74 books like The Glorious Deception

A little confession: fighting awakens a beast inside of me.

Sometimes when I’m in a crowded place, I walk by someone, usually a bigger person, and wonder: “Can I take him down?” Other times, especially in situations of conflict and mostly in the business world, I catch myself looking at my opposition and think “I can totally crush you if I want.” 

I’m not sure Palahniuk has ever traded punches with another human being. But one thing he got right: learning to fight, especially at a place that makes you spar at every session, often creates this maddening sense of power, that can be dangerous, but is a little fun too.

I’m not going to lie. I find the life of Houdini fascinating. It would be easy to focus on the magician/escape artist parts of his persona. However, the book details his drive and intentions from a young age to absorb information and develop his craft are inspiring. Before he was even a teenager, Houdini was walking 20+ miles (one way) to the neighboring town to find work and develop his craft.

As he became the worldwide phenomenon he is known for today, Houdini used his talents and never abused his notoriety. Houdini was very intentional in how he wanted to entertain the masses. But when other groups (alleged psychics and spiritual mediums) started to abuse the power of (dis)belief, Houdini took it upon himself to discredit the practice of these scam artists based on his sense of social awareness.

As a model unreliable narrator, you couldn't pick a more disarming armed robber than Mark "Chopper" Read. He described his pseudo-autobiographical book series as "the truth, the half-truth and nothing like the truth," which may be the most honest statement he ever made. None of this is to suggest that Read wasn't every inch the ultra-violent toecutter he sketches out in his writing. It's just that every word in Chopper is working toward the same goal: building a larger-than-life self-caricature to outshine and outlast the man himself. The cover quote boldly declares, "I regret nothing." The final line of the book admits, "I regret everything." Chopper Read lived and died within that contradiction, and his story's all the more mesmerising for its gunsmoke and mirrors.

This book, for me, stands alongside The Strange Case of Dr. Jekyll and Mr. Hyde as a necessary stepping stone toward all modern 'dark double' fiction. I actually first encountered the book via one of its looser adaptations, The Man Who Haunted Himself, starring Roger Moore. I must have seen that some time in the 70s, and it stuck with me across five decades without losing its core power. The Armstrong original, written in 1940 then expanded later, is still a legitimately creepy tale, particularly in terms of the questions it refuses to answer. Watching Pelham's slow-motion collapse into paranoia and chaos is a genuinely uneasy experience, like seeing The Picture of Dorian Gray through the eyes of the portrait itself.

William Ellsworth Robinson, who became better known as the magician Chung Ling Soo, devised tricks for Alexander Herrmann and other great magicians in the late 19th century. While he was developing stage magic, Spiritualists were performing what they branded as real magic—actually communicating with the dead in various ways. One of those ways was through a slate. Ask a question and with the slate positioned beneath a table, spirits would scribble a message in chalk. In this book, Robinson explains how these ghostly miracles and others could be achieved purely through the ingenuity of the living. The numerous illustrations make this book as wondrous to look through as is it to read.

Like many fantasy novels, The Paper Magician revolves around a character who feels small, lost, and powerless.

Although Ceony Twill desperately wants metal magic, she gets assigned to paper and decides to make the most of it. Since I’m half-Japanese, I immediately thought “origami!” when I read about the folding magic. It is the first book in a trilogy and I found the story to be a light, fast read.

Holmberg’s Victorian, gas-lamp world feels familiar, and though I found the characters a little thin (paper joke intended!), I enjoyed Ceony’s adventure. My favorite characters were two of the paper creatures, Fennel and Jonto, and I dare you not to adore them too!

For anyone wishing to learn sleight of hand, this is the place to begin.

What makes the book so good are the more than 1500 illustrations combined with carefully written text. The book is loaded with more performance material than you’ll ever use, but so what?

The variety of magic taught is astonishing.  Bill—a noted sculptor as well as a magician—became a dear friend long after he had written this book. 

My wife and I once went to a magic convention with Bill and his wife Yvonne. The moment we walked into the main hall, he was surrounded by adoring fans who recognized him from his goatee and turtleneck and had grown up with his book by their bedside.    

This is another important resource from my teenage years.

Henry Hay was the closest thing I had to a mentor. He had very good advice, a sense of humor, an encouraging attitude, patience, and an understanding of how to relate to an audience.

This is where I learned the basic repertoire of magic effects that were the features of my magic shows for many years. Some tricks may seem outdated, but the advice is golden.   

Multiple ingenious impossible crimes feature into the first Jessica Blackwood thriller by magician Andrew Mayne. A killer calling himself the Warlock claims to be using supernatural powers to perform deadly miracles, and only former stage magician Jessica Blackwood, now an FBI agent, can see through his tricks. Because magicians create misdirection for a living, they’re perfect characters to unravel seemingly impossible crimes. As a bonus, Jessica Blackwood is a terrific character you’ll root for. 

Taylor is one of the authors who made me want to be a writer. He’s a magician of the short story, compressing events and characters from the upper South into luminous stories that can seem more real than life. He wrote longhand in poetic lines, usually drafting about a hundred pages for every ten he kept. The result is a rich reduction of scenes that move us to laughter and tears. Taylor holds the mirror up to life, and you can’t help but be drawn in.