100 books like Chopper

A little confession: fighting awakens a beast inside of me.

Sometimes when I’m in a crowded place, I walk by someone, usually a bigger person, and wonder: “Can I take him down?” Other times, especially in situations of conflict and mostly in the business world, I catch myself looking at my opposition and think “I can totally crush you if I want.” 

I’m not sure Palahniuk has ever traded punches with another human being. But one thing he got right: learning to fight, especially at a place that makes you spar at every session, often creates this maddening sense of power, that can be dangerous, but is a little fun too.

I’m not going to lie. I find the life of Houdini fascinating. It would be easy to focus on the magician/escape artist parts of his persona. However, the book details his drive and intentions from a young age to absorb information and develop his craft are inspiring. Before he was even a teenager, Houdini was walking 20+ miles (one way) to the neighboring town to find work and develop his craft.

As he became the worldwide phenomenon he is known for today, Houdini used his talents and never abused his notoriety. Houdini was very intentional in how he wanted to entertain the masses. But when other groups (alleged psychics and spiritual mediums) started to abuse the power of (dis)belief, Houdini took it upon himself to discredit the practice of these scam artists based on his sense of social awareness.

I instinctively gravitate toward characters stricken with identity issues. It's one of the reasons I've spent years specialising in writing comics, where alternate personae and false realities are fundamental storytelling tools. Growing up, I first read the story of Robinson in a conjuring book, and it caught my imagination fiercely. Like Houdini, Robinson's commitment to maintaining his performance identity was full-blooded—to the point that the myths surrounding his death have virtually swallowed the story of his life. Steinmeyer navigates a complex tale of dual identities with the ease of a seasoned magician. Chung Ling Soo, one of the world's greatest vaudeville stars, died on stage in 1918 when a bullet catch trick went tragically wrong. William Robinson, however, had been fading away for many years by then.

This book, for me, stands alongside The Strange Case of Dr. Jekyll and Mr. Hyde as a necessary stepping stone toward all modern 'dark double' fiction. I actually first encountered the book via one of its looser adaptations, The Man Who Haunted Himself, starring Roger Moore. I must have seen that some time in the 70s, and it stuck with me across five decades without losing its core power. The Armstrong original, written in 1940 then expanded later, is still a legitimately creepy tale, particularly in terms of the questions it refuses to answer. Watching Pelham's slow-motion collapse into paranoia and chaos is a genuinely uneasy experience, like seeing The Picture of Dorian Gray through the eyes of the portrait itself.

The country house is a subject that has always fascinated me, but I’ve often struggled to define it accurately. Clive Aslet, former editor of Country Life magazine does a brilliant job of refining the topic into very readable, succinct, chapters filled with plenty of anecdotes and charming illustrations. As soon as I finished it, I wanted to read it all over again. 

When John Darwin got into debt and ran out of money-making ideas, he decided to fake his own death so that his wife could claim the life insurance. The plan was to move to another country and live off the proceeds of his crime. But things didn’t go to plan. The arrogance and ineptitude of John Darwin, and his complete disregard for his family, defies belief. I couldn’t wait to read this book and was not disappointed. It has now been made into a drama by the BBC in the UK.

I utterly loved this book so much it is in the top five books I ever read. Although it is years since I read it I still remember Aliena (the main female character) so well it is as if I know her personally. I wish there were a sequel with her in it. 

The book had it all – a fantastic plot that grabs you from the first chapter and then branches off into seemingly unconnected subplots, and it is only at the end that it all comes together. An amazing job and inspired me more than any other book as a writer.  

John Morris was an ancient historian specializing in the later Roman Empire who late in life turned his attention to Dark Age Britain. I only met him very briefly at a conference in the mid-1970s, by which time he was already very ill. He wrote by far his best-known work while presiding over the translation of a host of source materials for early medieval Britain and their publication by Phillimore, all the time fighting his own battle against cancer. He didn’t just accept Arthur as a real historical figure but made him the pivotal figure of British history in the decades around 500, accepting as authoritative all sorts of stories written many hundreds of years later. In so doing he was largely responsible for bringing the Arthurian Period of British history into existence and certainly gave it enormous popular appeal. Rarely has one writer had such an impact on a… show more.

A cultural tour de force, this book includes everything you could ever wish to know about the Georgian era, although it does specifically stick to its latter years (1789-1830). It is a deeply informative read yet the author maintains a lively and engaging tone throughout as he covers a wide range of topics such as the landscape of Regency Britain, travel, law and order, as well as entertainment, health, and sexuality, so it’s just perfect for any reader unfamiliar with the period. In fact, it’s perfect for anyone who already is. Established writers of the genre will surely pick up something new by reading it.

Entertaining Mr. Pepys explores the world of British theater during a time when women were finally allowed on stage as actresses. I loved it because of how the author explored her main character’s fascination with acting, which reminded me very much of how Grace in my own book is captivated by the stage and willing to go to any lengths to become an actress. I have read several of Swift’s novels and credit them with inspiring me to write my own novels based on women in the arts.