The best mysteries that are cozy and funny, but also contain a spooky, Gothic undertone

This book has the winning combination of everything I love!

First, a spooky setting—in this case, the salt marshes on the Norfolk coast. They have a dismal beauty, but they are full of dangers like sudden tides and quicksand-like marsh mud. Second, a strong female protagonist. Ruth Galloway is a delight. A noted archaeologist who teaches at Norfolk University, Ruth is independent, intelligent, and curious. Third: Romance. Ruth forges a connection with DI Harry Nelson, who calls upon her services to identify the age of some bones. Fourth: Humor. This book, though often scary in a deliciously Gothic, historical way,  is also hilarious.

I like a book that isn’t relentlessly grim! But I also love a good mystery, and this one meets that criterion. It is the first in a series, and I have read them ALL.

Mary Stewart was the greatest of the Romantic Suspense writers of the 20th Century. I discovered her as a teenager, but I still re-read her books today. This book is an homage to Shakespeare’s The Tempest (including the title), and Stewart weaves in clever allusions throughout this suspense novel.

The first great thing is the setting: Corfu, a Greek island, is said by locals to be the magical island of Prospero, the magician. The young narrator goes to this island. She needs to get away from her failed acting career, and her sister is pregnant and needs care. But the island is full of mystery, and something is not right with the wealthy and eccentric neighbors, two of whom live in an old castle.

This book contains everything from my first recommendation. Spooky setting? Check. Great heroine? Check. Romance? Yes, indeedy. With passages I have re-read many times. Humor: Check. Subtle but wonderful. And a good overall mystery? Yes! Wonderfully literate and genuinely exciting, with poetic descriptions of the setting that made me drool.

This is a Gothic suspense classic, but the suspense is gradual in the most delicious way. The book begins with a 1930s meet-cute in which a young paid companion to a rich and unpleasant woman meets a wealthy, unhappy widower at a resort. The young woman befriends the man while her employer is bedridden with a cold, and the two share some funny and touching moments.

The Gothic part comes when he unexpectedly proposes marriage, and they return to his gargantuan family estate, Manderley, which was formerly run by his late wife, Rebecca. Now, the spookiness permeates the story, from the shadowy corners of the mansion to the constant watchfulness of the very creepy housekeeper, Mrs. Danvers. Rebecca has been in print for almost a hundred years, and that alone is evidence of its awesomeness.

In this modern feminist era, Maxim DeWinter might seem horribly patriarchal, but it’s utterly believable that men of the 30s were that way; one should also remember that a staple of Gothic fiction is “domineering men.” So you have to get into the genre, which I do every time I read it.

I began reading Grimes in the 80s, but her books still hold up today, and this one establishes all of the cozy/Gothic things I love. Grimes has a gift for ironic humor, so even though she sets her books in a very cozy English village called Long Piddleton, she tends to satirize the residents and the narrow-mindedness of the provincial town.

In this way, she is similar to Agatha Christie, except that Grimes is much funnier. In this small town, Melrose Plant, a Lord by inheritance who has thrown off his title and tries to live a quiet life in the family manse, is a long-suffering, sane person in an often chaotic existence. He is continually terrorized by his “Aunt Agatha,” an American who married his uncle and refers to herself as “Lady Ardry,” although her late husband had no title. Their relationship is a source of great humor, but Plant also finds a friend in the visiting Scotland Yard detective, Richard Jury, and Jury’s rather sad and lonely life brings in the darker side of the story—the grisly murders committed in a traditional English pub.

I love the fact that all of Grimes’s Jury titles are named after real English pubs, and this is the first in a great series. I’ve also noted that later writers, such as the great Elizabeth George, were clearly inspired by Grimes and even modeled some of her motifs.

No one writes suspense like Ruth Ware! Her books are all compelling page-turners, and yes, she follows my magic formula. All of her heroines are young women who go from a stable existence to some sort of fish-out-of-water situation that creates suspense. In this book, the young narrator, down on her luck, decides to respond to a letter claiming she is an heiress. While she knows that the letter has been sent to her because she bears the same name as the real heiress, she decides to claim the family fortune, or whatever she can get, and then run away.

But when she is introduced to the mysterious family members and finds that there are skeletons in the ancestral closet, she starts to feel trapped. At this point, I am nestling in with the popcorn and Diet Coke because this is the evening’s entertainment. I love the way Ware pushes her characters onto thinner and thinner ice until I am holding my breath, genuinely afraid they will fall. It has a lovely Gothic setting, an intrepid heroine, a clever plot, and a nice mix of cozy and Gothic.