Here are 100 books that The Time Traveller's Guide to Regency Britain fans have personally recommended if you like
The Time Traveller's Guide to Regency Britain.
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Ever since my younger years, I’ve spent many hours dwelling within the realms of my imagination, daydreaming myself into whirlwind romances from slow-burn to forbidden and everything in between. Why? The best answer I can give right now is my love of love, my innate understanding that the invisible string that pulls two people so fiercely together at the right time and place ultimately are the connections and relationships that propel us into up-leveling ourselves, evolving into our next best versions. So when I read, watch, or write romance, it’s beyond the physical–it’s emotional, mental, and truly spiritual.
This book gave me a reminder of faith that neither time nor distance can ever impede upon two individuals destined for each other. Sometimes, what is said–or rather not said at all–doesn’t exactly portray the truth of someone's intentions or feelings.
Even though I know the ending, I’ll pick this book up every year or so and still find myself wondering how Anne and Wentworth will ever reconcile. But alas, Austen knocks it out of the park once more.
'In Persuasion, Jane Austen is beginning to discover that the world is larger, more mysterious, and more romantic than she had supposed' Virginia Woolf
Jane Austen's moving late novel of missed opportunities and second chances centres on Anne Elliot, no longer young and with few romantic prospects. Eight years earlier, she was persuaded by others to break off her engagement to poor, handsome naval captain Frederick Wentworth. What happens when they meet again is movingly told in Austen's last completed novel. Set in the fashionable societies of Lyme Regis and Bath, Persuasion is a brilliant satire of vanity and pretension,…
Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.
Through all the twists and turns of this plot, Becky shows herself to be both conniving and resilient in her quest to use those around her for her own gain. While not an attractive rendition of human nature, she forever has a wolf at her door and does what she thinks she must to stay one step ahead.
One gets whiplash from sympathizing with her one minute and being appalled by her lack of scruples the next, but, like all the characters she hoodwinks, we are captivated by her as someone who is never boring. She hops from one doomed circumstance to the next, and we are along for the ride.
William Makepeace Thackeray's Vanity Fair depicts the anarchic anti-heroine Beky Sharpe cutting a swathe through the eligible young men of Europe, set against a lucid backdrop of war and international chaos. This Penguin Classics edition is edited with an introduction and notes by John Carey.
No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia Sedley, however, longs only for the caddish soldier George. As the two heroines make their way through the tawdry glamour…
I have been fascinated by Napoleon and the French Revolution since I was a teenager. Novels that capture the essence of the struggles of the French people – and especially those that feature Napoleon as a highly layered character – have always called to me. As a Jewish author, I am particularly drawn to a fair representation of Jewish characters in these tales – which frankly, Georgette Heyer does not, as she adheres to stereotypes in describing any Jewish characters. (I only forgive her because her books are so brilliant.)
I’m a huge admirer of Georgette Heyer, who single-handedly created the Regency historical romance genre. Her research and knowledge of the time, including aspects of dress, manners, etc., are unsurpassed.
An Infamous Army tells the story of Waterloo from the British perspective, and its battle scenes are so accurate that the novel is actually taught at the British military academy, Sandhurst. Heyer includes characters from her other books in this novel, and it was a surprise and a joy to meet them in this wide-ranging narrative.
If you love Bridgerton, you'll love Georgette Heyer!
'The greatest writer who ever lived' ANTONIA FRASER 'My generation's Julia Quinn' ADJOA ANDOH 'One of the wittiest, most insightful and rewarding prose writers imaginable' STEPHEN FRY ___________
1815, and the British and French armies are massing ahead of one of the greatest battles of all time ...
Occupied by the British, Brussels however is en fete.
And Lady Barbara Childe, renowned for being as fashionable as she is beautiful, is at the centre of all that is fashionable and light-hearted.
When she meets Charles Audley, the dashing aide de camp to…
When I was a little girl, my parents bought me a children’s edition of Pride and Prejudice. Ever since, I have loved Jane Austen’s works. As I grew older, I really enjoyed learning about her, and researching the history of her times. I hope you will enjoy reading these books as much as I did!
Hundreds (possibly thousands) of biographies of Austen have been written, but Tomalin’s work has long been a favourite of mine.
Her sympathetic portrait of Jane digs deep into her early family life, schooldays, literary influences, and early authorship. Jane’s relationship with her mother; her family’s encouragement of her writings; the fear of poverty after her father’s death; the disastrous (rejected) marriage proposal, and her literary legacy are all detailed with warmth and energy.
The novels of Jane Austen depict a world of civility, reassuring stability and continuity, which generations of readers have supposed was the world she herself inhabited. Claire Tomalin's biography paints a surprisingly different picture of the Austen family and their Hampshire neighbours, and of Jane's progress through a difficult childhood, an unhappy love affair, her experiences as a poor relation and her decision to reject a marriage that would solve all her problems - except that of continuing as a writer. Both the woman and the novels are radically reassessed in this biography.
Ever since watching the BBC adaptation ofPride & Prejudice, I’ve been fascinated by the Georgian era. At university I always chose modules that connected with the period, which typically focused on the works of Keats, Byron and Shelley. One module introduced me to the essayist William Hazlitt, and my first novel Infelicedrew on his illicit love affair with serving girl Sarah Walker. My début Pandorais vastly different, but both novels required a plethora of research. The books I’ve chosen all helped me bring my writing to life, and I hope aspiring novelists with a passion for the Georgians will find these as useful as I have.
On the other side of the coin, there is this behemoth of a book. I’d be lying if I said that its sheer size and tightly-packed text weren’t slightly off-putting, but I consider Cruickshank’s formidable work a must-have for any novelist writing in the Georgian era. Impeccably researched and showing a wide range of social history from the lives of ordinary layman to the wealthy and powerful, it's a truly fantastic resource, and if you’re looking to familiarise yourself with the 'dirty underbelly' of eighteenth-century London (a whole world away from shiny Bridgerton-esque ballrooms and stately homes) then this is absolutely the book for you.
Georgian London evokes images of elegant buildings and fine art, but it was also a city where prostitution was rife, houses of ill repute widespread, and many tens of thousands of people dependent in some way or other on the wages of sin. The sex industry was, in fact, a very powerful force indeed, and in The Secret History of Georgian London, Dan Cruickshank compellingly shows how it came to affect almost every aspect of life and culture in the capital.
Examining the nature of the sex trade, he offers a tantalising insight into the impact of prostitution to give…
Ever since watching the BBC adaptation ofPride & Prejudice, I’ve been fascinated by the Georgian era. At university I always chose modules that connected with the period, which typically focused on the works of Keats, Byron and Shelley. One module introduced me to the essayist William Hazlitt, and my first novel Infelicedrew on his illicit love affair with serving girl Sarah Walker. My début Pandorais vastly different, but both novels required a plethora of research. The books I’ve chosen all helped me bring my writing to life, and I hope aspiring novelists with a passion for the Georgians will find these as useful as I have.
Dora Blake—the protagonist in my book—is an aspiring jewellery designer, which meant it was imperative I understood not just how jewellery looked but how it was made. This book ticks both those boxes and more. Not only is it filled with beautiful photographs to make your inner magpie tingle with excitement, it tells the reader a history of how jewellery was fashioned, what was worn in the daytime and evening, as well as the significance of certain gems for certain occasions. Learn all about cut steel, foiled backs, and harlequin jewels, the language of flowers, memento mori, cameos, and lover’s eyes, all delivered in a wonderfully accessible conversational tone. A truly fascinating book that is also a feast for the eyes!
Georgian Jewellery is a celebration of the style and excellence of the eighteenth century, and of the ingenuity that produced such a wealth of fabulous jewellery.
Heavy academic tomes have already been written about the period, but this book examines it in a more colourful and accessible way. The book aims to show that Georgian jewellery is not only the stuff of museums and safe boxes, but that it can be worn as elegantly and fashionably today as it was 200 years ago.
Much disparate information about the jewellery has been gathered together and the period is brought alive by…
Ever since watching the BBC adaptation ofPride & Prejudice, I’ve been fascinated by the Georgian era. At university I always chose modules that connected with the period, which typically focused on the works of Keats, Byron and Shelley. One module introduced me to the essayist William Hazlitt, and my first novel Infelicedrew on his illicit love affair with serving girl Sarah Walker. My début Pandorais vastly different, but both novels required a plethora of research. The books I’ve chosen all helped me bring my writing to life, and I hope aspiring novelists with a passion for the Georgians will find these as useful as I have.
It’s all in the details. No matter what social circle a Georgian man and woman lived in, knowing how each functioned within their innercircle is key to creating fully fleshed-out worlds. Vickery uses archival material such as diaries, ledgers, letters, court trials, and other sources to show how the Georgians lived in the comfort (or discomfort) of their own homes, and, interestingly, how this also had an effect on their lives outside the home. The author even provides the reader with an insight into how their homes actually looked, from furniture and portraits, right down to textiles and wallpaper.
In this brilliant new work, Amanda Vickery unlocks the homes of Georgian England to examine the lives of the people who lived there. Writing with her customary wit and verve, she introduces us to men and women from all walks of life: gentlewoman Anne Dormer in her stately Oxfordshire mansion, bachelor clerk and future novelist Anthony Trollope in his dreary London lodgings, genteel spinsters keeping up appearances in two rooms with yellow wallpaper, servants with only a locking box to call their own. Vickery makes ingenious use of upholsterer's ledgers, burglary trials, and other unusual sources to reveal the roles…
Ever since watching the BBC adaptation ofPride & Prejudice, I’ve been fascinated by the Georgian era. At university I always chose modules that connected with the period, which typically focused on the works of Keats, Byron and Shelley. One module introduced me to the essayist William Hazlitt, and my first novel Infelicedrew on his illicit love affair with serving girl Sarah Walker. My début Pandorais vastly different, but both novels required a plethora of research. The books I’ve chosen all helped me bring my writing to life, and I hope aspiring novelists with a passion for the Georgians will find these as useful as I have.
At first glance you’d be forgiven for thinking this is rather similar to Dan Cruickshank’s Georgian Londonconsidering its title. However, this book takes a modern comparative view of the era, considering how people of the time mimic the attitudes of people today. History oft-times repeats itself, and Corfield’s book is an incredibly nuanced take on this viewpoint yet still succeeds in being a thoroughly pleasurable read. Fiction nowadays not only seeks to tell a story but aims as well to tell us something about the world we live in, and this is no less true than historical fiction—it is why books like this are so crucial to a writer’s research.
A comprehensive history of the Georgians, comparing past views of these exciting, turbulent, and controversial times with our attitudes today
The Georgian era is often seen as a time of innovations. It saw the end of monarchical absolutism, global exploration and settlements overseas, the world's first industrial revolution, deep transformations in religious and cultural life, and Britain's role in the international trade in enslaved Africans. But how were these changes perceived by people at the time? And how do their viewpoints compare with attitudes today?
In this wide-ranging history, Penelope J. Corfield explores every aspect of Georgian life-politics and empire,…
Though I live in the foothills of the Ozarks, I’m an Anglophile at heart, loving all things Jane Eyre and Jane Austen. I spent much of my angsty adolescence tucked away in Regency and Victorian England with my nose stuck in a book. As a result, I now jump at every chance I get to skip across the pond and roam the English countryside, listening hard to hear all the voices from the past—which is why my stories are always tied to British history. So whether you love ballrooms or shadowy tales set in gothic manors, here’s a great list for you.
I love to be kept guessing by an intricate plot and yes…dare I admit that sometimes I turn to the last page just to find out if my guess is correct? This book did that for me. I had no idea how the heroine would ever find out the secrets of her past, and when she did, I was as surprised as she was. That’s the mark of a great book in my mind.
In Regency England, one letter will alter a young woman's fate when it summons her to Briarton Park-an ancient place that holds the secrets of her past and the keys to her future.
Cassandra Hale grew up knowing little about her parentage, and she had made peace with the fact that she never would. But Cassandra's world shifts when a shocking deathbed confession reveals a two-year-old letter from Mr. Clark, the master of Briarton Park, with hints to her family's identity. Stung by betrayal, she travels to the village of Anston only to learn Mr. Clark has since passed away.…
I grew up an avid reader of children’s and YA fantasy, which is how I discovered the subgenre of Regency fantasy. When I stumbled across Wrede and Stevermer’s work in libraries and used bookstores, I absolutely loved it. As an adult, I enjoyed exploring the Regency romances of older authors like Georgette Heyer and Marion Chesney as well as more recent Regency writers. But when I began writing romance myself, I went back to the fantasies that were my first introduction to the Regency era. My Regency novels are primarily romance, with just a pinch of magic, but I hope both romantasy fans and historical romance readers can enjoy them.
Atwater’s Regency fairy tales include not just human magicians but also the fae.
In Half a Soul, an elvin lord tries to steal Theadora Etting’s soul, but her quick-thinking cousin helps her preserve half of it. With only half a soul, though, Dora both thinks differently and feels emotions differently than other people. (Author Olivia Atwater has said that Dora’s magical condition parallels real-life neurodivergence, and autistic readers may see themselves in Dora.)
Because of those differences, Dora believes herself to be unlovable, but she is proven gloriously wrong when she encounters Elias Wilder, one of the most powerful sorcerers in Europe. She and Elias work together to stop a magical plague threatening vulnerable children in workhouses.
“Whimsical, witty, and brimming over with charm” (India Holton), Olivia Atwater’s delightful debut will transport you to a magical version of Regency England, where the only thing more meddlesome than a fairy is a marriage-minded mother!
It’s difficult to find a husband in Regency England when you’re a young lady with only half a soul.
Ever since she was cursed by a faerie, Theodora Ettings has had no sense of fear or embarrassment—an unfortunate condition that leaves her prone to accidental scandal. Dora hopes to be a quiet, sensible wallflower during the London Season—but when Elias Wilder, the strange, handsome,…
