Fans pick 100 books like Chopper

I’m a nerd who fights. Started my professional life as a programmer, then switched to telling stories in advertising and entertainment. But my passion for technology and martial arts have always played a role in my life. Influenced by my father’s stories about judo, I studied a lot of styles of fighting, including kung fu, karate, Brazilian Jiu Jitsu, and also dabbled with boxing, Muay Thai, capoeira, taichi, bagua, Silat, and judo. Along that journey, one of my favorite ways to learn was by watching my female training partners, and how they had to develop a much more nuanced and sophisticated technique. An experience that would later inspire the birth of The Girl from Wudang.

My passion for developing entrepreneurial and business instinct is simple. It is all based on confidence. Over time, my experiences have shown me that many leaders (myself included) can end up in “decision paralysis” and default to taking no action at all. Leaders can have all of the information and indicators that a decision is the right thing to do, but they default to doing nothing. By developing a better understanding of my own instincts, I have been able to build confidence in the decisions I have made over the past 20 years, thus eliminating any deterrents from making sound decisions.

Robert-Houdin, Houdini's first and greatest inspiration, famously said that a magician is an actor playing the role of a sorcerer. When I started out writing professionally, I quickly found myself drawn to characters who are at odds with themselves, living in their own shadows. There's a core tension in the stories these people inhabit that, for me, reflects the structure of a magic trick, with its misdirection and layered realities. I always try to incorporate the principles of magic into my writing, and the figurative masks my characters wear to function in worlds that alienate them are a major part of that.

Robert-Houdin, Houdini's first and greatest inspiration, famously said that a magician is an actor playing the role of a sorcerer. When I started out writing professionally, I quickly found myself drawn to characters who are at odds with themselves, living in their own shadows. There's a core tension in the stories these people inhabit that, for me, reflects the structure of a magic trick, with its misdirection and layered realities. I always try to incorporate the principles of magic into my writing, and the figurative masks my characters wear to function in worlds that alienate them are a major part of that.

I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?  

Jane Finch lives in Norfolk, England and is married with one son. Jane has travelled extensively and has also lived in Canada, Spain, and the Caribbean. Having spent over twenty-five years working in English Law, Jane decided to try her hand at writing crime thrillers. Her first novel, Due Process, is based in her hometown in Norfolk. Her book, The Black Widows, published by Solstice Publishing, reached the top ten of Amazon’s crime thriller list. Jane is a member of International Thriller Writers Inc. Now retired, Jane is free to write full-time, when inspired to do so, although she says, “None of my friends tell me anything anymore because they know I’ll write about it!”

I’m a public health research scientist who writes humorous historical mysteries set in 1900s Los Angeles among the police matrons of the LAPD. Like you, I read. I love smart, well-researched historical fiction with strong female protagonists and a good romantic subplot. Extra points if the book is funny because studies show laughter is good for you. 

I spent 40 years as a soldier studying war. After graduation from Royal Military College, I joined the Armoured Corps. Throughout history, we have regaled each other with stories of war. From Greek myths to Norse sagas to modern movies, we cannot seem to get enough of war stories. And yet, we know that war is inherently a bad idea. It is evil. It is a form of collective madness. War is destructive and cruel, unworthy of our better selves. To paraphrase Abraham Lincoln, war breaks the bonds of our affection and does not speak to our better angels. I study it in order to better understand this madness.

I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.

Thirty years as a medieval reenactor gave me the background I needed to step into the past. I learned much about everyday activities and I gained familiarity with physical objects such as weapons and armor. My first four books (including The Last Great Saxon Earls trilogy) took place in the eleventh century, and by then I was ready to jump forward three hundred years to the Plantagenet era. In college, I saw Shakespeare's Richard II play, and I was so enthralled with it that I carried Richard around with me for forty years before tackling this book. It ended up being much more complicated than I could ever imagine!