall within that rubric. This list captures the most exciting young adult novels I’ve read over the past few years. All have aspects of storytelling and themes I strive to capture in my writing. One thing I love about the young adult genre is the characters go on an adventure full of excitement and danger. The adventure is a metaphor for growing up. So if reads chock-full of death-defying odds, mystery, wonder, and a sprinkling of romance are your jam, the books in this list are for you.
The Witches of Vegas is a bewitching read that is hard to put down. Mainly, the narrative is divided between two high school-aged teens, Isis and Zack. Isis is a young witch kept in relative social isolation for her safety and the safety of others. The magic system in this world stems from emotion, and a young witch unable to control their feelings might magically lash out by accident. Zack is an apprentice magician, practicing card tricks and sleight of hand under his Uncle Herb's tutelage.
The Witches of Vegas is an enjoyable and quick read with a unique premise. I found Rosendorf's insight into how street performers pull off their tricks of particular interest.
Where can Witches and their vampire mentor practice their powers without being discovered or persecuted?
By using their magic, the Witches of Vegas become the number one act performing on the Las Vegas Strip—a great achievement for them, but not so much for the magicians—who can't possibly keep pace.
Isis Rivera is the adopted fifteen-year old daughter of The Witches of Vegas. Zack Galloway is the teenage nephew and assistant to the last magician left in the city. Although they should be rivals, when Valeria, a four-hundred-year-old witch with a long-seeded grudge against humanity arrives in Sin-City, both teens act…
Magic hooked me at the age of eight and never let go. I began with a Mysto Magic Set, graduated to books and more books, joined magic societies, and studied with a true master, Tony Slydini, and finally began writing books about magic and magic lore (The Secrets of Alkazar,The Sorcerer’s Companion—A Guide to the Magical World of Harry Potter). What keeps my interest alive is the astonishing flow of invention that daily bubbles out of the magic community. And lucky me, I perform weekly at a fabulous little venue in the town where I live. This is a great time to learn and perform magic.
This is the first book I responded to in a big way when I was fourteen.
It had everything: close-up tricks, illusion secrets, magic history, an exposé of phony mediums and spiritualists, how to escape from ropes and boxes, pick locks, read minds, and walk through a brick wall.
And most important, it also had a hero I could identify with – Houdini, master magician, escapologist, daredevil, pilot, author, historian, and champion of truth and justice. And he was Jewish, like me.
I found the book incredibly rich on many levels. It confirmed in me that I wanted to be a magician and that magic was wonderful.
This early work by Walter B. Gibson and Morris N. Young was originally published in the early 20th century and we are now republishing it. 'Houdini on Magic' contains a wealth of information on Houdini's approach to magic and the various tricks he performed in front of stunned crowds.
I’ve been an avid reader of MM literature in all its genres and sub-genres, since I was a teenager. Even now, MM fantasy titles are some of my favorite books of all time. I’d love to share my preferences with other readers so they could see the magic I see.
Prince Roland is a knight who willingly gave his birthright to his older sister.
Sairis is a necromancer with a price on his head. They shouldn't have feelings for each other, because their relationship could strain the stability of the kingdom as it heads for war.
The Knight and the Necromancer is a finished trilogy with a satisfying Happily-Ever-After. Something I adore in fantasy worlds is the dynamic of a power couple.
In this one, Roland is a physically strong knight and Sairis is a powerful magician able to raise the dead. Both partners bring a lot to the table and they overcome the dangers and difficulties of their war-torn world as a strong team.
And the fact that the world doesn’t want them to be together is a personal favorite spice.
Perry's female
first-person narrator feels authentically womanly—albeit
a Seneca kick-ass woman versus my ordinary amateur detective. He pulls this off
effortlessly.
Perry is also a master of elongated
suspense. You have to keep reading. You can’t stop. One surprising thing leads
to another, and only Jane’s bag of tricks enables her to protect the woman she
is trying to hide from nasty criminals. On the run with her charge for most of
the book, the plot builds to a very satisfying conclusion.
“A challenging and satisfying thriller . . . [with] many surprising twists.”—The New York Times
Jane Whitefield is a Native American guide who leads people out of the wilderness—not the tree-filled variety but the kind created by enemies who want you dead. She is in the one-woman business of helping the desperate disappear. Thanks to her membership in the Wolf Clan of the Seneca tribe, she can fool any pursuer, cover any trail, and then provide her clients with new identities, complete with authentic paperwork. Jane knows all the tricks, ancient and modern; in fact, she has invented several of…
Robert-Houdin, Houdini's first and greatest inspiration, famously said that a magician is an actor playing the role of a sorcerer. When I started out writing professionally, I quickly found myself drawn to characters who are at odds with themselves, living in their own shadows. There's a core tension in the stories these people inhabit that, for me, reflects the structure of a magic trick, with its misdirection and layered realities. I always try to incorporate the principles of magic into my writing, and the figurative masks my characters wear to function in worlds that alienate them are a major part of that.
I instinctively gravitate toward characters stricken with identity issues. It's one of the reasons I've spent years specialising in writing comics, where alternate personae and false realities are fundamental storytelling tools. Growing up, I first read the story of Robinson in a conjuring book, and it caught my imagination fiercely. Like Houdini, Robinson's commitment to maintaining his performance identity was full-blooded—to the point that the myths surrounding his death have virtually swallowed the story of his life. Steinmeyer navigates a complex tale of dual identities with the ease of a seasoned magician. Chung Ling Soo, one of the world's greatest vaudeville stars, died on stage in 1918 when a bullet catch trick went tragically wrong. William Robinson, however, had been fading away for many years by then.
In a biography woven from equal parts enchantment and mystery, master illusion designer and today's foremost magic historian, Jim Steinmeyer, unveils the astonishing secrets behind the enigmatic performer Chung Ling Soo, the "marvellous Chinese Conjurer" , a magician whose life of intrigue and daring remains unparalleled to this day. He learned his art during a revolutionary era in show business, just as minstrel, circus, and variety saloons were being stirred together and distilled into a heady new concoction: vaudeville. Soo's infamous death in 1918 astonished the world: he was killed during a performance of "Defying the Bullets," his popular act…
I grew up in North Carolina and Washington, D.C., and have since lived in Arkansas and Virginia. My two novels are historical, set in the late 1800s and early 1900s in Virginia and North Carolina, and are heavily influenced by the great Southern writers. My books feature family dramas, how the land interacts with characters, questions of fate and personal action, and the decisions that change people’s lives. I love Faulkner, but you’ll find him on every list. He influenced every writer who came later, but there are plenty of other heavy hitters to choose from. Here are a few favorites.
Taylor is one of the authors who made me want to be a writer. He’s a magician of the short story, compressing events and characters from the upper South into luminous stories that can seem more real than life. He wrote longhand in poetic lines, usually drafting about a hundred pages for every ten he kept. The result is a rich reduction of scenes that move us to laughter and tears. Taylor holds the mirror up to life, and you can’t help but be drawn in.
From the grand master of the American short story, these fourteen tales of domestic life in the South during the thirties and forties explore that extraordinary world of manners, expectations and unspoken understanding. The reader is drawn as if by magnetic force into a world rendered in breathtaking, painterly detail. These stories are marvelous entertainments, rich with amusement, yet Taylor renders his characters truly and understands them in a profoundly meaningful way.
Charlie Jane Anders is the author of All the Birds in the Sky, which Time Magazine listed as one of the hundred best fantasy novels of all time. Her other books include The City in the Middle of the Night, Victories Greater than Death, and Never Say You Can't Survive: How to Get Through Hard Times By Making Up Stories. She organizes the long-running spoken word series Writers With Drinks, helps to organize tours of local bookstores, and also co-hosts the podcast Our Opinions Are Correct. Her short fiction has appeared in Tin House, Conjunctions, Wired Magazine, Slate, and the Boston Review.
Yap's debut collection is full of brilliant moments and haunting images. She wraps together Filipino folklore with characters who are endlessly rich and fascinating, and the result is sometimes terrifying, sometimes weird and unsettling, and always gorgeous. This book will leave you feeling as if uncanny worlds are waiting for you to discover them, just out of view. Many of these stories go to dark places, but then you stumble on a sweet tale like "A Spell For Foolish Hearts," involving a gay magician, a love potion, and a complicated relationship. You'll wish you could read this book for the first time more than once.
"Am I dead?" Mebuyen sighs. She was hoping the girl would not ask.
Spells and stories, urban legends and immigrant tales: the magic in Isabel Yap's debut collection jumps right off the page, from the joy in her new novella, "A Spell for Foolish Hearts" to the terrifying tension of the urban legend "Have You Heard the One About Anamaria Marquez."
I have enjoyed mathematics and writing since I’ve been a kid, not only enjoying doing research in mathematics but assisting others to appreciate and enjoy mathematics. Along the way, I’ve gained an interest in the history of mathematics and the mathematicians who created mathematics. Perhaps most important, my primary goal has been to show others how enjoyable mathematics can be. Mathematics has given me the marvelous opportunity to meet and work with other mathematicians who have a similar passion for mathematics.
Have you ever been to a mathematics lecture where the speaker wore a tuxedo and baffled the audience with his mystifying knowledge of numbers? Well, I have and the speaker was Arthur Benjamin, who combined mathematics and magic. He even displayed this knowledge with Stephen Colbert on his earlier show The Colbert Report. It is our good fortune that he describes much of this mathematical wizardry in this fascinating book.
A New York Times Bestseller Arthur Benjamin . . . joyfully shows you how to make nature's numbers dance." ,Bill Nye The Magic of Math is the math book you wish you had in school. Using a delightful assortment of examples,from ice-cream scoops and poker hands to measuring mountains and making magic squares,this book revels in key mathematical fields including arithmetic, algebra, geometry, and calculus, plus Fibonacci numbers, infinity, and, of course, mathematical magic tricks. Known throughout the world as the mathemagician," Arthur Benjamin mixes mathematics and magic to make the subject fun, attractive, and easy to understand for math…
Magic hooked me at the age of eight and never let go. I began with a Mysto Magic Set, graduated to books and more books, joined magic societies, and studied with a true master, Tony Slydini, and finally began writing books about magic and magic lore (The Secrets of Alkazar,The Sorcerer’s Companion—A Guide to the Magical World of Harry Potter). What keeps my interest alive is the astonishing flow of invention that daily bubbles out of the magic community. And lucky me, I perform weekly at a fabulous little venue in the town where I live. This is a great time to learn and perform magic.
The first of five volumes, Card College Vol. 1, introduces the serious student to the essentials of artistic card magic utilizing sleight of hand. Much of the material requires diligent practice, often for years, but what a payoff when you master it!
All the latest techniques of card magic are here, accompanied by clear illustrations, a superb selection of tricks, and insightful essays on the psychology and presentation of magic.
Giobbi is an excellent teacher and I return to these books often. It will be a long while before anything replaces this series.
