Rebecca

Gorgeous. The prose is stunning, and the story slowly wraps itself around you in such a gentle way that you don't realize you've become obsessed until it's much too late.

I will be dreaming of Manderley for a long time.

Rebecca is unsettling and gothic, perfectly paced with excellent dialogue and a protagonist who is both unreliable and compelling.

This is a Gothic suspense classic, but the suspense is gradual in the most delicious way. The book begins with a 1930s meet-cute in which a young paid companion to a rich and unpleasant woman meets a wealthy, unhappy widower at a resort. The young woman befriends the man while her employer is bedridden with a cold, and the two share some funny and touching moments.

The Gothic part comes when he unexpectedly proposes marriage, and they return to his gargantuan family estate, Manderley, which was formerly run by his late wife, Rebecca. Now, the spookiness permeates the story, from… show more.

I believe that the best haunted house books are ones in which it’s the characters who are haunted. In this book by Daphne du Maurier, I’m not sure if the house is haunted by the specter of Rebecca, but I know the narrator certainly is.

I love how the author creates an atmosphere filled with dread as the new wife imagines her predecessor, tries to live up to her reputation, and finally learns who she really was. 

The Trope: The Gothic Suspense

Rebecca is a classic. I’ve read it and watched the movie so many times I’ve lost count. It was my introduction to what has become one of my favorite thriller tropes—Gothic Suspense. All the elements are there: the sprawling mansion, the romantic lead with a dark, mysterious past, the insecure heroine, and the evil servant.

For me, it’s a world that’s both familiar and unsettling. I love almost any book in this subgenre, but Rebecca is the star.

Daphne Du Maurier has made a permanent mark on my soul. Whether it was Hitchcock's adaptation of The Birds, which I watched when I was far too young, or the wrecked ships of Jamaica Inn, her imagery and ideas are unforgettable. 

And like the titular character of Rebecca, part of me still roams the halls and grounds of Manderley. I first encountered the story at a transitional moment in early adulthood. Having been a child drawn to spooky stories about ghouls and spectres, this book marked the moment I came to understand that not every haunted house… show more.

This book begins with only the most famous first line of a novel in English literature. (Move over, Jane Austen.)

Wistful, mysterious, and yearning, the unnamed narrator of Rebecca follows her much older husband to his luxe estate in England after a hasty marriage in France. There, she encounters a housekeeper bent on humiliating her (or worse) and the specter of her new husband’s perfect first wife, who died unexpectedly.

Even knowing what will happen, I am sucked in every time. This hits that great spot between outright horror and suspense, and my next book will be heavily influenced by… show more.

While I am a tremendous fan of Daphne DuMaurier’s uncanny short stories, in particular, The Birds and Don’t Look Now, I reserve my greatest love and admiration for her modern Gothic masterpiece Rebecca.

While Alfred Hitchcock’s film version is justifiably a classic, it cannot capture the richness of DuMaurier’s prose nor the powerful first-person perspective of the narrator, the unnamed newlywed of a wealthy widower who finds herself cursed to always be in the shadow of his first wife, the eponymous Rebecca. It also can’t quite evoke the oppressive atmosphere of Manderley, silent and secretive, ancient and beautiful,… show more.

You can’t mention du Maurier’s Rebecca without mentioning Manderlay. The estate is essential to the entire spooky tale. I loved the way the house on a cliff feels sentient and antagonistic without the story ever venturing into the paranormal or supernatural. The reader is in the narrator’s head the entire time, and we’re left wondering what she’s imagining and what’s real. It’s such a well-crafted, haunting story. 

I also enjoyed the exploration of realistic morally gray characters: Maxim, Rebecca, Mrs. Danvers, and Jack. Everyone was at odds with the second Mrs. DeWinter, and their motivations were all complex and wonderfully… show more.

You can’t have a discussion about gaslighting without including this book. 

From the first time the unnamed protagonist speaks, I felt a sense of dread as if I were trapped in Manderley with Rebecca. I suspected all wasn’t what it seemed to be, but the author made it difficult for me to recognize the truth behind the haunting fiction.

I was captivated from the beginning to the shocking but satisfying ending.