97 books like The Magus

There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.

It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series. 

Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.

I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.

In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero. 

Another book that inspires a strong memory of where I was when I read it. This time I was on a winter holiday in Scotland with my family and certain scenes are burned into my mind, so expertly were they written. This novel has a superb hero, great setting in Roman Britain, and the legendary warrior-queen, Boudicca. What more could you ask for? Hero of Rome is full of action and adventure and kicks off an excellent series that really doesn’t get the attention it deserves.

A collection of interlinked short stories about the volcanic destruction of Pompeii which works better than I thought it would. A lot better, as this is one of the most moving books I’ve ever read, bringing me to tears in places. Six authors, all looking at the doom of quite different characters, from gladiators to senators to a pregnant woman and more, you expect the whole thing to be utterly depressing but, somehow, it isn’t. I must admit I read this when I was in a very fragile state of mind having just suffered a terrible tragedy of my own, so it’s possible that affected my reading of A Day of Fire and how I responded to it, but I know it was extremely well written and I was so glad to have read it. I think you should too.

The perfect crime? Actually not! It was so imperfect that it turned into the perfect crime by just pure luck. No clues were left behind. In fact, there was nothing to trace the murder back to the murderer except his own guilt. 

His guilt turned out to be his biggest punishment. When he finally surrenders, he feels at peace–the long-eluded peace. 

This book is the first story of the Southern Sea and the first true English novel. Full of sailing ships, stormy seas, symbolism, exotic desert islands, muskets, wild boars, and cannibals, it set the standard for every adventure story that followed. 

I love the narrative of a lone castaway—facing the ultimate tests of nature to triumph over hardship. Robinsonade, a new renegade literary genre, emerged in which the hero is suddenly isolated from the comforts of civilization, marooned on a secluded island, tropical, uninhabited, and uncharted. He must improvise to become self-sufficient from limited resources.

Like my own hero quest, solitary conflict was required for character development, and the solitude led back to society and survival, or the ordeal would have no meaning. 

I love how the protagonist conceals the truth through his sophistication and charm. His pedophilia and rape are hidden behind an extensive network of lies about his alleged obsession with nymphets. ‘Between the age limits of nine and fourteen, there occur maidens who, to certain bewitched travelers, twice or many times older than they reveal their true nature, which is not human, but nymphic (that is, demoniac).’

With a simple two-faced name, Humbert Humbert is a narrator with many faces, one of the more complex and discussed in literary studies. He writes his story in prison, forever imprisoned ‘between the age limits of nine and fourteen,’ although his supposed autobiography breaks the walls of his time and that of his nymphets as a timeless flow of perverse mental and linguistic games.     

A world that has gone forever, portrayed by one of our finest novelists.

Nostalgic bliss in the Oxford of the 1930s, with its dreaming spires and punts down the Isis in the sunshine. The scene shifts to the aristocratic world of the eponymous stately home in its heyday before the war and in the very different conditions of wartime. It was hard for me not to feel pangs of sadness at not being part of this world – I failed the entrance exam to Oxford in 1960.

A masterclass in how to create characters and settings.

Shōgun is a historical novel set in 17th-century feudal Japan that is based on the life of an English sailor named Will  Adams who is shipwrecked there.

He became a samurai and a confidant of a warlord based on Ieyasu Tokugawa. It is a meticulously researched and richly detailed novel that combines historical events with fictional characters and storylines, dealing with themes of honor and loyalty in a world of samurai and daimyos.

It also explores relationships between Japanese and European traders, highlighting the clash of Western and Eastern values. At over 560,000 words long, it is a spellbinding narrative that offers an encyclopedic exploration of Japanese history, culture, customs, and traditions of Japan. It started a Japan craze in the United States when it was first published.