10 books like The Winter King

Like most people, I love a good scary story. Ironically, I consider this non-horror novel to be the scariest book ever written. That alone is an extraordinary accomplishment.

The Magus centers on a young teacher who moves to an isolated Greek island where he becomes so manipulated by a Svengali-type character that he loses his sense of self and even of reality.

For me, it did something else. Something personal. It got to me. It totally wigged me out. It triggered my own instinctive fears and apprehension about losing control to malicious mental trickery. Now that is scary.

Jane Eyre is a book I read and teach at least once a year. Its early section about childhood is, for me, the archetype of all impossible childhoods. Jane is orphaned, misunderstood, oppressed by the awful relatives who take her in, and abused by officials of Lowood School, the institution they palm her off on. Deprivation and hunger are the daily facts of her life. Humiliation, physical “punishment,” and the threat of hell are used to control her fellow wards. She is not so easily controlled. She watches while some of her fellow children, including her beloved friend Helen Burns, die because of infections caused by unhygienic conditions and malnutrition.

Despite it all, she retains an authenticity, a sense of herself that she refuses to violate to curry favor or reduce the harshness of her treatment. She remains a truth-teller, a natural detector of the pompous and hypocritical. She questions… show more.

Another book that inspires a strong memory of where I was when I read it. This time I was on a winter holiday in Scotland with my family and certain scenes are burned into my mind, so expertly were they written. This novel has a superb hero, great setting in Roman Britain, and the legendary warrior-queen, Boudicca. What more could you ask for? Hero of Rome is full of action and adventure and kicks off an excellent series that really doesn’t get the attention it deserves.

A collection of interlinked short stories about the volcanic destruction of Pompeii which works better than I thought it would. A lot better, as this is one of the most moving books I’ve ever read, bringing me to tears in places. Six authors, all looking at the doom of quite different characters, from gladiators to senators to a pregnant woman and more, you expect the whole thing to be utterly depressing but, somehow, it isn’t. I must admit I read this when I was in a very fragile state of mind having just suffered a terrible tragedy of my own, so it’s possible that affected my reading of A Day of Fire and how I responded to it, but I know it was extremely well written and I was so glad to have read it. I think you should too.

I studied magic, sorcery, and spirit possession as a student anthropologist for a few months in Indonesia in the late 1980s. Thirty-odd years later, when I came to write a series of novels about Viking warriors being possessed by the spirits of bears and wolves, which they believed lent them a berserk frenzy in battle, I drew on my own meagre experience and on the far more impressive work of Neil Price, a professor of Archaeology at Uppsala University and expert on the pre-Christian religions. In The Viking Way, Price explains Viking belief systems and tackles occult subjects such as seithr, shamanism, and the supernatural empowerment of aggression eloquently and extensively. I couldn’t have written my novels without his illumination.

Something of a forgotten classic, this used to be the most widely read novel in Sweden. Though not strictly a book about English history, the story describes the impact of the raids of the Northmen on England through the eyes of our protagonist, Red Orm, and details his adventures in Moorish Spain, Ireland, Sweden, and the Byzantine Empire. This is a classic tale of exploration and discovery that also manages to present us with a very believable view of the late 10th-century world, especially that of Anglo-Saxon England during the reign of Ethelred the Unready. If you enjoy high adventure and have any interest in the Vikings and the culture that bore them this is an excellent addition to your library.

Founding text of the modern fantasy genre, expander of Homer's beautiful or horrific fantastic gallery; but unlike Odysseus or Christian, Tolkien's characters change, either to grow or become "better," or to spectacularly regress. This novel-type flux matches his unique gift, the modulation of style. Most good writers can find one "voice" and maintain it. But unlike the films, the books will show you Tolkien starting in a cozy-children's-story mode in the Shire, rising to the King James Bible or mythic level of Gandalf's resurrection story, or the Fields of Cormallen – and then drawing the whole vast arc of quest and war down into Sam's circle to the Grey Havens, and the six concluding so-simple monosyllables: "'Well, I'm back," he said."

The TV show, Game of Thrones, only followed the first book, this book, to the letter, however, in spite of this, I still prefer the book. The descriptions of the characters, their inner thoughts, their adventures, their tragedies. It’s Shakespearian in scale. If Shakespeare had the chance to know of the horror of what it takes to be an honest man like Ned Stark, he’d be inspired to write a play on this. I know my own writing has been greatly influenced by Martin. 

An Instance of the Fingerpost engages with the intellectual world of the seventeenth century in a complex and compelling mystery of misdirection, with multiple shifts of perspective. It’s a way of thinking—and of blindly feeling—through the science of the day, as well as through the shifting layers of plot. And though the focus in this instance is the mind—this is a thinking, not a feeling book—it is quite literally a story of the heart: of the scientific debate about the circulation of the blood.

The ’fingerpost’ is a reference to the typographical marker used in the margins of black letter books to help the reader navigate the text. And it’s a reminder that books, historical or not, look to other books to find their place in history. So Henryson begins with his reading of Chaucer, Lupton quotes from classical and older English works, Macaulay resurrects the ghosts of long-dead words,… show more.

I’ve read pretty much everything by Bernard Cornwell, but The Last Kingdom (the first in a series of 13 novels) is most definitely my favorite, not only because it takes place during a time of English history I am most familiar with (very early Middle Ages), but because Uthred!! If you’ve seen the Netflix series, you know what I mean. I have a thing for warrior heroes, in case you haven’t noticed, and Uthred is the ultimate. The story is loosely based on a 9th-century warlord named Uthred the Bold—I recently learned that Cornwell is his descendent. Pretty cool. No one writes better historical content than Cornwell, blending fact and fiction so seamlessly, you’d think you were reading a very exciting history book.