95 books like The Magus

There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.

It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series. 

This is one classic that everyone should read because it’s a pleasure to do so. I read this as a 13-year-old, and it quickly became the yardstick against which I measured every other love story. Yes, it’s a love story, and that is the heart of this book, but it’s not a sappy romantic tale. 

This book explores class structures, mental disorders, and a glimpse into another time. Intense yet leashed emotions form the backbone of the story. As a teen and even now, the brooding, dark quality of this tale really appeals to me.

Another book that inspires a strong memory of where I was when I read it. This time I was on a winter holiday in Scotland with my family and certain scenes are burned into my mind, so expertly were they written. This novel has a superb hero, great setting in Roman Britain, and the legendary warrior-queen, Boudicca. What more could you ask for? Hero of Rome is full of action and adventure and kicks off an excellent series that really doesn’t get the attention it deserves.

A collection of interlinked short stories about the volcanic destruction of Pompeii which works better than I thought it would. A lot better, as this is one of the most moving books I’ve ever read, bringing me to tears in places. Six authors, all looking at the doom of quite different characters, from gladiators to senators to a pregnant woman and more, you expect the whole thing to be utterly depressing but, somehow, it isn’t. I must admit I read this when I was in a very fragile state of mind having just suffered a terrible tragedy of my own, so it’s possible that affected my reading of A Day of Fire and how I responded to it, but I know it was extremely well written and I was so glad to have read it. I think you should too.

A classic must-read for anyone who is satiated by oxygen. I love the psychology of the main character. His decline after committing an atrocity is notable for its detail. The concern shown for him by his friends and family, who do not know the truth, feels natural and warranted in spite of the reader's knowledge.

Is it possible to feel empathy for someone who commits such an act? In a strange way, I found myself questioning my own biases on the topics of crime and punishment after reading this classic. 

This book was the granddaddy of the adventure genre. Writing in the 1700s, Defoe provided all the touch-points that have dominated the genre to the present day – desert island, castaway, man Friday, fear of man-eating beasts – almost all of which I have used in a book written in the 2020s (although my Alix did not find a man Friday). As possibly the first fictional story of human survival it created a template for all that followed. Each of the books I have mentioned, including my own, have to deal with endless problems from the mundane (what can I eat?) to the sublime (what am I here for?) and despite some occasional sermonising, Defoe showed us how to do it. I have just reread it for the fourth time, and yes, I skipped some passages, but nonetheless, it’s a rollicking good read.

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Lolita isn’t usually thought of as a crime novel but it is.

Thirty-seven-year-old Humbert Humbert stalks 12-year-old Lolita, then breaks all kinds of laws, moral, ethical, and legal, as he transports her across state lines.

The first time I read Lolita, I was dazzled by Nabokov’s stunning use of language—and remember, English was not his native tongue—word-play, and his ability to create full-blooded characters that leap off the page.

Nabokov pulls off this morally compromised tale with wit and humor, while dealing with the serious topic of pedophilia.

Reading Lolita gave me license to create morally challenged characters like Francis Hoyt, one of the protagonists in my novels.

Nabokov proved you don’t have to like, admire, or even feel a kinship with a character, so long as that character is interesting and compelling enough that readers are fascinated about him or her without being turned off.

A world that has gone forever, portrayed by one of our finest novelists.

Nostalgic bliss in the Oxford of the 1930s, with its dreaming spires and punts down the Isis in the sunshine. The scene shifts to the aristocratic world of the eponymous stately home in its heyday before the war and in the very different conditions of wartime. It was hard for me not to feel pangs of sadness at not being part of this world – I failed the entrance exam to Oxford in 1960.

A masterclass in how to create characters and settings.

Shōgun is a historical novel set in 17th-century feudal Japan that is based on the life of an English sailor named Will  Adams who is shipwrecked there.

He became a samurai and a confidant of a warlord based on Ieyasu Tokugawa. It is a meticulously researched and richly detailed novel that combines historical events with fictional characters and storylines, dealing with themes of honor and loyalty in a world of samurai and daimyos.

It also explores relationships between Japanese and European traders, highlighting the clash of Western and Eastern values. At over 560,000 words long, it is a spellbinding narrative that offers an encyclopedic exploration of Japanese history, culture, customs, and traditions of Japan. It started a Japan craze in the United States when it was first published.