Here are 100 books that Vanity Fair fans have personally recommended if you like
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I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
As an American artist and writer who has lived in European cities for the last decade and a half—first Berlin, now Paris—I often look for echoes of dislocation and longing in the books I read. My first published book explores the lives of people who fled other countries to arrive in a city filled with a complex and dark history.
I go in and out of obsession with the irascible crime novelist Patricia Highsmith. In her first Ripley book, we are introduced to an amoral but likable American character who journeys between Rome, Palermo, and Naples, trying to outrun his modest and murderous past.
The cities he encounters are dazzling, filled with old villas and beautiful things representing his new, forged identity.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
I am the ultimate dilettante. I consume huge amounts of history, literature, and current events. I am not interested in dumbing down what I write. I am endlessly curious and assume my readers are also. I started writing during the pandemic and have not quit. I have completed three novels and have been an avid reader my entire life. Join me!
I really enjoyed this historical mystery novel. It is an early example of a narrative being told from multiple perspectives, some unreliable; beware!
The novel is a classic with beautiful language and sentence construction. I feel there is an elegance and craft given to this narrative rarely found in today’s commercial mystery genre. Sit back and enjoy being seduced by Wilkie Collins.
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'The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared.'
One of the earliest works of 'detective' fiction with a narrative woven together from multiple characters, Wilkie Collins partly based his infamous novel on a real-life eighteenth century case of abduction and wrongful imprisonment. In 1859, the story caused a sensation with its readers, hooking their attention with the ghostly first scene where the mysterious 'Woman in White'…
As a writer, I’m fascinated by relationships, what makes them work and what might make them fail. And I’ve always been gripped by the power of two people who try to love each other, no matter how different they may be or what obstacles they face. I honestly believe that two people in love are far more than the sum of their parts and can create something magical that wouldn’t have been there without them. So, yes, I’m a romantic at heart but, even in these cynical times, I don’t think that’s a bad thing. I hope you love the books on this list as much as I do.
I love this book so much because it’s about two people giving their relationship a second chance.
At first it made me feel sad because the heroine Anne Elliot could so easily have been happy with Captain Wentworth when he first proposed. It’s only when he returns to the area years later that she begins to listen to her heart rather than her head.
The years have changed them and they need to rediscover each other before they can be truly happy. It’s a quiet and deeply moving love story.
'In Persuasion, Jane Austen is beginning to discover that the world is larger, more mysterious, and more romantic than she had supposed' Virginia Woolf
Jane Austen's moving late novel of missed opportunities and second chances centres on Anne Elliot, no longer young and with few romantic prospects. Eight years earlier, she was persuaded by others to break off her engagement to poor, handsome naval captain Frederick Wentworth. What happens when they meet again is movingly told in Austen's last completed novel. Set in the fashionable societies of Lyme Regis and Bath, Persuasion is a brilliant satire of vanity and pretension,…
I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
In this book, George Eliot’s novel of provincial life in 1830s England, nearly everyone marries the wrong person. Even the future happiness of its heroine, Dorothea, when she finally unites with her true love, Will, is questionable. And yet it stands for me, not only as one of the finest novels ever written but one of literature’s greatest romances.
Virginia Woolf famously wrote that it is a novel “for grown-up people.” I believe it is essential reading because it reflects real life where couples are mismatched, love goes unrequited, and ambitions are thwarted. It illuminates the small ways our better selves become compromised—and the larger gestures by which we are redeemed. As Eliot’s characters zigzag their way to each other, it is love that brings this redemption. How very romantic!
One of the BBC's '100 Novels That Shaped Our World'
'One of the few English novels written for grown-up people' Virginia Woolf
George Eliot's nuanced and moving novel is a masterly evocation of connected lives, changing fortunes and human frailties in a provincial community. Peopling its landscape are Dorothea Brooke, a young idealist whose search for intellectual fulfilment leads her into a disastrous marriage to the pedantic scholar Casaubon; Dr Lydgate, whose pioneering medical methods, combined with an imprudent marriage to the spendthrift beauty Rosamond, threaten to undermine his career; and the religious hypocrite Bulstrode, hiding scandalous crimes from his…
I am the ultimate dilettante. I consume huge amounts of history, literature, and current events. I am not interested in dumbing down what I write. I am endlessly curious and assume my readers are also. I started writing during the pandemic and have not quit. I have completed three novels and have been an avid reader my entire life. Join me!
This book is a smart pop culture thriller. I’ve read it twice to examine how Gillian Flynn crafts her suspenseful-filled sequences.
What I enjoyed most about this book was how unpredictable it was. I find it very rare for a thriller to be so well-written and believable. Amy, the protagonist, is so incredibly cunning, always one step ahead of Nick and the reader
THE ADDICTIVE No.1 BESTSELLER AND INTERNATIONAL PHENOMENON OVER 20 MILLION COPIES SOLD WORLDWIDE THE BOOK THAT DEFINES PSYCHOLOGICAL THRILLER
Who are you? What have we done to each other?
These are the questions Nick Dunne finds himself asking on the morning of his fifth wedding anniversary, when his wife Amy suddenly disappears. The police suspect Nick. Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn't true. A police examination of his computer shows strange searches. He says they weren't made by him. And then there are the persistent calls on…
My novel, Right Back Where We Started From, is about greed. I wanted to see what it would look like if women in history pursued their goals with the same relentless intensity as the men who came to the California Gold Rush. I love reading about social climbing because ambition is so baked into the fabric of the United States, and is such a big part of our lives. The books on this list are unafraid to show you the ugly, unpleasant side of ambition—and the exciting, captivating side as well.
This novel is hilarious. When I first read it, I was jealous that I hadn't written it—which is a silly feeling to have about a book that came out in the 1920s, I admit. It's a diary written by a blonde showgirl named Lorelei Lee, who uses her feminine wiles to get wealth from the gentlemen callers who want to "educate" her. Loralei isn't very smart—the diary is riddled with misspellings and confused assumptions—but she has a kind of innocence and practicality that keeps you rooting for her throughout. With her friend Dorothy, a brunette, she arranges it so that everything always works out in her favor, which usually includes lots and lots of diamond jewelry.
Gentlemen Prefer Blondes: The Intimate Diary of a Professional Lady (1925) is a novel by Anita Loos. Adapted from a series of stories written for Harper's Bazaar, Gentlemen Prefer Blondes was an astounding success for Loos, who had mired for over a decade as a screenwriter in Hollywood and New York. An immediate bestseller, the novel earned praise from leading writers and critics of its time, and has been adapted several times for theater and film. Recognized as a defining text of the Jazz Age, Gentlemen Prefer Blondes is an absolute classic dubbed "the great American novel" by Edith Wharton.…
As a child, all I wanted to read were books about adventure. I also had an adventurous childhood, growing up in the Louisiana swamps with a father who actually hunted alligators and took me with him. As I came of age, I longed to tell stories, and, as they say, it’s best to write about what you know. To date, I’ve penned six novels, all set in the exotic wetlands of Cajun, Louisiana. I feel missionary about this—that my writing gifts allow me to decode my homeplace in a way that makes it easier for outsiders to see the singular niche it occupies on the American landscape.
Twain’s classic may be out of favor in certain circles, but it is a big, imaginative, sprawling narrative that slyly deals with the thorny issues of race relations in the antebellum South while being, I believe, one of the greatest and fondest depictions of boyhood ever penned.
I love how Twain captured not just the regional southern vernacular but painted a picture of a world now lost to us. To be clear, Twain’s portrayal of Jim, the black protagonist, and his friendship with Huck, a young white boy, is an arch sendup of the racism of the day, for at the end of the day, Jim and Huck are the moral centers of the story—truly, the only gentlemen in the book.
I’ve been intrigued with the mind for as long as I can remember. As a child, I imagined shrinking myself down and worming my way into other people’s brains to discover how their thoughts differed from mine. When I realized that was impossible, I started creating characters and imagining how they would think, react, and feel. This led to writing novels and motivated me to get my bachelor’s in abnormal psychology and my master’s in forensic psychology. Now, with an innate curiosity for the mind and a background in how it works, I find myself drawn to reading and writing books that take me into characters’ heads.
I didn’t get pulled into one character’s head in this book, but two. What I enjoyed most about this book is that the balance between the mystery and the characters’ struggles is equal throughout. I cared about both protagonists and was routing for them to achieve their goals (and defeat their enemies) while anxiously awaiting the resolution to the mystery.
While reading, I often had to stop ruminating about the kinds of people in the world. This book is dark, exhilarating, and sometimes horrifying–and I loved every page of it.
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
In my childhood in the 1960s, girls still read novels like Jane Eyre and Black Beauty, and one of my grandmothers was a Victorian herself, born in Scotland in the 1880s, so my connection to that time feels organic. Even today, a new Victorian novel is my idea of vacation reading. Victorian writers looked deeply into the hearts of their imagined characters, leaving us with a vivid record of a world that is now gone. These novels help us understand the past with all its flaws and problems, giving us a way to think about how far we have come, perhaps, even, how much farther we need to go.
A short book even by our standards, The Warden was Trollope’s first novel. He went on to write forty-seven more, as many short stories and nonfiction books as well, all while working as an important official with the Royal Mail. I love Trollope’s books because he was a master at creating life-like characters who may be filled with flaws, but are always portrayed with loving humour. While The Warden is about a controversy over how the Church of England manages a poor house, the story is carried by the complex people and relationships at the centre of the squabble. This is the first book in the Chronicle of Barsetshire series which spins out the lives of these characters across decades.
The Warden introduces us to the lives of some of the most beloved characters in all literature.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition has an introduction by Margaret Drabble and illustrations by F. C. Tilney.
Scandal strikes the peaceful cathedral town of Barchester when Septimus Harding, the warden of charitable foundation Hiram's Hospital, is accused of financial wrongdoing. A kindly and naive man, he finds himself caught between the forces…
