100 books like Lolita

This is my candidate for the Great American Novel. Read it for its storyline and its fascinating chapters on whales. Along the way, you’ll encounter discussions about race, religion, friendship, and the virtuous life.

Some of my students ask, “Why does Melville digress so much?” My response: persist in reading this work. What at first seems extraneous becomes vital. You’ll discover a masterpiece.

A multi-day walking trip requires a page-turning thriller. It is one of the most intriguing mysteries I’ve ever read. It dragged me into another world and then deeper into a story within a story. Lying in uncomfortable beds in noisy hostels while backpacking in Australia, I was beguiled and forgot my own reality.

Years later, this book stayed with me and influenced my debut novel despite, I think, never really understanding it. However, writing this review has made me start reading it again. I’m already baffled, but I'm hooked!

Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.

I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.

In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero. 

Why people lie is often as interesting as the lie itself for me. This book lays this out as Korede finds herself being a protective big sister to the beautiful Ayoola, a woman with an unfortunate hobby of bumping off men she dates. Despite the darkness of the subject matter, it’s a story full of humor as Korede finds herself telling lie after lie and getting in way over her head to cover up her sister’s murders.

I’ve got two sisters (none of us serial killers!), and it’s funny how much of this tale is relatable! It’s fresh and sharp, with a rich vein of humor that had me chuckling through much of it.

I love a clever sociopath. I felt myself strangely rooting for the main character, hoping that he would continue to evade the law and get away with his crimes. I liked the way the author built up this person, showing how smart, adaptive to changing circumstances, and manipulative he could be. I liked the backstory of social deprivation breathing life into his mysterious persona.

Ripley’s constant need for a new identity, desperate to escape from his past and humble origins, as well as grappling with his sexual identity, sustained my interest throughout the novel. It made me wonder what percent of the population would do anything to become someone else.

This is a Gothic suspense classic, but the suspense is gradual in the most delicious way. The book begins with a 1930s meet-cute in which a young paid companion to a rich and unpleasant woman meets a wealthy, unhappy widower at a resort. The young woman befriends the man while her employer is bedridden with a cold, and the two share some funny and touching moments.

The Gothic part comes when he unexpectedly proposes marriage, and they return to his gargantuan family estate, Manderley, which was formerly run by his late wife, Rebecca. Now, the spookiness permeates the story, from the shadowy corners of the mansion to the constant watchfulness of the very creepy housekeeper, Mrs. Danvers. Rebecca has been in print for almost a hundred years, and that alone is evidence of its awesomeness.

In this modern feminist era, Maxim DeWinter might seem horribly patriarchal, but it’s utterly believable… show more.

In his tragicomic novel The Good Soldier, Ford Madox Ford’s thickheaded narrator John Dowell trolls, over and over again, through the detritus of his life, searching vainly for the origins of his predicament—namely, that he has been duped by his wife and her lover, his supposedly best friend and the “good soldier” of the novel’s title. When Dowell finally succumbs to the utter hopelessness of his situation, he turns away from his audience in a brash attempt to bargain with a misbegotten universe, and his dreams of an impossible reconciliation with the world become our own: “Is there any terrestrial paradise where, amidst the whispering of the olive-leaves, people can be with whom they like and have what they like and take their ease in shadows and in coolness?” In his greatest moment of anguish and uncertainty, Dowell grasps for the poetry of language to sate his weary soul.

I loved Margaret Atwood’s book, a cautionary story that shows how the extreme distortion of religious ideologies can lead to devastating outcomes. Offred endures unimaginable hardship under the guise of religious piety, but the reality is much more twisted.

Her determination to survive in such harrowing circumstances is inspiring and challenges us to reflect on our views and norms. 

When it comes to finding inspiration in our memories, Marcel Proust is literature’s gold standard. The French novelist devoted the balance of his life to the art of refracting his memories through the lens of his writerly self. Proust understood implicitly that our memories are triggered by sensory experiences—sights, sounds, smells, and touch, to be sure—but most especially through the pleasures of the text. In Du côté de chez Swann, the first volume of his epic À la recherche du temps perdu, Proust interrogates the ways in which memory is catalyzed by the senses, while comprehending, at the same time, the manner in which the reality of our memories becomes shaped by the ruinous work of nostalgia, of a sentimentality that exists beyond our ken.

I read this fine book when it first came out with all its allusions to free sex and promiscuity. The theme is an elegant allegory about an American married couple who trade civilization for the wilderness of the Sahara.

I like how both were first seduced by the desert's eternal beauty, and in the end, both surrender psychologically and physically to the desert's deep dark undercurrents backdropped by an uncompromising, deeply different culture.