Here are 100 books that Fight Club fans have personally recommended if you like
Fight Club.
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I have been a keen walker/hiker/backpacker since I was five when my parents named a local footpath James’s Path. Almost fifty years later, I have walked all over the UK and further afield in the Pyrenees and the Alps, Nepal, and the Antipodes. Walking for me is both a means to an end—to reach mountaineering routes and as exercise—and as an end in itself. Days spent walking can be reflective, social, demanding, and memorable. I always take a book, even if it's a day walk, and two or three if it’s a multiday trip. I hope you’re as energized and stimulated by my suggestions as I’ve been.
A multi-day walking trip requires a page-turning thriller. It is one of the most intriguing mysteries I’ve ever read. It dragged me into another world and then deeper into a story within a story. Lying in uncomfortable beds in noisy hostels while backpacking in Australia, I was beguiled and forgot my own reality.
Years later, this book stayed with me and influenced my debut novel despite, I think, never really understanding it. However, writing this review has made me start reading it again. I’m already baffled, but I'm hooked!
The Magus is the story of Nicholas Urfe, a young Englishman who accepts a teaching assignment on a remote Greek island. There his friendship with a local millionaire evolves into a deadly game, one in which reality and fantasy are deliberately manipulated, and Nicholas must fight for his sanity and his very survival.
I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
I am passionate about the Vietnam War because my male relatives served and came back changed by the experience. I spent ten years as the editor of The Patton Saber, writing articles about the experience of World War II soldiers, but when I came across an idea for a novel about past life memories, I decided to focus on memories of the Vietnam War. What I love about this list is that it reflects many facets of the war, including soldiers, nurses, veterans, and the family members touched by those affected by war.
O’Brien’s depiction of American soldiers in Vietnam was vivid and moving. It gave me a deeper understanding of the soldier’s experience. His artful use of the metaphor of what they carried revealed not only the items on hand but also the psychological baggage each soldier dealt with.
The stories were haunting and made me a full witness to the complexity of war and the many ways it is experienced. It is artfully written, moving, complex, touching and unforgettable.
The million-copy bestseller, which is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling.
'The Things They Carried' is, on its surface, a sequence of award-winning stories about the madness of the Vietnam War; at the same time it has the cumulative power and unity of a novel, with recurring characters and interwoven strands of plot and theme.
But while Vietnam is central to 'The Things They Carried', it is not simply a book about war. It is also a book about the human heart - about the terrible weight of those things we carry through…
I’m not an expert on very much. Certainly not the biggest questions of all, such as are we really here, and if not, what’s this all about? But I’ve always enjoyed books that touch upon these questions and find a way to connect them to our everyday reality (I find them easier than actual philosophy). If I am well placed to curate this list, that’s why. I hope it reminds you how we all grapple with these same universal questions. How we all share our doubts and face the same fears. How we’re all whittled away by the same relentless flow of time.
The idea that when a loved one dies they watch over us, wishing to end our pain, is a powerful one. And for a novelist it’s a rich seam to mine. And yet The Lovely Bones did it so well, that few have tried to follow where it leads.
Although it moves in a very different direction, my own book clearly owes a debt of inspiration to Alice Seebold and I couldn’t not make it first on my list.
The internationally bestselling novel that inspired the acclaimed film directed by Peter Jackson.
With an introduction by Karen Thompson Walker, author of The Age of Miracles.
My name was Salmon, like the fish; first name, Susie. I was fourteen when I was murdered on December 6, 1973.
In heaven, Susie Salmon can have whatever she wishes for - except what she most wants, which is to be back with the people she loved on earth. In the wake of her murder, Susie watches as her happy suburban family is torn apart by grief; as her friends grow up, fall in…
When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.
As shocking as I felt Kubrick’s film was, I think the book is possibly more startling. Some scenes Kubrick played for laughs are described as violent and sadistic in the novel. If, like me, you are a fan of the film, it’ll fill in some blanks for you. Ever wonder why Alex and his friends drink milk?
The book is written in futuristic teen-speak that did take me a while to get my head around, but this ultimately adds to the strangeness of the insular world these ‘droogs’ inhabit. Though it was first published in 1962, I think this is still a very relevant and unflinching look at the place of violence in society.
In Anthony Burgess's influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends' intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess's introduction, "A Clockwork Orange Resucked."
I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
There’s a driving intensity to this book's narrative and atmosphere, which remains as compelling and fresh today as when I first read it years ago. Part of its power derives from Eugenides’ use of first-person plural narration through the collective voice of a group of neighborhood boys still haunted, years later in adulthood, by the untimely deaths of five adolescent sisters in 1970s suburban Michigan.
Part-detectives, part-elegists, they piece together their memories of not only the girls but of a particular place and time now vanished. I’m always struck by the book’s deft melding of pathos and humor and by the way that what is essentially a personal suburban tragedy gradually begins to speak to a wider malaise that calls into question the American dream itself.
Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience - classics which will endure for generations to come.
That girl didn't want to die. She just wanted out of that house. She wanted out of that decorating scheme.
The five Lisbon sisters - beautiful, eccentric and, now, gone - had always been a point of obsession for the entire neighbourhood.
Although the boys that once loved them from afar have grown up, they remain determined to understand a tragedy that has defied explanation. The…
I loved bars before I could drink. Maybe it was a steady diet of Cheers reruns as a child. Or perhaps it was growing up in Los Angeles, a city without a center, a city of cars, a city that seemed—at least when I was a child—to lack real community. Bars, in my imagination, provided that. So when I started actually finding myself in bars—and often working in them—I also found myself writing fiction, and those bars ended up in that fiction. In each of my novels, a bar is a gathering place for those wanting a church sans theology, a place, where, yes, everyone knows your name.
On any given day, this is my favorite book with one of my favorite bars, The Vine, a dive that Johnson describes as “like a railroad club car that had somehow run itself off the tracks into a swamp of time where it awaited the blows of the wrecking ball.” Is it a nice place? No. Would you take a date here? Not if you wanted them to respect you. Could you find yourself in mortal danger? Absolutely. But amongst the addicts and runaways, the small-time crooks and ne’er do wells, you’ll find moments of beauty that transcend the pain of everyday life, becoming, in its best moments, like reading scripture.
Jesus' Son is a visionary chronicle of dreamers, addicts, and lost souls. These stories tell of spiralling grief and transcendence, of rock bottom and redemption, of getting lost and found and lost again. The narrator of these interlinked stories is a young, unnamed man, reeling from his addiction to heroin and alcohol, his mind at once clouded and made brilliantly lucid by these drugs. In the course of his adventures, he meets an assortment of people, who seem as alienated and confused as he; sinners, misfits, the lost, the damned, the desperate and the forgotten. Our of their bleak, seemingly…
I have a congenital heart disease in which I go into spontaneous cardiac arrest, and I am now 1% bionic (I have an ICD—defibrillator and pacemaker—implanted). Ever since waking up from that surgery, I’ve changed my perspective on what it means to live in the Venn Diagram overlap of “human” and “machine.” My heart—an organ at the heart of so many metaphors about love and emotion—is not like everyone else’s. It is connected to a battery to keep me alive. I write about what it means to be human to better understand myself.
This story and its questions of eugenics and our place in society really horrified me, not because it was unbelievable, but precisely because it was far too real. The genetic superiority/inferiority, coupled with social indoctrination into our “advanced” society, made me meditate a great deal on what it means to be human.
What are humans without societal pressures? The way Huxley looked at the costs of freedom was really compelling. And in so many ways, he accurately predicted the destructive side of the social microscope that we all live in today under social media.
**One of the BBC's 100 Novels That Shaped Our World**
EVERYONE BELONGS TO EVERYONE ELSE. Read the dystopian classic that inspired the hit Sky TV series.
'A masterpiece of speculation... As vibrant, fresh, and somehow shocking as it was when I first read it' Margaret Atwood, bestselling author of The Handmaid's Tale.
Welcome to New London. Everybody is happy here. Our perfect society achieved peace and stability through the prohibition of monogamy, privacy, money, family and history itself. Now everyone belongs.
You can be happy too. All you need to do is take your Soma pills.
I’ve always had a healthy dose of skepticism, having been a scientist before I was an author. I look for the con when something’s too good to be true, even in fiction…so don’t insult me by saying, “a magic amulet that makes everyone nice all the time.” If you want me to believe in pixie dust, tell me what’s in place to keep pixie dust smugglers from rigging the system. I raised smart, critical-minded kids, so I always pointed them to my own favorite young-audience books: those that felt real, even if they were fantastical, instead of ones with the more common “just trust me” attitude.
This book was a turning point for me in Harry Potter. There’s darkness in the books before it, but I still feel like Rowling was pulling her punches. Instead of sunshine and rainbows, this is where things got real.
I steamrolled through it in days and don’t normally read that fast. My wife and I had to buy our own copy, and I had to outrace her so her poorly concealed reactions couldn’t spoil anything for me.
We finally see how the wizarding world works in good and bad aspects, down to corruption and the fallibility of otherwise-squeaky-clean characters. If wizards and magic were real, this book was the first one balanced enough to make me believe it.
The fifth adventure in the spellbinding Harry Potter saga - the series that changed the world of books forever
Dark times have come to Hogwarts. After the Dementors' attack on his cousin Dudley, Harry Potter knows that Voldemort will stop at nothing to find him. There are many who deny the Dark Lord's return, but Harry is not alone: a secret order gathers at Grimmauld Place to fight against the Dark forces.
Harry must allow Professor Snape to teach him how to protect himself from Voldemort's savage assaults on his mind. But they are growing stronger by the day and…
I am fascinated by first-person points of view. In writing plays and screenplays, I couldn’t write the inner thoughts of my characters. Now, in novels and short stories, I do that almost exclusively, even if the stories contain multiple narrators. I love the Unreliable Narrator—whether it is someone too young to understand what they are witnessing, someone who is in denial, or mentally ill, or a non-human experiencing the world in an odd way—the discrepancy between their view and mine delights me. I love discovering all those inner thoughts, fears, anxieties, and desires. These first-person stories let me into another’s experience and allow me to empathize with a whole new perspective.
This stunning book puts me in the head of a young boy with a neurodivergent way of seeing the world. I picked up this book before a cross-country flight and couldn’t stand that we landed, and I would have to stop reading for the drive home.
It immersed me in Christopher’s dilemma of trying to make sense of people. The most trivial things become massive. I was hurtled along with him for a harrowing, incredible journey. Profoundly moving!
'Mark Haddon's portrayal of an emotionally dissociated mind is a superb achievement... Wise and bleakly funny' Ian McEwan
The Curious Incident of the Dog in the Night-Time is a murder mystery novel like no other. The detective, and narrator, is Christopher Boone. Christopher is fifteen and has Asperger's Syndrome. He knows a very great deal about maths and very little about human beings. He loves lists, patterns and the truth. He hates the colours yellow and brown and being touched. He has never gone further than the…
